Search
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Queen</i> by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The <i>Cinderella</i>-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
<i>Red Queen </i>reminds me slightly of a couple of other young adult novels. It is a mishmash of <i>The Selection </i>by Kiera Cass (the poor become elite) and stories such as <i>The Hunger Games</i> (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as<i> Red Queen</i> combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “<i>Queen</i>” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Red Queen</i> by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The <i>Cinderella</i>-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
<i>Red Queen </i>reminds me slightly of a couple of other young adult novels. It is a mishmash of <i>The Selection </i>by Kiera Cass (the poor become elite) and stories such as <i>The Hunger Games</i> (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as<i> Red Queen</i> combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “<i>Queen</i>” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Emma @ The Movies (1786 KP) rated Parasite (2019) in Movies
Jan 23, 2020
All I'd been hearing about Parasite was that it was a masterpiece and amazing, so many people were getting to see previews but of course they were all in London. Then Odeon came to the rescue with their Screen Unseen program so I defected from Cineworld for an evening.
The Kim family are desperately trying to make ends meet, their cramped home is uncomfortable and located in one of the shabbiest districts of Seoul. Things take a turn when the son's friend suggests that he takes over his tutoring job for the daughter of a well off family. Ki-woo doesn't have the qualifications but all he needs is to show confidence, he decides to take the job.
Once he gets to the upscale house opportunities start to present themselves and he sees a chance to set his family up with jobs too. Bringing their mother onboard sets in motion something that no one could have seen coming.
I seriously considered not writing a review for this, please excuse me if it seems a little disjointed but I'm still not entirely convinced that I have a proper conclusion.
Coming out of the film I was a little confused, mainly because apart from hearing about it being a masterpiece I had seen people saying it was a horror... IMDb lists it as "comedy, crime, drama", at least I agree with one of those.
The contrast between rich and poor is shown perfectly throughout, from their homes to the human senses expressed, the way it's all represented on screen solidifies the differences between the two families.
In each home environment we also see it, the sleek versus the chaotic, the clean versus the dirty. The Park's designer home is white, open and ordered, the Kim's is claustrophobic, cluttered and busy. The two are illustrated perfectly on each end of the spectrum and the two overlap briefly when the Kim's briefly take over the Park's home.
I thought the acting was good but I wasn't blown away by anything, potentially more of an issue with the script for me as I wasn't keen on some of the character traits that came out. The divide between the two families is obviously something that carries through to their members, but whereas we might expect the rich to be the villains in a story (and yes, they aren't necessarily the best people in the world) it is in fact the poor that are verging on the bad side of things. It does appear that in this instance money is the corrupting influence on the Kims and they get the taste for the high life. All the actors involved are very strong in helping this come across to the audience.
Beyond this set up I wasn't left with the gushing feeling that many, MANY others were. Maybe this just went over my head, I'm the first to admit that when I go to a movie I turn my brain down. Maybe it was more thinking than I'm willing to put into a film. When films touch a lot of different genres I feel like I have some trouble with then so this could also contribute to my underwhelmed feeling. My instinct coming out was that I wanted it to be a little darker and closer to a thriller than just drama.
After one viewing I would say I wouldn't have chosen to see it again but there's an Unlimited Screening coming I feel like it's worth giving it a second viewing in case I see something I didn't see before, but I'm not sure how much it will change things.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/parasite-movie-review.html
The Kim family are desperately trying to make ends meet, their cramped home is uncomfortable and located in one of the shabbiest districts of Seoul. Things take a turn when the son's friend suggests that he takes over his tutoring job for the daughter of a well off family. Ki-woo doesn't have the qualifications but all he needs is to show confidence, he decides to take the job.
Once he gets to the upscale house opportunities start to present themselves and he sees a chance to set his family up with jobs too. Bringing their mother onboard sets in motion something that no one could have seen coming.
I seriously considered not writing a review for this, please excuse me if it seems a little disjointed but I'm still not entirely convinced that I have a proper conclusion.
Coming out of the film I was a little confused, mainly because apart from hearing about it being a masterpiece I had seen people saying it was a horror... IMDb lists it as "comedy, crime, drama", at least I agree with one of those.
The contrast between rich and poor is shown perfectly throughout, from their homes to the human senses expressed, the way it's all represented on screen solidifies the differences between the two families.
In each home environment we also see it, the sleek versus the chaotic, the clean versus the dirty. The Park's designer home is white, open and ordered, the Kim's is claustrophobic, cluttered and busy. The two are illustrated perfectly on each end of the spectrum and the two overlap briefly when the Kim's briefly take over the Park's home.
I thought the acting was good but I wasn't blown away by anything, potentially more of an issue with the script for me as I wasn't keen on some of the character traits that came out. The divide between the two families is obviously something that carries through to their members, but whereas we might expect the rich to be the villains in a story (and yes, they aren't necessarily the best people in the world) it is in fact the poor that are verging on the bad side of things. It does appear that in this instance money is the corrupting influence on the Kims and they get the taste for the high life. All the actors involved are very strong in helping this come across to the audience.
Beyond this set up I wasn't left with the gushing feeling that many, MANY others were. Maybe this just went over my head, I'm the first to admit that when I go to a movie I turn my brain down. Maybe it was more thinking than I'm willing to put into a film. When films touch a lot of different genres I feel like I have some trouble with then so this could also contribute to my underwhelmed feeling. My instinct coming out was that I wanted it to be a little darker and closer to a thriller than just drama.
After one viewing I would say I wouldn't have chosen to see it again but there's an Unlimited Screening coming I feel like it's worth giving it a second viewing in case I see something I didn't see before, but I'm not sure how much it will change things.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/parasite-movie-review.html
Sassy Brit (97 KP) rated Blood Crescent in Books
Jun 5, 2019
In this magical, and quite ambitious, story Stevie McCoy delves into the mystical world of
Blood Crescent where main character realises her missing mother may still be alive and her own life is not what she thought it was. Big time! What they wanted from her mother, they now want from her. But who are ‘they’?
To begin with Blood Crescent has a surreal, hazy, yet mystical feel to it, as the mysterious Crystal slowly comes to grips with what is happening to her forcing her to embark on a fantastical and multi-layered journey of self-discovery and adventure.
As the story unfolded, I was transported into another realm where I met some amazing characters. Angel Aishlin with her witchy ways, and the (adorable) anti-hero Victor are just two characters who leapt right out of the pages and into my heart! Not only that, but I felt that this is ventured into the vampire world with a unique slant. You’ve heard of people being called ’emotional vampires’ right? There the sort of people who drain your energy by just being in the same room as them, because they’re for some reason, negative or miserable. Well this book takes that idea and runs with it. Like energy draining vampires who can suck out any goodness in your aura, just because they can. But of course, in this world it’s not that simple. And for good reason, too!
Overall I have the feeling this is the start of a vast universe, with complex rules and therefore has the capacity to branch off in so many directions, this could the first of a long-running series, and would make great viewing on the box. In fact, I watched these characters play out their roles in my head as if it were already on the TV! There’s an intense, dark atmosphere to this story where the surreal meets a reality not unlike our own… if we are to believe there’s more to life than what we can see. And why shouldn’t there be?
A rich tapestry of characters in a world where there is so much more to be discovered. I’m looking forward to continuing this adventure!
Blood Crescent where main character realises her missing mother may still be alive and her own life is not what she thought it was. Big time! What they wanted from her mother, they now want from her. But who are ‘they’?
To begin with Blood Crescent has a surreal, hazy, yet mystical feel to it, as the mysterious Crystal slowly comes to grips with what is happening to her forcing her to embark on a fantastical and multi-layered journey of self-discovery and adventure.
As the story unfolded, I was transported into another realm where I met some amazing characters. Angel Aishlin with her witchy ways, and the (adorable) anti-hero Victor are just two characters who leapt right out of the pages and into my heart! Not only that, but I felt that this is ventured into the vampire world with a unique slant. You’ve heard of people being called ’emotional vampires’ right? There the sort of people who drain your energy by just being in the same room as them, because they’re for some reason, negative or miserable. Well this book takes that idea and runs with it. Like energy draining vampires who can suck out any goodness in your aura, just because they can. But of course, in this world it’s not that simple. And for good reason, too!
Overall I have the feeling this is the start of a vast universe, with complex rules and therefore has the capacity to branch off in so many directions, this could the first of a long-running series, and would make great viewing on the box. In fact, I watched these characters play out their roles in my head as if it were already on the TV! There’s an intense, dark atmosphere to this story where the surreal meets a reality not unlike our own… if we are to believe there’s more to life than what we can see. And why shouldn’t there be?
A rich tapestry of characters in a world where there is so much more to be discovered. I’m looking forward to continuing this adventure!
Goddess in the Stacks (553 KP) rated Gentleman's Guide To Vice And Virtue in Books
Jun 8, 2018
This was excellent! First, all the diversity here - between the bisexual main character, his best friend, who is biracial, has an "invisible" disability, and also likes men (or at least likes Monty!) and his seemingly asexual sister - the book covers so many facets, it's great.
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
<i>Many thanks to the publisher and Netgalley for providing me with a copy of this book in exchange for an honest review </i>
This review can be found on my blog <a href="http://wp.me/p5y0lX-1NL">here</a href>
Skitter is part two of The Hatching trilogy and though it did sort of fall victim to the second book in a trilogy trope it was actually pretty good regardless.
It was a general lull in the mania that was The Hatching that gives you the idea that Boone hasn't finished with the spiders and he hasn't finished telling his story that's for sure.
Skitter is more of a plateau for Boone to pitch the following ideas of where the story is going to go; it follows the same characters from The Hatching and plenty of new ones as they all experience the changes from the first wave of spiders and the transition to the second wave.
The survivalists Gordo, Shotgun and their significant others Amy and Fred become integral to the storyline whereas in the first book they were merely amusing side characters. Development of a weapon that is supposedly able to destroy the spiders takes a good precedent.
Although the series so far has been dark this book was infinitely darker with a lot more death and destruction mostly at the hands of government officials who are in a respect doing what they believe to be the right move. Agent Mike Rich has holed up with his family on an island in the woods and he's feeling particularly twitchy when some folks appear from nowhere.
There was some more scientific deductions about these spiders that potentially could not be actual spiders but could actually be spiders - if that made any sense whatsoever yay. It's left open to have the story continued and hopefully the next book will give me the info I crave.
Skitter wasn't particularly creepy and there was minimal spider action with only a few people being eaten, some weird experiences from civilians and some people jumping the gun with regards to the egg sacs.
In all, the book wrapped up some trailing story arcs nicely and left the story wide open for the next book.
This review can be found on my blog <a href="http://wp.me/p5y0lX-1NL">here</a href>
Skitter is part two of The Hatching trilogy and though it did sort of fall victim to the second book in a trilogy trope it was actually pretty good regardless.
It was a general lull in the mania that was The Hatching that gives you the idea that Boone hasn't finished with the spiders and he hasn't finished telling his story that's for sure.
Skitter is more of a plateau for Boone to pitch the following ideas of where the story is going to go; it follows the same characters from The Hatching and plenty of new ones as they all experience the changes from the first wave of spiders and the transition to the second wave.
The survivalists Gordo, Shotgun and their significant others Amy and Fred become integral to the storyline whereas in the first book they were merely amusing side characters. Development of a weapon that is supposedly able to destroy the spiders takes a good precedent.
Although the series so far has been dark this book was infinitely darker with a lot more death and destruction mostly at the hands of government officials who are in a respect doing what they believe to be the right move. Agent Mike Rich has holed up with his family on an island in the woods and he's feeling particularly twitchy when some folks appear from nowhere.
There was some more scientific deductions about these spiders that potentially could not be actual spiders but could actually be spiders - if that made any sense whatsoever yay. It's left open to have the story continued and hopefully the next book will give me the info I crave.
Skitter wasn't particularly creepy and there was minimal spider action with only a few people being eaten, some weird experiences from civilians and some people jumping the gun with regards to the egg sacs.
In all, the book wrapped up some trailing story arcs nicely and left the story wide open for the next book.
Olivia (102 KP) rated Girls of Paper and Fire in Books
Aug 13, 2018 (Updated Aug 13, 2018)
I'm still trying to process all my feelings about his book, but right now I'm going to give it an 8.5
Girls of Paper and Fire is an incredibly addicting read. Within picking it up, I finished reading it in under 24 hours. Every minute that I wasn't reading it, I was thinking about it. It was like an impossible earworm chanting "Read me. Read me!".
Ngan's writing style and character development left me in awe at times. She somehow managed to write this imaginative tale whilst keeping it grounded, a combination that I haven't seen successfully executed very often. The romance in this book is perhaps one of my new all-time favorites. The love is believable. It wasn't a case of "Oh, I like this person a lot and so now I'm gonna make out with them for 80 pages straight and forget about everything else." there was actual chemistry between the two and it made the story all the more intense.
In the seemingly effortless way Ngan could create palpable romantic chemistry, she could also create absolute revulsion.
My problem with so many villains is that the writer will have them have done something terrible, and that's it. They don't truly explore how vile this villain is; they rely on one or two things that all of decent humanity can agree is unforgivable and let that be the reason why they're evil. Sure, anyone would be repulsed by a man who rapes and murders people; it's not like you have to convince people to hate that guy. But Ngan doesn't just throw those two things onto the character and call it a day. She made the king an absolute vile creature with words that made me physically gag, actions that made me have to put the book down and walk away.
Ngan's descriptions are extremely rich; whether that is a good or bad thing will vary from reader to reader. Personally, I found myself sometimes skimming over all the imagery; not because it wasn't good, but because I just really wanted to get back to the main plot and character interactions.
I'm not usually a huge fan of series, but this is one that I heavily look forward to continuing.
Girls of Paper and Fire is an incredibly addicting read. Within picking it up, I finished reading it in under 24 hours. Every minute that I wasn't reading it, I was thinking about it. It was like an impossible earworm chanting "Read me. Read me!".
Ngan's writing style and character development left me in awe at times. She somehow managed to write this imaginative tale whilst keeping it grounded, a combination that I haven't seen successfully executed very often. The romance in this book is perhaps one of my new all-time favorites. The love is believable. It wasn't a case of "Oh, I like this person a lot and so now I'm gonna make out with them for 80 pages straight and forget about everything else." there was actual chemistry between the two and it made the story all the more intense.
In the seemingly effortless way Ngan could create palpable romantic chemistry, she could also create absolute revulsion.
My problem with so many villains is that the writer will have them have done something terrible, and that's it. They don't truly explore how vile this villain is; they rely on one or two things that all of decent humanity can agree is unforgivable and let that be the reason why they're evil. Sure, anyone would be repulsed by a man who rapes and murders people; it's not like you have to convince people to hate that guy. But Ngan doesn't just throw those two things onto the character and call it a day. She made the king an absolute vile creature with words that made me physically gag, actions that made me have to put the book down and walk away.
Ngan's descriptions are extremely rich; whether that is a good or bad thing will vary from reader to reader. Personally, I found myself sometimes skimming over all the imagery; not because it wasn't good, but because I just really wanted to get back to the main plot and character interactions.
I'm not usually a huge fan of series, but this is one that I heavily look forward to continuing.
SMARTIFY: Scan & Discover art
Art & Design, Education and Reference
App
– Scan the art, uncover the story BBC Arts Editor, Will Gompertz: "Smartify is the most elegant,...
Global Mental Health: Principles and Practice
Vikram Patel, Martin J. Prince, Alex Cohen and Harry Minas
Book
Global health is an area for study, research and practice that places a priority on improving health...
Ross (3284 KP) rated Doors: Field of Blood in Books
Apr 8, 2021
Finally at an end
This the third and final book in this set (though they aren't to be read in any specific order) was consistent with the first two books. The beginning, shared, quarter sets up an intriguing tale of a group of disparate experts tasked with rescuing the missing daughter of a rich businessman, who has disappeared after going through a mysterious door.
This book sees the group enter a door that takes them to an alternate version of middle-ages France/Germany and the reign of the Frankian empire. As with the World War II element of the second book, this was more or less a passing interest to the book rather than a key element of the story.
The group have found themselves in a version of history where women rule the empire and generally take positions of power, and a building conspiracy among men seeks to reverse this and look to change this in the history books. For me, this was the most interesting aspect of the book, and one that could be plausible. Sadly, I couldn't see past some modern day people apparently conversing comfortably with people from the 9th century without issue, and there being no attempt to address this at all.
Meanwhile in the real world, we learn more about the doors, their use and the mysterious agency controlling them. We learn more in this one book than the other two put together, and between the three we now have a good amount of knowledge about these portals. Some aspects of their use don't add up though, as with any sort of time travel/portal notion.
The book ends fairly abruptly with a long voyage which is skipped over in a very 'sod it, that's the word count reached, wrap it up' style.
Overall, I was very disappointed with these books. While I liked having to piece together things from each book and start to get a feel for the world, I felt so much of it fell short. As with the other two books, it offered so much promise but fell flat.
This book sees the group enter a door that takes them to an alternate version of middle-ages France/Germany and the reign of the Frankian empire. As with the World War II element of the second book, this was more or less a passing interest to the book rather than a key element of the story.
The group have found themselves in a version of history where women rule the empire and generally take positions of power, and a building conspiracy among men seeks to reverse this and look to change this in the history books. For me, this was the most interesting aspect of the book, and one that could be plausible. Sadly, I couldn't see past some modern day people apparently conversing comfortably with people from the 9th century without issue, and there being no attempt to address this at all.
Meanwhile in the real world, we learn more about the doors, their use and the mysterious agency controlling them. We learn more in this one book than the other two put together, and between the three we now have a good amount of knowledge about these portals. Some aspects of their use don't add up though, as with any sort of time travel/portal notion.
The book ends fairly abruptly with a long voyage which is skipped over in a very 'sod it, that's the word count reached, wrap it up' style.
Overall, I was very disappointed with these books. While I liked having to piece together things from each book and start to get a feel for the world, I felt so much of it fell short. As with the other two books, it offered so much promise but fell flat.
