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Smarter Faster Better: The Secrets of Being Productive
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In the international bestseller The Power of Habit, Pulitzer Prize-winning journalist Charles Duhigg...
ClareR (6241 KP) rated The Book of Trespass: Crossing the Lines That Divide Us in Books
Sep 6, 2020
The Book of Trespass is a non-fiction book that looks at how the land and waterways in England used to belong to everyone as Common Land, and afternoon various acts of Parliament, they were enclosed and sold to the highest bidder. People who were able to previously eke out a living on shared, common land, found themselves without income, food, a place to live, and forced to work for the family that now owned what had been everyone’s.
Fast forward a few centuries, the few rich people still own the majority of the land in the UK, and seem to guard it jealously. There’s no way that they can use all that land, but they won’t share it. In fact, the law backs them up - if you trespass, you could be prosecuted.
Nick Hayes has written a book where he charts the history of how land has changed ownership from the many to the few, the links to colonisation and the slave trade, those who have fought to keep us and our world safe and he stages his own rebellions throughout the book. He takes us over the fences and walls to look at the land we wouldn’t otherwise see (and the descriptions are beautiful, you can feel the love he has for the countryside). He shows us that this is not a communist ideal, as some would think. In countries such as Sweden, Norway and closer to home, Scotland, there is a culture of space for all. Maybe if we could all use this land, we would learn how to best look after it.
The added bonus were the pictures (woodcuts) - bold and beautiful.
I’m already trying to think of people who would appreciate this book as a gift. It’s definitely a book to share.
Many thanks to The Pigeonhole and Nick Hayes for making this book available for us to read!
Fast forward a few centuries, the few rich people still own the majority of the land in the UK, and seem to guard it jealously. There’s no way that they can use all that land, but they won’t share it. In fact, the law backs them up - if you trespass, you could be prosecuted.
Nick Hayes has written a book where he charts the history of how land has changed ownership from the many to the few, the links to colonisation and the slave trade, those who have fought to keep us and our world safe and he stages his own rebellions throughout the book. He takes us over the fences and walls to look at the land we wouldn’t otherwise see (and the descriptions are beautiful, you can feel the love he has for the countryside). He shows us that this is not a communist ideal, as some would think. In countries such as Sweden, Norway and closer to home, Scotland, there is a culture of space for all. Maybe if we could all use this land, we would learn how to best look after it.
The added bonus were the pictures (woodcuts) - bold and beautiful.
I’m already trying to think of people who would appreciate this book as a gift. It’s definitely a book to share.
Many thanks to The Pigeonhole and Nick Hayes for making this book available for us to read!
OkCupid Dating
Dating, Lifestyle and Social Networking
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OkCupid is the only FREE dating app that knows you’re more substance than just selfie. That’s...
BankofMarquis (1832 KP) rated Godzilla Minus One (2023) in Movies
Dec 14, 2023
Surprisingly Human...for a Monster Movie
The BankofMarquis just viewed one of the most entertaining films of 2023 - and it’s a GODZILLA film.
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
JT (287 KP) rated In Time (2011) in Movies
Mar 10, 2020
I wanted to like this, I really did, but it was a film that failed to go anywhere, and time just slipped away to the end credits. Justin Timberlake is a likeable character, and more favourable as an actor I would say, although he’s certainly got a decent voice as we all know – here, he was singing a bit flat.
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
A thoroughly enjoyable and informative book which brings the history of Highclere to life in energetic and engaging story telling.
Initially, the author shows their 'upper class' voice a little too often but as the story progresses and you begin to engage more with the people involved, it becomes less obvious, therefore making the book much more easy to read and enjoyable.
As an avid Downton Abbey fan from day one, I was engrossed with learning the true history of the actual house, and can honestly say that the connections between Downton and Highclere are not limited to merely the house. The Carnavons are a wonderful and very energetic family with fingers in so many pies and so rich a history that they truly deserve the accolade this book should give them. They do not come across as typical aristocrats at all, rather 'real' human beings who are committed to the improvement in lifestyle of all they are connected with, true philanthropists and dedicated historians.
I can honestly say that this book reads like a fiction story, and you have to pinch yourself at times to realise that these were real people who lived and breathed and carried out all of these wonderful acts. Truly, it is a fantastic read which is fully deserving of more than 5 stars and something that anyone interested in either Downton, late Victorian/early Edwardian society, the First World War and it's aftermath, or even the tomb of Tutankhamen should most definitely add to their 'to read' list.
Initially, the author shows their 'upper class' voice a little too often but as the story progresses and you begin to engage more with the people involved, it becomes less obvious, therefore making the book much more easy to read and enjoyable.
As an avid Downton Abbey fan from day one, I was engrossed with learning the true history of the actual house, and can honestly say that the connections between Downton and Highclere are not limited to merely the house. The Carnavons are a wonderful and very energetic family with fingers in so many pies and so rich a history that they truly deserve the accolade this book should give them. They do not come across as typical aristocrats at all, rather 'real' human beings who are committed to the improvement in lifestyle of all they are connected with, true philanthropists and dedicated historians.
I can honestly say that this book reads like a fiction story, and you have to pinch yourself at times to realise that these were real people who lived and breathed and carried out all of these wonderful acts. Truly, it is a fantastic read which is fully deserving of more than 5 stars and something that anyone interested in either Downton, late Victorian/early Edwardian society, the First World War and it's aftermath, or even the tomb of Tutankhamen should most definitely add to their 'to read' list.
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