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Fake Truth
Fake Truth
Lee Goldberg | 2020 | Thriller
3
3.0 (1 Ratings)
Book Rating
The Truth is I Wish More of This Book Were Fake
Writer Ian Ludlow is stuck. Despite his most recent exploits as an off the books CIA agent, he can’t come up with anything worthy of his next book. So when his CIA partner, Margo French, throws a newspaper at him, he picks a couple of articles at random and they begin to investigate as if Ian’s writer’s imagination was right and there is a connection between them. The scary thing is, they might have stumbled upon something that way, with tentacles that spread from Russia to the US-Mexico border with the news media in between. But what exactly have they found?

I’ve enjoyed the first two books in this series, but this one was a disappointment. While we see the various threads involved in this plot early on, the story still moves too slowly for the first half. Once it does start, we get plenty of action and a great climax. Since this is a loving spoof of the spy genre, I definitely enjoyed some laughs. The characters can be a bit thin, but that’s part of the genre. Unfortunately, so is sex, and there are several sex scenes I really could have done without. The author stages his story in such a way that very thinly disguises his politics, which really pulled me out of the story. I pick up fiction to escape politics, not to have one point of view shoved down my throat. I realize both of the things that bothered me might be selling points to others, but to me, they kept me from fully enjoying the book. I enjoyed the first two books in this series (and the books should be read in order since this one has some spoilers for previous adventures), so hopefully the series will be back to entertaining for the next in the series.
  
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ClareR (5721 KP) rated We Germans in Books

Aug 17, 2023  
We Germans
We Germans
Alexander Starritt | 2021 | Fiction & Poetry, History & Politics
9
9.0 (1 Ratings)
Book Rating
We Germans is told from the point of view of a German soldier on the Eastern Front. A young British man asks his German grandfather about his role in the war, and whilst his grandfather doesn’t want to talk about it with him, he does leave him a letter to read about what happened to him after his death.

That letter is the book we read, with asides and clarifications from the grandson.

We don’t have a story that covers from the beginning to the end of the war. This is told from when things have started to go wrong for the Germans. The army is fragmented. The soldiers don’t really know where they’re going, but they know that they want to try and make it back to Germany - on foot. These men are scared, confused and the acts they see committed by both sides are horrific.

The grandson helps us to see the effects of the war on his grandfather, and his subsequent imprisonment in Russia. How 70 years post-war have changed him, how the war changed him as well. He acknowledges that he was to blame for what had happened as much as anyone else, but that he was expected to toe the line as a soldier.

This is historical fiction, but its well researched and has the hint of reality about it. It really gives the reader something to think about, and I know that personally, I haven’t found many books out there that cover this period of history in this way. I can’t say as it’s something I want to avidly read lots of books about, but having read this from a more human perspective (rather than a factual history book that lists dates and places), it feels very personal.

This is a short, powerful novel, and I think it’s worth the time spent reading it if you have an interest in either the time in history, or human nature.
  
Fanya in the Underworld
Fanya in the Underworld
Jordan Elizabeth Mierek | 2018 | Science Fiction/Fantasy, Young Adult (YA)
7
7.0 (1 Ratings)
Book Rating
I was sent a copy of this book by the author in exchange for an honest review.

Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.

The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.

Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.

By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.

Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
  
AT
All That is Solid Melts into Air
6
6.0 (1 Ratings)
Book Rating
<b>My rating: 3.5</b>

<i>I received this book for free through Goodreads First Reads.</i>

<i>All That is Solid Melts into Air</i> (the title taken from a Karl Marx quote) is the debut novel from Irish author Darragh McKeon. Set mostly in 1986, it follows the lives of several people in the aftermath of the Chernobyl disaster.

On reading the blurb I thought that the plot would be solely focused on the Chernobyl disaster however this was not the case. In fact it is difficult to pick out what the actual plot line was. Each character has individual storylines, some of which connect up, but the disaster is not completely the entire focus of the novel.

Beginning in April 1986 we read about Yevgeni, a nine-year-old piano prodigy and his life in Soviet Russia. We also discover his aunt, Maria, who, although through third person narrative, describes her life, thoughts and difficulties at this period of time. The person who appeared to be the main character for the majority of the narrative was Grigory Ivanovich Brovkin, a surgeon who so happens to be Maria’s ex-husband that gets sent out to Ukraine to assist with the clean up after the Chernobyl incident. In Ukraine lives Artyom, a thirteen-year-old boy who is forced to evacuate his home to get away from the radiation. Here, while not until November 1986, Grigory and Artyom’s storylines merge together.

The novel ends in April 2011, but by this point Artyom’s story has fizzled out, his sole purpose being to show the reader what life was like for the evacuees: shockingly terrible.

As I have said, there was not really a main plotline, however the book gives a good account of what happened and how things were dealt with after. That is, of course, if it is historically accurate. Despite studying the Soviet Union at school, my knowledge of the Chernobyl disaster was virtually non-existent. There is also a hint of romance regarding Grigory and Maria.

Overall it was incredibly well written, full of description and very interesting.