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Sarah (7800 KP) rated Lost At Christmas (2020) in Movies
Nov 24, 2020
Lacking in Christmas spirit
Lost at Christmas is a Scottish romantic comedy following two strangers that team up to try and get home for Christmas after finding themselves stranded in the Scottish highlands on Christmas Eve.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
Bob Mann (459 KP) rated Me Before You (2016) in Movies
Sep 29, 2021
“You are scored on my heart Clark”
“Me Before You” is a bit of a queer fish of a movie. It never quite decides whether it wants to be a romantic weepy, a drama, or a rom-com and as such ends up rather falling between all three stools.
Emelia Clarke (“Game of Thrones”, “Terminator: Genesys”) plays Lou Clark, an ‘invisible’ girl “with potential” who is trapped – due to unemployment-led poverty – living with her parents in a provincial castle town (a picturesque Pembroke, though notably hardly a Welsh accent in earshot). Her boyfriend Patrick (“Harry Potter”’s Matthew Lewis) is a running nut that doesn’t play to her romantic needs in any way. Circumstance leads her into the job of a carer for a quadriplegic, Will Traynor (Sam Claflin, from “The Hunger Games” sequels) who also happens to be the son of the local millionaire couple (played by Charles Dance and Janet McTeer). They own the castle, a large mansion and most of the surrounding countryside too.
Will – previously a sports jock – is paralyzed from the neck down after an accident and is a frustrated and suicidal mind in a useless body. Can the quirky and vivacious Lou bring him out of his morbid shell and find him a life worth living again?
From this outline, you might think the story almost writes itself, and for most of the film it does. But the writers have a number of twists and turns in store which – depending on your sentiments – might entertain or appall.
As her first leading actress role in a non-action feature it’s a bit difficult to sum up Emilia Clarke’s performance. At face value it could be described as an advanced case of over-acting, with an extensive array of kooky looks and gurning facial expressions. (Those eyebrows! At some point we’re going to have to see her acting opposite Cara DeLevingne in a “Batman v Superman” eye-brow-off). On the other hand, she plays the part with such vivacity and charm – and notably in a manner so in keeping with the character she portrays – that it is hard not to be enchanted by her: I certainly was.
Claflin plays the brooding and resentful Traynor well and Matthew Lewis shows he is growing into a really professional jobbing actor as he enters his mid-20’s.
Also radiant (she always is… sorry to break it to the wife like this… but I am basically in love with her!!) is the ever-gorgeous Jenna Coleman (“Dr Who”, “Victoria”) in what is to date a rare outing for her onto the big screen (she previously has only had a small role in the first “Captain America” film: she really needs a breakout movie like Carey Mulligan’s “An Education”). Coleman and Clarke make a very credible pair of sisters, with the “bed” discussion scene being very touching.
Elsewhere a number of other well-known faces crop up including Brendan Coyle (“Downton Abbey”) as Lou’s father and Joanna Lumley as a wedding guest with a handy line in references.
The soundtrack by Craig (“Love Actually”) Armstrong is top notch with pleasing songs from Ed Sheeran, Imagine Dragons, Cloves and We The Kings.
The production quality is as professional as you would expect from a British-made movie, although the Mallorca and Paris locations are not particularly well exploited, since for a large chunk of these scenes I was convinced they hadn’t left Pinewood!
So, a bit of a mixed bag, but enjoyable nonetheless. A guilty pleasure. If you like a romantic piece of escapism this is one for a wet Sunday afternoon, provided you have a box of tissues handy.
Emelia Clarke (“Game of Thrones”, “Terminator: Genesys”) plays Lou Clark, an ‘invisible’ girl “with potential” who is trapped – due to unemployment-led poverty – living with her parents in a provincial castle town (a picturesque Pembroke, though notably hardly a Welsh accent in earshot). Her boyfriend Patrick (“Harry Potter”’s Matthew Lewis) is a running nut that doesn’t play to her romantic needs in any way. Circumstance leads her into the job of a carer for a quadriplegic, Will Traynor (Sam Claflin, from “The Hunger Games” sequels) who also happens to be the son of the local millionaire couple (played by Charles Dance and Janet McTeer). They own the castle, a large mansion and most of the surrounding countryside too.
Will – previously a sports jock – is paralyzed from the neck down after an accident and is a frustrated and suicidal mind in a useless body. Can the quirky and vivacious Lou bring him out of his morbid shell and find him a life worth living again?
From this outline, you might think the story almost writes itself, and for most of the film it does. But the writers have a number of twists and turns in store which – depending on your sentiments – might entertain or appall.
As her first leading actress role in a non-action feature it’s a bit difficult to sum up Emilia Clarke’s performance. At face value it could be described as an advanced case of over-acting, with an extensive array of kooky looks and gurning facial expressions. (Those eyebrows! At some point we’re going to have to see her acting opposite Cara DeLevingne in a “Batman v Superman” eye-brow-off). On the other hand, she plays the part with such vivacity and charm – and notably in a manner so in keeping with the character she portrays – that it is hard not to be enchanted by her: I certainly was.
Claflin plays the brooding and resentful Traynor well and Matthew Lewis shows he is growing into a really professional jobbing actor as he enters his mid-20’s.
Also radiant (she always is… sorry to break it to the wife like this… but I am basically in love with her!!) is the ever-gorgeous Jenna Coleman (“Dr Who”, “Victoria”) in what is to date a rare outing for her onto the big screen (she previously has only had a small role in the first “Captain America” film: she really needs a breakout movie like Carey Mulligan’s “An Education”). Coleman and Clarke make a very credible pair of sisters, with the “bed” discussion scene being very touching.
Elsewhere a number of other well-known faces crop up including Brendan Coyle (“Downton Abbey”) as Lou’s father and Joanna Lumley as a wedding guest with a handy line in references.
The soundtrack by Craig (“Love Actually”) Armstrong is top notch with pleasing songs from Ed Sheeran, Imagine Dragons, Cloves and We The Kings.
The production quality is as professional as you would expect from a British-made movie, although the Mallorca and Paris locations are not particularly well exploited, since for a large chunk of these scenes I was convinced they hadn’t left Pinewood!
So, a bit of a mixed bag, but enjoyable nonetheless. A guilty pleasure. If you like a romantic piece of escapism this is one for a wet Sunday afternoon, provided you have a box of tissues handy.
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MaryAnn (14 KP) rated Flights of Fancy (American Heiresses, #1) in Books
Mar 5, 2019
Miss Isadora Delafield may be an heiress, but her life is far from carefree. When her mother begins pressuring her to marry an elderly and uncouth duke, she escapes from the high society world she’s always known and finds herself to be an unlikely candidate for a housekeeper position in rural Pennsylvania. Mr. Ian MacKenzie is known for his savvy business sense and has built his reputation and fortune completely on his own merits. But when his adopted parents are in need of a new housekeeper and Isadora is thrown into his path, he’s unexpectedly charmed by her unconventional manner. Neither Isadora nor Ian expected to find the other so intriguing, but when mysterious incidents on the farm and the truth of Isadora’s secret threaten those they love, they’ll have to set aside everything they thought they wanted for a chance at happy-ever-after.
My Thoughts: Another winner from Jen Turano! This one will not disappoint the reader. As always Jen comes through with wonderful characters and an intriguing storyline. The reader will be amused as they read along and become acquainted with the characters.
I truly enjoyed this book, a wonderful historical romantic for anyone to enjoy. This one comes highly recommended. I look forward to the next in the series.
My Thoughts: Another winner from Jen Turano! This one will not disappoint the reader. As always Jen comes through with wonderful characters and an intriguing storyline. The reader will be amused as they read along and become acquainted with the characters.
I truly enjoyed this book, a wonderful historical romantic for anyone to enjoy. This one comes highly recommended. I look forward to the next in the series.
Stephen (210 KP) rated Isn't It Romantic (2019) in Movies
Mar 18, 2019 (Updated Mar 18, 2019)
The good thing about a rom com is that even if it’s not that good, there’s still always something to like in there somewhere.
‘Isn’t It Romantic’ sets out to lovingly spoof the rom com formula, and does this perfectly, but still ends up delivering everything a good rom com should do.
It’s lovely to see the wonderful Rebel Wilson getting a starring role, normally she just gets to inject a bit of her talents here and there, but she really gets her teeth into this role. She comes across as a really lovely person, her natural self shining through the character she plays.
There are lots of references to other much loved rom coms (e.g. Bridget Jones and 13 Going On 30), all done with an obvious passion.
One touch of genius was the way Rebel Wilson’s character’s expletives were drowned out by an assortment of background noises - a really simple idea but so refreshing and also hilarious.
The karaoke scene, in which the cast sing along to Whitney Houston’s ‘I Wanna Dance With Somebody’ is superb, and equals the magic of ‘13 Going On 30’s outstanding ‘Thriller’ scene.
Overall, I adored this movie, great cast, great music, and loads of love poured into the film by all those involved.
‘Isn’t It Romantic’ sets out to lovingly spoof the rom com formula, and does this perfectly, but still ends up delivering everything a good rom com should do.
It’s lovely to see the wonderful Rebel Wilson getting a starring role, normally she just gets to inject a bit of her talents here and there, but she really gets her teeth into this role. She comes across as a really lovely person, her natural self shining through the character she plays.
There are lots of references to other much loved rom coms (e.g. Bridget Jones and 13 Going On 30), all done with an obvious passion.
One touch of genius was the way Rebel Wilson’s character’s expletives were drowned out by an assortment of background noises - a really simple idea but so refreshing and also hilarious.
The karaoke scene, in which the cast sing along to Whitney Houston’s ‘I Wanna Dance With Somebody’ is superb, and equals the magic of ‘13 Going On 30’s outstanding ‘Thriller’ scene.
Overall, I adored this movie, great cast, great music, and loads of love poured into the film by all those involved.
Whatchareadin (174 KP) rated Waking Up A Slide in Books
Apr 9, 2019
I was really excited when I saw this book. I love romantic comedies and I had high hopes for this book. I was a bit disappointed.
Jason is a batchelor and has been for a while. He is a duty manager at the local hotel and is currently living with his two closest friends, Sean and Jim. When Jason receives a wedding invitation in the mail from his ex-girlfriend, Lila Holmes, his world goes into a tailspin thinking about the one that got away. His friends are on a quest to find him a plus one, while Jason is wallowing in the sorrow of knowing he would not be the one to marry Lila.
This book did not have very much romance in it and to me it wasn't really that funny. I didn't find myself laughing out loud or really connecting with the characters at all. On the positive side though, I didn't stop reading the book. I did want to know what was going to happen next and how Jason was going to actually face his ex when the time came. There were a ton of movie references in this book which really didn't add to the story. I will read another book by this author, though.
Jason is a batchelor and has been for a while. He is a duty manager at the local hotel and is currently living with his two closest friends, Sean and Jim. When Jason receives a wedding invitation in the mail from his ex-girlfriend, Lila Holmes, his world goes into a tailspin thinking about the one that got away. His friends are on a quest to find him a plus one, while Jason is wallowing in the sorrow of knowing he would not be the one to marry Lila.
This book did not have very much romance in it and to me it wasn't really that funny. I didn't find myself laughing out loud or really connecting with the characters at all. On the positive side though, I didn't stop reading the book. I did want to know what was going to happen next and how Jason was going to actually face his ex when the time came. There were a ton of movie references in this book which really didn't add to the story. I will read another book by this author, though.
ArecRain (8 KP) rated Ascension (Cherchez Wolf Pack, #1) in Books
Jan 18, 2018
I received a complimentary copy in exchange for an honest review.
I have read Lauren Dane before but this was my first venture into her fantasy romance. I enjoyed what I read from her previously. But maybe thats because they have all been novellas/shorts, or the purpose of them was dirty delicious sex. This was definitely not one of her better ones. Unless you are reading it for sex.
The short version: the plotline is an old tired one that is literally a dime a dozen. I felt that Dane used it just to have a plotline at all to further her characters relationship. Her characters werent very original either. This would have all been more acceptable had I felt the author tried but I genuinely felt that this story and these characters were created purely to have a sexual relationship. I will concede, however, that the erotica aspect is pretty well written. There are some non-hetero scenes as well as...sharing? So if you want something more vanilla in the romantic department, you should pass this up.
If you can get past the ridiculous aspects and poor writing in terms of plot and characters, you may enjoy the erotica. Youve been warned though.
I have read Lauren Dane before but this was my first venture into her fantasy romance. I enjoyed what I read from her previously. But maybe thats because they have all been novellas/shorts, or the purpose of them was dirty delicious sex. This was definitely not one of her better ones. Unless you are reading it for sex.
The short version: the plotline is an old tired one that is literally a dime a dozen. I felt that Dane used it just to have a plotline at all to further her characters relationship. Her characters werent very original either. This would have all been more acceptable had I felt the author tried but I genuinely felt that this story and these characters were created purely to have a sexual relationship. I will concede, however, that the erotica aspect is pretty well written. There are some non-hetero scenes as well as...sharing? So if you want something more vanilla in the romantic department, you should pass this up.
If you can get past the ridiculous aspects and poor writing in terms of plot and characters, you may enjoy the erotica. Youve been warned though.
Merissa (13096 KP) rated Soulmate (Soulmates #1) in Books
Jun 15, 2018
Soulmate (Soulmates #1) by Erin M. Leaf
Soulmate is the first book in the Soulmates series, and already I find myself reading about a world that I love!
Guy is still grieving for his wife. She may have died of cancer three years ago, but the emptiness he feels inside hasn't diminished with time. Theo is in his thirties, a Council member, and openly gay. He is also one of the few Empaths around. When these two meet, sparks fly, and I was desperately hoping Guy would realise what he had before it was too late.
There is so much to enjoy in this book - political machinations, assassination attempts, trees being re-shaped, soul-rings, I could go on. This is a gorgeous gay-for-you (sort of) story that absolutely fulfils my sappy romantic side. There were no editing or grammatical errors that disrupted my reading, and the scenes flowed nicely from one to the next.
This is only the first book, and I can't wait for more. Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Guy is still grieving for his wife. She may have died of cancer three years ago, but the emptiness he feels inside hasn't diminished with time. Theo is in his thirties, a Council member, and openly gay. He is also one of the few Empaths around. When these two meet, sparks fly, and I was desperately hoping Guy would realise what he had before it was too late.
There is so much to enjoy in this book - political machinations, assassination attempts, trees being re-shaped, soul-rings, I could go on. This is a gorgeous gay-for-you (sort of) story that absolutely fulfils my sappy romantic side. There were no editing or grammatical errors that disrupted my reading, and the scenes flowed nicely from one to the next.
This is only the first book, and I can't wait for more. Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!