"Well, that's just a great radio station. Very adventurous. We used to play 'Wild Honey Pie' live - it's just two words! Once again, a clever song, to me it's like a "fuck you" song - "We'll just use two words man, y'know". Lot of good tunes, obviously, I always liked 'Dear Prudence' and 'Glass Onion'. I played it to my son when he was like six years old and I like what he said: "Daddy" - I think I played 'Dear Prudence', maybe 'Julia', and he goes - "this is a sad song, but I like it!" And that's so cool - you're my son!"

"Rounding it out would be Inside Out. I remember seeing that with my family on one of our family vacations during the summer, and just how they interpreted emotions to kids. There’s such an emphasis in society to “Be happy, be happy, be happy!” but you have to give kids the permission to feel sad. You have to give them permission to feel the range of emotions. That’s really healthy. And how creatively it was done, and it didn’t hurt that Amy Poehler was the voice of Joy. It just worked. I’m a huge Pixar fan, and it just completely worked."

"This convinced me that grief gets easier - In The Leftovers, Tom Perrotta takes an absurd premise—the Rapture has actually occurred—and turns it into a meditation on loss and love. For me, the most difficult thing about getting older has been the loss of my loved ones, particularly my mother. Perrotta explores exactly that: How do we continue to live in a world where the possibility of loss lurks around every corner? I remember sitting on my porch last summer and bursting into tears at the end, not because it's sad but because it's so hopeful."

"This is one idea, repeated, done in a simple palette of colour. So many records that I like are like that. I love putting it on in the background. It's like a tumbleweed in slow motion. It's stoic and sad. The rhythm of it is so beautiful. I loved the film when I was younger, too. It reminds me of weekend afternoons when I was a kid watching Westerns on TV, things like High Noon and The Searchers. [laughs] Remember that feeling? And that plangent Spanish guitar… this album feels intimate and epic all at the same time. 
"