"One of my all-time favorite films. I actually woohoo-ed out loud when I saw the announcement of a Criterion release of it! Hal Ashby was one of the greatest American filmmakers of the seventies, and his death was such a loss for the film community. It’s sad to think of what else he could’ve made. The use of Cat Stevens’s music in this film is a great example of a musician’s music forever being linked to a particular film and utilized so effectively."

"Kiarostami has spooky power. The wind, the dust, passersby, stray sounds, even your attention—they all slow down and fall into his rhythm. He seems able to control everything inside and outside the frame, and it’s all poetry. Taste of Cherry was my introduction to him. It’s a very sad and beautiful film about life via death. I’ll think about the coda for a long time. I’m also a big fan of The Wind Will Carry Us, Where Is the Friend’s Home?, and Close-up."

"This book led me to all of her others and for that I am forever grateful. Her stories are cruel and sad and funny and very hard to put down. Highsmith has a very original perspective on the world—and it's not pretty. Her work is filled with fascinating sociopaths and lonely eccentrics, regular people like us revealing themselves to be sick or tortured in a variety of ways. She kind of feels like a sociologist; one who draws deeply dark and creepy conclusions."

"This is such a simple and funny movie that tells what is at its core a very sad story about a young woman trapped in Communist Czechoslovakia. The actors and faces that Milos Forman cast in all the roles are fantastic and real, and the young piano player’s tired and fed-up parents are two of the funniest, most subtle characters I’ve ever seen in a movie. This is one of my favorite movies to turn people on to, since very few people have ever seen it."