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From Twinkle, with Love
6.8
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An aspiring teen filmmaker finds her voice and falls in love in this delightful romantic comedy from...
Not Her Gargoyle (Not This Series Book 5)
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Ruby is done with jerks, dead-end jobs, and eviction notices. Everyone else she knows is finding...
paranormal romance shifter adult romantic comedy humor
Not Her Alpha (Not This Series Book 6)
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Chris Jenkins, alpha werewolf, wants the woman who destroyed his life dead. Then he finds her...
paranormal shifter romance adult fiction series
Merissa (11726 KP) created a post
Nov 5, 2021
SHUT UP! Part One
10.0
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IMAGINE YOUR GIRLFRIEND COULD READ YOUR MIND. FOR REAL! Ralph Finixter loves to swear at old...
romantic comedy sci-fi romance bookbuzz
Blue Billy’s Rogue Lexicon: An Historical Bawdyhouse Romance
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William Dempsey was a wonder among wonders. By 18, he had risen from a gang of London street...
Historical Fiction Queer Fiction Romantic Comedy
Kristy H (1252 KP) rated Hang the Moon in Books
May 27, 2021
A hopeful and winning romance
This companion to WRITTEN IN THE STARS focuses on Darcy's brother Brendon, creator of the dating app OTP and a hopeless romantic. Brendon feels stressed out when the latest research numbers show that perhaps not everyone using dating apps believes as deeply in true love as he does. This includes, Annie, Darcy's best friend and Brendon's long ago crush. Annie arrives in Seattle to surprise Darcy, who just happens to be on a little getaway with her girlfriend, Elle. So Brendon steps up, delivering the keys to Darcy's place and... a series of dates designed to show Annie romance still exists. As for Annie, well she doesn't protest too much. After all, despite swearing off love, she discovers that Darcy's brother has grown up into a pretty handsome and funny guy. She's enjoying their time together. But she's only in Seattle for a few weeks, so Brendon has his work cut out for him.
"You couldn't be disappointed when someone stopped caring if you never expected them to in the first place."
I really enjoyed WRITTEN IN THE STARS and Darcy and Elle's story, so I was excited to read the next book in the series. I liked Brendon's tale, but not quite as much as Darcy and Elle's, mostly because I'm from the LGBTQIA community, and it was so refreshing to have a f/f story in Darcy and Elle. Still, Brendon is such a cutie, and his unyielding faith in love is pretty sweet.
Annie is a good addition to the group--she shows up a bit in book one. She is, of course, the complete opposite of Brendon: completely apathetic about love. But when she arrives in Seattle for a two-week vacation, with some life-changing news for Darcy, and her best friend isn't there, she can't help but enjoy her time with Brendon. Brendon resolves to use his favorite romantic films as a blueprint to woo Annie, but it turns into a comedy of errors, with nothing really turning out the way he planned.
"'Let's say that I needed to prove to someone that romance isn't dead.'"
Many of their interactions are humorous and the banter witty and funny, though I felt the "optimist" versus "pessimist," "will she stay or will she go" storyline was rehashed a bit much, as the plot gets hung up and stagnates for a bit until things pick up again. But, Brendon's sweet personality and Annie's willingness to give new things a try carry the book, along with its overall humor. It's nice to get some appearances from Darcy and Elle, though it severely lacks enough Margo (thank goodness she's the focus of book three).
Overall, this is a cute romance featuring winning leads. It's repetitive in places, but also flirty and fun. 3.5 stars, rounded up here.
"You couldn't be disappointed when someone stopped caring if you never expected them to in the first place."
I really enjoyed WRITTEN IN THE STARS and Darcy and Elle's story, so I was excited to read the next book in the series. I liked Brendon's tale, but not quite as much as Darcy and Elle's, mostly because I'm from the LGBTQIA community, and it was so refreshing to have a f/f story in Darcy and Elle. Still, Brendon is such a cutie, and his unyielding faith in love is pretty sweet.
Annie is a good addition to the group--she shows up a bit in book one. She is, of course, the complete opposite of Brendon: completely apathetic about love. But when she arrives in Seattle for a two-week vacation, with some life-changing news for Darcy, and her best friend isn't there, she can't help but enjoy her time with Brendon. Brendon resolves to use his favorite romantic films as a blueprint to woo Annie, but it turns into a comedy of errors, with nothing really turning out the way he planned.
"'Let's say that I needed to prove to someone that romance isn't dead.'"
Many of their interactions are humorous and the banter witty and funny, though I felt the "optimist" versus "pessimist," "will she stay or will she go" storyline was rehashed a bit much, as the plot gets hung up and stagnates for a bit until things pick up again. But, Brendon's sweet personality and Annie's willingness to give new things a try carry the book, along with its overall humor. It's nice to get some appearances from Darcy and Elle, though it severely lacks enough Margo (thank goodness she's the focus of book three).
Overall, this is a cute romance featuring winning leads. It's repetitive in places, but also flirty and fun. 3.5 stars, rounded up here.
Leanne Crabtree (480 KP) rated Heidi's Guide to Four Letter Words in Books
Jan 12, 2021
This starts with Heidi trying to find a job and her mum and aunt going through a list of schools they think she should work at and Heidi listening miserably, knowing education isn't something she enjoyed. Instead she's applied to be in a receptionist type role at a local small business, not knowing at the time that they record erotic romances in audiobook form. Heidi is equally embarrassed and curious about what goes on at her place of work and with the help of her colleagues begins a podcast where she talks about her hot neighbour who she'd love to date and becoming more confident in saying those tricky four letter words.
I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.
This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.
The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.
One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.
If you like romantic comedies then you should give this a go.
I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.
This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.
The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.
One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.
If you like romantic comedies then you should give this a go.
Bob Mann (459 KP) rated Long Shot (2019) in Movies
Sep 28, 2021
#Punching.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.