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Andy K (10823 KP) rated The Impossible (2012) in Movies
Apr 16, 2019
Epic and intimate
How would you like to take your family on holiday to Thailand only to be caught in the onslaught of a tsunami? Such is the case in this film based on the true story of a family's painful and moving ordeal from the 2004 tidal wave.
The wall of water comes out of nowhere when no one was expecting anything and everyone was just having a good time playing or relaxing by the pool. In an instant everyone present has their lives changed forever as they just try and hold on to something and claw their way to safety.
The disaster sequences are amazing, but it is all over quickly so the film is about love, loss and survival. Trying to make it back to the civilized world or at least what is left of it and trying to locate your missing family members is all the family cares about.
Understandably emotions run high throughout the film and I dare you to hold back the tears when several of the most touching moments occur. You are moved continually as you hope and pray the family find each other again and make it off together and patched up the best they can.
Naomi Watts was nominated for an Oscar for this role and she really deserves it giving an intense, emotional performance. Ewan McGregor is also emotional when he gets to use a cell phone to call his family and breaks down. Even young Spider-Man, Tom Holland, is along for the ride as the couple's oldest son frantically trying to help his mother to safety.
The triumph of the human spirit is present here and you are taken along with them as your empathy pours out to the victims of this tragedy.
Keep your tissues close by for this one.
The wall of water comes out of nowhere when no one was expecting anything and everyone was just having a good time playing or relaxing by the pool. In an instant everyone present has their lives changed forever as they just try and hold on to something and claw their way to safety.
The disaster sequences are amazing, but it is all over quickly so the film is about love, loss and survival. Trying to make it back to the civilized world or at least what is left of it and trying to locate your missing family members is all the family cares about.
Understandably emotions run high throughout the film and I dare you to hold back the tears when several of the most touching moments occur. You are moved continually as you hope and pray the family find each other again and make it off together and patched up the best they can.
Naomi Watts was nominated for an Oscar for this role and she really deserves it giving an intense, emotional performance. Ewan McGregor is also emotional when he gets to use a cell phone to call his family and breaks down. Even young Spider-Man, Tom Holland, is along for the ride as the couple's oldest son frantically trying to help his mother to safety.
The triumph of the human spirit is present here and you are taken along with them as your empathy pours out to the victims of this tragedy.
Keep your tissues close by for this one.
Sarah (7800 KP) rated Rocketman (2019) in Movies
May 29, 2019
I knew before watching this that it wasn’t your average biopic but that still didn’t prepare me for how truly wacky and wonderful it was. But then when you think of Elton John, would you really expect anything less flamboyant?
This is more like an Elton John musical complete with rather strange fantasy elements, and I have to admit that the fantasy is mostly the bit I didn’t like. Singing with younger versions of himself were fine, but the rest I just found a little too odd and ill fitting. However despite this, it’s still a rather good musical. All of the songs that you’d expect are in here and it was a struggle not to sing along. I do think that the general sound on the music in this didn’t seem quite as good as Bohemian Rhapsody, it didn’t feel quite as immersive and concert like and it was in the same screen!
Taron Egerton does a wonderful job, I’ve said before that he’s a marvellous actor and he proves it yet again here. Whilst he doesn’t look exactly like Elton John i can’t imagine anyone else playing this role and there were some moments later on in the film that I had to do a double take as he looked so like him! There are other great performances too, namely Richard Madden as the smarmy John Reid and Jamie Bell as Bernie Taupin. There are some scenes with Bernie and Elton that almost have me in tears. I know fairly little about Elton’s earlier life so for me this was rather an informative and fascinating film too, and I was beyond glad at the end to hear that Bernie is still going. I couldn’t have coped if he wasn’t!
This film isn’t faultless and I felt like it was rather drawn out, but it’s still a rather good musical biopic and definitely one I’d like to see again and sing along too. Indeed, wouldn’t this be marvellous as a musical stage show?
This is more like an Elton John musical complete with rather strange fantasy elements, and I have to admit that the fantasy is mostly the bit I didn’t like. Singing with younger versions of himself were fine, but the rest I just found a little too odd and ill fitting. However despite this, it’s still a rather good musical. All of the songs that you’d expect are in here and it was a struggle not to sing along. I do think that the general sound on the music in this didn’t seem quite as good as Bohemian Rhapsody, it didn’t feel quite as immersive and concert like and it was in the same screen!
Taron Egerton does a wonderful job, I’ve said before that he’s a marvellous actor and he proves it yet again here. Whilst he doesn’t look exactly like Elton John i can’t imagine anyone else playing this role and there were some moments later on in the film that I had to do a double take as he looked so like him! There are other great performances too, namely Richard Madden as the smarmy John Reid and Jamie Bell as Bernie Taupin. There are some scenes with Bernie and Elton that almost have me in tears. I know fairly little about Elton’s earlier life so for me this was rather an informative and fascinating film too, and I was beyond glad at the end to hear that Bernie is still going. I couldn’t have coped if he wasn’t!
This film isn’t faultless and I felt like it was rather drawn out, but it’s still a rather good musical biopic and definitely one I’d like to see again and sing along too. Indeed, wouldn’t this be marvellous as a musical stage show?
Phillip McSween (751 KP) rated Major League (1989) in Movies
Dec 29, 2019
Remove the Love Story and You've Got a Classic
When the new Cleveland Indians owner puts together a group of losers so the team will lose on purpose, the team bands together to try and exceed expectations.
Acting: 8
I’ve seen these actors in a number of different movies and I’m pretty sure all of them would agree that they’ve had better performances. Don’t get me wrong, it’s not horrid but no one is winning an Oscar here. My particular favorite was Bob Uecker playing the role of baseball analyst Harry Doyle. He makes every single game even more hilarious than what it already is with his random quips and jabs.
Beginning: 5
Characters: 10
Cinematography/Visuals: 7
Conflict: 8
Entertainment Value: 9
Despite the god-awful love story they try and incite, the movie shines the most when the players are actually on the field. The games are beyond entertaining as they add the most pop to the comedy. The team is definitely one you can get behind so it’s fun to watch them rise up the ranks and defy the evil owner.
Memorability: 6
Pace: 4
Plot: 8
The concept is fun and unique. I just wish they would have done away with the ridiculous love story. It really puts a damper on what the movie is trying to accomplish which is show a group of losers finally get their chance to be on top. The movie suffers slightly from trying to do too much when less should be more.
Resolution: 7
Great ending…dampered by the love story. Seriously, get rid of that and the movie would be phenomenal, a solid classic. Besides that, I enjoyed everything there was to love about the movie’s resolution.
Overall: 72
Major League is good, although I wanted to love it a lot more. It shines in certain moments while falling short in others. It’s quality is enough to give it at least one solid go-around.
Acting: 8
I’ve seen these actors in a number of different movies and I’m pretty sure all of them would agree that they’ve had better performances. Don’t get me wrong, it’s not horrid but no one is winning an Oscar here. My particular favorite was Bob Uecker playing the role of baseball analyst Harry Doyle. He makes every single game even more hilarious than what it already is with his random quips and jabs.
Beginning: 5
Characters: 10
Cinematography/Visuals: 7
Conflict: 8
Entertainment Value: 9
Despite the god-awful love story they try and incite, the movie shines the most when the players are actually on the field. The games are beyond entertaining as they add the most pop to the comedy. The team is definitely one you can get behind so it’s fun to watch them rise up the ranks and defy the evil owner.
Memorability: 6
Pace: 4
Plot: 8
The concept is fun and unique. I just wish they would have done away with the ridiculous love story. It really puts a damper on what the movie is trying to accomplish which is show a group of losers finally get their chance to be on top. The movie suffers slightly from trying to do too much when less should be more.
Resolution: 7
Great ending…dampered by the love story. Seriously, get rid of that and the movie would be phenomenal, a solid classic. Besides that, I enjoyed everything there was to love about the movie’s resolution.
Overall: 72
Major League is good, although I wanted to love it a lot more. It shines in certain moments while falling short in others. It’s quality is enough to give it at least one solid go-around.
LeftSideCut (3776 KP) rated X-Men: First Class (2011) in Movies
Jul 28, 2019
Back on form
Fox made a smart move with First Class. After just four movies, the X-Men movie franchise had already started to feel a bit stale. The solution? Take the story way back for a 60s adventure.
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
Sophia (Bookwyrming Thoughts) (530 KP) rated Gold Rush in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<b>Four Reasons to Read <i>Gold Rush</i> by Jennifer Comeaux</b>
I'm still lacking in my reviews, but now I'm playing with style to change things up a little. <i>Gold Rush</i> is the first book by Jennifer Comeaux I've read, and it's the first performance by Emily Stokes that I've listened to. Here's a list of reasons why you should consider giving <i>Gold Rush</i> a try.
<b>
</b> <b>Ice Skating!</b> - If you're looking for a book centered around ice skating, this book is for you. I've had an interest in reading Comeaux's books since I've found out they were about ice skaters, and it was amazing to read from an ice skater's perspective. Liza is also <i>extremely</i> passionate about ice skating
<b>Adorable Kids</b> - Stokes does an amazing job depicting the voice of a kid, and she makes the two in <i>Gold Rush</i> all the more adorable through her performance than it would be compared to the book version.
<b>Past Characters</b> - Fans of Comeaux will be absolutely delighted to know some of the main characters from her previous books will be making an appearance or even a critical role in Liza's journey to an Olympic medal.
<b>Sweetest Love Interest. Ever.</b> - Braedon is one of the most adorable and sweetest boys in the history of fictional boy land (there's a lot of them). He's completely understanding of Liza's priorities and commitments without any ifs, ands, or buts, and it's just one of the things in literature I love reading about.
<a href="https://bookwyrmingthoughts.com/blog-tour-gold-rush-by-jennifer-comeaux/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<b>Four Reasons to Read <i>Gold Rush</i> by Jennifer Comeaux</b>
I'm still lacking in my reviews, but now I'm playing with style to change things up a little. <i>Gold Rush</i> is the first book by Jennifer Comeaux I've read, and it's the first performance by Emily Stokes that I've listened to. Here's a list of reasons why you should consider giving <i>Gold Rush</i> a try.
<b>
</b> <b>Ice Skating!</b> - If you're looking for a book centered around ice skating, this book is for you. I've had an interest in reading Comeaux's books since I've found out they were about ice skaters, and it was amazing to read from an ice skater's perspective. Liza is also <i>extremely</i> passionate about ice skating
<b>Adorable Kids</b> - Stokes does an amazing job depicting the voice of a kid, and she makes the two in <i>Gold Rush</i> all the more adorable through her performance than it would be compared to the book version.
<b>Past Characters</b> - Fans of Comeaux will be absolutely delighted to know some of the main characters from her previous books will be making an appearance or even a critical role in Liza's journey to an Olympic medal.
<b>Sweetest Love Interest. Ever.</b> - Braedon is one of the most adorable and sweetest boys in the history of fictional boy land (there's a lot of them). He's completely understanding of Liza's priorities and commitments without any ifs, ands, or buts, and it's just one of the things in literature I love reading about.
<a href="https://bookwyrmingthoughts.com/blog-tour-gold-rush-by-jennifer-comeaux/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated American Hustle (2013) in Movies
Mar 10, 2020
There’s a lot of love for American Hustle and with a cast such as this it is easy to see why. It’s a film that oozes glitz and glamour and has a slick sense of stability with shades Scorsese as an attempt at a crime caper.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
Gareth von Kallenbach (980 KP) rated To Rome with Love (2012) in Movies
Aug 7, 2019
Before I even begin, I have something to admit, I am not very knowledgeable about Woody Allen. Sure, I have seen the occasional film and have overheard gossip but I am not a Woody Allen buff. To remedy this, I considered running out and renting every one of his films in an attempted cinematic cram session. But I decided not to. There are some people who go to the movies just to enjoy themselves and that is as good of a reason to see a film as any other.
Offering amplified versions of reality, “To Rome with Love” simultaneously feels close to home and utterly foreign. And this ebb and flow defines the entire picture.
With a blend of actors the film runs a marathon of bipolar juxtaposition. From familiar Hollywood faces, playing characters so typified that they needn’t be explained, to European actors, who bring honest perspective to the tourist filled environment.
And “To Rome with Love” is unexpected. There’s a Baldwin in a self-reflective role. Roberto Benigni plays a character that is downright drab. All while sharing a series of stories that question the absurd nature of the human experience.
The film shakes viewers up by exposing them to moments so stereotypic that are simple to grasp yet impossible to believe. And the result is effortless comedy.
Moreover, using only simple effects, strategic angular tricks and precise framing of scenes, “To Rome with Love” gets the audience thinking. The result is an hour and forty minutes that fly by like a dense vacation, too good to explain to your friends back home.
While I will avoid the pretentious research and amplified hyper analysis that follows Woody Allen, I do want to make one point clear; this is a film that anyone, regardless of interest in film study, is apt to enjoy, sure to find funny, and for a few might, even serve as a launch pad to into the cinema of the human condition.
Offering amplified versions of reality, “To Rome with Love” simultaneously feels close to home and utterly foreign. And this ebb and flow defines the entire picture.
With a blend of actors the film runs a marathon of bipolar juxtaposition. From familiar Hollywood faces, playing characters so typified that they needn’t be explained, to European actors, who bring honest perspective to the tourist filled environment.
And “To Rome with Love” is unexpected. There’s a Baldwin in a self-reflective role. Roberto Benigni plays a character that is downright drab. All while sharing a series of stories that question the absurd nature of the human experience.
The film shakes viewers up by exposing them to moments so stereotypic that are simple to grasp yet impossible to believe. And the result is effortless comedy.
Moreover, using only simple effects, strategic angular tricks and precise framing of scenes, “To Rome with Love” gets the audience thinking. The result is an hour and forty minutes that fly by like a dense vacation, too good to explain to your friends back home.
While I will avoid the pretentious research and amplified hyper analysis that follows Woody Allen, I do want to make one point clear; this is a film that anyone, regardless of interest in film study, is apt to enjoy, sure to find funny, and for a few might, even serve as a launch pad to into the cinema of the human condition.
Gareth von Kallenbach (980 KP) rated Captain America: The First Avenger (2011) in Movies
Aug 7, 2019
Captain America: The First Avenger is a return to form for the Marvel comic-book film universe, and a solid final lead-up to the multi-hero film The Avengers, coming next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
Sarah (7800 KP) rated What We Do in the Shadows - Season 2 in TV
Jul 21, 2020
Still going strong
I always worry with tv shows, especially ones that have been brilliant in the past, that subsequent seasons are never going to live up to expectations. However this is not a problem so far for What We Do in the Shadows and this second series is just as brilliant as the first.
To say this show is hilarious would be an understatement. It’s so clever and funny and full of dark off beat humour, I cracked up constantly at every episode. Whilst Taika Waititi was apparently too busy on other projects to resume duties on this season, it was great to see that Jemaine Clement was still very much in charge and you can tell the formula and style of the show hasn’t changed (it’d be a travesty if it ever did). I have to give a shout out this season to Natasia Demetriou as Nadja is now by far my favourite character. Hearing her exasperations and admonitions at Lazlo is so funny and sums up how I feel most of the time! It was also great to see Colin Robinson taking a more prominent role in the group this time round as he’s such a wonderful deadpan character. There are also some wonderful guest stars this season too, they’ve really got some great names playing some hilarious roles (Mark Hamill and Benedict Wong are highlights) and while I didn’t think there was a standout episode for guests like the Vampiric Council in season 1, the guest episodes individually in season 2 were all a very high standard.
I’m never one to advocate dragging tv shows out unnecessarily, but I really think What We Do in the Shadows is an exception. If they can carry on making this show to this excellent standard with the same cast and crew, then they need to make as much as possible. 10 episodes a season just isn’t long enough, watching this is the highlight of my year and I can’t wait to see more.
To say this show is hilarious would be an understatement. It’s so clever and funny and full of dark off beat humour, I cracked up constantly at every episode. Whilst Taika Waititi was apparently too busy on other projects to resume duties on this season, it was great to see that Jemaine Clement was still very much in charge and you can tell the formula and style of the show hasn’t changed (it’d be a travesty if it ever did). I have to give a shout out this season to Natasia Demetriou as Nadja is now by far my favourite character. Hearing her exasperations and admonitions at Lazlo is so funny and sums up how I feel most of the time! It was also great to see Colin Robinson taking a more prominent role in the group this time round as he’s such a wonderful deadpan character. There are also some wonderful guest stars this season too, they’ve really got some great names playing some hilarious roles (Mark Hamill and Benedict Wong are highlights) and while I didn’t think there was a standout episode for guests like the Vampiric Council in season 1, the guest episodes individually in season 2 were all a very high standard.
I’m never one to advocate dragging tv shows out unnecessarily, but I really think What We Do in the Shadows is an exception. If they can carry on making this show to this excellent standard with the same cast and crew, then they need to make as much as possible. 10 episodes a season just isn’t long enough, watching this is the highlight of my year and I can’t wait to see more.