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Sep 26, 2017 (Updated Sep 26, 2017)
TheDefunctDiva (304 KP) rated Alice in Wonderland (2010) in Movies
Sep 26, 2017
A is for Artful
Contains spoilers, click to show
As with another of Tim Burton’s films, Sleepy Hollow, Alice in Wonderland strays significantly from the original material. And, in a vein similar to Sleepy Hollow, decapitation is a much-discussed topic.
Alice is introduced to the audience as a child who has strange dreams. In the subsequent scenes, an older Alice is seen in a carriage with her mother. She is unwittingly on her way to her engagement party, and she is fully expected to accept the offer of marriage from someone who seems quite ill-suited for her. “Your life will be perfect. It’s already been decided,” says her sister Margaret.
Elements of the engagement party offer foreshadowing for the alternate reality Alice soon finds herself in. Instead of accepting her suitor’s proposal, Alice runs away and follows a rabbit wearing a waistcoat into an exceptionally large rabbit hole. There, she is found falling with a variety of household objects, including one particularly friendly piano.
Once in Wonderland, Alice’s world has literally turned upside-down. She falls from her perch on the ceiling to the floor. Alice solves a puzzle of many locked doors, using the expected growing and shrinking mechanisms, and then she emerges into a strange topiary. There she is greeted by the rabbit and other residents of Wonderland, who argue whether this Alice is “the right Alice.”
Many of the traditional characters are found in this Wonderland, but most of the ominous poetry associated with those characters has been omitted. Tweedledum and Tweedledee are introduced, but they don’t seem to serve much purpose. I missed the recitation of “the Walrus and the Carpenter” very much.
Alice insists that the world around her must be a dream, as she is led through oversized mushrooms to a blue caterpillar, voiced by the talented Alan Rickman. Once again, Alice’s destiny is written: the caterpillar reveals a scroll which shows an image of Alice slaying the dreaded Jabberwocky. Indeed, it is her role to become the champion of Wonderland, to rise up and defeat the Red Queen who keeps this horrible beast as a weapon.
Later, we come across a dysfunctional tea party held under the shadow of a dilapidated windmill. Johnny Depp appears as the wild and wide-eyed Mad Hatter. Alice, it seems, is late to her tea just as she was to her engagement party. We learn that there is a whole network of characters, including the White Queen (Anne Hathaway), who wish to bring down the tyrannical Red Queen.
The struggle between the Red and White Queens eventually comes to a head, and Alice bravely accepts her fate to fight the Jabberwocky. And the Jabberwocky is indeed a terrifying entity, as it seems to be part dinosaur and part dragon.
The visual effects in this film were striking. Burton paints a beautiful landscape full of dark, rich colors. Several moments in the film are surreal and disturbing, such as when Alice crosses a moat full of dismembered heads to gain access to the Red Queen’s castle. However, some of the characters, such as the Cheshire cat, had a more cartoonish quality about them that I found off-putting.
The acting and voice-overs in the film were also impressive. Actress Mia Wasikowska was enchanting as Alice. She reflected the vulnerability and the more intrepid characteristics of the young girl quite well. Depp was delightfully creepy as the Mad Hatter. Crispin Glover was effective as the Knave of Hearts, the Red Queen’s lead henchman. And Stephen Fry was a marvelous voice choice for the strange and eerie Cheshire Cat.
The Red Queen is quite the character in this film. Helena Bonham Carter perfectly captures the Queen’s cruelty and absurdity. She delivers the “off with his head” line repeatedly and with gusto. The Queen’s cranium was so large that I was surprised she didn’t fall forward from the weight of it. And I haven’t seen that much blue eyeshadow since the 80s.
The Blu-ray version of this film enhanced the quality of the computer graphic imagery quite well. The special features consisted of interviews of the cast regarding the characters. These interviews contained behind-the-scenes looks at some of the makeup and green screen work done on this film. Though these interviews were enlightening, I would have loved to see more about the production process, since the sets and some characters were entirely computer-generated.
All things considered, Burton’s Alice in Wonderland is a delightful departure from reality. Fans of Burton’s other films are sure to love it.
Alice is introduced to the audience as a child who has strange dreams. In the subsequent scenes, an older Alice is seen in a carriage with her mother. She is unwittingly on her way to her engagement party, and she is fully expected to accept the offer of marriage from someone who seems quite ill-suited for her. “Your life will be perfect. It’s already been decided,” says her sister Margaret.
Elements of the engagement party offer foreshadowing for the alternate reality Alice soon finds herself in. Instead of accepting her suitor’s proposal, Alice runs away and follows a rabbit wearing a waistcoat into an exceptionally large rabbit hole. There, she is found falling with a variety of household objects, including one particularly friendly piano.
Once in Wonderland, Alice’s world has literally turned upside-down. She falls from her perch on the ceiling to the floor. Alice solves a puzzle of many locked doors, using the expected growing and shrinking mechanisms, and then she emerges into a strange topiary. There she is greeted by the rabbit and other residents of Wonderland, who argue whether this Alice is “the right Alice.”
Many of the traditional characters are found in this Wonderland, but most of the ominous poetry associated with those characters has been omitted. Tweedledum and Tweedledee are introduced, but they don’t seem to serve much purpose. I missed the recitation of “the Walrus and the Carpenter” very much.
Alice insists that the world around her must be a dream, as she is led through oversized mushrooms to a blue caterpillar, voiced by the talented Alan Rickman. Once again, Alice’s destiny is written: the caterpillar reveals a scroll which shows an image of Alice slaying the dreaded Jabberwocky. Indeed, it is her role to become the champion of Wonderland, to rise up and defeat the Red Queen who keeps this horrible beast as a weapon.
Later, we come across a dysfunctional tea party held under the shadow of a dilapidated windmill. Johnny Depp appears as the wild and wide-eyed Mad Hatter. Alice, it seems, is late to her tea just as she was to her engagement party. We learn that there is a whole network of characters, including the White Queen (Anne Hathaway), who wish to bring down the tyrannical Red Queen.
The struggle between the Red and White Queens eventually comes to a head, and Alice bravely accepts her fate to fight the Jabberwocky. And the Jabberwocky is indeed a terrifying entity, as it seems to be part dinosaur and part dragon.
The visual effects in this film were striking. Burton paints a beautiful landscape full of dark, rich colors. Several moments in the film are surreal and disturbing, such as when Alice crosses a moat full of dismembered heads to gain access to the Red Queen’s castle. However, some of the characters, such as the Cheshire cat, had a more cartoonish quality about them that I found off-putting.
The acting and voice-overs in the film were also impressive. Actress Mia Wasikowska was enchanting as Alice. She reflected the vulnerability and the more intrepid characteristics of the young girl quite well. Depp was delightfully creepy as the Mad Hatter. Crispin Glover was effective as the Knave of Hearts, the Red Queen’s lead henchman. And Stephen Fry was a marvelous voice choice for the strange and eerie Cheshire Cat.
The Red Queen is quite the character in this film. Helena Bonham Carter perfectly captures the Queen’s cruelty and absurdity. She delivers the “off with his head” line repeatedly and with gusto. The Queen’s cranium was so large that I was surprised she didn’t fall forward from the weight of it. And I haven’t seen that much blue eyeshadow since the 80s.
The Blu-ray version of this film enhanced the quality of the computer graphic imagery quite well. The special features consisted of interviews of the cast regarding the characters. These interviews contained behind-the-scenes looks at some of the makeup and green screen work done on this film. Though these interviews were enlightening, I would have loved to see more about the production process, since the sets and some characters were entirely computer-generated.
All things considered, Burton’s Alice in Wonderland is a delightful departure from reality. Fans of Burton’s other films are sure to love it.
TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
B is for Bad A**
Contains spoilers, click to show
This entertaining action film opens with aerial views of Boston and narration of the Lord's Prayer on St. Patty's Day. Soon, we are introduced to two Irish brothers, Connor and Murphy MacManus. The terrible twosome work in a meat-packing plant: in their spare time, they slaughter evildoers. What could be better? With their black shirts, black blazers, and blue jeans, the brothers seem like Mormon missionaries gone horribly wrong.
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Steven Sklansky (231 KP) rated Battle of the Sexes (2016) in Movies
Sep 26, 2017
Good storytelling (2 more)
Amazing Cast
Tennis shots were done very well
Sports with a hint of romance
This is another sports movie I had no knowledge of going in to and I watch a lot of sports. Tennis is one that I play more then I follow. Sometimes it is fun to watch a tennis match or 2 on tv but not all the time. This match though would have be amazing to see and live through. The story of Billy Jean King is like any other women making history by doing something great in the 70's. It has been told several times using different backgrounds. The big difference with this movie though is they did not overly portray her as the victim being driven down by the man. She always had her head held high and new she could win. You never really felt sad for her during the course of the movie. She had a goal set forth and took it head on.
This movie had a story to tell and like most Based on True Story movies they add way to much drama. This movie was the opposite. It told the story from her perspective and Bobby's perspective and really kept unnecessary drama out of it. The biggest drama points was Billy's female lover. Some of it felt way over the top and you just knew what was coming. I don't mind gay couples in movies, but what I don't like is if it feels forced on to screen just for the sake of adding it. This was part of her story, just put it in there, you don't have to tease the audience that it is going to happen.
The sports part of this movie was my favorite. The back at forth on the court felt real. Which is a good thing because you never want to see look fake. There were very few cuts during the action sequences which means they were really playing tennis, unless they were professionals dressed like them. I would not be disappointed if that was the case, but it would be great if it was the real actors doing it.
All in all this was a fantastic and think everyone, men (from the 70's and earlier) and women should go and see this movie. If you know the story already you may not like it as much but see it anyway.
This movie had a story to tell and like most Based on True Story movies they add way to much drama. This movie was the opposite. It told the story from her perspective and Bobby's perspective and really kept unnecessary drama out of it. The biggest drama points was Billy's female lover. Some of it felt way over the top and you just knew what was coming. I don't mind gay couples in movies, but what I don't like is if it feels forced on to screen just for the sake of adding it. This was part of her story, just put it in there, you don't have to tease the audience that it is going to happen.
The sports part of this movie was my favorite. The back at forth on the court felt real. Which is a good thing because you never want to see look fake. There were very few cuts during the action sequences which means they were really playing tennis, unless they were professionals dressed like them. I would not be disappointed if that was the case, but it would be great if it was the real actors doing it.
All in all this was a fantastic and think everyone, men (from the 70's and earlier) and women should go and see this movie. If you know the story already you may not like it as much but see it anyway.
Ross (3282 KP) rated Death Note (2017) in Movies
Sep 26, 2017
The delivery (2 more)
The visual effects
Willem Dafoe
This premise had so much potential: the ability to write someone's name in a book and how they would die and then just watch it happen. Awesome.
However, this was wrongly painted as some sort of poisoned chalice and would lead the beholder to madness. If this was to be because of Ryuk's presence then this wasn't really carried out all that well. If it was meant to be "power corrupts" etc then it just didn't ring true for me.
I can't see someone spend all their spare time researching people's crimes and having them killed, maybe one or two but then they'd put the book away and think about it another time.
I watched the first half hour quite avidly but then just got bored.
It also felt like they had tried to retain too much of the anime spirit in the American movie - Ryuk's voice, provided by Willem Dafoe is like a bad English dub for a Japanese original, the father is not at all representative of a Western father, and L just came across as a strange Japanese Anime character rather than a teenage genius detective (I almost expected him close his eyes and do a big shoulder-lifting laugh every so often). I wouldn't have been surprised if Meowth had appeared at one point and made an oddly worded quip.
However, this was wrongly painted as some sort of poisoned chalice and would lead the beholder to madness. If this was to be because of Ryuk's presence then this wasn't really carried out all that well. If it was meant to be "power corrupts" etc then it just didn't ring true for me.
I can't see someone spend all their spare time researching people's crimes and having them killed, maybe one or two but then they'd put the book away and think about it another time.
I watched the first half hour quite avidly but then just got bored.
It also felt like they had tried to retain too much of the anime spirit in the American movie - Ryuk's voice, provided by Willem Dafoe is like a bad English dub for a Japanese original, the father is not at all representative of a Western father, and L just came across as a strange Japanese Anime character rather than a teenage genius detective (I almost expected him close his eyes and do a big shoulder-lifting laugh every so often). I wouldn't have been surprised if Meowth had appeared at one point and made an oddly worded quip.
Suswatibasu (1701 KP) rated Riot Days in Books
Sep 26, 2017
Brave account of fighting injustice from a Russian prison
Thank you to Netgalley for my copy.
This is an intriguing diary of political activist and Pussy Riot member Maria Alyokhina. It is heartfelt and almost despairing at times when Alyokhina describes the squalid conditions that she has to be imprisoned in after protesting in a church in Russia. However, her heroic efforts in jail even allowed her to gain some small victories, which makes her an activist through and through. From hunger strikes to taking prison guards to court, her determination should be lauded.
The copy that I received was unformatted making it a little difficult to follow new threads, but reading it as a journal definitely makes more sense as there are small blocks of personal day to day meanderings and quotes.
This is an intriguing diary of political activist and Pussy Riot member Maria Alyokhina. It is heartfelt and almost despairing at times when Alyokhina describes the squalid conditions that she has to be imprisoned in after protesting in a church in Russia. However, her heroic efforts in jail even allowed her to gain some small victories, which makes her an activist through and through. From hunger strikes to taking prison guards to court, her determination should be lauded.
The copy that I received was unformatted making it a little difficult to follow new threads, but reading it as a journal definitely makes more sense as there are small blocks of personal day to day meanderings and quotes.
Merissa (11825 KP) rated Her Knight in Shining Stone in Books
Sep 26, 2017
Her Knight in Shining Stone (The Gargoyles of New York #1) by Tamsin Baker
Her Knight in Shining Stone is the first short story in The Gargoyles of New York series. We meet Roman, the elder of four brothers, all gargoyles who have yet to find their mate (Beloved). He is suffering pain when he shifts, a clear sign that he needs to meet his Beloved soon or he will be stuck in his gargoyle form. He finds her working as a waitress and the connection between them is instantaneous. Whilst she feels the connection, Cristiana also has doubts over whether she can be with Roman when she won't see him at all during the day.
Being as this is a short story, it moves along at a very swift pace. I would have preferred to have it 'fleshed out' a bit more - more detail on the history of Gargoyles, the mystery surrounding the danger that is coming to them, Cristiana's history - but that is just me. This was very well written, with no editing or grammatical errors that disrupted my reading flow. I have been left wanting to know more, especially about Rafe. Thoroughly enjoyed it, and would recommend it as a quick read, coffee break, book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Being as this is a short story, it moves along at a very swift pace. I would have preferred to have it 'fleshed out' a bit more - more detail on the history of Gargoyles, the mystery surrounding the danger that is coming to them, Cristiana's history - but that is just me. This was very well written, with no editing or grammatical errors that disrupted my reading flow. I have been left wanting to know more, especially about Rafe. Thoroughly enjoyed it, and would recommend it as a quick read, coffee break, book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Books Editor (673 KP) shared own list
Sep 26, 2017
Without doubt, there has been some big releases for lovers of all the main crime fiction genres.
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