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Chris Sawin (602 KP) rated Midsommar (2019) in Movies
Jun 26, 2019 (Updated Jul 4, 2019)
When a director like Ari Aster only has two full-length features under his belt, it’s difficult not to compare his works but the truth of the matter is that Hereditary and Midsommar are two incredibly different films. Hereditary seemed to thrive on lurking in the shadows visually to assist in its dark storytelling. Nearly all of Midsommar takes place under blinding sunlight making the horrific events that unfold feel stranger and even more out of place, confusing, and bizarrely unsettling. Based on his two films though, Aster does seem to flock towards a few common themes. Grief, loss, and the inability to cope have plagued the main characters of his films while the importance of family takes a high precedence. Hereditary was more about a specific family attempting to stay together while already being in shambles and Midsommar attempts to create a new family on more than one occasion with the possibility of constant expansion.
Dani’s (Florence Pugh) life is turned inside out once a devastating tragedy leaves her dumbstruck. She leans on her boyfriend of four years, Christian (Jack Reynor), for support, but their relationship is obviously strained. Along with their friends Josh (William Jackson Harper) and Mark (Will Poulter), Dani and Christian end up going on vacation to rural Sweden. They travel to a small village where their friend Pelle (Vilhelm Blomgren) grew up and now serves as their host. A rare nine-day festival that only occurs once every 90 years is being celebrated. Josh is utilizing the trip as a means to bulk up his folklore thesis for college while Mark is more interested in partaking in the Swedish women. Christian is attempting to figure out what his thesis will be while Dani searches for some sort of guidance after such a tragic occurrence. Their trip becomes increasingly more peculiar the longer they stay as they’re forced to witness violent rituals and are encouraged to embrace the ways of a Pagan cult.
The intricate illustrations throughout the film like in the opening shot, the elongated love potion cloth, or the walls of the barn-like structure Dani and her friends sleep in, give Midsommar this dark fairy tale aspect to it that a film like Pan’s Labyrinth would be proud of. The Pagan roots of Pelle’s village and the film’s metaphorical feet being so firmly planted in such rich folklore give Midsommar this cautiously fanciful aesthetic. The film capitalizes on the nostalgic sensation of when fairy tales and children’s books were read to you as a child. There are consistent signs that things aren’t right, paranoia lurks around every corner, and the locals set off every ominous alarm in your body, but there’s that naïve part of us buried deep down that wishes for and hopes for a happy ending because cosmetically we believe that is what resides at the end of every fairy tale not written by Jakob and Wilhelm Grimm (The Brothers Grimm).
It’s also interesting observing the main and supporting characters of the film or basically all of the “outsider” guests of the festival. Pelle acts as a conduit/guide between his village and the outside world, Josh is a historian/researcher, Mark is a mocker/fool, Dani and Christian are a strained couple, and Connie (Ellora Torchia) and Simon (Archie Madekwe) are a flourishing one. According to Wikipedia, Ari Aster based Dani and Christian’s relationship on a bad breakup. Midsommar is also way funnier than it has any right to be; something Hereditary completely distanced itself from. Midsommar goes out of its way to boast about who Dani’s real family is in the film. The unified chanting, outrageous theatrics, and harmonized moaning may seem like mockery or complete insanity to some. While it is humorous at times, it seems like this is the way the locals can experience everything everyone else does as a cohesive unit. This seems relevant to emotions, hallucinogens, and even sustenance; this cult does everything together.
Midsommar isn’t going to sit right with a lot of people, especially since Ari Aster desired to be confusing when it came to making the film. With all of the drug-taking in the film being so common, Midsommar may leave you feeling as groggy and disoriented as the characters on screen. However, in between the sacrifices, the brutality, the graphic nature of the film, inbred oracles, and plethora of naked mature women moaning in unison there’s something unique and brilliant about Midsommar you can’t find elsewhere. It may draw parallels to films like Robin Hardy’s The Wicker Man and may feel like a bleaker version of The Wizard of Oz on a bad acid trip, but Midsommar is unlike any other film you’ll see this year. In a way, Dani and her friends all get exactly what they came for but the end outcome is that the majority of them bit off more than they could chew. Truth be told, you’ll never look at a bear in a film the same way again even if it does remind you of the Tanooki suit Mario wore in Super Mario Bros 3. This is the type of film where you could literally tell someone everything that happens and it wouldn’t really spoil the film for them. The context of these events is important to witness in succession and in their entirety since what each individual takes away from the film will likely differ person to person.
There’s a deliberate pacing of the film many will find too slow and uneventful as the film’s two and a half hour runtime will already feel daunting. Aster has teased that the original cut of the film was three hours and 45 minutes and he has a version of the film that is 25 minutes longer that was difficult to cut down to the theatrical cut currently in theaters. An extended cut of the film or a large amount of deleted scenes on the Blu-ray (how about that levitation sequence from the trailer?) would certainly be intriguing.
If you enjoy ambiguous filmmaking where everything isn’t explained and the film’s imagery can mean more than one specific thing, then Midsommar may be worth checking out. It is an outlandish experiment by Ari Aster that a large quantity will likely deem a failure. Personally speaking though, Midsommar is such an unconventionally different ceremonial fever dream loaded with preposterousness, beautiful cinematography, hilarity, and anxiety-fueled-dread that it’s not only memorable and bold but also the type of one-of-a-kind film experience I crave whenever the lights dim and the quiet hum of a projector accelerates into a dull yet soothing roar.
Dani’s (Florence Pugh) life is turned inside out once a devastating tragedy leaves her dumbstruck. She leans on her boyfriend of four years, Christian (Jack Reynor), for support, but their relationship is obviously strained. Along with their friends Josh (William Jackson Harper) and Mark (Will Poulter), Dani and Christian end up going on vacation to rural Sweden. They travel to a small village where their friend Pelle (Vilhelm Blomgren) grew up and now serves as their host. A rare nine-day festival that only occurs once every 90 years is being celebrated. Josh is utilizing the trip as a means to bulk up his folklore thesis for college while Mark is more interested in partaking in the Swedish women. Christian is attempting to figure out what his thesis will be while Dani searches for some sort of guidance after such a tragic occurrence. Their trip becomes increasingly more peculiar the longer they stay as they’re forced to witness violent rituals and are encouraged to embrace the ways of a Pagan cult.
The intricate illustrations throughout the film like in the opening shot, the elongated love potion cloth, or the walls of the barn-like structure Dani and her friends sleep in, give Midsommar this dark fairy tale aspect to it that a film like Pan’s Labyrinth would be proud of. The Pagan roots of Pelle’s village and the film’s metaphorical feet being so firmly planted in such rich folklore give Midsommar this cautiously fanciful aesthetic. The film capitalizes on the nostalgic sensation of when fairy tales and children’s books were read to you as a child. There are consistent signs that things aren’t right, paranoia lurks around every corner, and the locals set off every ominous alarm in your body, but there’s that naïve part of us buried deep down that wishes for and hopes for a happy ending because cosmetically we believe that is what resides at the end of every fairy tale not written by Jakob and Wilhelm Grimm (The Brothers Grimm).
It’s also interesting observing the main and supporting characters of the film or basically all of the “outsider” guests of the festival. Pelle acts as a conduit/guide between his village and the outside world, Josh is a historian/researcher, Mark is a mocker/fool, Dani and Christian are a strained couple, and Connie (Ellora Torchia) and Simon (Archie Madekwe) are a flourishing one. According to Wikipedia, Ari Aster based Dani and Christian’s relationship on a bad breakup. Midsommar is also way funnier than it has any right to be; something Hereditary completely distanced itself from. Midsommar goes out of its way to boast about who Dani’s real family is in the film. The unified chanting, outrageous theatrics, and harmonized moaning may seem like mockery or complete insanity to some. While it is humorous at times, it seems like this is the way the locals can experience everything everyone else does as a cohesive unit. This seems relevant to emotions, hallucinogens, and even sustenance; this cult does everything together.
Midsommar isn’t going to sit right with a lot of people, especially since Ari Aster desired to be confusing when it came to making the film. With all of the drug-taking in the film being so common, Midsommar may leave you feeling as groggy and disoriented as the characters on screen. However, in between the sacrifices, the brutality, the graphic nature of the film, inbred oracles, and plethora of naked mature women moaning in unison there’s something unique and brilliant about Midsommar you can’t find elsewhere. It may draw parallels to films like Robin Hardy’s The Wicker Man and may feel like a bleaker version of The Wizard of Oz on a bad acid trip, but Midsommar is unlike any other film you’ll see this year. In a way, Dani and her friends all get exactly what they came for but the end outcome is that the majority of them bit off more than they could chew. Truth be told, you’ll never look at a bear in a film the same way again even if it does remind you of the Tanooki suit Mario wore in Super Mario Bros 3. This is the type of film where you could literally tell someone everything that happens and it wouldn’t really spoil the film for them. The context of these events is important to witness in succession and in their entirety since what each individual takes away from the film will likely differ person to person.
There’s a deliberate pacing of the film many will find too slow and uneventful as the film’s two and a half hour runtime will already feel daunting. Aster has teased that the original cut of the film was three hours and 45 minutes and he has a version of the film that is 25 minutes longer that was difficult to cut down to the theatrical cut currently in theaters. An extended cut of the film or a large amount of deleted scenes on the Blu-ray (how about that levitation sequence from the trailer?) would certainly be intriguing.
If you enjoy ambiguous filmmaking where everything isn’t explained and the film’s imagery can mean more than one specific thing, then Midsommar may be worth checking out. It is an outlandish experiment by Ari Aster that a large quantity will likely deem a failure. Personally speaking though, Midsommar is such an unconventionally different ceremonial fever dream loaded with preposterousness, beautiful cinematography, hilarity, and anxiety-fueled-dread that it’s not only memorable and bold but also the type of one-of-a-kind film experience I crave whenever the lights dim and the quiet hum of a projector accelerates into a dull yet soothing roar.
The Boy Who Drew Monsters
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From the New York Times bestselling author of The Stolen Child comes a hypnotic literary horror...
A Bibliophagist (113 KP) rated Throne of Glass in Books
Feb 5, 2020 (Updated Feb 5, 2020)
Good start (2 more)
Good finish
Intial character introductions
Formulaic (1 more)
Celeana never does anything she says she can do
Something special ruined by the YA formula
This is another tough one to review, primarily because it started so good for me, then just ended as a whimper.
First of all, this was one of my "force myself out of my norm" picks. I forced myself to pick two popular books, that didn't interest me, and give them a chance. This was the biggest "no interest" pick. The cover alone is just so bad I was embarrassed to be buying it at the bookstore by the art school I work at. What if one of my Illustration students see, will I be deemed unworthy to teach them if I buy a book so ugly and anatomically incorrect? Like seriously, why is her torso so long. Is she just insanely tall? Is she hunched or does she have no neck? It's just... awful.
Also, it's a genre I don't gel well with, fantasy just isn't my jam, I get so mad that SciFi is always lumped in with Fantasy. So, the perfect choice I suppose.
When I first started, I texted my partner and told him "holy crap, I actually am enjoying this". I was shocked, surprised. So far the YA darling of a book wasn't stereotypically YA. The main character was deep and interesting and had a thick backstory. Yea they've already introduced two perfectly perfect love interested for her, but whatever, this is actually interesting.
The book follows the acclaimed assassin, Calaena, young, utterly gorgeous and snarky, deadly. In theory a textbook YA heroine. But she is far from a Mary Sue (in the beginning) her backstory is interesting and rich. She's hardened by a year in prison death labor camp. A camp she is offered freedom from if she accepts the Prince's offer; his father wants a "champion" (aka a dubious person to assassinate and otherwise do his dirty work) and she is the Prince's pick. Should she accept, she'll go against other noble's picks and participate in a competition proving their worth. The winner gets freedom and serves as the champion for X amount of years. Losers go back to whatever prison or hole they crawled out of. So while Celeana doesn't much want to be a lackey to some Princeling or King, she doesn't want to go back to the death labor camp either.
So if you can't tell already, enter love interest #1, the sassy, broody Prince Dorian. Perfect in all ways, except for birthright. Could someone like Celeana ever love him? Dun Dun DUnnnnn. Also enter love interest 2, captain of the guard Chaol, the prince's childhood friend, quiet, introverted, job-focused. Doesn't trust her at all, but could she break him down? What will happen if two best friends fall for the same saucy assassin? DUN DUN DUNNNN
So obviously, she accepts, and is taken to the great glass palace to await the competition, where we have a veritable Beauty and the Beast situation, she's provided lavish accommodation, beautiful dresses, and sadly starts to become a Mary Sue. But not quite yet, first, we get some actually really interesting story, hints at the world we're in, going through a once magical forest, with something in the night leaving flowers at the foot of Celeana's bed, hinting at perhaps her lineage being more magical than we think. We also get introduced to the competition, a lineup of stereotypical gruff dudes, with the bad guy being so obvious he might as well as a spotlight on him (unfortunately this book doesn't really have a twist). Also, enter love interest 3? I utilize the question mark because this one isn't really persued, but feels like it's meant to be something. A handsome, young, way too nice unsavory that she aligns herself with. No one knows who she is, and she goes under a pseudonym while in the palace, hoping to make people underestimate her. The first parts of the competition are interesting, the book is actually conscious of how out of shape she'd be, and takes pains to be detailed (sometimes overly detailed, like the page about her period, I'm in no means ashamed of my period, but the page literally did nothing but further the stereotype that we are completely immobile and need a day off while on it. I wish the author impowered Celeana by having her be in pain, but still be a badass).
As the competition progresses, however, competitors begin dying in gruesome ways, that aren't related to the competition. Concern rises, and whispers of the old magic are everywhere. Celeana now needs to survive this competition, survive whatever is killing her competitors, and solve the mystery happening in the castle. Oh and of course, figure out how to go to that ball and which boy she wants.
Unfortunately, after the first competition-related thing, this book started going downhill for me. Gone was this interest main character, and replaced was a stereotypical Mary Sue that forgets she's an assassin a lot. She rarely does anything Assasin like actually, beyond some internal dialogue in which she thinks about assasin things. It goes from describing the competition to suddenly being like "there were two more trials, Celeana rocked them" skipping ahead a glossing over the competition entirely, choosing instead to focus on the growing tension between her and the two boys, and dangling the very obvious bad guy in front of us as if we're going to be ever so surprised when we find out it's exactly who we thought it was. I want those trials, I want to know what happened and see her thoughts, something to remind me she's an assassin and not a giggling school girl more than ready for court life. Having stereotypical scenes of playing Billiards and Dorian holding her to show her how to do it. Don't even get me started on the Billiards, a fantasy book, using freak in billiards, make up a game for goodness sake, but to utilize a surprisingly modern game in a high fantasy setting made me laugh out loud for the wrong reasons. She gets a puppy, that hates everyone but her, befriends a badass princess (the most interesting thing in this book) and fights off some baddies. Too bad most of the focus was on the rushed, completely chemistry-free relationship between her and Dorian, they see each other like 4 times and are willing to give everything up for each other, it's painful. Honestly, even when I let my mind lapse into YA mode and allow myself to enjoy a fun YA romance, this is not how to do it. Also, Team Chaol all the way.
So the competition takes a considerable step back, and so does my interest. I would argue that the concept in this story is solid and interesting, but executed poorly, which is odd because the beginning proves to be the author can write well, it just feels like she second-guessed herself and decided to stop doing an actually interesting story and instead focus on being stereotypically YA. But there are little gems in here, an interesting world is hinted at, likable and interesting characters are glimpsed in the beginning before she lost interest in developing them. An undercurrent of well thought out mystery and magic. But all of these things took a backseat to fulfil the YA formula instead. I'm going to read the next book just to see if this world becomes more of the focus, but if it doesn't I'll have to stop, this series is just way too long to deal with the same formula over and over.
She almost got me, she was so close, I just wish this book had been consistent and focused on the plot. I wish she had let Celeana be the strong character she implied in the beginning rather than a stereotypical YA girl. I get she was fulfilling the life she never had, but in a situation where she needed to really be HER to get her freedom, it just doesn't feel like the appropriate time for wish fulfillment I wish, if there had to be romance, it had more oomf, made me feel things, made me care. Unfortunately, it didn't have these things, so this book was a bit of a flop for me. So I'm hoping, she'll prove me wrong in the second one, and let the story I see she's made and spent loving time on shine, rather than hide it underneath the guaranteed to sell formula plaguing young adult books.
First of all, this was one of my "force myself out of my norm" picks. I forced myself to pick two popular books, that didn't interest me, and give them a chance. This was the biggest "no interest" pick. The cover alone is just so bad I was embarrassed to be buying it at the bookstore by the art school I work at. What if one of my Illustration students see, will I be deemed unworthy to teach them if I buy a book so ugly and anatomically incorrect? Like seriously, why is her torso so long. Is she just insanely tall? Is she hunched or does she have no neck? It's just... awful.
Also, it's a genre I don't gel well with, fantasy just isn't my jam, I get so mad that SciFi is always lumped in with Fantasy. So, the perfect choice I suppose.
When I first started, I texted my partner and told him "holy crap, I actually am enjoying this". I was shocked, surprised. So far the YA darling of a book wasn't stereotypically YA. The main character was deep and interesting and had a thick backstory. Yea they've already introduced two perfectly perfect love interested for her, but whatever, this is actually interesting.
The book follows the acclaimed assassin, Calaena, young, utterly gorgeous and snarky, deadly. In theory a textbook YA heroine. But she is far from a Mary Sue (in the beginning) her backstory is interesting and rich. She's hardened by a year in prison death labor camp. A camp she is offered freedom from if she accepts the Prince's offer; his father wants a "champion" (aka a dubious person to assassinate and otherwise do his dirty work) and she is the Prince's pick. Should she accept, she'll go against other noble's picks and participate in a competition proving their worth. The winner gets freedom and serves as the champion for X amount of years. Losers go back to whatever prison or hole they crawled out of. So while Celeana doesn't much want to be a lackey to some Princeling or King, she doesn't want to go back to the death labor camp either.
So if you can't tell already, enter love interest #1, the sassy, broody Prince Dorian. Perfect in all ways, except for birthright. Could someone like Celeana ever love him? Dun Dun DUnnnnn. Also enter love interest 2, captain of the guard Chaol, the prince's childhood friend, quiet, introverted, job-focused. Doesn't trust her at all, but could she break him down? What will happen if two best friends fall for the same saucy assassin? DUN DUN DUNNNN
So obviously, she accepts, and is taken to the great glass palace to await the competition, where we have a veritable Beauty and the Beast situation, she's provided lavish accommodation, beautiful dresses, and sadly starts to become a Mary Sue. But not quite yet, first, we get some actually really interesting story, hints at the world we're in, going through a once magical forest, with something in the night leaving flowers at the foot of Celeana's bed, hinting at perhaps her lineage being more magical than we think. We also get introduced to the competition, a lineup of stereotypical gruff dudes, with the bad guy being so obvious he might as well as a spotlight on him (unfortunately this book doesn't really have a twist). Also, enter love interest 3? I utilize the question mark because this one isn't really persued, but feels like it's meant to be something. A handsome, young, way too nice unsavory that she aligns herself with. No one knows who she is, and she goes under a pseudonym while in the palace, hoping to make people underestimate her. The first parts of the competition are interesting, the book is actually conscious of how out of shape she'd be, and takes pains to be detailed (sometimes overly detailed, like the page about her period, I'm in no means ashamed of my period, but the page literally did nothing but further the stereotype that we are completely immobile and need a day off while on it. I wish the author impowered Celeana by having her be in pain, but still be a badass).
As the competition progresses, however, competitors begin dying in gruesome ways, that aren't related to the competition. Concern rises, and whispers of the old magic are everywhere. Celeana now needs to survive this competition, survive whatever is killing her competitors, and solve the mystery happening in the castle. Oh and of course, figure out how to go to that ball and which boy she wants.
Unfortunately, after the first competition-related thing, this book started going downhill for me. Gone was this interest main character, and replaced was a stereotypical Mary Sue that forgets she's an assassin a lot. She rarely does anything Assasin like actually, beyond some internal dialogue in which she thinks about assasin things. It goes from describing the competition to suddenly being like "there were two more trials, Celeana rocked them" skipping ahead a glossing over the competition entirely, choosing instead to focus on the growing tension between her and the two boys, and dangling the very obvious bad guy in front of us as if we're going to be ever so surprised when we find out it's exactly who we thought it was. I want those trials, I want to know what happened and see her thoughts, something to remind me she's an assassin and not a giggling school girl more than ready for court life. Having stereotypical scenes of playing Billiards and Dorian holding her to show her how to do it. Don't even get me started on the Billiards, a fantasy book, using freak in billiards, make up a game for goodness sake, but to utilize a surprisingly modern game in a high fantasy setting made me laugh out loud for the wrong reasons. She gets a puppy, that hates everyone but her, befriends a badass princess (the most interesting thing in this book) and fights off some baddies. Too bad most of the focus was on the rushed, completely chemistry-free relationship between her and Dorian, they see each other like 4 times and are willing to give everything up for each other, it's painful. Honestly, even when I let my mind lapse into YA mode and allow myself to enjoy a fun YA romance, this is not how to do it. Also, Team Chaol all the way.
So the competition takes a considerable step back, and so does my interest. I would argue that the concept in this story is solid and interesting, but executed poorly, which is odd because the beginning proves to be the author can write well, it just feels like she second-guessed herself and decided to stop doing an actually interesting story and instead focus on being stereotypically YA. But there are little gems in here, an interesting world is hinted at, likable and interesting characters are glimpsed in the beginning before she lost interest in developing them. An undercurrent of well thought out mystery and magic. But all of these things took a backseat to fulfil the YA formula instead. I'm going to read the next book just to see if this world becomes more of the focus, but if it doesn't I'll have to stop, this series is just way too long to deal with the same formula over and over.
She almost got me, she was so close, I just wish this book had been consistent and focused on the plot. I wish she had let Celeana be the strong character she implied in the beginning rather than a stereotypical YA girl. I get she was fulfilling the life she never had, but in a situation where she needed to really be HER to get her freedom, it just doesn't feel like the appropriate time for wish fulfillment I wish, if there had to be romance, it had more oomf, made me feel things, made me care. Unfortunately, it didn't have these things, so this book was a bit of a flop for me. So I'm hoping, she'll prove me wrong in the second one, and let the story I see she's made and spent loving time on shine, rather than hide it underneath the guaranteed to sell formula plaguing young adult books.
Charlie Cobra Reviews (1840 KP) rated Coming 2 America (2021) in Movies
Mar 16, 2021 (Updated Mar 27, 2021)
Almost all of the original cast returns for this sequel (2 more)
Lots of laughs
Eddie Murphy and Arsenio Hall reprising many of the roles where they played multiple characters again.
Terrible character development (2 more)
Plot doesn't make sense at times or feels like missing scenes or plot development
Some jokes fall flat or feel forced and the trailer spoils some
Lots of Laughs and Callbacks But Not Enough Substance
Prince Akeem of Zamunda (Eddie Murphy) is visited by General Izzi (Wesley Snipes) who pushes for Akeem's eldest daughter Meeka (Kiki Layne) to marry his foppish son, Idi (Rotimi). Nexdoria is a hostile militaristic neighbor nation ruled by General Izzi, who is also the brother of Akeem's original arranged bride-to-be. Izzi threatens Akeem and says that it is better to be bound by blood and family then divided by blood and war. This occurs on the very day that Zamunda is celebrating the 30th anniversary of Prince Akeem and Lisa's wedding. King Jaffe Joffer (James Earl Jones) summons Akeem and Semmi (Arsenio Hall) and reminds them that only a male heir can inherit his kingdom. He summons his shaman Baba and they reveal that Akeem has a long lost son in America that he must retrieve in order to avoid a hostile takeover by Nexdoria.
I enjoyed this movie when I saw it the first time and thought that it was pretty funny. It definitely isn't a great movie but when compared to several other sequels that happen years after the original, I felt that it did better than most. It was for the most part a lesser version of the original but it's been years since I've seen the original and I didn't let my nostalgia for it to skew my opinion on this one. I do plan on re-watching the original soon though so I can see how much they differ. A big difference was that the original Coming to America is rated R and this sequel was PG-13. I usually hate when a company chooses to do this because I always feel what the fans/audience gets is a watered down version of the original but it's hard to say this time around. This movie was full of laughs and I was surprised how much they got away with it for being a PG-13 movie, however some of the jokes fell flat and a lot of them were given away in the trailer. Also there were somethings in the trailer that I didn't see in the movie; like the Wakanda joke in the barbershop. Wesley Snipes character General Izzi was quite a character and you could feel he was having fun portraying him. I also enjoyed Akeem's three daughters in the movie. I really liked the opening scene which showed Prince Akeem sparring with his daughters and stick fighting like the original movie. The middle daughter Princess Omma who had glasses was actually Eddie Murphy's daughter in real life, Bella Murphy. And I also heard that most of the palace scenes in Zamunda were actually filmed in rapper Rick Ross' house. As much as I liked this movie it also felt very thin and didn't have a lot of character development or much of a plot to speak of. It also felt like quite a few things didn't make sense and that characters that came out in the first movie were quite different personality wise or just by their actions. I feel like I should give this movie a lower score but I'm not sure if it's nostalgia again or the fact that since it's a comedy I'm not really letting some of those things bother me as much. I'll go over my many reasons for scoring it so low in the spoiler section but for now I give this movie a 6/10. I would say it's worth getting a free trial of Amazon Prime if you want to see it in good quality and for free, or if you already have Amazon Prime you should give it a shot if you're looking for some laughs, but if not you can totally wait to see this movie.
-------------------------------------------------------
Spoiler Section Review:
Alright so let's get to it. Like I said I enjoyed this movie and thought that it delivered on the laughs even if some of them were forced or fell flat. I also felt that it was pretty thin on the plot and from what I remember of the first movie some of the characters were off or acted very different personality wise. I loved how the movie began with Prince Akeem training with his daughters and doing the stick fighting which was one of many call backs to the original film. The conflict begins in the beginning of the movie when General Izzi visits Akeem and tries to arrange a marriage between his son and Akeem's oldest daughter, Princess Meeka. You can tell that Akeem doesn't like General Izzi's son Idi but doesn't say anything other than his daughter didn't find him suitable. General Izzi threatens him after making a comment about the King being dead or near death and Akeem not having any male heirs. I still don't understand the conflict between the two nations and felt that this would have benefitted the plot more if they would have explained it better. Why would he need an heir so soon if he himself hadn't even inherited the kingdom from his father yet? Also the only explanation between the conflict of the nations was that Nexdoria was poor and Zamunda was rich. Anyways then Akeem is summoned to see his father and his shaman Baba and is told that he has an illegitimate son in America after a tryst with a woman while being drugged. I thought this was pretty funny scene where they did a flashback to when it happened. So now Akeem and Semmi must travel to America to retrieve his son so that he can take the princely tests and become heir to the kingdom. This totally doesn't make any sense to me plot wise other than this is how they wanted the movie to go. Akeem was totally a person who went against his father's wishes and traditions in the first film to find his wife Lisa and doesn't make sense that he would get this "son" to be his heir even if he was blood without getting to know him first. However I ignored that while watching because I figured he would get to know him while they met and he went back to Zamunda with them. Also before the leave there is a pretty cool scene where King Jaffe Joffer decides to have his funeral while he's alive and it was very lavish and elegant and full of cameos from great artists and performers. It was funny to see the barbershop scene and how Eddie Murphy and Arsenio Hall reprised their roles of some of the barbershop characters when they arrive in America but I felt that the funny parts were already spoiled in the trailer. Also the part about Wakanda wasn't even in the movie. From there they find out that his son is selling tickets near Madison Square when they're told about the mascot being a thunderbird that was part of Baba's vision. That was a cool details that I wish would have been developed more to make it more interesting. It would have been cool for them to have struggled to find his son but instead the first place they go tells them exactly where he is. Also when he meets his son Lavelle, it didn't even come off as awkward enough and Lavelle totally takes him back to his house to meet everyone or ask his mom. I didn't see this as realistic or how it would have played out in real life. Leslie Jones was a pretty annoying character but I feel she fit the job of the role she played and that people are too harsh on her as an actor for this role but I do feel that she is like Kevin Hart or The Rock in basically being the same character in every role. She admits that Akeem could be Lavelle's father and just like that they are whisked away to Zamunda. No paternity test, no lie detector test, no witnesses like her friend in the club saying yes it was true. This was very unrealistic to me because anybody would say yes to inherit the riches of Zamunda. When he returns Princess Lisa confronts him about him having a son and the particulars of how it occurred and she was shocked to find out that he brought not only his son but the son's mother back with him as well. General Izzi returns to Zamunda as soon as Prince Lavelle returns and makes it known that he has a daughter that he wishes for him to marry and Prince Akeem un-characteristically allows this arranged marriage to take place. Prince Lavelle must now pass the 3 princely tests first, which consist of knowledge of his ancestors/predecessors, getting the whiskers of a lion, and also one which involved ritual circumcision. I felt like there wasn't enough character development during these scenes and also the ones where Lavelle interacted with Mirembe, his royal barber to warrant the closeness that they all experienced. Princess Meeka, Akeem's oldest daughter is very upset about being passes up as heir for being a woman and rightly dislikes Lavelle and it totally seems out of character for her to aid him in passing his test to get the lion whiskers. They only had a small exchange about being written off or being judged for how they look or talk. And I felt that Lavelle also didn't have enough rapport with his barber Mirembe to be falling in love with her in under a week, or if they did it wasn't shown enough to us. There was a lot that didn't make sense or I feel was cut from the movie or even worse, just bad writing and poor plot development and it wasn't done right. The worse had to have been seeing Akeem's character become the opposite of who he was in the first movie. He passes over his daughter to give the throne to a stranger because he is a man and even when he loses his patience with a drunk or inebriated Lisa and tells her to shut her mouth after the celebration of the upcoming wedding between Lavelle and Bopoto, General Izzi's daughter. All in all I have to say that for me personally this movie was full of laughs but just had so much wrong with it that I should really be rating it a 5 or just an average movie. However there are so many sequels that happen 5 years or more after the original that are far worse or just as bad that I feel since this one was 30 years later it wasn't as bad as others are judging it. But maybe if I had seen the original right before seeing this one I would have changed by rating but for now I'm not sure if it's nostalgia or just bias but I rate this movie a 6/10. If you thought the original was funny then you more than likely will like this movie but if the original is a special movie to you that holds a special place in your heart then you might just think this sequel is utter trash.
https://youtu.be/-tT8Wy3YeI4
I enjoyed this movie when I saw it the first time and thought that it was pretty funny. It definitely isn't a great movie but when compared to several other sequels that happen years after the original, I felt that it did better than most. It was for the most part a lesser version of the original but it's been years since I've seen the original and I didn't let my nostalgia for it to skew my opinion on this one. I do plan on re-watching the original soon though so I can see how much they differ. A big difference was that the original Coming to America is rated R and this sequel was PG-13. I usually hate when a company chooses to do this because I always feel what the fans/audience gets is a watered down version of the original but it's hard to say this time around. This movie was full of laughs and I was surprised how much they got away with it for being a PG-13 movie, however some of the jokes fell flat and a lot of them were given away in the trailer. Also there were somethings in the trailer that I didn't see in the movie; like the Wakanda joke in the barbershop. Wesley Snipes character General Izzi was quite a character and you could feel he was having fun portraying him. I also enjoyed Akeem's three daughters in the movie. I really liked the opening scene which showed Prince Akeem sparring with his daughters and stick fighting like the original movie. The middle daughter Princess Omma who had glasses was actually Eddie Murphy's daughter in real life, Bella Murphy. And I also heard that most of the palace scenes in Zamunda were actually filmed in rapper Rick Ross' house. As much as I liked this movie it also felt very thin and didn't have a lot of character development or much of a plot to speak of. It also felt like quite a few things didn't make sense and that characters that came out in the first movie were quite different personality wise or just by their actions. I feel like I should give this movie a lower score but I'm not sure if it's nostalgia again or the fact that since it's a comedy I'm not really letting some of those things bother me as much. I'll go over my many reasons for scoring it so low in the spoiler section but for now I give this movie a 6/10. I would say it's worth getting a free trial of Amazon Prime if you want to see it in good quality and for free, or if you already have Amazon Prime you should give it a shot if you're looking for some laughs, but if not you can totally wait to see this movie.
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Spoiler Section Review:
Alright so let's get to it. Like I said I enjoyed this movie and thought that it delivered on the laughs even if some of them were forced or fell flat. I also felt that it was pretty thin on the plot and from what I remember of the first movie some of the characters were off or acted very different personality wise. I loved how the movie began with Prince Akeem training with his daughters and doing the stick fighting which was one of many call backs to the original film. The conflict begins in the beginning of the movie when General Izzi visits Akeem and tries to arrange a marriage between his son and Akeem's oldest daughter, Princess Meeka. You can tell that Akeem doesn't like General Izzi's son Idi but doesn't say anything other than his daughter didn't find him suitable. General Izzi threatens him after making a comment about the King being dead or near death and Akeem not having any male heirs. I still don't understand the conflict between the two nations and felt that this would have benefitted the plot more if they would have explained it better. Why would he need an heir so soon if he himself hadn't even inherited the kingdom from his father yet? Also the only explanation between the conflict of the nations was that Nexdoria was poor and Zamunda was rich. Anyways then Akeem is summoned to see his father and his shaman Baba and is told that he has an illegitimate son in America after a tryst with a woman while being drugged. I thought this was pretty funny scene where they did a flashback to when it happened. So now Akeem and Semmi must travel to America to retrieve his son so that he can take the princely tests and become heir to the kingdom. This totally doesn't make any sense to me plot wise other than this is how they wanted the movie to go. Akeem was totally a person who went against his father's wishes and traditions in the first film to find his wife Lisa and doesn't make sense that he would get this "son" to be his heir even if he was blood without getting to know him first. However I ignored that while watching because I figured he would get to know him while they met and he went back to Zamunda with them. Also before the leave there is a pretty cool scene where King Jaffe Joffer decides to have his funeral while he's alive and it was very lavish and elegant and full of cameos from great artists and performers. It was funny to see the barbershop scene and how Eddie Murphy and Arsenio Hall reprised their roles of some of the barbershop characters when they arrive in America but I felt that the funny parts were already spoiled in the trailer. Also the part about Wakanda wasn't even in the movie. From there they find out that his son is selling tickets near Madison Square when they're told about the mascot being a thunderbird that was part of Baba's vision. That was a cool details that I wish would have been developed more to make it more interesting. It would have been cool for them to have struggled to find his son but instead the first place they go tells them exactly where he is. Also when he meets his son Lavelle, it didn't even come off as awkward enough and Lavelle totally takes him back to his house to meet everyone or ask his mom. I didn't see this as realistic or how it would have played out in real life. Leslie Jones was a pretty annoying character but I feel she fit the job of the role she played and that people are too harsh on her as an actor for this role but I do feel that she is like Kevin Hart or The Rock in basically being the same character in every role. She admits that Akeem could be Lavelle's father and just like that they are whisked away to Zamunda. No paternity test, no lie detector test, no witnesses like her friend in the club saying yes it was true. This was very unrealistic to me because anybody would say yes to inherit the riches of Zamunda. When he returns Princess Lisa confronts him about him having a son and the particulars of how it occurred and she was shocked to find out that he brought not only his son but the son's mother back with him as well. General Izzi returns to Zamunda as soon as Prince Lavelle returns and makes it known that he has a daughter that he wishes for him to marry and Prince Akeem un-characteristically allows this arranged marriage to take place. Prince Lavelle must now pass the 3 princely tests first, which consist of knowledge of his ancestors/predecessors, getting the whiskers of a lion, and also one which involved ritual circumcision. I felt like there wasn't enough character development during these scenes and also the ones where Lavelle interacted with Mirembe, his royal barber to warrant the closeness that they all experienced. Princess Meeka, Akeem's oldest daughter is very upset about being passes up as heir for being a woman and rightly dislikes Lavelle and it totally seems out of character for her to aid him in passing his test to get the lion whiskers. They only had a small exchange about being written off or being judged for how they look or talk. And I felt that Lavelle also didn't have enough rapport with his barber Mirembe to be falling in love with her in under a week, or if they did it wasn't shown enough to us. There was a lot that didn't make sense or I feel was cut from the movie or even worse, just bad writing and poor plot development and it wasn't done right. The worse had to have been seeing Akeem's character become the opposite of who he was in the first movie. He passes over his daughter to give the throne to a stranger because he is a man and even when he loses his patience with a drunk or inebriated Lisa and tells her to shut her mouth after the celebration of the upcoming wedding between Lavelle and Bopoto, General Izzi's daughter. All in all I have to say that for me personally this movie was full of laughs but just had so much wrong with it that I should really be rating it a 5 or just an average movie. However there are so many sequels that happen 5 years or more after the original that are far worse or just as bad that I feel since this one was 30 years later it wasn't as bad as others are judging it. But maybe if I had seen the original right before seeing this one I would have changed by rating but for now I'm not sure if it's nostalgia or just bias but I rate this movie a 6/10. If you thought the original was funny then you more than likely will like this movie but if the original is a special movie to you that holds a special place in your heart then you might just think this sequel is utter trash.
https://youtu.be/-tT8Wy3YeI4
