"The Cure was my favourite band. The Cure covered my walls, they were on the T-shirts I wore, Robert Smith was who I was going to marry when I grew up. At 15, that's how I defined myself. I owned all the B-sides and rarities and all the bootlegs and went to see them live whenever I could. I still look back at the Cure catalogue as one of my ultimate musical educators, especially because I feel like Robert Smith, as a songwriter, went on so many tangents and wrote so much weird shit. He was clearly a masterful pop songwriter, but he was coming up with stuff that was strange and experimental, and then stuff that was really dark and brooding, and then really funny and poppy. The Cure have this reputation as the glum, sad band, but I never experienced them that way. I experienced the music of the Cure as this adventure in songwriting. Boys Don't Cry was the first record I got, which was a great record to start with. But after that, The Top – what a weird record! Such a departure from the punky, poppy stuff. So I was totally hooked, and totally fascinated by Robert Smith as a person, by what was going on in his head. Any literary reference he made, I ran out and bought the book. I was obsessed."

"I was never a western guy but I happened upon Tombstone one day on TV and was really sort of taken with it. It’s one of those movies that, if it’s on TV, I can’t turn it off. I just have to watch the whole thing. I really love Kurt Russell in it, but I think Val Kilmer’s performance in Tombstone is perfection. I just think he’s funny and cool and sad and broken. He’s a bad guy, but you’re rooting for him. He’s an interesting sidekick because Doc Holiday is a criminal, you know? But it’s like, “I’ll be your huckleberry” is such an amazing kind of line of bravado and bravery. And then at the end, when he’s dying, Kurt Russell wants to play cards with him, and Val Kilmer just wants him to leave and let him die. It’s beautiful. And Sam Elliott and Bill Paxton and Kurt Russell — it’s just quite a team. And you’ve got Billy Bob as a bully on the card table. It’s just expansive, and I’ve lived a little bit in Wyoming and being out there — really it just gives you a scope of the West: those big skies, and it’s beautifully shot. It’s just one of those movies that, when it’s on, I’m going to watch it."