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Gareth von Kallenbach (977 KP) rated The Commuter (2018) in Movies
Jun 19, 2019
Michael MacCauley (Liam Neeson) is a devoted husband, father, and provider who commutes by train every day for ten years to his New York office to provide for his family. Michael is facing big pressures as he has a son about to go to college and another ready to follow behind him. When Michael tells a client he lost his savings when the markets fell, he is leveraged deep and looking for help.
When his job is abruptly ended five years from retirement, Michael is unsure of how he will reveal the news to his wife. After a few drinks with his ex-partner Lt. Alex Murphy (Patrick Wilson), Michael opens up about his situation and how things seemed simpler at times when he was on the force.
On his way home, Michael has his phone stolen and is in time approached by a mysterious lady (Vera Farmiga), who gives him a hypothetical scenario which could be worth 100K to Michael.
Michael scoffs at the idea and then learns the offer is very serious and has very serious and deadly consequences to his family, fellow riders, and one mysterious and unknown passenger that Michael is tasked with finding before the train reaches its destination.
Under constant surveillance and unsure who he can trust, Michael is an a race against time to unravel the situation he finds himself in and needs every ounce of his wits and prior police experience to protect those he loves.
What follows is a fast paced, intense, but at times reaching film that does offer some excitement and thrills as long as you are willing to overlook various plot holes. The film moves briskly and has a good amount of intensity, but has plenty of holes that has you wondering why certain paths were and were not taken and requires leaps of faith to work.
The final act does become very “Hollywood” and detracts from a promising setup and the big twist was one that I saw coming a way off, but I often see twists in film early as that is simply how my mind works. The film could have been easily dismissed at times but the charismatic Neeson always holds your attention even when the material is thin.
In the end “The Commuter” is an entertaining film that delivers some fun thrills and suspense as long as you are willing to temper your expectations and overlook the issues.
http://sknr.net/2018/01/10/the-commuter/
When his job is abruptly ended five years from retirement, Michael is unsure of how he will reveal the news to his wife. After a few drinks with his ex-partner Lt. Alex Murphy (Patrick Wilson), Michael opens up about his situation and how things seemed simpler at times when he was on the force.
On his way home, Michael has his phone stolen and is in time approached by a mysterious lady (Vera Farmiga), who gives him a hypothetical scenario which could be worth 100K to Michael.
Michael scoffs at the idea and then learns the offer is very serious and has very serious and deadly consequences to his family, fellow riders, and one mysterious and unknown passenger that Michael is tasked with finding before the train reaches its destination.
Under constant surveillance and unsure who he can trust, Michael is an a race against time to unravel the situation he finds himself in and needs every ounce of his wits and prior police experience to protect those he loves.
What follows is a fast paced, intense, but at times reaching film that does offer some excitement and thrills as long as you are willing to overlook various plot holes. The film moves briskly and has a good amount of intensity, but has plenty of holes that has you wondering why certain paths were and were not taken and requires leaps of faith to work.
The final act does become very “Hollywood” and detracts from a promising setup and the big twist was one that I saw coming a way off, but I often see twists in film early as that is simply how my mind works. The film could have been easily dismissed at times but the charismatic Neeson always holds your attention even when the material is thin.
In the end “The Commuter” is an entertaining film that delivers some fun thrills and suspense as long as you are willing to temper your expectations and overlook the issues.
http://sknr.net/2018/01/10/the-commuter/
Gareth von Kallenbach (977 KP) rated The Accountant (2016) in Movies
Jun 19, 2019
In the world of high finance keeping an eye on the numbers is essential. But when large incomes are derived from illegal activities speed, accuracy, and discretion are vital and that is why Christian Wolff (Ben Affleck), is in such high demand.
In the new film “The Accountant” we are introduced to Christian as he prepares taxes for a rural couple. The quiet, and social awkward man is a whizz with numbers but thanks to a form of Autism, Christian is socially awkward and has an extreme series of regiments he uses to cope with the modern world.
Much of his life is told through flashbacks but we learn that his military father insisted that he and his brother learn to defend themselves after their mother left them.
FBI agent Ray King (J.K. Simmons) is facing retirement and has past history with The Accountant as he is known, and wants to resolve the situation before he retires. As such he recruits and coerces a young agent to help him track down The Accountant with little more to go on other than reputation and some vague photos.
At the same time Christian is introduced to a company via his service who suspects that money is being stolen from them. The C.E.O. Lamar Black (John Lithgow), is eager to get to the bottom of an irregularity found by bookkeeper Dana Cummings (Anna Kendrick).
Christian tears through 15 years of books in one night and locates an intricate scheme to steal millions yet make the company look like it has kept gaining money and this sets into action a chain of events with dire consequences.
At the same time, a mysterious man (John Bernthal), is eliminating those in the way and has set his sights on both Christian and Dana.
Christian however is far from a weak pacifist as thanks to his work and his father’s training, he is brutally efficient and deadly with his hands, feet, and all manner of weapons.
With danger all around them, Christian and Dana must survive and get to the bottom of the mystery while avoiding Agent King and the authorities.
What follows is an action filled thriller that was an exciting adventure filled with twists, turns, and solid performances.
The film does offer a big twist which I saw coming 40 minutes out, but despite this the solid cast and great work by Affleck, Simmons, and company make this a pleasant surprise and one you will not want to miss.
http://sknr.net/2016/10/14/the-accountant/
In the new film “The Accountant” we are introduced to Christian as he prepares taxes for a rural couple. The quiet, and social awkward man is a whizz with numbers but thanks to a form of Autism, Christian is socially awkward and has an extreme series of regiments he uses to cope with the modern world.
Much of his life is told through flashbacks but we learn that his military father insisted that he and his brother learn to defend themselves after their mother left them.
FBI agent Ray King (J.K. Simmons) is facing retirement and has past history with The Accountant as he is known, and wants to resolve the situation before he retires. As such he recruits and coerces a young agent to help him track down The Accountant with little more to go on other than reputation and some vague photos.
At the same time Christian is introduced to a company via his service who suspects that money is being stolen from them. The C.E.O. Lamar Black (John Lithgow), is eager to get to the bottom of an irregularity found by bookkeeper Dana Cummings (Anna Kendrick).
Christian tears through 15 years of books in one night and locates an intricate scheme to steal millions yet make the company look like it has kept gaining money and this sets into action a chain of events with dire consequences.
At the same time, a mysterious man (John Bernthal), is eliminating those in the way and has set his sights on both Christian and Dana.
Christian however is far from a weak pacifist as thanks to his work and his father’s training, he is brutally efficient and deadly with his hands, feet, and all manner of weapons.
With danger all around them, Christian and Dana must survive and get to the bottom of the mystery while avoiding Agent King and the authorities.
What follows is an action filled thriller that was an exciting adventure filled with twists, turns, and solid performances.
The film does offer a big twist which I saw coming 40 minutes out, but despite this the solid cast and great work by Affleck, Simmons, and company make this a pleasant surprise and one you will not want to miss.
http://sknr.net/2016/10/14/the-accountant/
Darren (1599 KP) rated 3 Days To Kill (2014) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 3 Days to Kill starts as we meet CIA agent Ethan Renner (Costner) who along with his team is about to take down one of the biggest threats in the world The Wolf (Sammel) by eliminating his closest associate The Albino (Lemarquis) only the mission gets compromised when Ethan’s health catches up with him as he learns he only has 3 months to live.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
Gareth von Kallenbach (977 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020
Bad Boys, Bad Boys, Whatchu gonna do? Whatchu gonna do when they come for you? Bad Boys premiered in 1995, the sequel way back in 2003. Bad Boys for Life, the third movie in the franchise takes us back to Miami, where Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) have been partners in the force for over 25 years.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.
SL
Sous Les Ordres de Rommel: Des Deserts D'Afrique Du Nord Aux Plages de Normandie
Hans Holler and Markus Reisner
Book
In this extraordinary autobiography by Hans Holler, an Austrian born in 1921 near Wiener Neustadt,...
The High Season
8.7
Rate It
Book
In a beach town overrun with vacationers and newly colonized by socialites, one woman goes to...
Laura Doe (1350 KP) rated The Secret Life of Albert Entwistle in Books
Jul 5, 2021
Characters (1 more)
Plot
This book had me tearing up so many times while reading it both with sadness and happiness. We follow Albert, a postman, who keeps himself to himself and likes to keep his private life private… from everyone. He’s happy with his routine and doesn’t envision anything changing. That’s until 3 months before his 65th birthday he is given his notice of retirement. What follows is the opposite of everything that Alfred wished for.
He decides that he needs to track down the love of his life, George, who he’s not seen for 50 years. The only problem? He doesn’t know where to start! Along the way he asks for help from the unlikeliest people who go on to become his friends.
One of these is struggling single mum Nicole, who is bringing up her daughter Reenie in a new town away from any family and friends while struggling with her brand new relationship and the doubts of why someone would want to take her and her daughter on. Nicole helps Albert with technology and on his journey to find George whilst also listening to the advice from Albert to fight for what she wants in life.
Every single character in this book it extremely lovable. And while I wanted it to end, at the same time I didn’t because it meant I would have to leave Albert and Nicole’s world. Being a northerner and currently living in Lancashire, I have loved the accent coming through in the pages and the references to so many places that I have frequented. It has been so beautifully written, that you can’t help but want the best for Albert and hope that he finds his George. There’s a lot of mystery surrounding their last meeting and it’s not until near to the end that you find out what actually happened to them for them to lose touch.
With echoes of Saving Missy, this showed just how lonely people can become when they get stuck in their own routines and live alone but with the right people around us, the world can become a whole lot less lonely.
Thank you to Matt Cain and Pigeonhole for letting me read this beautiful and “terrific” love story, I didn’t want to have to leave Albert by the end of it but at the same time was so glad of all the changes that he had been through. 100% a 5 star book for me!
He decides that he needs to track down the love of his life, George, who he’s not seen for 50 years. The only problem? He doesn’t know where to start! Along the way he asks for help from the unlikeliest people who go on to become his friends.
One of these is struggling single mum Nicole, who is bringing up her daughter Reenie in a new town away from any family and friends while struggling with her brand new relationship and the doubts of why someone would want to take her and her daughter on. Nicole helps Albert with technology and on his journey to find George whilst also listening to the advice from Albert to fight for what she wants in life.
Every single character in this book it extremely lovable. And while I wanted it to end, at the same time I didn’t because it meant I would have to leave Albert and Nicole’s world. Being a northerner and currently living in Lancashire, I have loved the accent coming through in the pages and the references to so many places that I have frequented. It has been so beautifully written, that you can’t help but want the best for Albert and hope that he finds his George. There’s a lot of mystery surrounding their last meeting and it’s not until near to the end that you find out what actually happened to them for them to lose touch.
With echoes of Saving Missy, this showed just how lonely people can become when they get stuck in their own routines and live alone but with the right people around us, the world can become a whole lot less lonely.
Thank you to Matt Cain and Pigeonhole for letting me read this beautiful and “terrific” love story, I didn’t want to have to leave Albert by the end of it but at the same time was so glad of all the changes that he had been through. 100% a 5 star book for me!
Sketch Pad 3 - Unlimited Canvas
Productivity and Education
App
Thank you for all your support. Sketch Pad has now been downloaded more than 1,200,000 times Best...
A Dark Spring (Stories That Twist & Tangle)
Laura N. Andrews, R.M. Gilmore, M. Billiter, Kenneth Jobe, Barb Shuler, M.C. St. John, Ricky Wells and Kim Deister
Book
Eight original tales of suspense that will tangle your senses and keep you gripped. From murder to...
Suspense
BankofMarquis (1832 KP) rated A Haunting in Venice (2023) in Movies
Sep 30, 2023
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).