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ClareR (5733 KP) rated The Chalet in Books
Nov 8, 2020
The Chalet was a twisty, turny thriller that had me guessing all the way through. I couldn’t for the life of me work out who had been responsible for the death (and at one point I wasn’t even convinced that he was dead!), and I had a list of pretty much everyone in the chalet. My main reason for their guilt was that they just weren’t very nice (I know, I’ll never make a great detective!).
This story is split between two timelines to begin with - the present day and twenty years before. In the present day, two couples are sharing a chalet for a holiday mixed with business. I’ll say this again: these are not particularly nice people. They’re rich, entitled and generally insensitive.
Interspersed with this timeline is that of two couples twenty years earlier. Two brothers and their girlfriends are on a skiing holiday. They’re all Oxford University students: three come from affluent upper class families, and one, Louisa, comes from a working class, single parent family. She is made to feel different at all times - whether this is her own insecurities is never quite clear. Her boyfriends brother certainly doesn’t do much to make her feel welcome. At some point during this holiday, there’s a terrible accident that has an equally terrible effect on characters in the present day timeline.
I won’t say any more about the storyline - I don’t want to be the one to spoil someone’s reading enjoyment! What I WILL say, is that I thoroughly enjoyed this and looked forward to reading it every morning on the Pigeonhole app. It’s a tense, exciting, addictive read - and I loved it!
Many thanks to The Pigeonhole for serialising this and helping me once more, to read my NetGalley books! And also thanks to the author, Catherine Cooper for reading along with us.
This story is split between two timelines to begin with - the present day and twenty years before. In the present day, two couples are sharing a chalet for a holiday mixed with business. I’ll say this again: these are not particularly nice people. They’re rich, entitled and generally insensitive.
Interspersed with this timeline is that of two couples twenty years earlier. Two brothers and their girlfriends are on a skiing holiday. They’re all Oxford University students: three come from affluent upper class families, and one, Louisa, comes from a working class, single parent family. She is made to feel different at all times - whether this is her own insecurities is never quite clear. Her boyfriends brother certainly doesn’t do much to make her feel welcome. At some point during this holiday, there’s a terrible accident that has an equally terrible effect on characters in the present day timeline.
I won’t say any more about the storyline - I don’t want to be the one to spoil someone’s reading enjoyment! What I WILL say, is that I thoroughly enjoyed this and looked forward to reading it every morning on the Pigeonhole app. It’s a tense, exciting, addictive read - and I loved it!
Many thanks to The Pigeonhole for serialising this and helping me once more, to read my NetGalley books! And also thanks to the author, Catherine Cooper for reading along with us.
LeftSideCut (3776 KP) rated Escape Room (2019) in Movies
Sep 15, 2020
Contains spoilers, click to show
In short, Escape Room is actually a pretty tight thriller with a really disappointingly shitty ending.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
Kirk Bage (1775 KP) rated 8 1/2 (1963) in Movies
Jan 28, 2021
Fellini has six or seven movies that are considered genuine masterpieces, as well as many other perfectly decent efforts in a 40 year career. I love the idea of him and knew I would love his work, but to my shame it took this film for me to finally lose my Fellini cherry, aged 47. I can only begin by saying I adored it – loving each moment as a piece of art in itself, and the whole as a thing of true joy and wonder that has only grown in my imagination since seeing it. It made me laugh, made me sad, made me long for places and people from my past, made me think about my own identity and personality and place in the world. It also very much entertained me; I didn’t find it hard work like some on this list in any way.
Marcello Mastroianni is effortlessly cool and stylish, as is everyone in this semi-fantastical world of memories, dreams and fears. He lounges through the film in a way so naturally relaxed and interesting that you are drawn to every detail of his bizarre adventures. The presence of Claudia Cardinale and Anouk Aimée don’t hurt know bringing some Italian chic to affairs either. Visually, I lost count of the amount of times my jaw hit the ground! Freeze this rich and resplendent film in any moment and it will probably be an image worth framing. The black and white photography is so sharp, using light and dark in astonishing ways. What director since 1963 would not look at this and say “I am stealing that!”? Not a film you could watch every day, but one I know for sure will be amongst my favourites of this period forever. I can’t wait to watch his others!
Marcello Mastroianni is effortlessly cool and stylish, as is everyone in this semi-fantastical world of memories, dreams and fears. He lounges through the film in a way so naturally relaxed and interesting that you are drawn to every detail of his bizarre adventures. The presence of Claudia Cardinale and Anouk Aimée don’t hurt know bringing some Italian chic to affairs either. Visually, I lost count of the amount of times my jaw hit the ground! Freeze this rich and resplendent film in any moment and it will probably be an image worth framing. The black and white photography is so sharp, using light and dark in astonishing ways. What director since 1963 would not look at this and say “I am stealing that!”? Not a film you could watch every day, but one I know for sure will be amongst my favourites of this period forever. I can’t wait to watch his others!
Emma @ The Movies (1786 KP) rated The Man Who Invented Christmas (2017) in Movies
Sep 25, 2019
Two years after the success of Oliver Twist, Charles Dickens is suffering financial hardship from the failure of his last three books. Rejected by his publishers, he sets out to write a new book to restore his finances. Seeing inspiration around London, most notably a rich man's funeral that is largely unattended, he begins writing A Christmas Carol, due in six weeks in order to be published by Christmas. As Charles begins to develop his story, he interacts with the characters he is writing about, most notably Ebenezer Scrooge.
Christmas spirit abounds this month, and I was so happy to see it start with this film. I'm fed up of saying "I hadn't heard anything about this film until it was on"... seriously, what are these people doing with their advertising budgets??!
Dickens' struggle with his writer's block is incredible to watch. When the idea snaps into his head and the characters appear it really does put a smile on your face. It feels like you can really see the joy in his eyes as an idea materialises in front of him. Seeing them all interact together as the tale progresses is so much fun too.
This film made me genuinely feel happy. Just like a Christmas film should. I laughed out loud and I cried, but I still left with a smile, and an abundance of Christmas spirit in me to help me muster the enthusiasm for another three Christmas films and tree decorating. I hate to dethrone any of my favourites from their positions... but this might have entered straight into the top three... it's honestly got me stumped. I'll have to watch more seasonal films until I can work it out.
Christmas spirit abounds this month, and I was so happy to see it start with this film. I'm fed up of saying "I hadn't heard anything about this film until it was on"... seriously, what are these people doing with their advertising budgets??!
Dickens' struggle with his writer's block is incredible to watch. When the idea snaps into his head and the characters appear it really does put a smile on your face. It feels like you can really see the joy in his eyes as an idea materialises in front of him. Seeing them all interact together as the tale progresses is so much fun too.
This film made me genuinely feel happy. Just like a Christmas film should. I laughed out loud and I cried, but I still left with a smile, and an abundance of Christmas spirit in me to help me muster the enthusiasm for another three Christmas films and tree decorating. I hate to dethrone any of my favourites from their positions... but this might have entered straight into the top three... it's honestly got me stumped. I'll have to watch more seasonal films until I can work it out.
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ClareR (5733 KP) rated The Second Sight of a Zachary Cloudesley in Books
Nov 11, 2023
I don’t quite know how I can write anything about this book and still do it justice! It’s a wide sweeping novel, that takes the reader from a clockmakers in London to Constantinople.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.