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Kristy H (1252 KP) rated A Good Girl’s Guide To Murder in Books
Mar 11, 2021 (Updated Mar 11, 2021)
Twisty thriller with a determined young protagonist
Pippa (Pip) decides to write her senior capstone project on the missing persons case of Andie Bell. Everyone in the town of Fairview believes popular Andie was murdered by her boyfriend Sal Singh, who then killed himself. The story still haunts the town five years later--including Sal's family and his younger brother, Ravi. Pip knew Sal, though, and he was always so kind to her. As she starts digging into the case, with Ravi's help, hoping to cast some doubt on the investigation, Pip starts discovering evidence that could exonerate Sal--and a lot of dark secrets that people in Fairview do not want dug up.
"'Because I don’t think your brother did it—and I’m going to try to prove it.'"
This is a dark and twisty thriller with an improbable but immediately likable protagonist. While I found it a bit unlikely that this high schooler could become such an excellent detective, I soon put my doubts aside. Pip is tough and determined and while some of the plot bordered on implausible, I was there for it, because I quickly fell for her, and for Ravi, Sal's younger brother.
“'It’s not just that he’s gone. It’s that…well, we’re not allowed to grieve for him, because of what happened.'"
Forming a partnership, the two dig deep into Andie's case, interviewing friends, family, and turning their town on its side. The result is an incredibly twisty and dark story-its sad, but sweet too. I loved the pluckiness of Pip; her friendship with Ravi; and the way the clues slowly unfolded, allowing us to see the horrible secrets and lies that led to what truly happened to Andie.
All in all, this is a quick read, full of twists and turns, and featuring a strong protagonist.
"'Because I don’t think your brother did it—and I’m going to try to prove it.'"
This is a dark and twisty thriller with an improbable but immediately likable protagonist. While I found it a bit unlikely that this high schooler could become such an excellent detective, I soon put my doubts aside. Pip is tough and determined and while some of the plot bordered on implausible, I was there for it, because I quickly fell for her, and for Ravi, Sal's younger brother.
“'It’s not just that he’s gone. It’s that…well, we’re not allowed to grieve for him, because of what happened.'"
Forming a partnership, the two dig deep into Andie's case, interviewing friends, family, and turning their town on its side. The result is an incredibly twisty and dark story-its sad, but sweet too. I loved the pluckiness of Pip; her friendship with Ravi; and the way the clues slowly unfolded, allowing us to see the horrible secrets and lies that led to what truly happened to Andie.
All in all, this is a quick read, full of twists and turns, and featuring a strong protagonist.
Leanne Crabtree (480 KP) rated Bound by Night (MoonBound Clan Vampire, #1) in Books
Jan 8, 2021
***ARC provided by NetGalley in exchange for an honest review***
4.5 stars.
I’ll start by saying I really, really, liked Riker. He might have tried to act like a hard-ass but he wasn’t. Something right from the start grabbed me about him and I went a little mushy. Awww… :P And he was hot, too!!
Nicole turned out to be quite ballsy and I liked that about her. Riker needed someone like her in his life. I liked how she told it to him straight and if he didn’t like it, then she either fought to make him listen or walked away, making him come to her.
The secondary characters were quite fun too. Hunter, the head of the MoonBound clan, made me smile a lot. Playing is video games and saying some of the stuff he did. Myne, a fellow member of the clan, was another favourite. He might have come across at the beginning of being some rather scary ass vampire but by the end, he’d grown on me.
I feel I have to mention that first sex scene. It was HOT!! As was the second. Crikey, Larissa Ione knows how to write passionate scenes between her characters.
The storyline was different, with vampires being slaves to humans and I wondered how it was all going to work out. I wasn’t disappointed, it was a hell of a journey. I was happy, sad (I almost cried a few times), and angry at various points in this. But to me that made it goooood. Really good.
If you’re a fan of Larissa Ione then this isn’t to be missed. If you like steamy paranormal romance, again, this isn’t to be missed. I highly recommend it.
P.S. I am so going to look up what an origami vampire looks like :P
4.5 stars.
I’ll start by saying I really, really, liked Riker. He might have tried to act like a hard-ass but he wasn’t. Something right from the start grabbed me about him and I went a little mushy. Awww… :P And he was hot, too!!
Nicole turned out to be quite ballsy and I liked that about her. Riker needed someone like her in his life. I liked how she told it to him straight and if he didn’t like it, then she either fought to make him listen or walked away, making him come to her.
The secondary characters were quite fun too. Hunter, the head of the MoonBound clan, made me smile a lot. Playing is video games and saying some of the stuff he did. Myne, a fellow member of the clan, was another favourite. He might have come across at the beginning of being some rather scary ass vampire but by the end, he’d grown on me.
I feel I have to mention that first sex scene. It was HOT!! As was the second. Crikey, Larissa Ione knows how to write passionate scenes between her characters.
The storyline was different, with vampires being slaves to humans and I wondered how it was all going to work out. I wasn’t disappointed, it was a hell of a journey. I was happy, sad (I almost cried a few times), and angry at various points in this. But to me that made it goooood. Really good.
If you’re a fan of Larissa Ione then this isn’t to be missed. If you like steamy paranormal romance, again, this isn’t to be missed. I highly recommend it.
P.S. I am so going to look up what an origami vampire looks like :P
Alex Kapranos recommended track To the East by Electrelane in No Shouts No Calls by Electrelane in Music (curated)
Britt Daniel recommended track Killing Me Softly With His Song by Roberta Flack in Killing Me Softly by Roberta Flack in Music (curated)
ClareR (5991 KP) rated Queenie Malone's Paradise Hotel in Books
May 9, 2021
Queenie Malone’s Paradise Hotel is only the second book by Ruth Hogan that I’ve read (The Wisdom of Sally Red Shoes was the first), and I had only read the first 20% of this book when I pre-ordered her latest book Madame Burova. That’s how much I loved this book.
This story is told from two points of view: 6 year old Tilly and 46 year old Tilda. We see Tilly in flashbacks as Tilda goes to her late mothers seaside home to clear out her belongings.
Tilly had been an outgoing, happy child, who adored her Daddy. But one day he leaves the house and doesn’t return. Her Mummy tells her that he’s dead. Tilly doesn’t really seem to understand the concept of ‘dead’. Indeed, Tilly doesn’t seem to understand that there are people she sees that others don’t seem to notice - dead people (this isn’t a huge theme in this book , so if you don’t like reading about the supernatural, it doesn’t dominate. But I like the supernatural, so 🤷🏼♀️). This is such a lovely story filled with very likeable people, such as the flamboyant Queenie Malone and her mother, who has a different Hollywood starlet name according to the day of the week.
In the present day, Tilda starts to work through her feelings of resentment towards her mother: the way that she felt abandoned when went to boarding school, in particular.
Tilda is a very solitary figure - a polar opposite to her childhood self, in fact. When she finds her mothers diaries and starts to read them, there are many revelations that explain her mothers motivations - some of them very sad.
This is another wonderful book from Ruth Hogan, and I wouldn’t hesitate to recommend it (I bought a copy for my mum as soon as I finished it, in fact!).
This story is told from two points of view: 6 year old Tilly and 46 year old Tilda. We see Tilly in flashbacks as Tilda goes to her late mothers seaside home to clear out her belongings.
Tilly had been an outgoing, happy child, who adored her Daddy. But one day he leaves the house and doesn’t return. Her Mummy tells her that he’s dead. Tilly doesn’t really seem to understand the concept of ‘dead’. Indeed, Tilly doesn’t seem to understand that there are people she sees that others don’t seem to notice - dead people (this isn’t a huge theme in this book , so if you don’t like reading about the supernatural, it doesn’t dominate. But I like the supernatural, so 🤷🏼♀️). This is such a lovely story filled with very likeable people, such as the flamboyant Queenie Malone and her mother, who has a different Hollywood starlet name according to the day of the week.
In the present day, Tilda starts to work through her feelings of resentment towards her mother: the way that she felt abandoned when went to boarding school, in particular.
Tilda is a very solitary figure - a polar opposite to her childhood self, in fact. When she finds her mothers diaries and starts to read them, there are many revelations that explain her mothers motivations - some of them very sad.
This is another wonderful book from Ruth Hogan, and I wouldn’t hesitate to recommend it (I bought a copy for my mum as soon as I finished it, in fact!).
Joe Goodhart (27 KP) rated X-Necrosha in Books
Nov 30, 2020
So, it looks like I have come to the end of my X-Force reading tour. One more book to go, SECOND COMING, but it's an X-Men book, not specifically an X-Force one. And, while I am sad to see it come to an end, it also feels like a good time to get off this train.
This volume left feeling very unsatisfied at it's conclusion. I skipped over everything else, as I wanted to read the X-Force parts, as it was essential to the story. The other stuff, like NEW MUTANTS and X-MEN: LEGACY, were kinda meh, a lot of fluff, but not nutrients within.
As for the main story itself, it was okay. There were some genuinely creepy parts, but overall, by the end, it felt like there should have more to it. Instead, we had *a lot* of X-characters (living and deceased/reanimated), and after a while, it become hard to keep track of them all.
Laura Kinney/X-23 was one of the pluses to this volume, as Clayton Crain appeared to do a good job of not over-sexualizing her form. And dialogue? So good. She had some of the most fun dialogue ever (well, at least since her ANW issues).
Selene, on the other hand, looked ridiculous. I remembered her appearances from issues past, and while she wore a black leather bikini (bra and panties?), it was still not as "in yer face" as she was in NECROSHA. My wife is not a comic reader by any means, but I asked her opinion, as I wanted to know what she thought. You know what she said? She asked me who the slutty dominatrix character was. Yup.
I dunno. Now that I read it, I think I could have done without reading. And you can, too. There are better options. Promise.
This volume left feeling very unsatisfied at it's conclusion. I skipped over everything else, as I wanted to read the X-Force parts, as it was essential to the story. The other stuff, like NEW MUTANTS and X-MEN: LEGACY, were kinda meh, a lot of fluff, but not nutrients within.
As for the main story itself, it was okay. There were some genuinely creepy parts, but overall, by the end, it felt like there should have more to it. Instead, we had *a lot* of X-characters (living and deceased/reanimated), and after a while, it become hard to keep track of them all.
Laura Kinney/X-23 was one of the pluses to this volume, as Clayton Crain appeared to do a good job of not over-sexualizing her form. And dialogue? So good. She had some of the most fun dialogue ever (well, at least since her ANW issues).
Selene, on the other hand, looked ridiculous. I remembered her appearances from issues past, and while she wore a black leather bikini (bra and panties?), it was still not as "in yer face" as she was in NECROSHA. My wife is not a comic reader by any means, but I asked her opinion, as I wanted to know what she thought. You know what she said? She asked me who the slutty dominatrix character was. Yup.
I dunno. Now that I read it, I think I could have done without reading. And you can, too. There are better options. Promise.
Ivana A. | Diary of Difference (1171 KP) rated Queenie Malone's Paradise Hotel in Books
Oct 5, 2020
Queenie Malone’s Paradise Hotel is a book that not all kinds of readers will relate to. You either love it or hate it. And me, well, I really wish I loved it.
The book flows in two parallel timelines: Tilda in the present and little Tilly in her childhood. Tilda has a broken relationship with her mother, who killed her dad. After her mum dies, Tilda goes to a place called Queenie Malone’s Paradise Hotel, to find the truth of what happened in the past.
The writing style of when Tilda is little was hard for me to connect to. If felt as if the grown up version was talking in both timelines. The book is very slow, with no major plot twist, which made it boring. We had the whole ending dumped in the last chapters, with no anticipation. She is a girl that clearly has a troubled past, and she has with her a sense of mystery, as she is able to see what other people can’t. She is very attached to her father, even though he was absent most of her life, and she spent her childhood and teenage years holding a grudge against her mother.
And yet, I didn’t care about her.
In fact, I didn’t care about anyone in this book, and by the end, I just wished for the story to finish. I am sad that I couldn’t relate to this book, and I wish I liked it. But I didn’t. Moving on. A shame though, it has such a beautiful cover.If the synopsis seems interesting to you,
I would still encourage you to give it a go and let me know what you thought. You opinion is also valid.
The book flows in two parallel timelines: Tilda in the present and little Tilly in her childhood. Tilda has a broken relationship with her mother, who killed her dad. After her mum dies, Tilda goes to a place called Queenie Malone’s Paradise Hotel, to find the truth of what happened in the past.
The writing style of when Tilda is little was hard for me to connect to. If felt as if the grown up version was talking in both timelines. The book is very slow, with no major plot twist, which made it boring. We had the whole ending dumped in the last chapters, with no anticipation. She is a girl that clearly has a troubled past, and she has with her a sense of mystery, as she is able to see what other people can’t. She is very attached to her father, even though he was absent most of her life, and she spent her childhood and teenage years holding a grudge against her mother.
And yet, I didn’t care about her.
In fact, I didn’t care about anyone in this book, and by the end, I just wished for the story to finish. I am sad that I couldn’t relate to this book, and I wish I liked it. But I didn’t. Moving on. A shame though, it has such a beautiful cover.If the synopsis seems interesting to you,
I would still encourage you to give it a go and let me know what you thought. You opinion is also valid.
LoganCrews (2861 KP) rated 3 From Hell (2019) in Movies
Oct 10, 2020 (Updated Oct 10, 2020)
RIP - Sid Haig
I... wanted to like this so badly, it physically hurts me to write this. I revere the first two films in this trilogy and thought it ended contently on the previous one - though I wouldn't necessarily be opposed to seeing more. However, the way this was practically forced out of Zombie when he wanted to make another film instead (after over a decade of swearing off interest in another sequel already) plus the whole thing being plagued with a stifled budget and Sig Haig's failing health on top of that just makes it a sad affair in more ways than one. It starts off okay, begins with a substantial amount of 'martyred killer' psychobabble ("Justice is a fucking knife", "All hail the man behind the grease paint!") and hallmark Zombie sadism, albeit significantly toned down this time around much to its detriment. I still applaud Zombie in his effort to make every entry into this canon a different experience, but there's nothing going on here - it's essentially a diet retread of 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘙𝘦𝘫𝘦𝘤𝘵𝘴 meets a boring hangout movie that barely even attempts to delve into the tantalizing Manson-era publicized serial killer culture it teases in its opening scenes. Looks like cheap DTV shit too, especially that criminal CGI blood. Just so disappointingly cursory in its storytelling, obviously this would have suffered without Haig anyway but the Richard Brake replacement character stands around and does jack shit. Moon-Zombie and Moseley are intact but to what effect? Their characters come out worse off than they were 15 years ago. Has enough alright moments to escape being too offensively bad but I'm still immeasurably let down. Dee Wallace is great, though. I wonder what Doctor Satan is up to.
I... wanted to like this so badly, it physically hurts me to write this. I revere the first two films in this trilogy and thought it ended contently on the previous one - though I wouldn't necessarily be opposed to seeing more. However, the way this was practically forced out of Zombie when he wanted to make another film instead (after over a decade of swearing off interest in another sequel already) plus the whole thing being plagued with a stifled budget and Sig Haig's failing health on top of that just makes it a sad affair in more ways than one. It starts off okay, begins with a substantial amount of 'martyred killer' psychobabble ("Justice is a fucking knife", "All hail the man behind the grease paint!") and hallmark Zombie sadism, albeit significantly toned down this time around much to its detriment. I still applaud Zombie in his effort to make every entry into this canon a different experience, but there's nothing going on here - it's essentially a diet retread of 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘙𝘦𝘫𝘦𝘤𝘵𝘴 meets a boring hangout movie that barely even attempts to delve into the tantalizing Manson-era publicized serial killer culture it teases in its opening scenes. Looks like cheap DTV shit too, especially that criminal CGI blood. Just so disappointingly cursory in its storytelling, obviously this would have suffered without Haig anyway but the Richard Brake replacement character stands around and does jack shit. Moon-Zombie and Moseley are intact but to what effect? Their characters come out worse off than they were 15 years ago. Has enough alright moments to escape being too offensively bad but I'm still immeasurably let down. Dee Wallace is great, though. I wonder what Doctor Satan is up to.
_RainAllTheTime (17 KP) rated The Wild Thornberrys Movie (2002) in Movies
Jan 13, 2021
The Thornberry's were the ultimate family goals. I wanted to be Eliza when I grew up. This film is very close to my heart.
The Thornberry's are a family that travel the world while the parents film their nature documentary.
In the tv series, Eliza, the youngest daughter, saves a warthog who was actually a shaman in disguise. For saving him, he grants Eliza the power to talk to animals but she can't tell another human about her powers.
Along the way, she finds Darwin, a chimpanzee, who quickly becomes her best friend and ends up living and traveling with the family.
In the film, while they are in Africa, Eliza is playing with three cheetah cubs she knows. While playing, one of the cubs, Tally, is taken by poachers. Eliza tries to get Tally from the poachers, who are in a helicopter but they cut the rope ladder and Eliza falls (fortunately safely, onto the family's RV).
Eliza blames herself for all of it and as the film goes on, Eliza does everything in her path to save Tally.
This film was made in 2002 and today is still so important. The storyline shows how important it is to protect our wildlife, no matter what country you live in, and to stop poachers.
I first watched this film as a kid, watching it countless times through my childhood. Watching it now as an adult was a whole new experience. You can appreciate the maturity of the storyline and even though I haven't watched the film in years, it's a film that has stuck with me. Even now, while rewatching it, I could still remember every detail, just this time I truly felt the story.
And yes, I cried. Sad tears and happy tears
The Thornberry's are a family that travel the world while the parents film their nature documentary.
In the tv series, Eliza, the youngest daughter, saves a warthog who was actually a shaman in disguise. For saving him, he grants Eliza the power to talk to animals but she can't tell another human about her powers.
Along the way, she finds Darwin, a chimpanzee, who quickly becomes her best friend and ends up living and traveling with the family.
In the film, while they are in Africa, Eliza is playing with three cheetah cubs she knows. While playing, one of the cubs, Tally, is taken by poachers. Eliza tries to get Tally from the poachers, who are in a helicopter but they cut the rope ladder and Eliza falls (fortunately safely, onto the family's RV).
Eliza blames herself for all of it and as the film goes on, Eliza does everything in her path to save Tally.
This film was made in 2002 and today is still so important. The storyline shows how important it is to protect our wildlife, no matter what country you live in, and to stop poachers.
I first watched this film as a kid, watching it countless times through my childhood. Watching it now as an adult was a whole new experience. You can appreciate the maturity of the storyline and even though I haven't watched the film in years, it's a film that has stuck with me. Even now, while rewatching it, I could still remember every detail, just this time I truly felt the story.
And yes, I cried. Sad tears and happy tears
Kirk Bage (1775 KP) rated 8 1/2 (1963) in Movies
Jan 28, 2021
Fellini has six or seven movies that are considered genuine masterpieces, as well as many other perfectly decent efforts in a 40 year career. I love the idea of him and knew I would love his work, but to my shame it took this film for me to finally lose my Fellini cherry, aged 47. I can only begin by saying I adored it – loving each moment as a piece of art in itself, and the whole as a thing of true joy and wonder that has only grown in my imagination since seeing it. It made me laugh, made me sad, made me long for places and people from my past, made me think about my own identity and personality and place in the world. It also very much entertained me; I didn’t find it hard work like some on this list in any way.
Marcello Mastroianni is effortlessly cool and stylish, as is everyone in this semi-fantastical world of memories, dreams and fears. He lounges through the film in a way so naturally relaxed and interesting that you are drawn to every detail of his bizarre adventures. The presence of Claudia Cardinale and Anouk Aimée don’t hurt know bringing some Italian chic to affairs either. Visually, I lost count of the amount of times my jaw hit the ground! Freeze this rich and resplendent film in any moment and it will probably be an image worth framing. The black and white photography is so sharp, using light and dark in astonishing ways. What director since 1963 would not look at this and say “I am stealing that!”? Not a film you could watch every day, but one I know for sure will be amongst my favourites of this period forever. I can’t wait to watch his others!
Marcello Mastroianni is effortlessly cool and stylish, as is everyone in this semi-fantastical world of memories, dreams and fears. He lounges through the film in a way so naturally relaxed and interesting that you are drawn to every detail of his bizarre adventures. The presence of Claudia Cardinale and Anouk Aimée don’t hurt know bringing some Italian chic to affairs either. Visually, I lost count of the amount of times my jaw hit the ground! Freeze this rich and resplendent film in any moment and it will probably be an image worth framing. The black and white photography is so sharp, using light and dark in astonishing ways. What director since 1963 would not look at this and say “I am stealing that!”? Not a film you could watch every day, but one I know for sure will be amongst my favourites of this period forever. I can’t wait to watch his others!