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I am complete trash for novels involving princesses that hide under the guise of anonymity so they can protect their kingdom (bonus points for not wanting to rule), and The City of Veils by S. Usher Evans is no exception to this. While Brynna is working on bringing down a prominent businessman known for scamming civilians, she is taken in by the captain of the king’s guard and finds out both her father and brother have been murdered in less than a month. The murders leave behind a mystery and also force her to step in as the rightful queen of Forcadel. However, staying away from the castle for years to escape an arranged marriage comes with a cost: not only is she not aware of the court politics that have been happening in the castle, but she’s not sure who she could trust. Despite having no particular desire to rule, she definitely doesn’t want to be the next dead royal.

Despite being advised against it, Brynna finds herself negotiating with Felix, the captain of the king’s guard, to continue working as a vigilante at night while working on her royal duties during the day. This begins an amusing back and forth between the two throughout the novel as they butt heads constantly and try to negotiate with each other. I loved seeing their relationship develop, along with Brynna’s relationship with the other characters, including Katarine, the other guards, and others who will likely be playing a major role in later books.

The first novel in Evans’ newest series, Princess Vigilante, was a fun ride from beginning to end. The overall pacing of the story was perfect, although there are parts I felt were slow or a little rushed. The story was engaging and entertaining, and I was constantly kept on my toes as Brynna tries to navigate her life as a masked vigilante and a queen while trying to stay wary of potential dangers.

<a href="http://theartsstl.com/s-usher-evans-the-city-of-veils-suns-golden-ray-publishing/">This review is originally posted on The Arts STL</a>
  
Dirty Dancing  (1987)
Dirty Dancing (1987)
1987 | Drama, Music, Romance
A Movie Packed With Memorable Moments
During a summer vacation in the Catskills, a young woman is introduced to the sensual world of dirty dancing and her life is forever changed. Seriously, I should apply for a job writing loglines.

Acting: 10
No the acting wasn’t the best around, but it gets the job done. Jennifer Grey and Patrick Swayze are electric on screen together. This movie clearly has no shot without their chemistry. I have to give an honorable mention to Jerry Orbach playing the role of Dr. Jake Houseman. He’s an overprotective father that just wants to see his kids have a good time on vacation. He has a couple of pretty heavy scenes that leave an impact on the movie.

Beginning: 10

Characters: 10.

Cinematography/Visuals: 8
So my mom is a single parent which meant I went with her pretty much everywhere, including the movies. I remember her taking me to see this movie. I didn’t understand that first dance when Baby walked into the workers clubhouse, but I knew it was something my young eyes shouldn’t have been looking at. I appreciate the way director Emile Ardolino captures that raw sensuality. I also loved how the disparity between the rich vacationers and the lower class workers was displayed. It sets up the movie well and remains a constant theme throughout.

Conflict: 9

Entertainment Value: 7
Like a Fast and Furious movie, there is something undeniable about Dirty Dancing. You find yourself entranced when you should be saying, “This is extremely corny.” Sure there are some campier moments that are just ripped from a Hallmark movie, but overall the movie has a definite flare that keeps you entertained from beginning to end.

Memorability: 9

Pace: 9

Plot: 9

Resolution: 10

Overall: 89
Back to that dance scene I mentioned earlier. It happens pretty quickly into the movie, about fifteen minutes in. In two minutes that scene accomplishes more for eroticism than the entire Fifty Shades franchise. Just like the movie, it bleeds passion. Dirty Dancing is a testament that you don’t need hundreds of millions of dollars to make a decent film.
  
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Ivana A. | Diary of Difference (1171 KP) Jul 4, 2020

Love this review! Nobody puts Baby in the corner. 🙂

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Phillip McSween (751 KP) Jul 5, 2020

@Ivana A. | Diary of Difference Damn right!

Dora and the Lost City of Gold (2019)
Dora and the Lost City of Gold (2019)
2019 | Adventure, Family
A Fun Family Film For Everyone
Dora and the Lost City of Gold is a 2019 adventure comedy movie directed by James Bobin and producer Kristin Burr, with screenplay by Nicholas Stoller and Matthew Robinson from a story by Tom Wheeler and Nicholas Stoller. It is a loose based continuation and live-action adaptation of the kids show created by Chris Gifford, Valerie Walsh Valdes and Eric Weiner and produced by Paramount Players, Nickelodeon Movies, Walden Media, Media Rights Capital and Burnt Productions with distribution by Paramount Pictures. The film stars Isabela Moner, Eva Longoria, Michael Pena, Jeff Wahlberg and Eugenio Derbez.


Spending her days going on adventures with her cousin Diego (Jeff Wahlberg), her monkey friend Boots (Danny Trejo) and imaginary friends "Map" and "Backpack", Dora (Isabela Moner), daughter of explorers, Cole (Michael Pena) and Elena (Eva Longoria) lives deep in the Peruvian jungle. Diego leaves to be with his family in Los Angeles one day while Dora's family remains searching for Parapata, the lost Inca city of gold. 10 years later, Dora's parents decide to send her to live with her cousin Diego in LA when they decipher the location of Parapata. While on a class trip, Dora and others are lured and captured by mercenaries who fly them to Peru where they plan to force her to find her parents for them.


I was pleasantly surprised with this movie. I guess that happens when you really don't have any expectations at all. I thought this movie was pretty funny and also pretty good for expanding on what was originally a 30 minute kids show that was mostly educational. The girl playing Dora, Isabela Moner, did a great job in her role of Dora. She was optimistically upbeat the whole film even when things didn't go her way but still showed a fragile side to her at the same time that she did incredible feats. Eugenio Derbez was also incredibly funny and did an awesome job as well. The movie was everything you expect for a fun family film and at the same time had good lessons or values to take away from it at the same time. I give this movie a 6/10.
  
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Dave Eggers recommended The Landlord (1970) in Movies (curated)

 
The Landlord (1970)
The Landlord (1970)
1970 | Comedy, Romance
(0 Ratings)
Movie Favorite

"[Anything in Ashby’s] body of work is always recognizably him, but it’s pretty elastic. Like Being There is very different than Shampoo in a lot of ways. There’s a little bit of the surreal that can enter in, but at the same time, they’re very grounded and very of their time, and have a certain gritty feel to them. They’re not so clean. There’s a naturalism there that he marries with some very bold moves and even magical realism. [The Landlord] is this movie that not too many people have seen, didn’t have a big release originally, and it’s hard to find on DVD, and doesn’t have the reputation of Harold and Maude and Coming Home. But I kind of think it might be his best movie. Maybe it’s just because it’s so screamingly brave in a lot of ways, and it hits so many issues. There’s so few American movies that touch on class, and this just comes straight at you like a train, talking about class issues, race. [It’s about] this young man who’s born into privilege, struggling with his place. “He is to the manor born,” you know? He has money in his blood, and he can afford to go buy a building where people are living. Just a young man, Beau Bridges, and it’s probably my favorite thing I’ve ever seen Beau Bridges do, too. It’s sort of startling to see him in this role as the golden boy, and you can almost see Jeff Bridges playing it, too. And the fact that this white guy, automatically, just by the color of his skin and the place he was born and the family he was born into, has the ability to be responsible for the lives of all of these far less fortunate or privileged people. [He struggles] with that sense of responsibility and [tries] to reject it and give up that control, but [also] do right by these people. I don’t know, it’s so complex. But [Ashby’s] not afraid to have some very broad comic moments. You know, there’s a few people who can do it since. Like Alexander Payne or David O. Russell, a few other people whose work you can see owe a lot to Ashby."

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