Search
Search results
Darren (1599 KP) rated Leprechaun Returns (2019) in Movies
Oct 31, 2019
Characters – Lila is the daughter or Tory (from the original) she is moving back to the same house in the vents of the original to be part of a college sorority, she is clearly the outsider of the group desperate to make new friends after a lifetime of looking after her mother. She learns to start believing what her mother did and proves to be resourceful throughout the film. Katie is the slutty of the friends, Rose is the one trying to make a change and Meredith is the drunk one, while they are meant to be portrayed as smart, they are painfully generic and dumb throughout. The Leprechaun has returned looking for his gold and this time he isn’t going to be a friendly, trying to get his power back. He uses rhymes to try and scare the characters and new powers to make object move to kill.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.
Performances – Taylor Spreitler does every she can in the leading role, trying to step into the shoes of Jennifer Aniston isn’t going to be easy for anyone, Pepi Sonuga, Sai Bennett and Emily Reid are the basic supporting performances, playing confusing characters. Linden Porco does well as the leprechaun being evil enough.
Story – The story picks up 25 years after the original film where we follow a new group of students that head to the house from the original only to find themselves being haunted by the leprechaun who just wants his gold back. The idea that we are taught to forget any of the sequels is a good thing and arguable the only good thing about the story, the rest just makes the characters seem confusing, with the story wanting to say these girls are smart with what they are doing, but as soon as the horror starts they just become screaming messes. It does keep the tone of a slasher story though it just never captures the tone of the first film enough.
Comedy/Horror – The comedy comes from the painfully rhymes that the leprechaun gives, they are very pun heavy which will often make your eyes roll. The horror does come from the kills which are bloody and one is in fact an original one too.
Settings – The film is set in the same house as the original film, it needs to be rebuilt so people could live there, it shows the evil hasn’t left this place after 25-years.
Special Effects – The effects in the film are easily one of the better parts because we get the unique looking kills that don’t shy away from the camera.
Scene of the Movie – Solar panel
That Moment That Annoyed Me – The characters being confusing.
Final Thoughts – This is a disappoint horror sequel reboot, it is filled with too many puns and tries to be self-aware of everything going on.
Overall: Leprechaun is better off dead.
LeftSideCut (3778 KP) rated American Horror Story - Season 7 in TV
Mar 8, 2020
Season 7 of American Horror Story, subtitled Cult, is a weird one. Instead of focusing on the supernatural, ghosts, witches, haunted houses, Cult is a trip through the delicacy of the human mind. It instead looks at fears, real world issues, and of course, the presence of an all too familiar cult like family.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
Toy Defense Fantasy
Games, Entertainment and Stickers
App
Toy Defense Fantasy 2.0 will please fans of tower defence genre with excellent graphics,...
Phillip McSween (751 KP) rated Léon: The Professional (1994) in Movies
Jul 5, 2020
Heart-racing Drama
Against his better judgement, a hitman takes in a little girl after her entire family is slaughtered.
Acting: 10
Loved Jean Reno as Leon the hitman as it is inarguably his greatest performance. You can tell very early on this is a guy you don’t want to mess with. Despite his excellence, Natalie Portman outshined everyone, even Reno, in her role as Mathilda, a revenge-seeking girl that has to grow up before she’s ready. She leaves such an impact from the way she harbors rage and sadness, sometimes within the same scene. While young, this is also one of her strongest performances as an actress. When you’re getting the best of your two stars, you know you have a great movie on your hands.
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Conflict: 7
I think my issue with the actual conflict throughout the duration of the movie stems more from how amazing the beginning is. The first ten minutes of the movie almost spoil you into expecting the rest of the film to be that way. Alas it is not. It moves at a bit of a slower clip and you start to feel it playing out as more of a drama than an action movie. Don’t get me wrong, there is plenty of tension to be had, just not quite enough to blow me away.
Entertainment Value: 8
Memorability: 7
There is one particularly tense moment that had my heart racing: I don’t want to give too much away by setting the scene, but Mathilda is waiting outside of Leon’s door, pleading for him to let her in. Every single time I watch that scene, my heart leaps into my throat even though I know what’s going to happen. It’s that intense vulnerability that really sticks out. While the movie isn’t oozing with scenes to remember, say like my last review of Dirty Dancing, there was definitely enough to keep my attention.
Pace: 10
Once you understand that the movie is a drama and not an action film, you can respect the pace a lot more. The movie pushes character development and the relationship between Leon and Mathilda. By the time the film reaches its conclusion, there is legitimate concern for their well-being because you’ve grown to like both of them.
Plot: 10
Resolution: 1
Did not like the ending in the slightest. I was hoping for more. Endings like this are fine when there is more closure. As bad as it was, I still enjoyed the movie as a whole.
Overall: 81
Leon: The Professional is a great movie to watch with someone who prefers drama over action and you’re trying to meet them in the middle. It is endearing to watch Leon and Mathilda’s relationship blossom with the mad world that has been thrust upon them. The action is subtle, but the movie is awesome.
Acting: 10
Loved Jean Reno as Leon the hitman as it is inarguably his greatest performance. You can tell very early on this is a guy you don’t want to mess with. Despite his excellence, Natalie Portman outshined everyone, even Reno, in her role as Mathilda, a revenge-seeking girl that has to grow up before she’s ready. She leaves such an impact from the way she harbors rage and sadness, sometimes within the same scene. While young, this is also one of her strongest performances as an actress. When you’re getting the best of your two stars, you know you have a great movie on your hands.
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Conflict: 7
I think my issue with the actual conflict throughout the duration of the movie stems more from how amazing the beginning is. The first ten minutes of the movie almost spoil you into expecting the rest of the film to be that way. Alas it is not. It moves at a bit of a slower clip and you start to feel it playing out as more of a drama than an action movie. Don’t get me wrong, there is plenty of tension to be had, just not quite enough to blow me away.
Entertainment Value: 8
Memorability: 7
There is one particularly tense moment that had my heart racing: I don’t want to give too much away by setting the scene, but Mathilda is waiting outside of Leon’s door, pleading for him to let her in. Every single time I watch that scene, my heart leaps into my throat even though I know what’s going to happen. It’s that intense vulnerability that really sticks out. While the movie isn’t oozing with scenes to remember, say like my last review of Dirty Dancing, there was definitely enough to keep my attention.
Pace: 10
Once you understand that the movie is a drama and not an action film, you can respect the pace a lot more. The movie pushes character development and the relationship between Leon and Mathilda. By the time the film reaches its conclusion, there is legitimate concern for their well-being because you’ve grown to like both of them.
Plot: 10
Resolution: 1
Did not like the ending in the slightest. I was hoping for more. Endings like this are fine when there is more closure. As bad as it was, I still enjoyed the movie as a whole.
Overall: 81
Leon: The Professional is a great movie to watch with someone who prefers drama over action and you’re trying to meet them in the middle. It is endearing to watch Leon and Mathilda’s relationship blossom with the mad world that has been thrust upon them. The action is subtle, but the movie is awesome.
Kristy H (1252 KP) rated What's Done in Darkness: A Novel in Books
Jun 24, 2021
An excellent dark and foreboding mystery
Sarabeth is seventeen when she's held captive for nearly a week and then dumped along the side of the road, bound and blindfolded. She doesn't know who took her, or where. The police doubt her story and her parents do not even report her missing from their rural Arkansas farm . Sarabeth had argued with her religious parents, who insisted she follow their strict rules and marry someone of their choosing. As she returns home and finds her family appalled by her kidnapping, she realizes something good may come from the abduction: she can escape life on the farm for good. Five years later, she's now known as Sara when investigator Nick Farrow asks her to help with the missing persons case of another girl--one incredibly similar to Sara's. Reluctantly, Sara returns home, where she must face her darkest fears (and her family) to assist in bringing this girl home.
"Sarabeth had come to think of her time on the farm as a sentence that she had to serve, one with an end date. Now it seemed like she'd have to plan an escape."
I adore Laura McHugh's writing at this point. She's an excellent writer, and this is a great mystery in her deft hands. The religious, almost cult-like aspect of Sarabeth's family seems extremely timely in this era. We see how they narrow her options, forcing her to choose between her family and her own life. Religion and darkness are major themes in this book, with darkness playing not just in the title but across the entire novel. McHugh weaves it in and out of her story--Sara being afraid of the dark, darkness and shadows lurking at every turn. And it's a dark book to read too, even if it has its light moments. Still there's hope here as well.
I loved how Sara was a complicated heroine, with a complex past and many scars. She reminded me of Joanna Schaffhausen's Ellery Hathaway in that sense--a troubled soul who must overcome her own darkness to try to save others. Her interactions with Nick were an excellent respite, and I certainly could see myself reading about these two again.
"A piece of me was still there in Arkansas, but I was gone. No one in my new life knew who I was, what had happened to me, and I wanted to keep it that way."
The book is atmospheric, sucking us into both the deep religious aspect of the Ozarks and the Arkansas countryside. The Arkansas hills seem to play their own role in the book--another character so to speak. This one kept me guessing and even as I worked out some pieces, there were plenty of twists and turns. It's a fairly quick read, but an excellent one. Certainly recommend to mystery fans and those who enjoy a character-driven read.
"Sarabeth had come to think of her time on the farm as a sentence that she had to serve, one with an end date. Now it seemed like she'd have to plan an escape."
I adore Laura McHugh's writing at this point. She's an excellent writer, and this is a great mystery in her deft hands. The religious, almost cult-like aspect of Sarabeth's family seems extremely timely in this era. We see how they narrow her options, forcing her to choose between her family and her own life. Religion and darkness are major themes in this book, with darkness playing not just in the title but across the entire novel. McHugh weaves it in and out of her story--Sara being afraid of the dark, darkness and shadows lurking at every turn. And it's a dark book to read too, even if it has its light moments. Still there's hope here as well.
I loved how Sara was a complicated heroine, with a complex past and many scars. She reminded me of Joanna Schaffhausen's Ellery Hathaway in that sense--a troubled soul who must overcome her own darkness to try to save others. Her interactions with Nick were an excellent respite, and I certainly could see myself reading about these two again.
"A piece of me was still there in Arkansas, but I was gone. No one in my new life knew who I was, what had happened to me, and I wanted to keep it that way."
The book is atmospheric, sucking us into both the deep religious aspect of the Ozarks and the Arkansas countryside. The Arkansas hills seem to play their own role in the book--another character so to speak. This one kept me guessing and even as I worked out some pieces, there were plenty of twists and turns. It's a fairly quick read, but an excellent one. Certainly recommend to mystery fans and those who enjoy a character-driven read.
Phillip McSween (751 KP) rated Spider-Man: Homecoming (2017) in Movies
Jan 25, 2021
New Vibes, New Dopeness
When I first saw that Sony was playing nice with Disney/Marvel, I almost lost it when I saw that Spider-Man would make an appearance in Captain America: Civil War. Nerd Moment: I’ve always thought that all of the Marvel properties belonged together and this was a step in the right direction. It’s been amazing what’s happened since. In this third reboot since the new century, Spider-Man: Homecoming is the story of a young Peter Parker handling his role as a teenager and a webslinging superhero.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
Gareth von Kallenbach (962 KP) rated Atomic Blonde (2017) in Movies
Jul 11, 2019
The beginning of the end of the Cold War,1989. East and West Germany still separated by more than just a wall. An MI6 agent sent to retrieve a knock list two weeks prior has been killed and the list is missing. It contains information on every agent for each agency who have representation in Berlin. MI6 sends in Lorraine Broughton (Charlize Theron), specialist in intelligence collection and hand to hand combat. She would have to work with the section chief David Percival (James McAvoy) to retrieve the list before it falls into the hands of the competition.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.
Gareth von Kallenbach (962 KP) rated Diary Of A Wimpy Kid: The Long Haul (2017) in Movies
Jul 11, 2019
20th Century Fox releases Diary of a Wimpy Kid: The Long Haul. Starring a new cast, as the previous cast ember kids aged out of their roles, it has Alecia Silverstone as Mom, Tom Everett Scott as Dad, Jason Drucker as Wimpy Kid Greg, and Charlie Wright as older brother Roderick.
Headed cross country to their MeeMaw’s 90th birthday, it’s a 4-day haul to Indiana, and Mom has banned all electronic devices.
At least from an adult perspective, I can understand the premise, seeing as the kids are always up to their ears in iPads and Minecraft these days, and having a “conversation” can be like pulling teeth. However, again from an adult perspective, this movie might have been better if the characters HAD been up to their ears in iPads and Minecraft for the trip.
There was lots of bathroom humor, which did seem to pull some laughs from my 8-year-old son, although maybe not as many as might have been expected (some of it, thankfully, was still over his head), but just had me shaking my head and wondering what has happened to good clean humor?
Greg’s main goal throughout the Long Haul is trying to erase or at least overcome his accidental internet sensationalism caught when he is filmed freaking out over a diaper he finds while playing in a ball-pit. He continues to try to re-route the family trip in order to get himself into a video with (what he sees as) a “famous” gamer who goes by Mac Digby, who will be at a convention in Indiana “only two inches away” from MeeMaw’s when looking at the map. His brother Roderick wants to become famous by drumming along in a video game and Greg manages to re-program the GPS in order to direct them closer to the gaming convention.
Along the way, they stop at a county fair and the youngest Heffley, Manny (played by twins Dylan and Wyatt Walters) manages to win an adorable baby piglet, who might honestly have the best role in the film. Who doesn’t like baby pigs?
There are more hijinks along the way in some sort of feud with another family, and in what might be the best part of the film, an homage to Hitchcock’s “Psycho”.
All in all, though, something is seriously lost in translation between the popular Jeff Kinney kids novel that the movie is based on, and this film. Previous installments of the Wimpy Kid movies have not been nearly as unpalatable to me. My son says that he likes this one, but even he says, “the book was better” and he’s only 8.
Between the poop, pee and puke “humor” and the never addressed or resolved lying of the kids and even dad, it’s not a movie I could really appreciate.
Headed cross country to their MeeMaw’s 90th birthday, it’s a 4-day haul to Indiana, and Mom has banned all electronic devices.
At least from an adult perspective, I can understand the premise, seeing as the kids are always up to their ears in iPads and Minecraft these days, and having a “conversation” can be like pulling teeth. However, again from an adult perspective, this movie might have been better if the characters HAD been up to their ears in iPads and Minecraft for the trip.
There was lots of bathroom humor, which did seem to pull some laughs from my 8-year-old son, although maybe not as many as might have been expected (some of it, thankfully, was still over his head), but just had me shaking my head and wondering what has happened to good clean humor?
Greg’s main goal throughout the Long Haul is trying to erase or at least overcome his accidental internet sensationalism caught when he is filmed freaking out over a diaper he finds while playing in a ball-pit. He continues to try to re-route the family trip in order to get himself into a video with (what he sees as) a “famous” gamer who goes by Mac Digby, who will be at a convention in Indiana “only two inches away” from MeeMaw’s when looking at the map. His brother Roderick wants to become famous by drumming along in a video game and Greg manages to re-program the GPS in order to direct them closer to the gaming convention.
Along the way, they stop at a county fair and the youngest Heffley, Manny (played by twins Dylan and Wyatt Walters) manages to win an adorable baby piglet, who might honestly have the best role in the film. Who doesn’t like baby pigs?
There are more hijinks along the way in some sort of feud with another family, and in what might be the best part of the film, an homage to Hitchcock’s “Psycho”.
All in all, though, something is seriously lost in translation between the popular Jeff Kinney kids novel that the movie is based on, and this film. Previous installments of the Wimpy Kid movies have not been nearly as unpalatable to me. My son says that he likes this one, but even he says, “the book was better” and he’s only 8.
Between the poop, pee and puke “humor” and the never addressed or resolved lying of the kids and even dad, it’s not a movie I could really appreciate.
Flight of the Amazon Queen: 20th Anniversary Edition
Games
App
"A great game, that'll give you hours of fun and leave you feeling good. We love it!" -Mr. Bill's...