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Emma @ The Movies (1786 KP) rated The Aeronauts (2019) in Movies
Oct 27, 2019
Firstly I'd like to address the accuracy of this film. As soon as I got out of the screening I looked up the story and it took the shine off a little. James Glaisher was indeed involved in these experiments but his companion was Henry Coxwell and not the fictional Amelia Wren. Wren is at least based on female aeronauts of the time, Sophie Blanchard and Margaret Graham, which is a slight comfort. I can of course understand why they did it, the film has a definite air of romance about it and the inclusion of a larger than life character and her backstory does give the film a boost that it might not have had on the original story.
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html

Phil Leader (619 KP) rated Wanna Get Lucky? (Lucky O'Toole #1) in Books
Nov 28, 2019
Lucky O'Toole is head of Customer Relations at the splendidly over-the-top Babylon Hotel and Casino complex in Las Vegas. That means she spends all of her time dealing with the gamblers, drunks and high maintenance high rollers as well as dealing with any potential bad publicity. When a cocktail waitress falls out of one of their helicopters and is headline news it is a complication Lucky doesn't need, but as she starts to deal with this latest problem it soon becomes clear it may not have been an accident. Determined to get to the bottom of what is going on she plunges into the seedy world of Vegas behind the bright lights. As if this isn't enough her long-neglected love life starts adding complications all of its own. With the adult film awards and a convention for swingers about to hit the hotel she certainly has her hands full.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.

Sophia (Bookwyrming Thoughts) (530 KP) rated Dualed (Dualed, #1) in Books
Jan 23, 2020
As <a href="http://thesocialpotato.maryfaye.net/" target="_blank" rel="noopener">Faye from The Social Potato</a> puts it, this is about "assassin twins."
For some weird reason, I liked the idea. Come on, <b>thirty days to kill your supposedly "evil" twin before both of you self-detonate? Totally up my alley.</b>
That, however, does not mean I'm secretly a serial killer with a freakishly high IQ and gets a high off from killing people. (However, Lupe is still worried about my future regardless of my feeble protests. I think she's really just worried about the romance department, but I'm not exactly a mind reader despite our six-plus years of friendship.)
Anyways, I'm getting off-topic. <i>Dualed</i> is about assassin twins (I take no credit). In a bit of a contradiction to Faye, who summed this up perfectly, I'll say <i>Dualed</i> stalls. It's either the book stalling or West Grayer is a procrastinator. She's been training for years to kill her Alt (which I suppose are like "evil" twins, but Alts aren't necessarily "evil"), but then she finally gets her assignment.
As expected, it probably feels like a bulldozer has just plowed into you – I know I would be panicking all over the place. I totally understand why <b>West feels like she doesn't have enough training and decides to do something entirely illegal in The Board's eyes – killing someone else's Alt, otherwise known as a striker.</b> (Though in my case I'll probably turn into Hermione. Dye my hair blonde and make it curly than wavy. Claim I'm a Gryffindor and best friends with Harry Potter. Plan religiously and then go after my Alt with my wand crossed with my finger.)
I just felt that West waited until almost the last minute (read: the last couple of days) to go after her Alt. <b>She's going after everyone else's Alt as a striker while her days are counting down down down and when her friend Chord confronts her about it, she just makes an excuse.</b> It's one of those excuses you come up with lamely just to come up with one and when the "interrogator" fires back, you just end up speechless.
(Really it's just screaming "Lies lies lies so let me come up with an excuse in the hopes I won't be questioned further" all over.)
But the book just doesn't feel like it stalls. In fact, it doesn't stall. <b><i>Dualed</i> is very fast-paced, action-packed, and when West 1.0 (the main) meets West 2.0 (the Alt), it'll leave your heart pounding as the two go neck to neck for the chance to survive.</b> (The dark and evil side of me goes: Yeah! Blood and gore! *plays upbeat action music*) In comparison to a lot of dystopians out there, this is actually <b>a refreshingly new idea that'll attract bees to the honey.</b>
(I totally said that. Did it sound weird? My bad.)
So <b>here's my ultimatum: West Grayer is a procrastinator.</b> At the exact same time she starts questioning The Board while taking on striker duties and running away from her Alt. She finally realizes (or maybe Chord just verbally slaps her upside the head and it came through AT LAST) if she wants to live happily ever after as The Board says, she'll have to take the initiative and pounce before her Alt does it to her.
Overall, <i>Dualed</i> wasn't bad to listen to. Alicyn Packard definitely isn't my type of narrator, but I won't complain. I've finally figured out my favorite types of narrators are usually those who do a variety of different voices (one day I'm going to come across a cast and it'll be <span style="text-decoration: line-through;">MIND</span> EAR BLOWING). I give up on commenting on the narration of audiobooks unless it's really good or really bad.
<a href="https://bookwyrmingthoughts.com/audiobook-review-dualed-by-elsie-chapman/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
For some weird reason, I liked the idea. Come on, <b>thirty days to kill your supposedly "evil" twin before both of you self-detonate? Totally up my alley.</b>
That, however, does not mean I'm secretly a serial killer with a freakishly high IQ and gets a high off from killing people. (However, Lupe is still worried about my future regardless of my feeble protests. I think she's really just worried about the romance department, but I'm not exactly a mind reader despite our six-plus years of friendship.)
Anyways, I'm getting off-topic. <i>Dualed</i> is about assassin twins (I take no credit). In a bit of a contradiction to Faye, who summed this up perfectly, I'll say <i>Dualed</i> stalls. It's either the book stalling or West Grayer is a procrastinator. She's been training for years to kill her Alt (which I suppose are like "evil" twins, but Alts aren't necessarily "evil"), but then she finally gets her assignment.
As expected, it probably feels like a bulldozer has just plowed into you – I know I would be panicking all over the place. I totally understand why <b>West feels like she doesn't have enough training and decides to do something entirely illegal in The Board's eyes – killing someone else's Alt, otherwise known as a striker.</b> (Though in my case I'll probably turn into Hermione. Dye my hair blonde and make it curly than wavy. Claim I'm a Gryffindor and best friends with Harry Potter. Plan religiously and then go after my Alt with my wand crossed with my finger.)
I just felt that West waited until almost the last minute (read: the last couple of days) to go after her Alt. <b>She's going after everyone else's Alt as a striker while her days are counting down down down and when her friend Chord confronts her about it, she just makes an excuse.</b> It's one of those excuses you come up with lamely just to come up with one and when the "interrogator" fires back, you just end up speechless.
(Really it's just screaming "Lies lies lies so let me come up with an excuse in the hopes I won't be questioned further" all over.)
But the book just doesn't feel like it stalls. In fact, it doesn't stall. <b><i>Dualed</i> is very fast-paced, action-packed, and when West 1.0 (the main) meets West 2.0 (the Alt), it'll leave your heart pounding as the two go neck to neck for the chance to survive.</b> (The dark and evil side of me goes: Yeah! Blood and gore! *plays upbeat action music*) In comparison to a lot of dystopians out there, this is actually <b>a refreshingly new idea that'll attract bees to the honey.</b>
(I totally said that. Did it sound weird? My bad.)
So <b>here's my ultimatum: West Grayer is a procrastinator.</b> At the exact same time she starts questioning The Board while taking on striker duties and running away from her Alt. She finally realizes (or maybe Chord just verbally slaps her upside the head and it came through AT LAST) if she wants to live happily ever after as The Board says, she'll have to take the initiative and pounce before her Alt does it to her.
Overall, <i>Dualed</i> wasn't bad to listen to. Alicyn Packard definitely isn't my type of narrator, but I won't complain. I've finally figured out my favorite types of narrators are usually those who do a variety of different voices (one day I'm going to come across a cast and it'll be <span style="text-decoration: line-through;">MIND</span> EAR BLOWING). I give up on commenting on the narration of audiobooks unless it's really good or really bad.
<a href="https://bookwyrmingthoughts.com/audiobook-review-dualed-by-elsie-chapman/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>

Sophia (Bookwyrming Thoughts) (530 KP) rated Turn It Up! in Books
Jan 23, 2020
<i>Turn It Up!</i> was a totally random pick I chose from my library's OverDrive catalog because they didn't have the book I so desperately wanted in my hands right at the very moment. <span style="font-size: small;">Come on, American Panda. Come to meeee.</span>
Or maybe they did but I didn't feel like reading any fantasy. I've been wanting more and more cute contemporary romances lately. <b>Give me all the cute contemporaries, bookwyrms.</b> I need to feed my latest addiction until I'm tired of it and go back to my usual fantasy groove.
Anyways...
<b>Jen Calonita's latest novel is about acapella groups.</b> I love and admire acapella (Pentatonix is one of my favorite groups) so this novel caught my eye <i>really</i> quick. <b><i>Turn It Up!</i></b><b> is essentially Pitch Perfect set in a high school setting instead of college.</b> I was hoping that I would enjoy the book a lot since it <i>is</i> about music and acapella.
Unfortunately, <strong>the book focuses too much on Lidia's and Sydney's problem with little to no progress</strong> and an ending that was basically handed over to the characters on a plate adorned with musical notes and shoes. <i>Boom.</i> Happily ever after for everyone.
This is basically the summary of the book:
<ul>
<li>Girl has a crush on a guy</li>
<li>Other girl ends up falling in love with the guy</li>
<li>Girl catches other girl and guy kissing, creates tension among friendship</li>
<li>Girl develops other interests and chases after it because it conveniently keeps her away from other girl and guy as well</li>
<li>Other girl tries to push guy but really, she's in love but she values friendship</li>
<li>Girl falls in love slowly with another guy</li>
<li>Guy somehow gets between girl and other guy by accident - oopsies</li>
<li>Girl and other girl realizes they don't have to be this way</li>
<li>Somehow they become best friends again and everyone lives happily ever after</li>
</ul>
I was expecting more... I don't know, music to be involved? There's certainly conflict among the acapella group, but it felt like the musical angle wasn't even needed to create drama among the characters since there seemed to be issues well before the acapella group became a thing. 🤷
A lot of the issues seemed to have roots since middle school/early high school - they just seemed to have escalated. And <strong>while the Pitch Perfect movie had their drama, it was at least entertaining and catchy.</strong> I can't say the same for the book.
<strong>The writing felt off</strong> - there were times where it felt awkward due to punctuation usage, mainly exclamation points. Sentences that didn't need an exclamation had one, or maybe it's just the phrasing of the sentences themselves. It didn't really help me enjoy the book more.
And then there were the characters. I don't know if it's just me, but I have a hard time thinking of how old most of the characters are. I know <i>Turn It Up! </i>is set in high school, but there were times where I felt they were a little younger. 🤔
<b>But hey, there were <em>maybe</em> a few parts that were good!</b>
<ul>
<li>Eventually, everyone got past their differences - hooray</li>
<li>There <em>is</em> a cute romance, and I definitely ship it</li>
<li>Sometimes I wanted to smush the two characters together</li>
<li>Lidia's family is cute and adorable</li>
</ul>
Anyways, those smol little bits that were good didn't make up for the bad. I wanted more from <em>Turn It Up!</em> and <strong>I got a Pitch Perfect version in book form that was less entertaining than the movie.</strong>
<a href="http://bookwyrmingthoughts.com/turn-it-up-by-jen-calonita-ya-pitch-perfect/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Or maybe they did but I didn't feel like reading any fantasy. I've been wanting more and more cute contemporary romances lately. <b>Give me all the cute contemporaries, bookwyrms.</b> I need to feed my latest addiction until I'm tired of it and go back to my usual fantasy groove.
Anyways...
<b>Jen Calonita's latest novel is about acapella groups.</b> I love and admire acapella (Pentatonix is one of my favorite groups) so this novel caught my eye <i>really</i> quick. <b><i>Turn It Up!</i></b><b> is essentially Pitch Perfect set in a high school setting instead of college.</b> I was hoping that I would enjoy the book a lot since it <i>is</i> about music and acapella.
Unfortunately, <strong>the book focuses too much on Lidia's and Sydney's problem with little to no progress</strong> and an ending that was basically handed over to the characters on a plate adorned with musical notes and shoes. <i>Boom.</i> Happily ever after for everyone.
This is basically the summary of the book:
<ul>
<li>Girl has a crush on a guy</li>
<li>Other girl ends up falling in love with the guy</li>
<li>Girl catches other girl and guy kissing, creates tension among friendship</li>
<li>Girl develops other interests and chases after it because it conveniently keeps her away from other girl and guy as well</li>
<li>Other girl tries to push guy but really, she's in love but she values friendship</li>
<li>Girl falls in love slowly with another guy</li>
<li>Guy somehow gets between girl and other guy by accident - oopsies</li>
<li>Girl and other girl realizes they don't have to be this way</li>
<li>Somehow they become best friends again and everyone lives happily ever after</li>
</ul>
I was expecting more... I don't know, music to be involved? There's certainly conflict among the acapella group, but it felt like the musical angle wasn't even needed to create drama among the characters since there seemed to be issues well before the acapella group became a thing. 🤷
A lot of the issues seemed to have roots since middle school/early high school - they just seemed to have escalated. And <strong>while the Pitch Perfect movie had their drama, it was at least entertaining and catchy.</strong> I can't say the same for the book.
<strong>The writing felt off</strong> - there were times where it felt awkward due to punctuation usage, mainly exclamation points. Sentences that didn't need an exclamation had one, or maybe it's just the phrasing of the sentences themselves. It didn't really help me enjoy the book more.
And then there were the characters. I don't know if it's just me, but I have a hard time thinking of how old most of the characters are. I know <i>Turn It Up! </i>is set in high school, but there were times where I felt they were a little younger. 🤔
<b>But hey, there were <em>maybe</em> a few parts that were good!</b>
<ul>
<li>Eventually, everyone got past their differences - hooray</li>
<li>There <em>is</em> a cute romance, and I definitely ship it</li>
<li>Sometimes I wanted to smush the two characters together</li>
<li>Lidia's family is cute and adorable</li>
</ul>
Anyways, those smol little bits that were good didn't make up for the bad. I wanted more from <em>Turn It Up!</em> and <strong>I got a Pitch Perfect version in book form that was less entertaining than the movie.</strong>
<a href="http://bookwyrmingthoughts.com/turn-it-up-by-jen-calonita-ya-pitch-perfect/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>

Sophia (Bookwyrming Thoughts) (530 KP) rated Chandrea: The Return of the Avatar Queen (Averill, #1) in Books
Jan 23, 2020
I was overly excited to review Marlene Wynn's The Return of the Avatar Queen when I heard what genre it fell in the New Adult world: fantasy. NOT Contemporary or Romance (or both!) like most seem to be these days. Really, the only New Adult book I've come across that's something other than Contemporary is the Everlast Trilogy by Juliana Haygert (among a few others).
The first in the Averill series is just another step towards some more diversity in the ever growing pool of New Adult books. But here are a few reasons why you should take a moment and read Marlene Wynn's debut novel:
Character Development and World Building Here's what is probably one of the most difficult things in fantasy and paranormal novels: developing the world the entire world, because in a fantasy book, most worlds are fictional and completely made up! Wynn has it patted down nicely enough within the book that it's not necessary to have a separate dictionary. I definitely feel as though I know enough about the world of Itova as Chandrea does, and the characters don't feel as though they're miles away from me.
<img border="0" src="http://4.bp.blogspot.com/-NQ6pA2Tm_Sk/VIi50dboa_I/AAAAAAAAEEg/IQqffnS_y1w/s1600/awesome.gif" height="180" width="320">
It's Funny I had the highlight of my book week while reading Wynn's novel, but whenever there are flying raccoons, I can't really help but find it hilarious. It definitely helps when Shawn becomes a major character and lightens things up. He's just a fantastic edition to the book and he seems to make the lighter side of Chandrea come out as well I certainly hope the author won't kill him off anytime soon. Not that I actually have a say, of course.
<blockquote>If you dont, I wont bathe, and Ill sleep curled up right next to you, in all my stinky glory.</blockquote>
Of course, it's definitely not as hilarious as something I saw in a NCRA magazine about a month ago, or finding out what "bae" really means in another language.
No Surprises This is more of something I really disliked about The Return of the Avatar Queen rather than something I liked. As much as I love knowing all the side characters' history, I really think I would have enjoyed my reading experience more if there were less views. With the amount of views (which, by the way, is quite a lot), I feel as though I'm one step ahead and the author loses the element of surprise. Whatever seems likely to happen in the future to a character or two is already expected by the reader.
Last time I checked, not being surprised does not dwell well. But credit to Wynn for not making me feel like Hansel and Gretel with bread baked by Peeta, to which I turn into crumbs (the bread, not Peeta). Two facts: 1) I like surprises in books. 2) I don't necessarily like surprises in real life.
Here's a little elaboration on #2: A good friend of mine I call him Mr. Pokey and yes, he's probably related to Lupe. AKA Miss. Pokey. volunteered to take me to chess tournaments. A few days later, his mom said she could take both of us, but said friend told our coach that I could go without telling me about it first. As a result, I'm have been plotting his demise. Would I really do it? No, but sometimes I want to throw something at his infuriatingly overconfident face.
So here's a word of advice: Don't try to make decisions for others without telling them about it first. At least, don't make decisions for me unless you're my mom. You could regret it dearly.
Basically, you won't really regret reading The Return of the Avatar Queen. Marlene Wynn's debut novel shows a lot of promise in the future and I'm curious as to where the storyline goes from here on out.
-------------------
Review copy provided by the author for the blog tour
Original Rating: 3.5
Original review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/blog-tour-chandrea-the-return-of-the-avatar-queen-by-marlene-wynn-review-and-giveaway.html">Bookwyrming Thoughts</a>
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The first in the Averill series is just another step towards some more diversity in the ever growing pool of New Adult books. But here are a few reasons why you should take a moment and read Marlene Wynn's debut novel:
Character Development and World Building Here's what is probably one of the most difficult things in fantasy and paranormal novels: developing the world the entire world, because in a fantasy book, most worlds are fictional and completely made up! Wynn has it patted down nicely enough within the book that it's not necessary to have a separate dictionary. I definitely feel as though I know enough about the world of Itova as Chandrea does, and the characters don't feel as though they're miles away from me.
<img border="0" src="http://4.bp.blogspot.com/-NQ6pA2Tm_Sk/VIi50dboa_I/AAAAAAAAEEg/IQqffnS_y1w/s1600/awesome.gif" height="180" width="320">
It's Funny I had the highlight of my book week while reading Wynn's novel, but whenever there are flying raccoons, I can't really help but find it hilarious. It definitely helps when Shawn becomes a major character and lightens things up. He's just a fantastic edition to the book and he seems to make the lighter side of Chandrea come out as well I certainly hope the author won't kill him off anytime soon. Not that I actually have a say, of course.
<blockquote>If you dont, I wont bathe, and Ill sleep curled up right next to you, in all my stinky glory.</blockquote>
Of course, it's definitely not as hilarious as something I saw in a NCRA magazine about a month ago, or finding out what "bae" really means in another language.
No Surprises This is more of something I really disliked about The Return of the Avatar Queen rather than something I liked. As much as I love knowing all the side characters' history, I really think I would have enjoyed my reading experience more if there were less views. With the amount of views (which, by the way, is quite a lot), I feel as though I'm one step ahead and the author loses the element of surprise. Whatever seems likely to happen in the future to a character or two is already expected by the reader.
Last time I checked, not being surprised does not dwell well. But credit to Wynn for not making me feel like Hansel and Gretel with bread baked by Peeta, to which I turn into crumbs (the bread, not Peeta). Two facts: 1) I like surprises in books. 2) I don't necessarily like surprises in real life.
Here's a little elaboration on #2: A good friend of mine I call him Mr. Pokey and yes, he's probably related to Lupe. AKA Miss. Pokey. volunteered to take me to chess tournaments. A few days later, his mom said she could take both of us, but said friend told our coach that I could go without telling me about it first. As a result, I'm have been plotting his demise. Would I really do it? No, but sometimes I want to throw something at his infuriatingly overconfident face.
So here's a word of advice: Don't try to make decisions for others without telling them about it first. At least, don't make decisions for me unless you're my mom. You could regret it dearly.
Basically, you won't really regret reading The Return of the Avatar Queen. Marlene Wynn's debut novel shows a lot of promise in the future and I'm curious as to where the storyline goes from here on out.
-------------------
Review copy provided by the author for the blog tour
Original Rating: 3.5
Original review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/blog-tour-chandrea-the-return-of-the-avatar-queen-by-marlene-wynn-review-and-giveaway.html">Bookwyrming Thoughts</a>
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A Bibliophagist (113 KP) rated Thunderhead (Arc of a Scythe #2) in Books
Feb 5, 2020
Characters (4 more)
Plot
Pacing
Worldbuilding
That ending
A great sequel
I picked up Scythe in a challenge to myself to read something I wasn't interested in, and I chose two books popular on my feeds. One with a cover I hated (Throne of Glass) and one with a cover I liked (Scythe). I really didn't expect to love Scythe as much as I did (check out its review through my profile!) but I did! So I immediately picked up the even prettier Thunderhead. This cover is just beautiful, and as an illustrator, seeing her thank her cover artist on one of the first pages was wonderful. This review may contain minor spoilers for Scythe, so don't read it unless you've read Scythe!
We pick up where Scythe left off, after Citra gives Rowan immunity, sparing him from being gleaned even though she is chosen and takes the name, Scythe Anastasia. He goes on the run instead of being imprisoned by the Scythdom until his immunity runs out. After leaving his self imposed exile with Scythe Faraday, Rowan dons a cloak of his own, becoming a vigilante and killing (and burning) Scythes who abuse their power. The world dubs him Scythe Lucifer and everyone is trying to find him. Scythe Anastasia is learning her place in the Scythedom, a beacon of hope for the old guard, they hope she will inspire the new Scythes to turn away from the new order. Following Rowan's disposal of Scythe Goddard, the new order has made a martyr of him. The Schism amongst the Scythedom continues to grow, and all is not well. Scythe Curie and Scythe Anastasia are targetted by unknowns, attempting to kill them (permanently). Meanwhile, the Thunderhead reflects on its choice to be separate from the Scythes, Fearing what is becoming of the Scythedom, but unable to do anything, it inlists a boy, Greyson, who was essentially raised by it, to act as a liaison, never telling him to do anything in particular, but implying enough that Greyson sacrifices everything to try and help Scythe Curie and Anastasia and fulfill the Thunderhead's goals. This sacrifice doesn't go unnoticed, as a reader it felt palpable, I felt for him. On top of all this, something is stirring, ghosts are coming back to haunt the Scythedom and a shift of power puts Anastasia and Marie in the crosshairs of danger, forcing them to not only stand up for MidMerica but the entire Scythedom, even if that means facing the Grandslayers.
Shusterman does a wonderful job of continuing the story. Sticking to the world that he previously laid out and delving deeper with new perspectives like Greyson, and rather than the Scythe Journal interludes we have Thunderhead interludes which are exceptionally interesting. We learn more about this "perfect world" they now live in, and we see actual character development as both Rowan and Citra come to terms with their new lives. On top of this, the plot just continues to thicken and brew, building upon itself until it finally explodes in the finale. Holy Moley the finale. I let out an audible noise at that cliffhanger, so audible my partner checked to makes sure I was okay. I also IMMEDIATELY bought the next book. That was the cliffhangers of cliffhangers.
One of the things I applaud in these books is the romance between Citra and Rowan, it's so understated (at times, too understated) not lusting after each other, or thinking about how hot each other are. This is just an honest two people coming together who have been through crap together. It's a deep connection, and while I found it eh and slightly too understated in the first book, I grew to appreciate it's the subtlety in the second.
At times this book had larger than life moments, but even these Shusterman was able to write so well I didn't mind them, they didn't make me roll my eyes. He made his world believable, even if it sounds ridiculous when I try and explain the plot to others. This book made me cry, it made me gasp and it made me feel a full gamut of emotions. Things I didn't know a YA book could make me feel. Also, did I mention that freakin CLIFF HANGER?
Good job Shusterman, Good Job.
We pick up where Scythe left off, after Citra gives Rowan immunity, sparing him from being gleaned even though she is chosen and takes the name, Scythe Anastasia. He goes on the run instead of being imprisoned by the Scythdom until his immunity runs out. After leaving his self imposed exile with Scythe Faraday, Rowan dons a cloak of his own, becoming a vigilante and killing (and burning) Scythes who abuse their power. The world dubs him Scythe Lucifer and everyone is trying to find him. Scythe Anastasia is learning her place in the Scythedom, a beacon of hope for the old guard, they hope she will inspire the new Scythes to turn away from the new order. Following Rowan's disposal of Scythe Goddard, the new order has made a martyr of him. The Schism amongst the Scythedom continues to grow, and all is not well. Scythe Curie and Scythe Anastasia are targetted by unknowns, attempting to kill them (permanently). Meanwhile, the Thunderhead reflects on its choice to be separate from the Scythes, Fearing what is becoming of the Scythedom, but unable to do anything, it inlists a boy, Greyson, who was essentially raised by it, to act as a liaison, never telling him to do anything in particular, but implying enough that Greyson sacrifices everything to try and help Scythe Curie and Anastasia and fulfill the Thunderhead's goals. This sacrifice doesn't go unnoticed, as a reader it felt palpable, I felt for him. On top of all this, something is stirring, ghosts are coming back to haunt the Scythedom and a shift of power puts Anastasia and Marie in the crosshairs of danger, forcing them to not only stand up for MidMerica but the entire Scythedom, even if that means facing the Grandslayers.
Shusterman does a wonderful job of continuing the story. Sticking to the world that he previously laid out and delving deeper with new perspectives like Greyson, and rather than the Scythe Journal interludes we have Thunderhead interludes which are exceptionally interesting. We learn more about this "perfect world" they now live in, and we see actual character development as both Rowan and Citra come to terms with their new lives. On top of this, the plot just continues to thicken and brew, building upon itself until it finally explodes in the finale. Holy Moley the finale. I let out an audible noise at that cliffhanger, so audible my partner checked to makes sure I was okay. I also IMMEDIATELY bought the next book. That was the cliffhangers of cliffhangers.
One of the things I applaud in these books is the romance between Citra and Rowan, it's so understated (at times, too understated) not lusting after each other, or thinking about how hot each other are. This is just an honest two people coming together who have been through crap together. It's a deep connection, and while I found it eh and slightly too understated in the first book, I grew to appreciate it's the subtlety in the second.
At times this book had larger than life moments, but even these Shusterman was able to write so well I didn't mind them, they didn't make me roll my eyes. He made his world believable, even if it sounds ridiculous when I try and explain the plot to others. This book made me cry, it made me gasp and it made me feel a full gamut of emotions. Things I didn't know a YA book could make me feel. Also, did I mention that freakin CLIFF HANGER?
Good job Shusterman, Good Job.

Gareth von Kallenbach (980 KP) rated Jack the Giant Slayer (2013) in Movies
Aug 7, 2019
The timeless children’s tale of Jack and the Beanstalk gets a high-tech update in the new film Jack the Giant Slayer. Directed by Bryan Singer, the new version mixes in special effects with romance, action, and humor to provide a refreshing update of a fairytale that should appeal to adults and children alike. Nicholas Hoult stars as Jack, a simple farmer who’s raised by his uncle after the passing of his father. As a boy, Jack enjoyed the tales of long ago, especially those of the time when giants came down from the sky and attacked the earth before being thwarted by King Eric and his magical crown.
One day while in town to sell a cart and horse and earn much-needed funds for his uncle, Jack has a chance encounter with Princess Isabelle, (Eleanor Tomlinson), which leaves Jack’s starstruck. Unbeknownst to Jack and Isabelle, there is a dastardly plot afoot as the evil Count Roderick (Stanley Tucci), plots to rule the land once he has married Isabelle. The fact that the Princess has no interest in marrying Roderick is of little interest to the King (Ian McShane), as he is anxious to provide continuity for his kingdom following the loss of his wife. While Isabelle pleads her case with her father, Jack ends up in possession of beans which, he’s told, are magical.
Upon seeing what Jack has returned with, his uncle storms off into the night hoping to sell some of Jack’s remaining family possessions in order to make the money Jack had failed to acquire. While alone, Jack again encounters the Princess, who has decided to run away rather than be forced into a marriage she does not want. As if on cue, one of the magic beans that Jack had obtained earlier becomes wet in the rain storm and whisks the cottage and Princess into the heavens high above. The King and his men send a group of guards, under the leadership of Elmont (Ewan McGregor), to ascend the beanstalk and return the Princess. Jack and Roderick also accompany the soldiers, each with their own agenda.
Upon scaling the massive stalk, the group soon discovers that they are in the realm of giants long thought to be the stuff of legends. Complications arise which forces Jack to take command of the very perilous situation and soon finds himself battling not just to save the Princess but also for the very survival of the kingdom and surrounding world.
The film has some nice moments and while the CGI stuff may be a bit childish to some, it is important to remember that this is a fairytale and as such you are not going to see a lot of character depth and intricate plot twists. Instead, the film relies on a very likable cast made up of matinée quality villains and bad guys and some very nice visual effects to convey its simple but effective formula. Hoult follows up his leading role in “Warm Bodies” effectively and with several high-profile projects in the near future, seems poised to be a leading man to keep an eye on. The supporting cast does a very good job, especially McGregor and McShane who bring a gleeful energy to their roles as does Tucci as a villain who has everything short of the twirling mustache and black hat.
The 3-D offered some very good moments in the film and really enhanced some of the battle scenes in the film. Parents with younger children may want to note that there are some elements that may be frightening to very young children but for the most part this is a kid’s film. That being said, I was surprised how much I enjoyed the movie. It’s certainly better than I expected and was, in my opinion, the best live-action retelling of fairytale in recent memory. We did get a chance to review the film in the IMAX format which certainly allowed for the impressive visuals of the film to have an even greater impact. If you’ve ever been a fan of the story then you definitely will want to take a trip up the beanstalk for this nostalgic, yet highly enjoyable, interpretation of the beloved classic.
One day while in town to sell a cart and horse and earn much-needed funds for his uncle, Jack has a chance encounter with Princess Isabelle, (Eleanor Tomlinson), which leaves Jack’s starstruck. Unbeknownst to Jack and Isabelle, there is a dastardly plot afoot as the evil Count Roderick (Stanley Tucci), plots to rule the land once he has married Isabelle. The fact that the Princess has no interest in marrying Roderick is of little interest to the King (Ian McShane), as he is anxious to provide continuity for his kingdom following the loss of his wife. While Isabelle pleads her case with her father, Jack ends up in possession of beans which, he’s told, are magical.
Upon seeing what Jack has returned with, his uncle storms off into the night hoping to sell some of Jack’s remaining family possessions in order to make the money Jack had failed to acquire. While alone, Jack again encounters the Princess, who has decided to run away rather than be forced into a marriage she does not want. As if on cue, one of the magic beans that Jack had obtained earlier becomes wet in the rain storm and whisks the cottage and Princess into the heavens high above. The King and his men send a group of guards, under the leadership of Elmont (Ewan McGregor), to ascend the beanstalk and return the Princess. Jack and Roderick also accompany the soldiers, each with their own agenda.
Upon scaling the massive stalk, the group soon discovers that they are in the realm of giants long thought to be the stuff of legends. Complications arise which forces Jack to take command of the very perilous situation and soon finds himself battling not just to save the Princess but also for the very survival of the kingdom and surrounding world.
The film has some nice moments and while the CGI stuff may be a bit childish to some, it is important to remember that this is a fairytale and as such you are not going to see a lot of character depth and intricate plot twists. Instead, the film relies on a very likable cast made up of matinée quality villains and bad guys and some very nice visual effects to convey its simple but effective formula. Hoult follows up his leading role in “Warm Bodies” effectively and with several high-profile projects in the near future, seems poised to be a leading man to keep an eye on. The supporting cast does a very good job, especially McGregor and McShane who bring a gleeful energy to their roles as does Tucci as a villain who has everything short of the twirling mustache and black hat.
The 3-D offered some very good moments in the film and really enhanced some of the battle scenes in the film. Parents with younger children may want to note that there are some elements that may be frightening to very young children but for the most part this is a kid’s film. That being said, I was surprised how much I enjoyed the movie. It’s certainly better than I expected and was, in my opinion, the best live-action retelling of fairytale in recent memory. We did get a chance to review the film in the IMAX format which certainly allowed for the impressive visuals of the film to have an even greater impact. If you’ve ever been a fan of the story then you definitely will want to take a trip up the beanstalk for this nostalgic, yet highly enjoyable, interpretation of the beloved classic.

Emma @ The Movies (1786 KP) rated A Guide To Second Date Sex (2020) in Movies
Feb 17, 2020
Talk about burying the lead. Marie Claire offered its readers the chance to see A Guide To Second Date Sex free online for Valentine's Day, after seeing the cute little into from the lead actors I knew I had to give it a try.
Laura and Ryan have a chance meeting in a club after their friends abandon them, their awkward meeting turns into flirty banter and the two agree to a second date.
Both fresh off break-ups and clueless about how to go about dating they turn to their friends for help, but do too many cooks spoil the broth?
What a film. It's so awkward, but you just can't look away. I envy you if there isn't a moment in this that you can identify with. [Mum, if you're reading this I am of course playing it up for effect, I've never done any of this.] [Everyone else, 😬]
The keyword that kept popping up throughout my notes was "awkward", I truly hate awkward viewing. It's one of the reasons I don't like reality TV for the most part [when I do watch it I record it so I can fast forward through those bits]. I have actively walked out of the room because I couldn't cope watching things. How I managed to sit through this film I do not know. I was laughing out loud, I was burying my head in my hands, and yet I sat through it.
I can well and truly say at this point that I love George MacKay, put him in everything please. He plays Ryan, Ryan is somewhat unsuccessfully trying to get over his ex and his little experience with dating is being helped along by his flatmate Dan... but he's all for the conquest rather than the romance. Laura, played by Alexandra Roach has the backup of the internet, her mother and a friend, but she seems a little more sceptical about all the suggestions she's offered.
The setup gives you a very quick insight into our two main characters including some of the advice that's offered above. I've moaned in the past about short intros not setting up enough of the film that follows but with the way this film is laid out and the fact that the main action happens in the space of one evening means that everything unfolds very quickly and you don't need anything more.
When the present day story happens I really love the internal monologue that cuts in, the underlying insecurities and anxiety gets to bubble up. It absolutely needed it too, there's no way the film would have worked without this extra layer of humour. Without the audio the actors still do a great job, they mastered the art of the awkward silence, add the voiceover in and you get that chance to identify and match it to your own experience and internal commentary. I could write several stories in this vein based on my own experience. [Mum, again, I've never done any of this.] [Everyone else, 😬]
The film is based on the director's play that was performed at the Edinburgh Fringe Festival, I would love to have seen how that was done, I'm visualising something crossed between a play and Fleabag.
A Guide To Second Date Sex expresses those hideous memories that you really wish had been erased with the evening full of alcohol that accompanied them. It reflects so many girls' nights in and morning after phones calls I've been part of that it had that nostalgic feel which I think is how I stayed engaged despite my awkward reaction. It's an amusing and charming tale of dating that develops into a hilarious romp through young love and its perils.
This was an immensely entertaining watch but I really wish it ended one clip earlier than it did, and that's the only reason I'm not giving this 5 stars.
[Note to friends when you see it... Yes, that scene... I know, right?!]
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/a-guide-to-second-date-sex-movie-review.html
Laura and Ryan have a chance meeting in a club after their friends abandon them, their awkward meeting turns into flirty banter and the two agree to a second date.
Both fresh off break-ups and clueless about how to go about dating they turn to their friends for help, but do too many cooks spoil the broth?
What a film. It's so awkward, but you just can't look away. I envy you if there isn't a moment in this that you can identify with. [Mum, if you're reading this I am of course playing it up for effect, I've never done any of this.] [Everyone else, 😬]
The keyword that kept popping up throughout my notes was "awkward", I truly hate awkward viewing. It's one of the reasons I don't like reality TV for the most part [when I do watch it I record it so I can fast forward through those bits]. I have actively walked out of the room because I couldn't cope watching things. How I managed to sit through this film I do not know. I was laughing out loud, I was burying my head in my hands, and yet I sat through it.
I can well and truly say at this point that I love George MacKay, put him in everything please. He plays Ryan, Ryan is somewhat unsuccessfully trying to get over his ex and his little experience with dating is being helped along by his flatmate Dan... but he's all for the conquest rather than the romance. Laura, played by Alexandra Roach has the backup of the internet, her mother and a friend, but she seems a little more sceptical about all the suggestions she's offered.
The setup gives you a very quick insight into our two main characters including some of the advice that's offered above. I've moaned in the past about short intros not setting up enough of the film that follows but with the way this film is laid out and the fact that the main action happens in the space of one evening means that everything unfolds very quickly and you don't need anything more.
When the present day story happens I really love the internal monologue that cuts in, the underlying insecurities and anxiety gets to bubble up. It absolutely needed it too, there's no way the film would have worked without this extra layer of humour. Without the audio the actors still do a great job, they mastered the art of the awkward silence, add the voiceover in and you get that chance to identify and match it to your own experience and internal commentary. I could write several stories in this vein based on my own experience. [Mum, again, I've never done any of this.] [Everyone else, 😬]
The film is based on the director's play that was performed at the Edinburgh Fringe Festival, I would love to have seen how that was done, I'm visualising something crossed between a play and Fleabag.
A Guide To Second Date Sex expresses those hideous memories that you really wish had been erased with the evening full of alcohol that accompanied them. It reflects so many girls' nights in and morning after phones calls I've been part of that it had that nostalgic feel which I think is how I stayed engaged despite my awkward reaction. It's an amusing and charming tale of dating that develops into a hilarious romp through young love and its perils.
This was an immensely entertaining watch but I really wish it ended one clip earlier than it did, and that's the only reason I'm not giving this 5 stars.
[Note to friends when you see it... Yes, that scene... I know, right?!]
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/a-guide-to-second-date-sex-movie-review.html

Charlie Cobra Reviews (1840 KP) rated The Order in TV
Jul 6, 2020 (Updated Jul 6, 2020)
Don't Call Them Witches - 7/10
The Order is a 2019 supernatural horror/drama tv series created by Dennis Heaton and a team of writers including: Dennis Heaton, Shelley Eriksen, Rachel Langer, Jennica Harper, Penny Gummerson and Jason Filiatrault. The show was produced by Nomadic Pictures with producers Petros Danabassis, Jay Daniel Beechinor, and Morris Chapdelaine and released on Netflix in March. The shows stars Jake Manley, Sarah Grey, Matt Frewer, and Max Martini.
Thrust into a world of magic and monsters (werewolves), Jack Morten (Jake Manley) must pledge himself to a secret society so that he can avenge the death of his mother by their leader, Edward Coventry (Max Martini). His only family is his grandfather, "Pops" (Matt Frewer), the genius behind their plan for him to infiltrate the order and learn what he can to bring them down from the inside. Things go from bad to worse as he uncovers The Hermetic Order of the Blue Rose are practitioners of magic and someone or something is killing their pledges on campus. And more complications arise as he becomes enamoured with a higher ranking member Alyssa Drake (Sarah Grey) and a group of Knights whose mission is to stop evil magic users.
The Order is a decent show. I liked it alot but it was hard for me to get behind. It definitely has a lot of flaws and I can see a lot of people (like critics) tearing this show apart. That being said, I can't believe it has 100% on rotten tomatoes at this point or that it has been renewed for a second season. It was pretty slow building to me especially because I thought it was only going to be a secret society type show like the movie The Skulls but with a werewolf angle to it. I was very surprised when it was more about a magic secret society and later had a werewolf element to it. What I really didn't care for so much was the love theme to it that made me want to compare it to Twilight. You'll know what I'm talking about if you give it a chance. I really wanted to give this show a 6. There was a lot to hate in this show but it did get better towards the end. One thing the dialogue was full of cussing, which I didn't mind at all but it felt very amateurish. It made me laugh a lot but it also made me feel like the writers were in high school still. And I believe it's the main reason for the TV-MA rating. Which is another complaint I had. I don't think that for a rated TV-MA show, particularly a horror one, did they have enough violence, blood or gore. It felt very watered down to me in those respects. To me it seems like it was a cool idea, they had good actors who suffered from poor script and dialogue with a decent enough plot but a director(s) who were going for more of a Twilight vibe. As it gets farther into it did get better but barely got a 7 from me. As I write this I'm still contemplating whether to change my rating. It did do somethings quite well. They didn't mess up on the werewolves and even did them in a unique way and I appreciated the world building and
lore that they brought to them. Even the way they portrayed magic in the series was well done. I also generally liked the second half of the seasons' story arc and plot. I give this show a 7/10. I don't recommend it to anyone unless you were a big fan of the Twilight films or if you are just someone who watches anything with magic or werewolves.
Thrust into a world of magic and monsters (werewolves), Jack Morten (Jake Manley) must pledge himself to a secret society so that he can avenge the death of his mother by their leader, Edward Coventry (Max Martini). His only family is his grandfather, "Pops" (Matt Frewer), the genius behind their plan for him to infiltrate the order and learn what he can to bring them down from the inside. Things go from bad to worse as he uncovers The Hermetic Order of the Blue Rose are practitioners of magic and someone or something is killing their pledges on campus. And more complications arise as he becomes enamoured with a higher ranking member Alyssa Drake (Sarah Grey) and a group of Knights whose mission is to stop evil magic users.
The Order is a decent show. I liked it alot but it was hard for me to get behind. It definitely has a lot of flaws and I can see a lot of people (like critics) tearing this show apart. That being said, I can't believe it has 100% on rotten tomatoes at this point or that it has been renewed for a second season. It was pretty slow building to me especially because I thought it was only going to be a secret society type show like the movie The Skulls but with a werewolf angle to it. I was very surprised when it was more about a magic secret society and later had a werewolf element to it. What I really didn't care for so much was the love theme to it that made me want to compare it to Twilight. You'll know what I'm talking about if you give it a chance. I really wanted to give this show a 6. There was a lot to hate in this show but it did get better towards the end. One thing the dialogue was full of cussing, which I didn't mind at all but it felt very amateurish. It made me laugh a lot but it also made me feel like the writers were in high school still. And I believe it's the main reason for the TV-MA rating. Which is another complaint I had. I don't think that for a rated TV-MA show, particularly a horror one, did they have enough violence, blood or gore. It felt very watered down to me in those respects. To me it seems like it was a cool idea, they had good actors who suffered from poor script and dialogue with a decent enough plot but a director(s) who were going for more of a Twilight vibe. As it gets farther into it did get better but barely got a 7 from me. As I write this I'm still contemplating whether to change my rating. It did do somethings quite well. They didn't mess up on the werewolves and even did them in a unique way and I appreciated the world building and
lore that they brought to them. Even the way they portrayed magic in the series was well done. I also generally liked the second half of the seasons' story arc and plot. I give this show a 7/10. I don't recommend it to anyone unless you were a big fan of the Twilight films or if you are just someone who watches anything with magic or werewolves.

Hadley (567 KP) rated Soul Drinker in Books
Jul 25, 2020
The writing (2 more)
No character development
No ending
One of the classic horror tropes is Heaven versus Hell, angels versus demons, good versus evil (like a boogeyman versus an innocent child, or a killer versus a group of teenagers, or even an evil spirit versus an exorcist) and we always know how it's going to end: good triumphs evil, every time. Some of the most well known films with this trope are Constantine (2005), the Exorcist (1973) and more recently, Stephen King's IT : Chapter 2 (2019).
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.