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postapocalypticplayground (27 KP) rated The Wicked Deep in Books
May 1, 2018
Everything a contemporary fantasy should be
I got a copy of The Wicked Deep in a book sub box, I had seen it around but didn't know much about it which is perfect because sometimes knowing can turn me away, as i'm often a creature of habit. I'm not really a fan of fantasy in a contemporary setting but this book changed my mind completely! I think that this is because the small town of Sparrow doesn't feel contemporary. Forgotten for most of the year, it's a crumbling town being slowly reclaimed by the sea. With no chain stores or high street names it's kind of trapped in time, which all ends up adding to the authenticity of Swan Season - A short time each year where it's said that the drowned witch Swan sisters return to the shore to claim the lives of men in the town. Despite there actually being annual deaths, tourists still flock to Sparrow every year. The story is also nicely interposed with chapters about the history of the town and the Swan sisters time there, which also gives it a less contemporary feel.
Before I go any further I want to cut to one thing, this book has been published by Simon and Schuster's Children's Division - so set your sights here. Yes this is a tale of darkness, murder and revenge, but don't expect it to be graphic or horrifying - I mention this as I have seen some people complain that it isn't enough of those things. YA covers a large age range and sometimes it's going to be towards the lower end and to be honest, the story telling is so fantastic that it doesn't need to be graphic or over the top. I think Shea Ernshaw does an amazing job of conveying dread without resorting to shock. That's also evident that despite the subject matter this is a really easy and captivating read, I couldn't put it down and read it in a day!
There isn't a character I disliked. The sisters were portrayed brilliantly, all reacting differently to the 200 years of vengeance and I found it a really interesting take on how they can become either weary or sharpened by this. The children of the town as well were thoughtfully considered with how they have come to accept the fate of the town they were born into, and almost embrace it like a birthright, despite knowing what the fates could have in store. I want to be careful of saying too much about the characters as there is some brilliant misdirection and a twist to this tale, which kept me on my toes.
The story feels very ethereal, from the mists of the sisters song to the decrepit lighthouse island and the run down township. Even the antics of the children at the start of Swan Season seems as if they are already under a spell rather than the elaborate dares they look to be playing - perhaps that is a spell over the whole town, in that they float along knowing what is coming yet seem in no hurry to change or move to do anything about it.
I loved this book for so many reasons and it's beautifully not afraid to be a stand alone which is so refreshing at the moment. The cover is gorgeous too! I have no hesitation in giving this book 5*
Before I go any further I want to cut to one thing, this book has been published by Simon and Schuster's Children's Division - so set your sights here. Yes this is a tale of darkness, murder and revenge, but don't expect it to be graphic or horrifying - I mention this as I have seen some people complain that it isn't enough of those things. YA covers a large age range and sometimes it's going to be towards the lower end and to be honest, the story telling is so fantastic that it doesn't need to be graphic or over the top. I think Shea Ernshaw does an amazing job of conveying dread without resorting to shock. That's also evident that despite the subject matter this is a really easy and captivating read, I couldn't put it down and read it in a day!
There isn't a character I disliked. The sisters were portrayed brilliantly, all reacting differently to the 200 years of vengeance and I found it a really interesting take on how they can become either weary or sharpened by this. The children of the town as well were thoughtfully considered with how they have come to accept the fate of the town they were born into, and almost embrace it like a birthright, despite knowing what the fates could have in store. I want to be careful of saying too much about the characters as there is some brilliant misdirection and a twist to this tale, which kept me on my toes.
The story feels very ethereal, from the mists of the sisters song to the decrepit lighthouse island and the run down township. Even the antics of the children at the start of Swan Season seems as if they are already under a spell rather than the elaborate dares they look to be playing - perhaps that is a spell over the whole town, in that they float along knowing what is coming yet seem in no hurry to change or move to do anything about it.
I loved this book for so many reasons and it's beautifully not afraid to be a stand alone which is so refreshing at the moment. The cover is gorgeous too! I have no hesitation in giving this book 5*
Debbiereadsbook (1617 KP) rated Retribution (The Protectors #3) in Books
Apr 15, 2019
My fav of the three so far!
*verified Audible purchase June 2017*
This is book three in the Protectors series. You don’t NEED to have read/listened to books one and two, but I think you SHOULD. It will give you a better picture of this group of people and what they do, and how Hawke came to at the head. And you know, FIVE star listens, people!
For ten years, Hawke has been searching for the men who killed his wife and unborn son. Meeting Tate makes him feel again, something he didn’t think was possible. He certainly never thought it possible he would feel for a MAN.
I loved books one and two, and I loved this one too! I again cannot split the narration from the story, so not even gonna try. So I apologise if this review jumps around a bit!
Hawke loved his wife, bone deep, and when she was murdered, it broke. He’s spent the last ten years as head of an organisation that delivers justice to those let down by the law. The revenge for his wife’s death is a long time coming but he’s getting close and Tate is his link. His reaction to Tate is . . . unexpected. And when Hawke realises why Tate is running, his protectiveness goes into overdrive.
It’s no secret I’m not a fan of READING first person books, particularly if they are multi person but I find I’m really enjoying LISTENING to first person books, ESPECIALLY if they are multi point of view! Joel Leslie is a MASTER at his craft, at narrating multi point of view, in the first person! I simply CANNOT fault the narration. The way Leslie gets every single heart wrenching thought that Hawke has: thinking about his wife, ad what his growing feelings for Tate mean. Every fear that Tate has: that his father will find him, that Hawke might hurt him, that he might lose his little boy. This is not a short listen, over 8 hours and I listened to it in one single siting. I tried to stop, I really did but I needed to know what would happen, how this would play out. It takes a single question from Ronan (Salvation, book 2) to break Hawke. The same question broke me too! And I sobbed at that point, great heart wrenching sobs at the emotion that Leslie pours out of Hawke.
Of course, Leslie can only narrate the words given him, but Kennedy is fast becoming a favourite of mine. The way she intertwines multi level stories, from book to book, is amazing. Sometimes, series lose their . . .what’s the word . . .ethos, as it moves along but not so here. They hold true to their meaning, and I cannot wait to see where this series goes.
I LOVE that I have 9 more books to get through BUT I’ve discovered that Michael Pauley narrates book 4, Forsaken, and I’m not sure how I feel about that! I’ll buy it, without a doubt, but it will be interesting to see how Pauley portrays the voices that Leslie has done up to now.
So, because I can’t split the narration, because I listened in one day, and just bloody I can . . .
5 stars for the book
5 stars for the narration
5 stars overall
This is book three in the Protectors series. You don’t NEED to have read/listened to books one and two, but I think you SHOULD. It will give you a better picture of this group of people and what they do, and how Hawke came to at the head. And you know, FIVE star listens, people!
For ten years, Hawke has been searching for the men who killed his wife and unborn son. Meeting Tate makes him feel again, something he didn’t think was possible. He certainly never thought it possible he would feel for a MAN.
I loved books one and two, and I loved this one too! I again cannot split the narration from the story, so not even gonna try. So I apologise if this review jumps around a bit!
Hawke loved his wife, bone deep, and when she was murdered, it broke. He’s spent the last ten years as head of an organisation that delivers justice to those let down by the law. The revenge for his wife’s death is a long time coming but he’s getting close and Tate is his link. His reaction to Tate is . . . unexpected. And when Hawke realises why Tate is running, his protectiveness goes into overdrive.
It’s no secret I’m not a fan of READING first person books, particularly if they are multi person but I find I’m really enjoying LISTENING to first person books, ESPECIALLY if they are multi point of view! Joel Leslie is a MASTER at his craft, at narrating multi point of view, in the first person! I simply CANNOT fault the narration. The way Leslie gets every single heart wrenching thought that Hawke has: thinking about his wife, ad what his growing feelings for Tate mean. Every fear that Tate has: that his father will find him, that Hawke might hurt him, that he might lose his little boy. This is not a short listen, over 8 hours and I listened to it in one single siting. I tried to stop, I really did but I needed to know what would happen, how this would play out. It takes a single question from Ronan (Salvation, book 2) to break Hawke. The same question broke me too! And I sobbed at that point, great heart wrenching sobs at the emotion that Leslie pours out of Hawke.
Of course, Leslie can only narrate the words given him, but Kennedy is fast becoming a favourite of mine. The way she intertwines multi level stories, from book to book, is amazing. Sometimes, series lose their . . .what’s the word . . .ethos, as it moves along but not so here. They hold true to their meaning, and I cannot wait to see where this series goes.
I LOVE that I have 9 more books to get through BUT I’ve discovered that Michael Pauley narrates book 4, Forsaken, and I’m not sure how I feel about that! I’ll buy it, without a doubt, but it will be interesting to see how Pauley portrays the voices that Leslie has done up to now.
So, because I can’t split the narration, because I listened in one day, and just bloody I can . . .
5 stars for the book
5 stars for the narration
5 stars overall
Movie Metropolis (309 KP) rated War for the Planet of the Apes (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
The Great Ape-scape
Six years ago, I didn’t think I’d be telling you that a remake of the classic Planet of the Apes and its sequel would go on to be one of the finest double acts since The Two Ronnies, but that’s exactly what has happened.
Now, the final part of this incredible trilogy, War for the Planet of the Apes is out and ready to conclude an incredible half decade of cinema. But is it as good as its predecessors?
Caesar (Andy Serkis) and his band of loyal apes are forced into a deadly war with an army of humans led by a ruthless colonel (Woody Harrelson). After Caesar’s band of apes suffers unimaginable losses, he wrestles with his darker instincts and begins his own quest of revenge. As the journey finally brings the two rivals face-to-face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species.
I have to say, I was a little concerned the finished product would be as tongue twisting as its frankly ridiculous title (a problem that has blighted the entire series), but it ends up being a stunning and heart-warming finale to a franchise filled to the brim with memorable moments.
The motion capture used on Andy Serkis to create Caesar has to be seen to be believed. If you thought predecessor Dawn was good, you haven’t seen anything yet. His hair moves with subtle believability and his movements are so fluid, it’s easy to forget you’re watching a film and not a documentary.
But this incredible technology isn’t used solely on our main protagonist. Fan favourite orangutan Maurice returns and newcomer “Bad Ape” captured by Steve Zahn provides the flick with a much-needed eccentric, shining a little light in one of the bleakest feature films of the last half decade.
The human characters, naturally don’t fare so well. Woody Harrelson is his usual charismatic self but feels a little caricature like. His colonel just doesn’t feel particularly believable. Likewise, Amiah Miller’s turn as Nova, whom Maurice adopts as his daughter, seems to be merely used as a plot device, though she does partake in some of the sweeter moments.
As with its predecessors, War is a slow burner with the action interweaved into the plot rather than the other way around. In principle it works well, though the pacing towards the middle of this 140-minute behemoth is a little off.
Nevertheless, the action is filmed beautifully. In fact, the whole film is stunning. Beautiful wooded landscapes and open deserts are juxtaposed with the dark concentration camps used in the latter half. One sequence in particular, behind a gorgeously realised waterfall, is one of the best action scenes of the entire year.
Masquerading as a blockbuster, this is a film with a much deeper message about messing with nature. Brutal and emotionally testing, War for the Planet of the Apes is brave in its choices and all the better for it.
Three films in, it would be easy for director Matt Reeves to rest on his laurels and rely on the positive reaction to its predecessors, but thankfully he has climaxed on a high. It’s not perfect, and not an easy watch by any means, but for a threequel, you can’t really get much better.
https://moviemetropolis.net/2017/07/12/war-for-the-planet-of-the-apes-review/
Now, the final part of this incredible trilogy, War for the Planet of the Apes is out and ready to conclude an incredible half decade of cinema. But is it as good as its predecessors?
Caesar (Andy Serkis) and his band of loyal apes are forced into a deadly war with an army of humans led by a ruthless colonel (Woody Harrelson). After Caesar’s band of apes suffers unimaginable losses, he wrestles with his darker instincts and begins his own quest of revenge. As the journey finally brings the two rivals face-to-face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species.
I have to say, I was a little concerned the finished product would be as tongue twisting as its frankly ridiculous title (a problem that has blighted the entire series), but it ends up being a stunning and heart-warming finale to a franchise filled to the brim with memorable moments.
The motion capture used on Andy Serkis to create Caesar has to be seen to be believed. If you thought predecessor Dawn was good, you haven’t seen anything yet. His hair moves with subtle believability and his movements are so fluid, it’s easy to forget you’re watching a film and not a documentary.
But this incredible technology isn’t used solely on our main protagonist. Fan favourite orangutan Maurice returns and newcomer “Bad Ape” captured by Steve Zahn provides the flick with a much-needed eccentric, shining a little light in one of the bleakest feature films of the last half decade.
The human characters, naturally don’t fare so well. Woody Harrelson is his usual charismatic self but feels a little caricature like. His colonel just doesn’t feel particularly believable. Likewise, Amiah Miller’s turn as Nova, whom Maurice adopts as his daughter, seems to be merely used as a plot device, though she does partake in some of the sweeter moments.
As with its predecessors, War is a slow burner with the action interweaved into the plot rather than the other way around. In principle it works well, though the pacing towards the middle of this 140-minute behemoth is a little off.
Nevertheless, the action is filmed beautifully. In fact, the whole film is stunning. Beautiful wooded landscapes and open deserts are juxtaposed with the dark concentration camps used in the latter half. One sequence in particular, behind a gorgeously realised waterfall, is one of the best action scenes of the entire year.
Masquerading as a blockbuster, this is a film with a much deeper message about messing with nature. Brutal and emotionally testing, War for the Planet of the Apes is brave in its choices and all the better for it.
Three films in, it would be easy for director Matt Reeves to rest on his laurels and rely on the positive reaction to its predecessors, but thankfully he has climaxed on a high. It’s not perfect, and not an easy watch by any means, but for a threequel, you can’t really get much better.
https://moviemetropolis.net/2017/07/12/war-for-the-planet-of-the-apes-review/
postapocalypticplayground (27 KP) rated The Cruel Prince in Books
Mar 12, 2018
Underwhelming sadly
I’m feeling a little underwhelmed if I’m honest, I have never read a Holly Black book before and with the hype surrounding this I fully felt I would be blown away, I was left with a gentle simmer. I have to say I really didn’t enjoy the characters and I’m finding it hard to think of one that was particularly likeable. Jude and her sister Tarryn are now living as wards of the man who brutally murdered their parents when they were very young, yet they seem to embrace him and throughout it doesn’t appear to be any thirst for revenge against him that fuels her, instead it seems to be focused on the torment and bullying she receives from the “cruel” prince Carden and getting back at him and his posse. I say “cruel” because it’s actually quite ambiguous, there are plenty of princes who are truly cruel in this story, more so than Carden who is just a by product of his experiences. I certainly wouldn’t agree with the blurb that he is the “wickedest of the Kings sons.” All the male characters are written without much in the way of redeeming features and most of the girls are scheming. Sadly, I didn’t really care about Jude and I found the situations she found herself in slowly more and more ludicrous almost as if it was ultimately forgotten that she was human playing fae.
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
Gareth von Kallenbach (980 KP) rated Ant-Man and the Wasp (2018) in Movies
Jun 19, 2019
Following the unexpected and shocking moments from “Avengers: Infinity War”, fans eagerly awaited the next Marvel Studios film for any type of clues as to what will happen next when the next Avengers film arrives next summer. “Ant-Man and the Wasp”, is set before the events of “Avengers: Infinity War”, and finds Scott Lang (Paul Rudd) under home confinement thanks to a plea deal he took for siding with Captain America in “Captain America: Civil War”.
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
Gareth von Kallenbach (980 KP) rated Death Wish (2018) in Movies
Jun 19, 2019
For Dr. Paul Kersey (Bruce Willis), life is good but at a crossroads. With his birthday coming up, his daughter Jordan (Camila Morrone) is preparing to leave their affluent Chicago home to start college in New York.
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
Gareth von Kallenbach (980 KP) rated Unfriended (2014) in Movies
Jun 19, 2019
In the modern age of electronic media, cyber stalking and cyber bullying have driven several young people to take drastic actions including suicide. Bullying has always been an issue in schools but with the ability for tormentors to cyber stalk individuals as well as encourage others to take part in the harassment, it can be hard to find any escape from the relentless attacks. In new film “Unfriended”, the audience learns through video clip that a young student named Laura committed suicide in an attempt to escape a never-ending wave of torment after an unflattering video of her was posted online. One year later the group of friends gather online as is their custom to discuss their lives as well as note the anniversary of Laura’s passing. As the group gathers on Skype may notice a mysterious and unknown person has joined their conference. Despite their attempts they’re unable to get rid of this unknown and so far silent intruder, but one of the girls named Claire starts to receive Facebook messages from Laura’s personal account. Unable to block, ignore, or remove this unwanted individual despite their best efforts, as the group soon find the tables have turned when they’re told that if they should leave the chat dire consequences will follow. At first dismissed as a very tasteless practical joke, when tragedy does strike it begins to give a new level of credence to the significant threat that their unknown chat partner provides.
When the unknown guest reveals that she is indeed Laura and begins to force the remaining students to play a series of games which in turn bring their darkest and deepest secrets to light as well as turning them against one another, the despair and eventually body count begins to rise. While there are moments you can ask questions such as where are the adults in the film which are never really addressed aside from a few police officers, the film does keep you interested even though it is presented entirely through a computer screen with each individual appearing as their own individual windows with other social media applications and computer screens coming and going as the plot dictates.
The film is neither as scary nor violent as one may indicate although it is definitely an R-rated film due to language and subject matter. Much of the graphic nature is shown through quick cutting and low-quality WebCam video that cuts out frequently or lags. The main strength of the film is that it takes an interesting concept to the approach of a killer looking for revenge. The fact that the characters remain in the same room in which they began and never once have any direct contact with each other is an interesting microcosm of how many young people today socialize more through electronics than they do in a face-to-face setting. However is anybody who grew up in the 70s and 80s will tell you, teens tying up phone lines for hours was a common occurrence in many homes throughout the world.
With the cast comprised mostly of unknowns, the film does the best with its premise but never fully develops the scares and suspense that one would expect from such an intriguing premise.
In the end the film can be a difficult watch but at least provides some entertainment for fans provided you can sit through the unusual visual presentation of the film and show patience with some of the leaps of faith that the audience is asked to undergo.
http://sknr.net/2015/04/17/unfriended/
When the unknown guest reveals that she is indeed Laura and begins to force the remaining students to play a series of games which in turn bring their darkest and deepest secrets to light as well as turning them against one another, the despair and eventually body count begins to rise. While there are moments you can ask questions such as where are the adults in the film which are never really addressed aside from a few police officers, the film does keep you interested even though it is presented entirely through a computer screen with each individual appearing as their own individual windows with other social media applications and computer screens coming and going as the plot dictates.
The film is neither as scary nor violent as one may indicate although it is definitely an R-rated film due to language and subject matter. Much of the graphic nature is shown through quick cutting and low-quality WebCam video that cuts out frequently or lags. The main strength of the film is that it takes an interesting concept to the approach of a killer looking for revenge. The fact that the characters remain in the same room in which they began and never once have any direct contact with each other is an interesting microcosm of how many young people today socialize more through electronics than they do in a face-to-face setting. However is anybody who grew up in the 70s and 80s will tell you, teens tying up phone lines for hours was a common occurrence in many homes throughout the world.
With the cast comprised mostly of unknowns, the film does the best with its premise but never fully develops the scares and suspense that one would expect from such an intriguing premise.
In the end the film can be a difficult watch but at least provides some entertainment for fans provided you can sit through the unusual visual presentation of the film and show patience with some of the leaps of faith that the audience is asked to undergo.
http://sknr.net/2015/04/17/unfriended/
Gareth von Kallenbach (980 KP) rated Rio 2 (2014) in Movies
Jun 19, 2019
Three years ago, my wife and I moved down to Arizona to open the second office of Skewed and Reviewed. I remember clearly getting into town on a Tuesday evening and the following Saturday morning we had our first assignment in AZ, screening the movie “RIO”.
As we marked the anniversary of our arrival in the Valley of the Sun, it was ironic that “Rio 2” was flying into theaters at the same time and once again, we had a Saturday morning screening for the film albeit at different theaters.
The sequel picks up shortly after the events of the first film with Blu (Jess Eisenberg), and Jewel (Anne Hathaway), raising their children in a sanctuary in Rio. Their musical and colorful friends are all around them and are preparing for the upcoming carnival and the festivities that go along with it.
Blu learns that his former owner Linda (Leslie Mann), and her husband may have discovered others of Blu’s species in the deep jungle, which in turn leads Jewel to suggest a family vacation into the wild to help out.
For a city bird like Blu, venturing into the wild requires a fanny pack with items ranging from a G.P.S. to a utility knife and other modern items much to the chagrin of those around him.
The distant journey seems to be going well, until Blu crosses paths with Nigel (Jemaine Clement), who is still seething over his last encounter with Blu and schemes his revenge.
Blu and his family stumble upon a whole flock of their species and they eagerly embrace Jewel as she has returned home. Blu despite his best efforts does not fit in and struggles to gain acceptance from Jewel’s dad who is also the leader of the flock.
As if this was not enough problems for one bird to handle, an illegal organization is cutting down the forest which threatens the flock as well as Lind and her husband.
What follows is a madcap mix of comedy, music, and adventure as the film mixes very good lessons about environmental awareness and acceptance without ever being preachy.
The animation and 3D is solid and the supporting cast which included Bruno Mars, George Lopez, Jaime Foxx, Will I Am, Tracy Morgan, Andy Garcia and many others does a solid job.
The film took a while to get going and while the final 30 minutes pays off, the biggest trouble was staying with the film during the slower moments.
While it was very well presented and produced it does make me appreciate just how dialed in Disney is with their films as no matter how much they tried, none of the musical numbers in “Rio 2” were memorable and I stuggled to remember a single song shortly after the screener.
Since Disney is the leader in the industry for animated films and have been so for over 75 years, it would be unfair to expect the company behind the “Ice Age” series to meet the same standards.
While it may not be a timeless classic, “Rio 2” still has enough charm and enjoyment to make it an enjoyable film for younger viewers and fans of the first film, just as long as you temper your expectations.
http://sknr.net/2014/04/11/rio-2/
As we marked the anniversary of our arrival in the Valley of the Sun, it was ironic that “Rio 2” was flying into theaters at the same time and once again, we had a Saturday morning screening for the film albeit at different theaters.
The sequel picks up shortly after the events of the first film with Blu (Jess Eisenberg), and Jewel (Anne Hathaway), raising their children in a sanctuary in Rio. Their musical and colorful friends are all around them and are preparing for the upcoming carnival and the festivities that go along with it.
Blu learns that his former owner Linda (Leslie Mann), and her husband may have discovered others of Blu’s species in the deep jungle, which in turn leads Jewel to suggest a family vacation into the wild to help out.
For a city bird like Blu, venturing into the wild requires a fanny pack with items ranging from a G.P.S. to a utility knife and other modern items much to the chagrin of those around him.
The distant journey seems to be going well, until Blu crosses paths with Nigel (Jemaine Clement), who is still seething over his last encounter with Blu and schemes his revenge.
Blu and his family stumble upon a whole flock of their species and they eagerly embrace Jewel as she has returned home. Blu despite his best efforts does not fit in and struggles to gain acceptance from Jewel’s dad who is also the leader of the flock.
As if this was not enough problems for one bird to handle, an illegal organization is cutting down the forest which threatens the flock as well as Lind and her husband.
What follows is a madcap mix of comedy, music, and adventure as the film mixes very good lessons about environmental awareness and acceptance without ever being preachy.
The animation and 3D is solid and the supporting cast which included Bruno Mars, George Lopez, Jaime Foxx, Will I Am, Tracy Morgan, Andy Garcia and many others does a solid job.
The film took a while to get going and while the final 30 minutes pays off, the biggest trouble was staying with the film during the slower moments.
While it was very well presented and produced it does make me appreciate just how dialed in Disney is with their films as no matter how much they tried, none of the musical numbers in “Rio 2” were memorable and I stuggled to remember a single song shortly after the screener.
Since Disney is the leader in the industry for animated films and have been so for over 75 years, it would be unfair to expect the company behind the “Ice Age” series to meet the same standards.
While it may not be a timeless classic, “Rio 2” still has enough charm and enjoyment to make it an enjoyable film for younger viewers and fans of the first film, just as long as you temper your expectations.
http://sknr.net/2014/04/11/rio-2/
Darren (1599 KP) rated 1920 London (2016) in Movies
Jun 20, 2019
Story: 1920 London starts as we meet the Prince Veer (Karwel) and Princess Shivangi (Chopra) living in London, they soon become the latest victim of an evil spirit which takes over Veer’s body, Shivangi must go into her past to find her former lover Jai Singh Gujjar (Joshi) a man that was left banished because of their affair, who has an ability to tackle unwanted spirits.
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
Darren (1599 KP) rated Aftermath 2017 (2017) in Movies
Jun 20, 2019
Story: Aftermath starts as construction worker Roman (Schwarzenegger) is looking forward to the arrival of his wife and pregnant daughter from Kiev for Christmas. Making himself extra smart with flowers at hand he arrives at the airport to find the flight delayed but there is no good news, the plane was involved in a tragic accident killing both his wife and daughter.
On the other side of the story flight controller Jake Bonaos (McNairy) leaves his wife and son to arrive at work that very same day, on a night shift where he finds the himself distracted trying to fix a phoneline as two planes collided mid-air, the same flights that had Roman’s family on.
Both men’s lives are completely shattered, Roman broken, alone and spending days and nights at the cemetery. While Jake is branded a murderer by the public finding it impossible to function or being the husband and father he needs to be.
With the airline company waving money in Roman’s face to stop them being sued and Jake on the verge of suicide brings us to one year later where both are still living in the tragedy but both are attempting to move on.
Thoughts on Aftermath
Characters/Performance – Roman is a hard-working construction worker, he has work long hours to make sure his family can move to live with him in America, when he loses them his life is shattered but all he wants is an apologise not the airlines money. Jake is a flight controller who makes an honest mistake that cost the lives of everyone on the flights, his life is ruined, he loses his family, his job and must change his name and start again, living the rest of his life with regret.
Performance wise, Schwarzenegger is brilliant in this role where is he no action hero, he is an everyday man that loses everything, this is by far one of his best acting performances of his career. Scoot McNairy is also fantastic in this role showing just how capable of an actor he is.
Story – The story is based on a real incident that followed a mid-air collision but turned into an American story for it to unfold in. This story is very powerful because you are now left to wonder just what would happen if you were in either of these men’s shoes. The story also isn’t just a revenge film it follows these two men trying to rebuild their lives after what happened and mostly just wanting a human response from somebody involved.
Thriller – From the moment this film starts you are left to wonder from the edge of your seat to where this film will go.
Settings – The settings used through the film focus on making both our main characters feel like everyday people whose lives have been ruined by the events which is all you need from the film.
Final Thoughts – This is one of the best and most intense slow burning stories you will see this year. The performances are fantastic as well as being one of the most interesting stories out there.
Overall: One of the most powerful stories you will see this year.
https://moviesreview101.com/2017/04/10/aftermath-2017/
On the other side of the story flight controller Jake Bonaos (McNairy) leaves his wife and son to arrive at work that very same day, on a night shift where he finds the himself distracted trying to fix a phoneline as two planes collided mid-air, the same flights that had Roman’s family on.
Both men’s lives are completely shattered, Roman broken, alone and spending days and nights at the cemetery. While Jake is branded a murderer by the public finding it impossible to function or being the husband and father he needs to be.
With the airline company waving money in Roman’s face to stop them being sued and Jake on the verge of suicide brings us to one year later where both are still living in the tragedy but both are attempting to move on.
Thoughts on Aftermath
Characters/Performance – Roman is a hard-working construction worker, he has work long hours to make sure his family can move to live with him in America, when he loses them his life is shattered but all he wants is an apologise not the airlines money. Jake is a flight controller who makes an honest mistake that cost the lives of everyone on the flights, his life is ruined, he loses his family, his job and must change his name and start again, living the rest of his life with regret.
Performance wise, Schwarzenegger is brilliant in this role where is he no action hero, he is an everyday man that loses everything, this is by far one of his best acting performances of his career. Scoot McNairy is also fantastic in this role showing just how capable of an actor he is.
Story – The story is based on a real incident that followed a mid-air collision but turned into an American story for it to unfold in. This story is very powerful because you are now left to wonder just what would happen if you were in either of these men’s shoes. The story also isn’t just a revenge film it follows these two men trying to rebuild their lives after what happened and mostly just wanting a human response from somebody involved.
Thriller – From the moment this film starts you are left to wonder from the edge of your seat to where this film will go.
Settings – The settings used through the film focus on making both our main characters feel like everyday people whose lives have been ruined by the events which is all you need from the film.
Final Thoughts – This is one of the best and most intense slow burning stories you will see this year. The performances are fantastic as well as being one of the most interesting stories out there.
Overall: One of the most powerful stories you will see this year.
https://moviesreview101.com/2017/04/10/aftermath-2017/