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Read my review here: https://bookbumzuky.wordpress.com/2017/01/23/the-spider-and-the-fly-by-claudia-rowe/
As you may have noticed from the other reviews, this book is <i>not</i> a retelling of a serial killer's crimes, how he did them, how he got away for so long, and eventually, how he got caught. This is much more about a (platonic) relationship between journalist and killer.
Rowe is a journalist who becomes <i>obsessed</i> with Kendall, a convicted convicted serial killer of eight women, and at times, reading about this deep fascination gets a little uncomfortable. Openly admitting that she feels a sense of importance and flattery at having so much on Kendalls attention seems pretty disgusting, but she then admits that she now knows these feelings were inappropriate and has come to realise that her obsession got the better of her.
I have to agree with other reviews, that this book is a little all over the place. Rowes writing is absolutely gorgeously put all the way through, its really poetic, its just that the structure is a bit off. Topics skip all over the place and it can sometimes be hard to grasp how one thing connects to the next.
In the end, I actually really enjoyed this novel even though it wasnt a classic true crime kinda novel. It was interesting seeing the correspondence between the two of them and getting the feel for how someone like Kendall works in a different way to us. Im not really interested to read all about the Attica riots, so that will be a new addition to my bookshelf soon, Im sure!
If you like going through a true crime novel finding out what the killer did in chronological order, what drove them to do it and some of the more gruesome details of their crimes, then this probably isnt the novel for you, but if you like something a little more personal and moving I would recommend giving this one a try.
Thanks to the publisher for sending me a free copy in exchange for a review!
As you may have noticed from the other reviews, this book is <i>not</i> a retelling of a serial killer's crimes, how he did them, how he got away for so long, and eventually, how he got caught. This is much more about a (platonic) relationship between journalist and killer.
Rowe is a journalist who becomes <i>obsessed</i> with Kendall, a convicted convicted serial killer of eight women, and at times, reading about this deep fascination gets a little uncomfortable. Openly admitting that she feels a sense of importance and flattery at having so much on Kendalls attention seems pretty disgusting, but she then admits that she now knows these feelings were inappropriate and has come to realise that her obsession got the better of her.
I have to agree with other reviews, that this book is a little all over the place. Rowes writing is absolutely gorgeously put all the way through, its really poetic, its just that the structure is a bit off. Topics skip all over the place and it can sometimes be hard to grasp how one thing connects to the next.
In the end, I actually really enjoyed this novel even though it wasnt a classic true crime kinda novel. It was interesting seeing the correspondence between the two of them and getting the feel for how someone like Kendall works in a different way to us. Im not really interested to read all about the Attica riots, so that will be a new addition to my bookshelf soon, Im sure!
If you like going through a true crime novel finding out what the killer did in chronological order, what drove them to do it and some of the more gruesome details of their crimes, then this probably isnt the novel for you, but if you like something a little more personal and moving I would recommend giving this one a try.
Thanks to the publisher for sending me a free copy in exchange for a review!
BookblogbyCari (345 KP) rated A Whole New World in Books
Sep 23, 2018
Book Review by Cari Mayhew. Rating 7/10.
This book is a much darker retelling of Disney’s Aladdin, and is the first in a series of darker Disney retellings! It starts off pretty much the same as the film – Princess Jasmine meets petty thief “Street Rat” Aladdin while sneaking out of the Palace, and later the conniving Jafar tricks Aladdin into obtaining the lamp - but things go a whole lot worse once Jafar gets hold of it!
Jafar wishes himself to be made the Sultan, and the most powerful sorcerer of the world. But that’s not enough – Jafar seeks to break the genie’s rules of magic, in order to bring the dead back to life to raise an army of the undead! Jafar kills the former Sultan and declares he wants to wed Princess Jasmine, who, meanwhile, meets up with the Street Rats to lead a full-on rebellion. They attempt to intercept the delivery of magic book sought by Jafar, but things don’t go according to plan!
Braswell imitates the original Disney tale for the first third of the book and really fleshes it out with scene description and attention to Aladdin’s and Jasmine’s thoughts. Some of these scenes are different, yet the first half remains very true to the original. After this point the action really heats up!
The genie took a less prominent role in the latter part of the book than he did in the film. The inclusion of more minor characters added a depth to the novel that was missing in the film, and allowed the underlying themes to develop. There was a strong theme on the grey area between right and wrong, and how doing a minor wrong can help the greater good.
Fortunately (IMO) the book didn’t include the lyrics to the musical numbers! Unfortunately, however, the book is only available in paperback. Some of the story was predictable, including how it ended, but there was the odd surprise in there - all in all, I feel this book has got the Twisted Tales series off to a great start!
You can follow all my book news and reviews on bookblogbycari.com
This book is a much darker retelling of Disney’s Aladdin, and is the first in a series of darker Disney retellings! It starts off pretty much the same as the film – Princess Jasmine meets petty thief “Street Rat” Aladdin while sneaking out of the Palace, and later the conniving Jafar tricks Aladdin into obtaining the lamp - but things go a whole lot worse once Jafar gets hold of it!
Jafar wishes himself to be made the Sultan, and the most powerful sorcerer of the world. But that’s not enough – Jafar seeks to break the genie’s rules of magic, in order to bring the dead back to life to raise an army of the undead! Jafar kills the former Sultan and declares he wants to wed Princess Jasmine, who, meanwhile, meets up with the Street Rats to lead a full-on rebellion. They attempt to intercept the delivery of magic book sought by Jafar, but things don’t go according to plan!
Braswell imitates the original Disney tale for the first third of the book and really fleshes it out with scene description and attention to Aladdin’s and Jasmine’s thoughts. Some of these scenes are different, yet the first half remains very true to the original. After this point the action really heats up!
The genie took a less prominent role in the latter part of the book than he did in the film. The inclusion of more minor characters added a depth to the novel that was missing in the film, and allowed the underlying themes to develop. There was a strong theme on the grey area between right and wrong, and how doing a minor wrong can help the greater good.
Fortunately (IMO) the book didn’t include the lyrics to the musical numbers! Unfortunately, however, the book is only available in paperback. Some of the story was predictable, including how it ended, but there was the odd surprise in there - all in all, I feel this book has got the Twisted Tales series off to a great start!
You can follow all my book news and reviews on bookblogbycari.com
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
Ross (3284 KP) rated The Paris Mysteries in Books
Dec 27, 2019
Crime fiction stripped bare - all tell
"Show, don't tell" is the mantra of many authors. It means give the reader the information so they can decipher the plot at their own pace, with various tidbits of information scattered throughout a book. It doesn't mean long rambling sections of exposition.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
Gareth von Kallenbach (980 KP) rated The Magnificent Seven (2016) in Movies
Jul 15, 2019
Full disclosure, I have never seen The 1960s Magnificent Seven film, nor do I care that at its core it is a retelling of the Japanese legend of the Seven Samurai. This is not a comparison review. Instead this is a simple review of what I watched on screen. Not beholden to anything other than itself as film and it being a western.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
Gareth von Kallenbach (980 KP) rated Cinderella (2015) in Movies
Aug 6, 2019
Throw together two beautiful faces from a couple of popular TV shows, award-winning veterans of the big screen, a director who loves to immerse viewers in story in the most spectacular of ways and what do you get? Sweet, magical enchantment.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
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TravelersWife4Life (31 KP) rated Star of Persia: Esther's Story in Books
Feb 24, 2021
I love the story of Esther!
This was my first time reading a book by Jill Eileen Smith and I truly liked it. I usually tend to stay away from Biblical fiction, as I want to remember the story as it happens in the Bible. However, I may revisit my stance on that after reading this wonderful retelling of Esther in the Star of Persia. I believe that Jill Eileen Smith helped me see Esther’s story from a completely new perspective that only added to my knowledge of the original Biblical story.
The whole book was liking being inside Esther’s head and seeing what she would have been going through during the virgin selection prosses, through her reign as Queen of Persia. This book also helped give words to the emotions Esther would have been experiencing as she was being taken away from her family, thrown into a completely new world, and knowing that she risked everything for the lives of her people. This book gave me a new respect for Esther and helped me to understand the enormity of what Esther did for the Jewish people. I think that the Star of Persia added to my understanding of that period and showed how amazingly God used an orphan to achieve great things for His people.
I loved the historical accuracy of this book as well. If you read the authors' note at the end of the book, Jill Eileen Smith explains some of the different variants, both Biblical and secular, about the story of Esther. An awesome fountain of facts! It helped me understand more of the intricacies of the Biblical story from a historical standpoint.
I give this book 5 out of 5 stars for the creative insights to the life and times of Esther, for giving me a better connection to the Biblical story, and for the great historical detail that went into making this book so accurate. I highly recommend reading this book.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
This was my first time reading a book by Jill Eileen Smith and I truly liked it. I usually tend to stay away from Biblical fiction, as I want to remember the story as it happens in the Bible. However, I may revisit my stance on that after reading this wonderful retelling of Esther in the Star of Persia. I believe that Jill Eileen Smith helped me see Esther’s story from a completely new perspective that only added to my knowledge of the original Biblical story.
The whole book was liking being inside Esther’s head and seeing what she would have been going through during the virgin selection prosses, through her reign as Queen of Persia. This book also helped give words to the emotions Esther would have been experiencing as she was being taken away from her family, thrown into a completely new world, and knowing that she risked everything for the lives of her people. This book gave me a new respect for Esther and helped me to understand the enormity of what Esther did for the Jewish people. I think that the Star of Persia added to my understanding of that period and showed how amazingly God used an orphan to achieve great things for His people.
I loved the historical accuracy of this book as well. If you read the authors' note at the end of the book, Jill Eileen Smith explains some of the different variants, both Biblical and secular, about the story of Esther. An awesome fountain of facts! It helped me understand more of the intricacies of the Biblical story from a historical standpoint.
I give this book 5 out of 5 stars for the creative insights to the life and times of Esther, for giving me a better connection to the Biblical story, and for the great historical detail that went into making this book so accurate. I highly recommend reading this book.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.