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Bob Mann (459 KP) rated Nomadland (2020) in Movies
May 5, 2021
Frances McDormand - outstanding acting (2 more)
Cinematography
A novel slice of American alternative lifestyle
Don't exit with your sail-boat still in the driveway
"Nomadland" sees a widowed and depressed Fern (Frances McDormand) take what she needs from her lockup garage and head out on the road in her beat-up converted camper-van. Taking work wherever she can get it, she joins and befriends a similar set of 'nomads', all equally battered by life in different ways.
Positives:
- Undeniably a superior motion picture, full of memorable imagery and with an incredible central performance from the impeccably dour Frances McDormand. Few actors can 'listen' and react as well as she can.
- A key part of this is the superb cinematography from (Brit-born) Joshua James Richards. This is a movie which I MUST revisit on the big-screen when the cinemas reopen in the UK in 2 week's time. I thought "Mank" was terrific (rather against the grain of many other movie fans) largely because of Erik Messerschmitt's glorious black-and-white cinematography. But I suspect Mr Richards (interestingly, Chloé Zhao's partner) was mightily hacked-off for missing out on the golden prize, as well he might be.
- It's difficult to rate the script on this one, primarily because it's difficult to know sometimes where the scripted bits end and the 'ad lib' parts begin. The majority of the cast are real nomads, recounting - presumably - their genuine life experiences. (The only exceptions, I believe, are Frances McDormand, David Strathairn and his son Tay Strathairn. The two Strathairn's last appeared on screen together in 1988's "Eight Men Out" when Tay was just eight years old!). As such, the film is an interesting blend of fiction and documentary.
- The movie skewers both capitalism and materialism nicely. As someone who has recently got off the corporate rat-race by retiring, the tale of the man who died before he could use the retirement sail-boat parked in his driveway resonated strongly (and made me very pleased with my decision!). We all get so wrapped up with running around the maze trying to find the cheese that it's often difficult to appreciate that 'getting off and cutting back' is a stress-free and acceptable option. (Not that I'm particularly cutting back, a la Fern..... start saving the retirement coppers early kids!!)
- The movie is also an effective study of grief and the different ways in which people come to terms with it. (Although that does make the overall film feel like a bit of a downer).
- Beautiful classical accompanying music by the great Ludovico Einaudi.
Negatives:
- I really loved this movie for its first hour. But then, for me, the story didn't really maintain my full interest. It was all a bit grey and bland. Did Fern really have much of a story-arc here? She started off at point A and ended up at point B where AB is a short distance! True that perhaps she has a little more acceptance and contentment with her position. But I was looking for more. If this had been a 90 minute film rather than a 107 minute movie, it would have (imho) worked better.
Summary Thoughts on "Nomadland": When a movie gets so much awards-hype thrown at it, I often fear watching it in case I absolutely hate it! That's not really possible with Nomadland, since it is just so well made that you can't help but appreciate what Chloé Zhao and her team have done here. It successfully challenges your misconceptions of what a "normal life" can be. The life might not be for you, or me, but it is an option.
That being said, this is not a movie that will be on my "must re-watch repeatedly" list (although I definitely DO want to see it on the big screen). It sits on that 'worthy-but-dull' list, alongside "Lincoln" and "Moonlight": Movies that I can fully appreciate for their artistry but not for their entertainment value.
As a movie that explores an unexplored social strata in America, and does it in a novel semi-documentary manner, I can understand and accept why it was voted as the Best Film by the Academy. But 'entertainment' ranks highly on my list of criteria. So - for my personal Oscar Best Film choice - I would still go with "Promising Young Woman" every time.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/05/nomadland-dont-exit-with-your-sailboat-still-in-your-driveway/ . Thanks.)
Positives:
- Undeniably a superior motion picture, full of memorable imagery and with an incredible central performance from the impeccably dour Frances McDormand. Few actors can 'listen' and react as well as she can.
- A key part of this is the superb cinematography from (Brit-born) Joshua James Richards. This is a movie which I MUST revisit on the big-screen when the cinemas reopen in the UK in 2 week's time. I thought "Mank" was terrific (rather against the grain of many other movie fans) largely because of Erik Messerschmitt's glorious black-and-white cinematography. But I suspect Mr Richards (interestingly, Chloé Zhao's partner) was mightily hacked-off for missing out on the golden prize, as well he might be.
- It's difficult to rate the script on this one, primarily because it's difficult to know sometimes where the scripted bits end and the 'ad lib' parts begin. The majority of the cast are real nomads, recounting - presumably - their genuine life experiences. (The only exceptions, I believe, are Frances McDormand, David Strathairn and his son Tay Strathairn. The two Strathairn's last appeared on screen together in 1988's "Eight Men Out" when Tay was just eight years old!). As such, the film is an interesting blend of fiction and documentary.
- The movie skewers both capitalism and materialism nicely. As someone who has recently got off the corporate rat-race by retiring, the tale of the man who died before he could use the retirement sail-boat parked in his driveway resonated strongly (and made me very pleased with my decision!). We all get so wrapped up with running around the maze trying to find the cheese that it's often difficult to appreciate that 'getting off and cutting back' is a stress-free and acceptable option. (Not that I'm particularly cutting back, a la Fern..... start saving the retirement coppers early kids!!)
- The movie is also an effective study of grief and the different ways in which people come to terms with it. (Although that does make the overall film feel like a bit of a downer).
- Beautiful classical accompanying music by the great Ludovico Einaudi.
Negatives:
- I really loved this movie for its first hour. But then, for me, the story didn't really maintain my full interest. It was all a bit grey and bland. Did Fern really have much of a story-arc here? She started off at point A and ended up at point B where AB is a short distance! True that perhaps she has a little more acceptance and contentment with her position. But I was looking for more. If this had been a 90 minute film rather than a 107 minute movie, it would have (imho) worked better.
Summary Thoughts on "Nomadland": When a movie gets so much awards-hype thrown at it, I often fear watching it in case I absolutely hate it! That's not really possible with Nomadland, since it is just so well made that you can't help but appreciate what Chloé Zhao and her team have done here. It successfully challenges your misconceptions of what a "normal life" can be. The life might not be for you, or me, but it is an option.
That being said, this is not a movie that will be on my "must re-watch repeatedly" list (although I definitely DO want to see it on the big screen). It sits on that 'worthy-but-dull' list, alongside "Lincoln" and "Moonlight": Movies that I can fully appreciate for their artistry but not for their entertainment value.
As a movie that explores an unexplored social strata in America, and does it in a novel semi-documentary manner, I can understand and accept why it was voted as the Best Film by the Academy. But 'entertainment' ranks highly on my list of criteria. So - for my personal Oscar Best Film choice - I would still go with "Promising Young Woman" every time.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/05/nomadland-dont-exit-with-your-sailboat-still-in-your-driveway/ . Thanks.)
Hazel (1853 KP) rated The Professor (McMurtrie and Drake Legal Thrillers #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Professor</i>, a legal thriller by American author Robert Bailey, is a well-written novel about an investigation into a fatal car crash. A collision between a speeding truck and a family car resulted in the death of all four people in the vehicles. The mother of one of the deceased is determined to find out the truth about what happened and so enlists the help of an old friend, Thomas McMurtrie, the Professor.
Although everything revolves around the upcoming trial, the story is really focused on two people in particular. One is the aforementioned Professor and the other is an ex-student of his, Rick Drake. Tom used to be a lawyer but after persuasion from Coach Paul Bryant he took up a position at the University of Alabama teaching law. Now at 68 years old he is forced into retirement. Rick Drake, on the other hand, is a young and struggling lawyer, who after punching Tom due to his hot headedness is finding it difficult to pick up work. Putting aside their differences, the two of the come together to try and win this court case. The opposition, however, seem determined to make that impossible by using any means possible.
The prologue initially misled me. It explains how Tom became a professor in 1969 by detailing his meeting with Coach Paul Bryant who is more often referred to as the Man. This title, as well as the capitalization, led me to believe that he would be a sinister, untrustworthy character in this story. That turned out not to be the case – nor was he even in it, having long passed away. He was known as the Man in the same way that Tom is known as the Professor, due to respect and admiration.
There were times when I did not like what was happening in the novel, particularly the murders of Rick’s key witnesses, but once the trial actually began it got really exciting with the pace picking up as I hoped that everything would resolve itself.
For those who love crime novels this is a definite read. I cannot be entirely sure but the caption on the back cover “The First McMurtrie & Drake Investigation” implies that this could become a series rather than a standalone story; in which case it would be interesting to discover what the pair do next.
<i>The Professor</i>, a legal thriller by American author Robert Bailey, is a well-written novel about an investigation into a fatal car crash. A collision between a speeding truck and a family car resulted in the death of all four people in the vehicles. The mother of one of the deceased is determined to find out the truth about what happened and so enlists the help of an old friend, Thomas McMurtrie, the Professor.
Although everything revolves around the upcoming trial, the story is really focused on two people in particular. One is the aforementioned Professor and the other is an ex-student of his, Rick Drake. Tom used to be a lawyer but after persuasion from Coach Paul Bryant he took up a position at the University of Alabama teaching law. Now at 68 years old he is forced into retirement. Rick Drake, on the other hand, is a young and struggling lawyer, who after punching Tom due to his hot headedness is finding it difficult to pick up work. Putting aside their differences, the two of the come together to try and win this court case. The opposition, however, seem determined to make that impossible by using any means possible.
The prologue initially misled me. It explains how Tom became a professor in 1969 by detailing his meeting with Coach Paul Bryant who is more often referred to as the Man. This title, as well as the capitalization, led me to believe that he would be a sinister, untrustworthy character in this story. That turned out not to be the case – nor was he even in it, having long passed away. He was known as the Man in the same way that Tom is known as the Professor, due to respect and admiration.
There were times when I did not like what was happening in the novel, particularly the murders of Rick’s key witnesses, but once the trial actually began it got really exciting with the pace picking up as I hoped that everything would resolve itself.
For those who love crime novels this is a definite read. I cannot be entirely sure but the caption on the back cover “The First McMurtrie & Drake Investigation” implies that this could become a series rather than a standalone story; in which case it would be interesting to discover what the pair do next.
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