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Hazel (1853 KP) rated Immortal Writers in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Words are the most powerful form of magic. Jill Bowers creates a unique fantasy concept in this soon to be published adventure novel. When <i>Immortal Writers</i> begins, the genre is similar to many contemporary novels: characters living normal day-to-day lives. Eighteen-year-old Liz has just landed back in her hometown after touring to promote her new novel, the next in a popular fantasy series that won her the Best Young Fantasy Award. All she wants is to return to her apartment and go to bed, so being kidnapped was not part of her plan. Especially not being kidnapped by the formidable William Shakespeare.
What Liz and readers both learn next is a brilliant, awe-inspiring idea. Imagine that all the world’s most famous authors were immortal and lived together in a magical castle manipulated by the science fiction novelists. That is what Liz suddenly has to come to terms with. Although she is only young, her books show so much potential that she is already initiated into the Immortal Writers. But it is not only legendary writers inhabiting this fortress. When an author becomes immortal, their characters become real. Liz is shocked to come face to face with the handsome hero of her story as well as a few of her supporting characters. However that is not all that has crossed over into reality.
As well as the goodies, the evil characters have also been brought into the world. Kenric, Liz’s antagonist, has hidden himself nearby with hundreds of dragons. He wants dominion over the entire planet and the only person that can stop him is Liz herself. So begins an adventure of learning to use magic, sword fights, dragon attacks and inevitable, heart wrenching causalities.
As a writer, Jill Bowers has not quite got the level of standard that the top authors have achieved. This is evident from the lack of description and awkwardness of the prose throughout the first few chapters. Once the storyline is well under way it becomes a lot easier to read; whether her writing improves is debatable, but her imagination captures the readers attention and provides a thoroughly entertaining narrative.
It is not solely the plot, characters and action that will stay in readers’ minds – the overall concept is fantastic. Who would not want their favourite authors to live forever? I would love to meet a William Shakespeare who has adapted himself to modern day living. Even more exciting is the possibility of meeting fictional characters. Each reader is bound to start daydreaming about which of their most loved books they would like to become real. How great would it be to meet Harry Potter, or see a unicorn, or eat some chocolate made by Willy Wonka, or… the possibilities are endless.
<i>Immortal Writers</i> is the first novel in a series so there will be more books that focus on this amazing idea. From the preview at the end of this copy, it appears that the following book will be about different authors/characters, therefore will provide a whole new outline to wrap our heads around.
Fantasy fans should definitely seek out this series. The writing may not exactly be up to par, but the general storyline is unquestionably worth it. Encompassing, contemporary, adventure and romance genres, <i>Immortal Writers</i> is an incredible fantasy story based in the “real” world.
Words are the most powerful form of magic. Jill Bowers creates a unique fantasy concept in this soon to be published adventure novel. When <i>Immortal Writers</i> begins, the genre is similar to many contemporary novels: characters living normal day-to-day lives. Eighteen-year-old Liz has just landed back in her hometown after touring to promote her new novel, the next in a popular fantasy series that won her the Best Young Fantasy Award. All she wants is to return to her apartment and go to bed, so being kidnapped was not part of her plan. Especially not being kidnapped by the formidable William Shakespeare.
What Liz and readers both learn next is a brilliant, awe-inspiring idea. Imagine that all the world’s most famous authors were immortal and lived together in a magical castle manipulated by the science fiction novelists. That is what Liz suddenly has to come to terms with. Although she is only young, her books show so much potential that she is already initiated into the Immortal Writers. But it is not only legendary writers inhabiting this fortress. When an author becomes immortal, their characters become real. Liz is shocked to come face to face with the handsome hero of her story as well as a few of her supporting characters. However that is not all that has crossed over into reality.
As well as the goodies, the evil characters have also been brought into the world. Kenric, Liz’s antagonist, has hidden himself nearby with hundreds of dragons. He wants dominion over the entire planet and the only person that can stop him is Liz herself. So begins an adventure of learning to use magic, sword fights, dragon attacks and inevitable, heart wrenching causalities.
As a writer, Jill Bowers has not quite got the level of standard that the top authors have achieved. This is evident from the lack of description and awkwardness of the prose throughout the first few chapters. Once the storyline is well under way it becomes a lot easier to read; whether her writing improves is debatable, but her imagination captures the readers attention and provides a thoroughly entertaining narrative.
It is not solely the plot, characters and action that will stay in readers’ minds – the overall concept is fantastic. Who would not want their favourite authors to live forever? I would love to meet a William Shakespeare who has adapted himself to modern day living. Even more exciting is the possibility of meeting fictional characters. Each reader is bound to start daydreaming about which of their most loved books they would like to become real. How great would it be to meet Harry Potter, or see a unicorn, or eat some chocolate made by Willy Wonka, or… the possibilities are endless.
<i>Immortal Writers</i> is the first novel in a series so there will be more books that focus on this amazing idea. From the preview at the end of this copy, it appears that the following book will be about different authors/characters, therefore will provide a whole new outline to wrap our heads around.
Fantasy fans should definitely seek out this series. The writing may not exactly be up to par, but the general storyline is unquestionably worth it. Encompassing, contemporary, adventure and romance genres, <i>Immortal Writers</i> is an incredible fantasy story based in the “real” world.
Hazel (1853 KP) rated Salt to the Sea in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
“We survivors are not the true witnesses. The true witnesses, those in possession of the unspeakable truth, are the drowned, the dead, the disappeared.” </i>– Primo Levi
World War Two has got to be the most well known and talked about period of history. Despite it not even being a century ago, it is already taught in schools around the globe. However a lot of events are omitted from our history books. A lot of people, including those alive at the time, have no idea of some of the situations Europeans found themselves in. Ruta Sepetys, despite having only previously written two novels, has become known for her stories about the lesser-known aspects of the Second World War. Her third book, <i>Salt to the Sea</i>, is no different.
In 1945 things were not looking great for the people living in Germany. Their greatest concern was the invading Russian army, resulting in thousands of Germans evacuating their hometowns. Four characters in their late teens/early twenties narrate <i>Salt to the Sea</i>: Joana, Florian, Emilia and Alfred. Their varied nationalities – Lithuanian, Prussian, Polish and German – help provide a range of opinions about the war, but regardless of who they believe to be the enemy, whether it be German or Russian or both, they are all figuratively in the same boat.
Joana, Emilia and Florian meet each other amongst a group of refugees trekking to freedom. A lot of trust is involved especially as no one is willing to reveal his or her true story. It is clear that each character is hiding something personal, something to do with the war, yet they all rely on and help each other to continue on their journey.
Naturally, being a war story there is masses of death and destruction. Set in January, the weather conditions are just as dangerous as the Russian soldiers. It is the end of the novel that contains the most shocking of events: a sinking of a ship that kills 9000 passengers. The most severe maritime disaster ever, yet it is doubtful that readers already know about it.
Despite being a work of fiction, Sepetys sticks to the facts in her heavily researched novel. She shocks the reader with the severity of the situation, and may even bring some to tears with the outcome. She has not sugar coated anything. Some storytellers save the innocents from harm, but this was not the case in <i>Salt to the Sea</i>. In war, no one can choose who lives and who dies. Millions of innocent people perish.
The short chapters keep the story flowing quickly. It is shocking, gripping and engaging. There is a brief notion of romance but this is not focused on and thus does not detract from the factual storyline. There was a hinted connection between characters in this novel and those in <i>Between Shades of Grey </i>– one of Sepetys’ earlier novels, however this is not a sequel or part of a series.
With the help of maps showing the difference between Europe now and Europe in 1945,<i> Salt to the Sea</i> is highly educational. Although aimed at young adults it is suitable for older generations as well. Whilst containing shocking content, you are certain to fall in love with Sepetys’ writing.
“We survivors are not the true witnesses. The true witnesses, those in possession of the unspeakable truth, are the drowned, the dead, the disappeared.” </i>– Primo Levi
World War Two has got to be the most well known and talked about period of history. Despite it not even being a century ago, it is already taught in schools around the globe. However a lot of events are omitted from our history books. A lot of people, including those alive at the time, have no idea of some of the situations Europeans found themselves in. Ruta Sepetys, despite having only previously written two novels, has become known for her stories about the lesser-known aspects of the Second World War. Her third book, <i>Salt to the Sea</i>, is no different.
In 1945 things were not looking great for the people living in Germany. Their greatest concern was the invading Russian army, resulting in thousands of Germans evacuating their hometowns. Four characters in their late teens/early twenties narrate <i>Salt to the Sea</i>: Joana, Florian, Emilia and Alfred. Their varied nationalities – Lithuanian, Prussian, Polish and German – help provide a range of opinions about the war, but regardless of who they believe to be the enemy, whether it be German or Russian or both, they are all figuratively in the same boat.
Joana, Emilia and Florian meet each other amongst a group of refugees trekking to freedom. A lot of trust is involved especially as no one is willing to reveal his or her true story. It is clear that each character is hiding something personal, something to do with the war, yet they all rely on and help each other to continue on their journey.
Naturally, being a war story there is masses of death and destruction. Set in January, the weather conditions are just as dangerous as the Russian soldiers. It is the end of the novel that contains the most shocking of events: a sinking of a ship that kills 9000 passengers. The most severe maritime disaster ever, yet it is doubtful that readers already know about it.
Despite being a work of fiction, Sepetys sticks to the facts in her heavily researched novel. She shocks the reader with the severity of the situation, and may even bring some to tears with the outcome. She has not sugar coated anything. Some storytellers save the innocents from harm, but this was not the case in <i>Salt to the Sea</i>. In war, no one can choose who lives and who dies. Millions of innocent people perish.
The short chapters keep the story flowing quickly. It is shocking, gripping and engaging. There is a brief notion of romance but this is not focused on and thus does not detract from the factual storyline. There was a hinted connection between characters in this novel and those in <i>Between Shades of Grey </i>– one of Sepetys’ earlier novels, however this is not a sequel or part of a series.
With the help of maps showing the difference between Europe now and Europe in 1945,<i> Salt to the Sea</i> is highly educational. Although aimed at young adults it is suitable for older generations as well. Whilst containing shocking content, you are certain to fall in love with Sepetys’ writing.
The Last Collection
Book
An American woman becomes entangled in the intense rivalry between iconic fashion designers Coco...
Historical Romance
Kristy H (1252 KP) rated Our Little Racket: A Novel in Books
Feb 8, 2018
The idyllic community of Greenwich, Connecticut is shaken when the investment bank, Weiss & Partners, fails. Its CEO, Bob D'Amico--a man known throughout the banking community for his loyalty to his employees--is at the center of the storm: did Bob know this was coming? And even worse, did things fall apart due to criminal actions on his part? Meanwhile, Bob's teenage daughter, Madison, struggles to understand what this all means, both for her father and her family. She gets little help from her mother, Isabel, who offers Madison no comfort during this crazy time. Madison's nanny, Lily, is busy caring for her younger twin brothers. Isabel's best friend, Mina, wants to help, but is still too afraid of offending Isabel: a pillar of the Greenwich scene. And Madison and her best friend, Amanda, seem to be drifting further apart every day. Madison and her family are under intense scrutiny, yet she's still just a girl trying to navigate being a teen. She's sure her father didn't do anything wrong; right?
I had a tough time with this book. There were several points where I considered setting it down for others in my always growing "to be read" pile, but I soldiered on. <i>I can't say I really enjoyed it, though I did find parts of it interesting.</i> It's clearly influenced by the Madoff scandal, which is referenced in the novel, and there is a lot of financial lingo in the book, even if it's really a story of a troubled family at its core.
The problem is that so few of the characters are really engaging, and the story seems to drag on endlessly at points. It's a peek in the world of the truly wealthy (think household servants, golf courses at their homes, multiple residences, hired cars, etc.), but I found myself unable to care for most of the characters. None of them are very nice to each other, and Bob and Isabel come across as neglectful and awful parents for the majority of the story. Even worse is the gaggle of Greenwich women, who gossip about the situation, feel like they are unable to continue to purchase expensive clothing and wares after Bob's "situation," and generally just annoy you with their harping. They don't understand anything about what their husbands do, but they run their households (well, they delegate it all) and fear that their carefully polished way of life is in jeopardy. You understand that this is a serious event for them, but you don't really care. Was I supposed to feel sorry for them? The novel is confusing at times in this facet. Perhaps I missed a great point somewhere: is it profound or just pretentious? Hard to tell.
The one thing that kept me reading was Madison. While she could be hateful at times, the story of her coming of age in a very strange environment, with a spotlight shining on her, was the most interesting part of the novel. Her dynamic with her father, whom she clearly adored, and her cold, distant mother, was far more fleshed out than any of the other characters. You could see her struggling to find her place in the world: she was just doing it under the watchful eye of the community (and a security detail hired to keep the press away from her family). Baker deftly portrays Madison's heartbreaking forays in romance, as well as some great scenes in which the teen shows off some spunk that will have you rooting for her. I couldn't help but want to give her a hug: even though I could see that her mother was a complicated individual, her parents were pretty awful, and poor Madison was forced to confront that in some terrible ways.
Still, despite Madison's story, most of this book fell flat for me. The epilogue was interesting and tied up some loose ends, but it ended things very abruptly as well. So much of the novel was about how Greenwich was nothing but smoke and mirrors: nothing was real in this world. Yet, I would have enjoyed some characters who felt more human, whom I could relate to in some way, whom I wanted to care for and to see come out of this "crisis" intact. Rating a 3-star due to Madison and the intricate story, but probably more of a 2.5-star on the overall enjoyment level scale for me.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 06/20/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I had a tough time with this book. There were several points where I considered setting it down for others in my always growing "to be read" pile, but I soldiered on. <i>I can't say I really enjoyed it, though I did find parts of it interesting.</i> It's clearly influenced by the Madoff scandal, which is referenced in the novel, and there is a lot of financial lingo in the book, even if it's really a story of a troubled family at its core.
The problem is that so few of the characters are really engaging, and the story seems to drag on endlessly at points. It's a peek in the world of the truly wealthy (think household servants, golf courses at their homes, multiple residences, hired cars, etc.), but I found myself unable to care for most of the characters. None of them are very nice to each other, and Bob and Isabel come across as neglectful and awful parents for the majority of the story. Even worse is the gaggle of Greenwich women, who gossip about the situation, feel like they are unable to continue to purchase expensive clothing and wares after Bob's "situation," and generally just annoy you with their harping. They don't understand anything about what their husbands do, but they run their households (well, they delegate it all) and fear that their carefully polished way of life is in jeopardy. You understand that this is a serious event for them, but you don't really care. Was I supposed to feel sorry for them? The novel is confusing at times in this facet. Perhaps I missed a great point somewhere: is it profound or just pretentious? Hard to tell.
The one thing that kept me reading was Madison. While she could be hateful at times, the story of her coming of age in a very strange environment, with a spotlight shining on her, was the most interesting part of the novel. Her dynamic with her father, whom she clearly adored, and her cold, distant mother, was far more fleshed out than any of the other characters. You could see her struggling to find her place in the world: she was just doing it under the watchful eye of the community (and a security detail hired to keep the press away from her family). Baker deftly portrays Madison's heartbreaking forays in romance, as well as some great scenes in which the teen shows off some spunk that will have you rooting for her. I couldn't help but want to give her a hug: even though I could see that her mother was a complicated individual, her parents were pretty awful, and poor Madison was forced to confront that in some terrible ways.
Still, despite Madison's story, most of this book fell flat for me. The epilogue was interesting and tied up some loose ends, but it ended things very abruptly as well. So much of the novel was about how Greenwich was nothing but smoke and mirrors: nothing was real in this world. Yet, I would have enjoyed some characters who felt more human, whom I could relate to in some way, whom I wanted to care for and to see come out of this "crisis" intact. Rating a 3-star due to Madison and the intricate story, but probably more of a 2.5-star on the overall enjoyment level scale for me.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 06/20/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Lottie disney bookworm (1056 KP) rated Cinderella is Dead in Books
Jun 6, 2020
Contains spoilers, click to show
Thank you to Netgalley and Kalynn Bayron for giving me the opportunity to read an advance copy of Cinderella is Dead in exchange for an honest review.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
Molly J (Cover To Cover Cafe) (106 KP) rated His Guilt (The Amish of Hart County #2) in Books
Feb 27, 2019
<p style="text-align: center;"><a href="http://litfusegroup.com/campaigns/his-guilt-shelley-shepard-gray"><img class="aligncenter" src="http://bit.ly/2uuHGUa"; alt="Shelley1" width="235" height="319" /></a>
<span style="color: #993300;"><strong>My Thoughts</strong></span>
<span style="color: #993300;"><strong> Ms. Gray is back with another hit in the Amish Of Hart County series! She never fails to grip me wholly and keep me in the center of the story. This book, just like <a href="http://cafinatedreads.com/pict-review-her-secret-by-shelley-shepard-gray/">Her Secret</a>, was an instant gripper for me.</strong></span>
<p style="text-align: center;"><span style="color: #993300;"><strong>Once again, the characters were captivating for me. I loved Mark and Waneta both. Mark's character really tugged at me the most. I can't imagine the pain that he endured through life. The things he dealt with in life, you don't imagine being a part of an Amish novel, but it was and it really made it that much more gripping. Oh to be there! I would go in mama mode on him and hug him big! Waneta's character, well, she was a little too judgy at times, but seeing God work on her, really made me love her that much more.</strong></span>
<p style="text-align: center;"><span style="color: #993300;"><strong>This book is intriguing, emotional, and gripping. It is not a sweet Amish romance, but it is a wonderful Amish novel in a series that will steal your heart, just the same. You will go through the roller coaster ride of ups and downs as you fall in love with each character, as you feel each characters emotions,as they seek forgiveness,and the pain that they go through of letting go of the past. Anything less than a 4.5 star review will not do this book justice.</strong></span>
<p style="text-align: center;"><span style="color: #993300;"><strong>I definitely recommend this book to all Amish fiction lovers, but be warned. It is not a light hearted read. And, I recommend reading book 1 first as it will make the experience of this series more fulfulling. I can't wait to read the next book Ms. Gray has for us!</strong></span>
<p style="text-align: center;">
<a href="http://litfusegroup.com/campaigns/his-guilt-shelley-shepard-gray"><img class="aligncenter" src="http://bit.ly/2tlxNcS"; alt="Shelley2" width="235" height="320" /></a><a href="http://cafinatedreads.com/litfuse-blog-tour-review-his-guilt-by-shelley-shepard-gray/"; target="_blank">This review was originally posted on Cafinated Reads</a>
<span style="color: #993300;"><strong>My Thoughts</strong></span>
<span style="color: #993300;"><strong> Ms. Gray is back with another hit in the Amish Of Hart County series! She never fails to grip me wholly and keep me in the center of the story. This book, just like <a href="http://cafinatedreads.com/pict-review-her-secret-by-shelley-shepard-gray/">Her Secret</a>, was an instant gripper for me.</strong></span>
<p style="text-align: center;"><span style="color: #993300;"><strong>Once again, the characters were captivating for me. I loved Mark and Waneta both. Mark's character really tugged at me the most. I can't imagine the pain that he endured through life. The things he dealt with in life, you don't imagine being a part of an Amish novel, but it was and it really made it that much more gripping. Oh to be there! I would go in mama mode on him and hug him big! Waneta's character, well, she was a little too judgy at times, but seeing God work on her, really made me love her that much more.</strong></span>
<p style="text-align: center;"><span style="color: #993300;"><strong>This book is intriguing, emotional, and gripping. It is not a sweet Amish romance, but it is a wonderful Amish novel in a series that will steal your heart, just the same. You will go through the roller coaster ride of ups and downs as you fall in love with each character, as you feel each characters emotions,as they seek forgiveness,and the pain that they go through of letting go of the past. Anything less than a 4.5 star review will not do this book justice.</strong></span>
<p style="text-align: center;"><span style="color: #993300;"><strong>I definitely recommend this book to all Amish fiction lovers, but be warned. It is not a light hearted read. And, I recommend reading book 1 first as it will make the experience of this series more fulfulling. I can't wait to read the next book Ms. Gray has for us!</strong></span>
<p style="text-align: center;">
<a href="http://litfusegroup.com/campaigns/his-guilt-shelley-shepard-gray"><img class="aligncenter" src="http://bit.ly/2tlxNcS"; alt="Shelley2" width="235" height="320" /></a><a href="http://cafinatedreads.com/litfuse-blog-tour-review-his-guilt-by-shelley-shepard-gray/"; target="_blank">This review was originally posted on Cafinated Reads</a>
ArecRain (8 KP) rated Captive Heart (The Warrior Maids of Rivenloch #2) in Books
Jan 18, 2018
I have been wanting to read this book for awhile novel. I have been putting it off because I already have so many books that still need to be to read that I felt guilty spending money on any more. Finally, I broke down and bought, though, because I have been wanting to read it that badly.
Despite feeling guilty about spending money on a book, I thoroughly enjoyed it. Its been long enough that I dont feel confident in my abilities to compare the first in the series to the second. Its not necessary to read the first one to enjoy the second. Everything you need to know, the author casually reminds you of during the storyline. Despite my poor memory, I can say that both novels left me with warm fuzzy feelings and I was content with the ending.
Helenas story was much more frustrating that her older sisters, however. There were moments I had to walk away because I wanted to scream alongside Helena. I agree that she can be impulsive and stubborn, but I found myself agreeing with her more often than not. I loved her passion and fire, and the chemistry she had with Colin was palpable. Colin was absolutely precious. I loved his playful nature, especially as it broke Helena out of her angry shell. Watching them together was adorable.
I think what I love most about this series is watching the couples grow to love each other. Despite their differences and disagreements, you can actually see and feel the love they develop for each other. The men want what is best for their lovers, but they dont turn alpha male and try to control them. The men took and accepted their women as they were. It was a powerful message, especially in a historical romance novel.
Overall, Captive Heart was worth every penny. Helena never lost her fiery spirit and was well-matched with the playful Colin. However, I am not sure if I will read the third and final book in the trilogy which pertains to Miriel and the Shadow. I understand Miriel didnt have that much to do in the first two novels, but she didnt leave much of an impression on me nor am I particularly interested in her story. I probably will end up reading it for curiositys sake, but I dont feel the urgency to read it as I did Helenas story.
Despite feeling guilty about spending money on a book, I thoroughly enjoyed it. Its been long enough that I dont feel confident in my abilities to compare the first in the series to the second. Its not necessary to read the first one to enjoy the second. Everything you need to know, the author casually reminds you of during the storyline. Despite my poor memory, I can say that both novels left me with warm fuzzy feelings and I was content with the ending.
Helenas story was much more frustrating that her older sisters, however. There were moments I had to walk away because I wanted to scream alongside Helena. I agree that she can be impulsive and stubborn, but I found myself agreeing with her more often than not. I loved her passion and fire, and the chemistry she had with Colin was palpable. Colin was absolutely precious. I loved his playful nature, especially as it broke Helena out of her angry shell. Watching them together was adorable.
I think what I love most about this series is watching the couples grow to love each other. Despite their differences and disagreements, you can actually see and feel the love they develop for each other. The men want what is best for their lovers, but they dont turn alpha male and try to control them. The men took and accepted their women as they were. It was a powerful message, especially in a historical romance novel.
Overall, Captive Heart was worth every penny. Helena never lost her fiery spirit and was well-matched with the playful Colin. However, I am not sure if I will read the third and final book in the trilogy which pertains to Miriel and the Shadow. I understand Miriel didnt have that much to do in the first two novels, but she didnt leave much of an impression on me nor am I particularly interested in her story. I probably will end up reading it for curiositys sake, but I dont feel the urgency to read it as I did Helenas story.
ArecRain (8 KP) rated Heartwishes (Edilean, #5) in Books
Jan 18, 2018
This has to be one the blandest, most boring books I have ever read in my life. Conflict? The little it has makes absolutely no sense.
First, let me start by saying that everything in this book fell into place a little too easily. Everyone loved Gemma and she was just so perfect in every way. Everyone immediately got along with including the few people who don't get along with others. The only people Gemma didn't get along with were the people who were the bad guys. It was actually sickening to read how peachy keen everything seemed.
And pardon me, but isn't this story called Heartwishes? We really get to read anything about Gemma's research or the stone unless it's in quick spurts or the letter she reads at the very end. Kind of a cop-out if you ask me. I was more curious about the stone than Gemma and Colin's relationship.
This brings me to another point. The only romance novels I hate reading more than the ones where the couple fights every second they are not having sex is the ones where there is absolutely no conflict between the two. The only fight the two had, I thought Gemma had lost her mind. It seriously made no sense to me. Gemma doesn't like Colin's "jealousy" and says she can't handle it when Colin gets upset about her spending time with Tris alone, but Colin never acted on his jealousy. In fact, he had to tell her he was even jealous at all. But it's okay for Gemma to get hysterically agree and storm off when Colin says his ex-girlfriend is connected to a case he is working on. Gemma, who is carrying Colin's child, comes up with all these plans of living her life and raising the child without Colin after he tells her this. Completely ridiculous if you ask me, especially since Gemma goes around kissing everyone the entire novel. Not even kidding. It seemed like every other page, Gemma was kissing people for absolutely no reason. The first time she ever meets Colin's sister, Ariel, and Ariel tells Gemma she is getting married, Gemma turns and kisses Ariel's fiancé in congratulations. Not only had she just met the guy, I don't think they even talked to each other. A simple congratulation could have worked.
Overall, this novel bored me to death when it wasn't annoying me with its nonsensical behaviors. Had I known how it was going to be, I would have never wasted a penny on it. And I am a huge Deveraux fan.
First, let me start by saying that everything in this book fell into place a little too easily. Everyone loved Gemma and she was just so perfect in every way. Everyone immediately got along with including the few people who don't get along with others. The only people Gemma didn't get along with were the people who were the bad guys. It was actually sickening to read how peachy keen everything seemed.
And pardon me, but isn't this story called Heartwishes? We really get to read anything about Gemma's research or the stone unless it's in quick spurts or the letter she reads at the very end. Kind of a cop-out if you ask me. I was more curious about the stone than Gemma and Colin's relationship.
This brings me to another point. The only romance novels I hate reading more than the ones where the couple fights every second they are not having sex is the ones where there is absolutely no conflict between the two. The only fight the two had, I thought Gemma had lost her mind. It seriously made no sense to me. Gemma doesn't like Colin's "jealousy" and says she can't handle it when Colin gets upset about her spending time with Tris alone, but Colin never acted on his jealousy. In fact, he had to tell her he was even jealous at all. But it's okay for Gemma to get hysterically agree and storm off when Colin says his ex-girlfriend is connected to a case he is working on. Gemma, who is carrying Colin's child, comes up with all these plans of living her life and raising the child without Colin after he tells her this. Completely ridiculous if you ask me, especially since Gemma goes around kissing everyone the entire novel. Not even kidding. It seemed like every other page, Gemma was kissing people for absolutely no reason. The first time she ever meets Colin's sister, Ariel, and Ariel tells Gemma she is getting married, Gemma turns and kisses Ariel's fiancé in congratulations. Not only had she just met the guy, I don't think they even talked to each other. A simple congratulation could have worked.
Overall, this novel bored me to death when it wasn't annoying me with its nonsensical behaviors. Had I known how it was going to be, I would have never wasted a penny on it. And I am a huge Deveraux fan.
Hazel (1853 KP) rated But Then I Came Back in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Message in a Bottle
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Shimmering with suspense and emotional intensity - takes readers on a hunt for the truth about a man...