Search

Search only in certain items:

Daisy Jones & the Six
Daisy Jones & the Six
Taylor Jenkins Reid | 2019 | Fiction & Poetry
I adored this book.
It's so completely different from anything I've recently read. I do love my psychological thrillers, but sometimes it's nice to jump into a totally different world. Daisy Jones & The Six perfectly fits the bill.

There's been so much hype surrounding this book that I'm sure you know the premise by now: set in the mid-sixties through late seventies, Daisy Jones & The Six is about the rise and eventual fall of a fictional rock band. It reads like a Rolling Stone interview, or an episode of Behind the Music, which is an interesting and effective approach to the subject matter. I was immediately immersed in the story, but this also means I flew through it so quickly that I was sad when it was over. It drew me in so completely that I actually forgot this was not a real band.

Sex? ✔ Drugs? ✔ Rock 'n' Roll? ✔
Daisy Jones & The Six has all this and more. I've heard that it bears more than a passing resemblance to Fleetwood Mac's history, which makes sense as the author herself states that she was very much influenced by Fleetwood Mac and Stevie Nicks (a living goddess if there ever was one). Every character is flawed, because, life. The descriptions of the songs, the music, are so complete, I could almost hear them in my head.

Last summer, Amazon ordered a 13-episode limited series of the book. The series will be co-produced by Amazon Studios and Reese Witherspoon’s Hello Sunshine banner. ALSO: Amazon will be distributing original music from the television adaptation exclusively through Amazon Music. ?
And I.Can't.Wait.

?
  
Show all 4 comments.
40x40

Dianne Robbins (1738 KP) Apr 7, 2019

It was such a good book and read like a Rolling Stones interview. I was hooked from the first page and devoured the book after that. It was so goooood. I really hope there's a sequel.

40x40

MelanieTheresa (997 KP) Apr 8, 2019

@Dianne Robbins I can't wait for the TV series!

Rainbow in Curved Air by Terry Riley
Rainbow in Curved Air by Terry Riley
1969 | Rock
(0 Ratings)
Album Favorite

"The avant-garde comes to the mainstream. At the time, Terry Riley was an avant-garde composer. He still is, but he's probably more so known for his work in the late '60s. Indian music at the time was coming into focus because of The Beatles and psychedelic music. So his compositions - especially this one - were really hypnotic, very mantra-esque. I think Terry Riley influenced more in a pop sense than in a rock sense, and I think A Rainbow In Curved Air has probably equal influence to Sgt. Pepper's. And you can quote me on that! It's obviously where The Who got the name 'Baba O'Riley', where the band used synthesisers - that's from Terry Riley. We cut our teeth in Buffalo, NY, in the early '80s and in that time the place was at the height of avant-garde. They opened a music school where they featured all the greats - Terry Riley, Steve Reich and Tony Conrad - just a ton of avant-garde composers, who later became more famous. It was such a central point for the electronic avant-garde movement, one that hadn't been around since San Francisco in the late '60s. It influences everything that Grasshopper and I do. We have strange polarities of the melancholy, romantic side of us. Then we also have the avant-garde side of us. The rock & roll side of us is probably the least prominent in our music. One of our albums, Snowflake Midnight, is also our homage to that bygone era of electronic music. Once you put it on, you think, ""Oh that's where all that William Orbit and Moby stuff comes from."" If you look all the way back, that's Terry Riley. It was the beginning of synthesisers, arpeggio synths also, which eventually became modern dance music. It was his motif of making it more hypnotic."

Source
  
The Promise by Bruce Springsteen
The Promise by Bruce Springsteen
2010 | Pop, Rock, Singer-Songwriter
7.8 (4 Ratings)
Album Favorite

"Around this time I started heading out on tour and The Gaslight Anthem really started moving. It was just after The ’59 Sound came out. That was when I started learning about the music industry and how it all works, and how insincere it all is. People pick you up and spit you out. I was taking a drive one day and I heard The Promise by Bruce Springsteen come on the radio. But it wasn’t the album version; it was just him and a piano as it appears on an album called 18 Tracks.” This song opens with the lyrics: ‘Johnny works in a factory / Billy works downtown / Terry works in a rock and roll band / Looking for that million dollar sound.’ Then towards the end of the song he says: ‘The promise was broken, I was far away from home / Sleeping in the back seat of a borrowed car.’ I remember being on tour and sleeping in the back of a car that wasn’t mine, and I heard that line and I was like, ‘I don’t know about this whole thing. I don’t know if this is right. What do I do?’ As Springsteen sings: ‘The promise is broken, you go on living / It steals something from down in your soul.’ That’s when I realised that music wasn’t about the rock star dream. It’s about connecting with people, but that’s not enough for the industry. They see you as a product and they want you to make money, and I understand that, but it’s never enough for them. They’re never satiated and they’re never satisfied. It’s a beast with a belly that will never be filled. “I’d feel a sense of dissatisfaction after every tour and I’d come home and get in my van and just drive. I’d drive around habitually for one hour playing The Promise on repeat, just to clear my head. The song made me feel like I wasn’t alone, like someone understood me. It was a huge, huge song for my development, and it always put me back in a perspective that I wasn’t alone. And even though it’s a depressing song and there’s not a lot of advice in it, it makes sense to me. I still feel good when I listen to that song."

Source