Search
Search results
Ivana A. | Diary of Difference (1171 KP) rated Cryptid in Books
Aug 21, 2018
View my review on my blog: www.diaryofdifference.com/2018/06/08/cryptid-michael-kott-book-review/
Cryptid by Michael Kott is the second book of these series. It is a sequel to the Piasa, and you can find my review on that here. I have to admit and say that I didn’t enjoy Cryptid as much as I would like to, and you’ll find out why soon.
<b><i>About the book:</i></b>
Cryptid continues to tell the story of Sara, a girl that survives a car accident, when all her family dies. While in the first book she meets Mike, who gets her a job as his assistant in his adventures, in this book we will see Sara still maintaining that position, but a little bit from the background. When a few cats that look like leopards will appear at the museum, people start to get scared, and the police wants to shoot the animals. Then Mike and the team come to the rescue, to try and identify what the cats are, and save them from dying.
<img src="http://www.michaelkott.com/wp-content/uploads/2015/01/cryptid.wip_.jpg"/>;
<b><i>Review:</i></b>
In Cryptid, we will be introduced to a couple new characters, some of which I happened to be very fond of (Hi Xenia!). The good thing for me was, that I could get a bit of a break from all the Sara moments. The thing I didn’t like was the fact that their background was too short and untold, and they kept making decisions based on the past that we didn’t know (I will mention Shannon’s decision here).
My favourite moments of the book, were, of course, those where Sara wasn’t there. Followed by my previous review of the Piasa, I sometimes like the character of Sara. But I also couldn’t agree with her. I couldn’t understand her character, behaviour and decisions. Maybe it is because of my own childhood. I mean, luckily, I haven’t lost any of my family, but I have lived without both parents in those crucial years, raised by grandparents, while having a little sister to look after, and having an aunt similar to Pamela to guide me through my worst. But I was never this arrogant, self-centered and desperate for ME-ME-ME attention like Sara. Whoa, that lady really can push my limits sometimes.
The same goes with everyone around Sara that constantly tries to please her, and make sure she’s not upset.
And what is the reason that all of the characters are losing their shoes somewhere?
Unlike Piasa, in this book the focus is only on one big event, at two main places – the park and the museum. Apart from a few places in the introduction, the whole story keeps us around these places, which I particularly didn’t mind, but some people may or may not find it boring.
I was a bit sad because I really like Mike, and he wasn’t as present with his story as his was in the other book. I expected to see and learn a bit more of him.
Not to be all negative though, there were a few moments that I really enjoyed! I loved to read about the sisterhood of Pamela and Xenia, and the beginning of the book was fantastic. Xenia is also such an incredible character, and I really admired her. I also loved the explanations on the different kinds of cats and their latin names and meanings.
All in all, I am a bit sad to say that this will be a 3 out of 5 stars. Especially because the author, Michael Kott, is a dear friend of mine, and I greatly enjoyed the Piasa. I may have expected a bit too much of this book, that left me disappointed. But I do believe that some of you might greatly enjoy it! If you like Young-Adult fiction, and stories about mystery animals and cryptids, you will definitely enjoy this book!
Thank you Mike, for sending me a copy of the Cryptid, in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Cryptid by Michael Kott is the second book of these series. It is a sequel to the Piasa, and you can find my review on that here. I have to admit and say that I didn’t enjoy Cryptid as much as I would like to, and you’ll find out why soon.
<b><i>About the book:</i></b>
Cryptid continues to tell the story of Sara, a girl that survives a car accident, when all her family dies. While in the first book she meets Mike, who gets her a job as his assistant in his adventures, in this book we will see Sara still maintaining that position, but a little bit from the background. When a few cats that look like leopards will appear at the museum, people start to get scared, and the police wants to shoot the animals. Then Mike and the team come to the rescue, to try and identify what the cats are, and save them from dying.
<img src="http://www.michaelkott.com/wp-content/uploads/2015/01/cryptid.wip_.jpg"/>;
<b><i>Review:</i></b>
In Cryptid, we will be introduced to a couple new characters, some of which I happened to be very fond of (Hi Xenia!). The good thing for me was, that I could get a bit of a break from all the Sara moments. The thing I didn’t like was the fact that their background was too short and untold, and they kept making decisions based on the past that we didn’t know (I will mention Shannon’s decision here).
My favourite moments of the book, were, of course, those where Sara wasn’t there. Followed by my previous review of the Piasa, I sometimes like the character of Sara. But I also couldn’t agree with her. I couldn’t understand her character, behaviour and decisions. Maybe it is because of my own childhood. I mean, luckily, I haven’t lost any of my family, but I have lived without both parents in those crucial years, raised by grandparents, while having a little sister to look after, and having an aunt similar to Pamela to guide me through my worst. But I was never this arrogant, self-centered and desperate for ME-ME-ME attention like Sara. Whoa, that lady really can push my limits sometimes.
The same goes with everyone around Sara that constantly tries to please her, and make sure she’s not upset.
And what is the reason that all of the characters are losing their shoes somewhere?
Unlike Piasa, in this book the focus is only on one big event, at two main places – the park and the museum. Apart from a few places in the introduction, the whole story keeps us around these places, which I particularly didn’t mind, but some people may or may not find it boring.
I was a bit sad because I really like Mike, and he wasn’t as present with his story as his was in the other book. I expected to see and learn a bit more of him.
Not to be all negative though, there were a few moments that I really enjoyed! I loved to read about the sisterhood of Pamela and Xenia, and the beginning of the book was fantastic. Xenia is also such an incredible character, and I really admired her. I also loved the explanations on the different kinds of cats and their latin names and meanings.
All in all, I am a bit sad to say that this will be a 3 out of 5 stars. Especially because the author, Michael Kott, is a dear friend of mine, and I greatly enjoyed the Piasa. I may have expected a bit too much of this book, that left me disappointed. But I do believe that some of you might greatly enjoy it! If you like Young-Adult fiction, and stories about mystery animals and cryptids, you will definitely enjoy this book!
Thank you Mike, for sending me a copy of the Cryptid, in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Matthew Krueger (10051 KP) rated A Nightmare on Elm Street 3: Dream Warriors (1987) in Movies
Jul 3, 2020 (Updated Jul 3, 2020)
The introduction of funny Freddy (2 more)
Welcome to primetime, bitch!
Death Scene's
Welcome to primetime, bitch!
Contains spoilers, click to show
A Nightmare on Elm Street 3: Dream Warriors- is a excellent movie, coming off the disappointed Freedy's Revenge, Dream Warriors goes back to the oringal formula, Scary, twisted, dramatic and excellent deaths. Dream Warriors adds more like taking place psychiatric ward, a excellent line that was on the spot, "Welcome to primetime, bitch!". Also Heather Langenkamp and John Saxton return. Also you new charcters that will return in later sequels like Kristen, Kincaid and Joey. A great cast of charcters, a great story and also introduces Freddy's mom and her back story and adds more to Freddy's back story.
Lets talk more: production and deaths.
Production:
Craven's very first concept for the film was to have Freddy Krueger invade the real world: Krueger would haunt the actors filming a new Nightmare on Elm Street sequel. New Line Cinema rejected the metacinematic idea, but years later, Craven's concept was brought to the screen in Wes Craven's New Nightmare.
Before it was decided what script would be used for the film's story, both John Saxon and Robert Englund wrote their own scripts for a third Nightmare film; in Saxon's script called How the Nightmare on Elm Street All Began, which would have been a prequel story, Freddy would ultimately turn out to have been innocent, or at least set up for the murders by Charles Manson, who along with his followers would have been the main culprit of the murders; Freddy would be forced by the mob of angry parents to make a confession of the crimes, which would enrage them further. After they lynch Freddy, he comes back to avenge his wrongful death by targeting the parent's children.
In Englund's treatment called Freddy's Funhouse, the protagonist would have been Tina Gray's older sister, who would have been in college by the time Tina was murdered, and ends up coming back to Springwood to investigate how she died. In the script, Freddy had claimed the 1428 Elm Street house for his own in the dreamworld, setting up booby traps like Nancy did against him.
The death scenes: I love the death scene's in this film. Their are both memorable and excellent and probley my favorite out of all the franchise. You have Phillip's death: Veins pulled out/manipulated into falling off high ledge by Krueger, Jennifer's death: Head smashed into TV screen, Taryn death: Leg slashed with bladed glove, massive amounts of heroin injected into veins and Freddy saying "let's get high", William's death: Lifted, chest impaled with bladed glove and Freddy saying " Sorry kid, but I don't believe in fairy tales", Donald's death: Thrown/impaled through back on car's tail fin by a skeleton verison of krueger and Nancy's death: Stomach impaled twice/gutted with bladed glove/bled out, in dream world cause she sees her dad but its krueger. Also you have the Freddy worm that attacks Kristen.
The plot: During a hallucinatory incident, young Kristen Parker (Patricia Arquette) has her wrists slashed by dream-stalking monster Freddy Krueger (Robert Englund). Her mother, mistaking the wounds for a suicide attempt, sends Kristen to a psychiatric ward, where she joins a group of similarly troubled teens. One of the doctors there is Nancy Thompson (Heather Langenkamp), who had battled Freddy some years before. Nancy senses a potential in Kristen to rid the world of Freddy once and for all.
Dream Warriors: is a return to the oringal formula, and adds more. Adds memorable lines, better deaths, intoduction of comedy side of Freddy and above all a excellent movie.
The ending is sad cause Nancy and John doe die by freedy but it ends their story for now and starts a new story with Kristen, Kincaid and Joey. Its a percent, but sad ending. Ending the oringal maim charcters arc/story, while senting up a new trio of charcters.
Also you can't forget about that excellent theme song, "Dream Warrors" by Dokken.
Lets talk more: production and deaths.
Production:
Craven's very first concept for the film was to have Freddy Krueger invade the real world: Krueger would haunt the actors filming a new Nightmare on Elm Street sequel. New Line Cinema rejected the metacinematic idea, but years later, Craven's concept was brought to the screen in Wes Craven's New Nightmare.
Before it was decided what script would be used for the film's story, both John Saxon and Robert Englund wrote their own scripts for a third Nightmare film; in Saxon's script called How the Nightmare on Elm Street All Began, which would have been a prequel story, Freddy would ultimately turn out to have been innocent, or at least set up for the murders by Charles Manson, who along with his followers would have been the main culprit of the murders; Freddy would be forced by the mob of angry parents to make a confession of the crimes, which would enrage them further. After they lynch Freddy, he comes back to avenge his wrongful death by targeting the parent's children.
In Englund's treatment called Freddy's Funhouse, the protagonist would have been Tina Gray's older sister, who would have been in college by the time Tina was murdered, and ends up coming back to Springwood to investigate how she died. In the script, Freddy had claimed the 1428 Elm Street house for his own in the dreamworld, setting up booby traps like Nancy did against him.
The death scenes: I love the death scene's in this film. Their are both memorable and excellent and probley my favorite out of all the franchise. You have Phillip's death: Veins pulled out/manipulated into falling off high ledge by Krueger, Jennifer's death: Head smashed into TV screen, Taryn death: Leg slashed with bladed glove, massive amounts of heroin injected into veins and Freddy saying "let's get high", William's death: Lifted, chest impaled with bladed glove and Freddy saying " Sorry kid, but I don't believe in fairy tales", Donald's death: Thrown/impaled through back on car's tail fin by a skeleton verison of krueger and Nancy's death: Stomach impaled twice/gutted with bladed glove/bled out, in dream world cause she sees her dad but its krueger. Also you have the Freddy worm that attacks Kristen.
The plot: During a hallucinatory incident, young Kristen Parker (Patricia Arquette) has her wrists slashed by dream-stalking monster Freddy Krueger (Robert Englund). Her mother, mistaking the wounds for a suicide attempt, sends Kristen to a psychiatric ward, where she joins a group of similarly troubled teens. One of the doctors there is Nancy Thompson (Heather Langenkamp), who had battled Freddy some years before. Nancy senses a potential in Kristen to rid the world of Freddy once and for all.
Dream Warriors: is a return to the oringal formula, and adds more. Adds memorable lines, better deaths, intoduction of comedy side of Freddy and above all a excellent movie.
The ending is sad cause Nancy and John doe die by freedy but it ends their story for now and starts a new story with Kristen, Kincaid and Joey. Its a percent, but sad ending. Ending the oringal maim charcters arc/story, while senting up a new trio of charcters.
Also you can't forget about that excellent theme song, "Dream Warrors" by Dokken.
Bob Mann (459 KP) rated On Chesil Beach (2018) in Movies
Sep 29, 2021
Flawed but moving tale of a bygone sexual era.
As you might notice from my lack of recent posts, the day job is getting in a way a bit at the moment. But one film I wanted to catch was this adaptation of Ian McEwan’s novel. What’s both an advantage and a disadvantage of catching a film late is that you can’t help avoid absorbing some of the reviews of others: Kevin Maher of the Times gave this a rather sniffy two stars; Amy from “Oh That Film Blog” was much more measured (an excellent review: man, that girl can write!). Last night, I actually ended up enjoying the film much more than I was expecting to.
Set against Dorset’s spectacular shingle bank of Chesil Beach (which is a bitch to walk along!) the story, set primarily in 1962, joins two newly-weds Florence (Saoirse Ronan, “Brooklyn“, “Lady Bird“) and Edward (Billy Howle, “Dunkirk“) about to embark on the sexual adventure of their consummation at a seaside hotel. The timing of the film is critical: 1962 really marked the watershed between the staid conservatism and goody-two-shoes-ness of the 50’s and the sexual liberation of the swinging sixties. Sex before marriage was frowned upon. The problem for Florence and Edward is that sex after marriage is looking pretty unlikely too! For the inexperienced couple have more hang-ups about sex than there are pebbles on the beach.
The lead-up to their union is squirm-inducing to watch: a silent silver-service meal in their room; incompetent fumbling with zippers; shoes that refuse to come off. To prolong the agony for the viewer, we work through flashbacks of their first meeting at Oxford University and their dysfunctional family lives: for Florence a bullying father and mother (Samuel West and Emily Watson) and for Edward a loving but stressed father (TV regular, Adrian Scarborough) due to a mentally impaired mother (Anne-Marie Duff, “Suffragette“, “Before I Go To Sleep“).
As Ian McEwan is known to do (as per the end of “Atonement” for example), there are a couple of clever “Oh My God” twists in the tale: one merely hinted at in flashback; another involving a record-buying child that is also unresolved but begs a massive question.
The first half of the film is undoubtedly better than the last: while the screenplay is going for the “if only” twist of films like “Sliding Doors” and “La La Land“, the film over-stretches with some dodgy make-up where alternative actors would have been a far better choice. The ending still had the power to move me though.
Saoirse Ronan is magnificent: I don’t think I’ve seen the young Irish-American in a film I didn’t enjoy. Here she is back with a McEwan adaptation again and bleeds discomfort with every line of her face. Her desperate longing to talk to someone – such as the kindly probing vicar – is constantly counteracted by her shame and embarassment. Howle also holds his own well (no pun intended) but when up against the acting tour de force of Ronan he is always going to appear in second place.
A brave performance comes from Anne-Marie Duff who shines as the mentally wayward mother. The flashback where we see how she came to be that way is wholly predicatable but still manages to shock. And Duff is part of a strong ensemble cast who all do their bit.
Another star of the show for me is the photography by Sean Bobbitt (“12 Years a Slave“) which portrays the windswept Dorset beach beautifully but manages to get the frame close and claustrophobic when it needs to be. Wide panoramas with characters barely on the left and right of the frame will play havoc with DVD ratios on TV, but work superbly on the big screen.
Directed by stage-director Dominic Cooke, in his movie-directing debut, this is a brave story to try to move from page to screen and while it is not without faults it is a ball-achingly sad tale that moved me. Recommended if you enjoyed the similarly sad tale of “Atonement”.
Set against Dorset’s spectacular shingle bank of Chesil Beach (which is a bitch to walk along!) the story, set primarily in 1962, joins two newly-weds Florence (Saoirse Ronan, “Brooklyn“, “Lady Bird“) and Edward (Billy Howle, “Dunkirk“) about to embark on the sexual adventure of their consummation at a seaside hotel. The timing of the film is critical: 1962 really marked the watershed between the staid conservatism and goody-two-shoes-ness of the 50’s and the sexual liberation of the swinging sixties. Sex before marriage was frowned upon. The problem for Florence and Edward is that sex after marriage is looking pretty unlikely too! For the inexperienced couple have more hang-ups about sex than there are pebbles on the beach.
The lead-up to their union is squirm-inducing to watch: a silent silver-service meal in their room; incompetent fumbling with zippers; shoes that refuse to come off. To prolong the agony for the viewer, we work through flashbacks of their first meeting at Oxford University and their dysfunctional family lives: for Florence a bullying father and mother (Samuel West and Emily Watson) and for Edward a loving but stressed father (TV regular, Adrian Scarborough) due to a mentally impaired mother (Anne-Marie Duff, “Suffragette“, “Before I Go To Sleep“).
As Ian McEwan is known to do (as per the end of “Atonement” for example), there are a couple of clever “Oh My God” twists in the tale: one merely hinted at in flashback; another involving a record-buying child that is also unresolved but begs a massive question.
The first half of the film is undoubtedly better than the last: while the screenplay is going for the “if only” twist of films like “Sliding Doors” and “La La Land“, the film over-stretches with some dodgy make-up where alternative actors would have been a far better choice. The ending still had the power to move me though.
Saoirse Ronan is magnificent: I don’t think I’ve seen the young Irish-American in a film I didn’t enjoy. Here she is back with a McEwan adaptation again and bleeds discomfort with every line of her face. Her desperate longing to talk to someone – such as the kindly probing vicar – is constantly counteracted by her shame and embarassment. Howle also holds his own well (no pun intended) but when up against the acting tour de force of Ronan he is always going to appear in second place.
A brave performance comes from Anne-Marie Duff who shines as the mentally wayward mother. The flashback where we see how she came to be that way is wholly predicatable but still manages to shock. And Duff is part of a strong ensemble cast who all do their bit.
Another star of the show for me is the photography by Sean Bobbitt (“12 Years a Slave“) which portrays the windswept Dorset beach beautifully but manages to get the frame close and claustrophobic when it needs to be. Wide panoramas with characters barely on the left and right of the frame will play havoc with DVD ratios on TV, but work superbly on the big screen.
Directed by stage-director Dominic Cooke, in his movie-directing debut, this is a brave story to try to move from page to screen and while it is not without faults it is a ball-achingly sad tale that moved me. Recommended if you enjoyed the similarly sad tale of “Atonement”.
Steven Sklansky (231 KP) rated Logan (2017) in Movies
Sep 21, 2017
Old Man Logan (2 more)
Amazing R rated comic book movie
Amazing story
One of the best Marvel movies
Contains spoilers, click to show
Oh my god, this was fantastic. I knew this was going to be a amazing movie going in but it just blew my mind. I never thought we were going to get an Old Man Logan. But Hugh Jackman played the role in away I didn't see coming. From the opening scene inside the limo was the best. Logan was so angry but he really didn't want to bust out the claws. But when you are push to the brink anger just pops out. It was the first time I think I have ever seen blood in an X-men movie. It just got so much better after that.
The addition of Professor X was kind of crazy. I didn't know how it would play out but him being bat shit crazy was a totally different side of him that worked. He really helped show the human side of being a mutant and show Logan there can be peaceful side of life. Them helping the farmer was one of the best scenes in the movie because it helped Logan bring out the human in him and not just his animal instincts.
The little girl that played X-23 was great. I did not know a girl could play anger so well. And that her parents would let her decapitate someone. I really hope they do a full X-23 movie with her grown up, I think it will help keep the series alive.
The death of Logan and Charles hit me so hard. I grew up watching these characters grow and get old and it was very sad to see it end. Logan's burial was done so fast but the kids had to escape, I do wish there was a little more to it and more of a score. But overall fantastic ending to a great Wolverine.
If you didn't see this movie in the theater that's to bad. If you haven't seen at all go see this movie now.
The addition of Professor X was kind of crazy. I didn't know how it would play out but him being bat shit crazy was a totally different side of him that worked. He really helped show the human side of being a mutant and show Logan there can be peaceful side of life. Them helping the farmer was one of the best scenes in the movie because it helped Logan bring out the human in him and not just his animal instincts.
The little girl that played X-23 was great. I did not know a girl could play anger so well. And that her parents would let her decapitate someone. I really hope they do a full X-23 movie with her grown up, I think it will help keep the series alive.
The death of Logan and Charles hit me so hard. I grew up watching these characters grow and get old and it was very sad to see it end. Logan's burial was done so fast but the kids had to escape, I do wish there was a little more to it and more of a score. But overall fantastic ending to a great Wolverine.
If you didn't see this movie in the theater that's to bad. If you haven't seen at all go see this movie now.
Steven Sklansky (231 KP) rated John Wick: Chapter 2 (2017) in Movies
Dec 27, 2017
Well wasn't this a fun and violent movie. John Wick always seems to bring the pain or the death, wherever he goes. Everyone just has to make him upset. First they kill his puppy, then they steal his car and now they want him death because he kill this guys sister. Which by the way he made him do.
I don't think anyone in this organization is very smart. Since they all know he is the best assassin out there. Also doing the smallest thing to him sets him off. This organization does seem like a rather large network across the world. It seems everyone is a hitman. But being part of this organization does have a lot of perks. Tailor on hand, weapons expert, library full of blueprints and desert. The only thing they don't have is fun gadgets and cars, but maybe that would be too James Bond.
I am really glad they decided to keep his dog alive this time. It would have been very sad to see another one go. Although a dog without a name would be hard to feel bad for. Hopefully in Chapter 3 he gives him a name.
Wow so much blood and bullets. I don't think though the entire movie there was 5 minutes where someone didn't get shot. Except when he killed 3 guys with a pencil (that was awesome). Violence has to be done just right to make it watchable for 2 hours and they did just that. I really liked the scenes done in the mirror maze. I am sure it took a lot of hard work to shoot that just right.
Well if you haven't seen Chapter 1, shame on you. Go see it now. Then see Chapter 2 immediately. If you have seen Chapter 1 good for you, you probably have seen Chapter 2. If not because you don't trust sequels, which I am sometimes in the same boat. This is not a bad one. Go see it and let me know what you think. And as always, enjoy the show.
I don't think anyone in this organization is very smart. Since they all know he is the best assassin out there. Also doing the smallest thing to him sets him off. This organization does seem like a rather large network across the world. It seems everyone is a hitman. But being part of this organization does have a lot of perks. Tailor on hand, weapons expert, library full of blueprints and desert. The only thing they don't have is fun gadgets and cars, but maybe that would be too James Bond.
I am really glad they decided to keep his dog alive this time. It would have been very sad to see another one go. Although a dog without a name would be hard to feel bad for. Hopefully in Chapter 3 he gives him a name.
Wow so much blood and bullets. I don't think though the entire movie there was 5 minutes where someone didn't get shot. Except when he killed 3 guys with a pencil (that was awesome). Violence has to be done just right to make it watchable for 2 hours and they did just that. I really liked the scenes done in the mirror maze. I am sure it took a lot of hard work to shoot that just right.
Well if you haven't seen Chapter 1, shame on you. Go see it now. Then see Chapter 2 immediately. If you have seen Chapter 1 good for you, you probably have seen Chapter 2. If not because you don't trust sequels, which I am sometimes in the same boat. This is not a bad one. Go see it and let me know what you think. And as always, enjoy the show.
Phillip McSween (751 KP) rated Okja (2017) in Movies
Jan 10, 2018
Solid Film
In their efforts to be cost efficient and profitable, the Mirando Corporation creates a breed of "super pigs" that will be able to feed more homes per pig. One pig in particular, Okja, is being raised by little Mija (Seo-hyeon Ahn) in the mountains of South Korea. When the Mirando Corporation come to claim what is theirs, Mija will stop at nothing to get her best friend back.
There is a lot to like about this film, but one primary thing bothered me overall. At one point, Okja takes an extremely dark turn that I was neither ready for nor did I think was absolutely necessary. People that have seen the film probably know exactly which part I'm referring to. It was merely a piece of an overall delightful puzzle that just didn't match.
Solid acting performances abound in the film and it's not just the big names carrying their weight. Tilda Swinton and Jake Gyllenhaal (almost spelled his name right on the first try!) were really in tune with their respective zany characters. As a viewer the two show you that they are more than mere cardboard antagonists, but rather there were layers and levels to their characters that left you with insight. Of course that can't be pulled off without a solid actor/actress behind the helm. Ahn's performance as Mija was stellar. To be able to exemplify such strength and weakness in the same role takes real talent. My personal favorite of them all was Kim's role played by Choi Woo-Shik. His humor is subtle yet sidesplitting. He accomplishes a lot in the small amount of time he's on screen.
This films captures your attention both in its originality and a consistently entertaining pace. Even during the scenes with heavy dialogue, the film managed to hold on to its unique feel that captured my attention in the first place. Prepare to run the gauntlet of emotions as it goes from funny to heartbreaking to heartwarming to just plain sad at times. So glad I saw what I think has the potential to become a cult classic. I give it an 84.
There is a lot to like about this film, but one primary thing bothered me overall. At one point, Okja takes an extremely dark turn that I was neither ready for nor did I think was absolutely necessary. People that have seen the film probably know exactly which part I'm referring to. It was merely a piece of an overall delightful puzzle that just didn't match.
Solid acting performances abound in the film and it's not just the big names carrying their weight. Tilda Swinton and Jake Gyllenhaal (almost spelled his name right on the first try!) were really in tune with their respective zany characters. As a viewer the two show you that they are more than mere cardboard antagonists, but rather there were layers and levels to their characters that left you with insight. Of course that can't be pulled off without a solid actor/actress behind the helm. Ahn's performance as Mija was stellar. To be able to exemplify such strength and weakness in the same role takes real talent. My personal favorite of them all was Kim's role played by Choi Woo-Shik. His humor is subtle yet sidesplitting. He accomplishes a lot in the small amount of time he's on screen.
This films captures your attention both in its originality and a consistently entertaining pace. Even during the scenes with heavy dialogue, the film managed to hold on to its unique feel that captured my attention in the first place. Prepare to run the gauntlet of emotions as it goes from funny to heartbreaking to heartwarming to just plain sad at times. So glad I saw what I think has the potential to become a cult classic. I give it an 84.
Hazel (2934 KP) rated Darkness, Darkness (Charles Resnick, #12) in Books
Jan 12, 2018
What a great book!
The storyline took me back to my early teenage years and I recall watching the news about the miners strike with my parents but, not coming from a mining community and being quite young, I never fully appreciated what was really happening. I have since seen a couple of things that have touched on the subject but I felt this book brought me new perspectives to this difficult time in British history particularly from the point of view of the striking miners, the "scabs" and the families caught on both sides. Although this is a work of fiction, I found it very believable with a feel of authenticity and I particularly enjoyed the way the author switched from the present to the past throughout which, for me, worked very well.
The book was full of interesting and colourful characters many of whom have their own demons to deal with not least Resnick himself who I felt came across as a sad and melancholic man who appears disillusioned with not only his work but also his life. Many of the characters had issues outside of the main focus of the book and I felt these were seamlessly woven throughout which added further dimensions to this engrossing story. This is all written at great pace which kept me engaged throughout and, to cap it all, it kept me guessing who the killer was right until the end.
Where have I been? I must have had my head in the sand for many years not to have come across John Harvey and Charlie Resnick before! This is Resnick's last case and my first foray into the world of this very interesting character ... it won't be my last and I will go back to the start of the series in order to find out how it all began.
I am grateful to the publisher, Randomhouse UK Cornerstone and www.netgalley.com for sending me a copy in return for an honest review and for introducing me to another new author to add to my ever-growing list of great writers.
http://haziegaze.blogspot.co.uk/
The storyline took me back to my early teenage years and I recall watching the news about the miners strike with my parents but, not coming from a mining community and being quite young, I never fully appreciated what was really happening. I have since seen a couple of things that have touched on the subject but I felt this book brought me new perspectives to this difficult time in British history particularly from the point of view of the striking miners, the "scabs" and the families caught on both sides. Although this is a work of fiction, I found it very believable with a feel of authenticity and I particularly enjoyed the way the author switched from the present to the past throughout which, for me, worked very well.
The book was full of interesting and colourful characters many of whom have their own demons to deal with not least Resnick himself who I felt came across as a sad and melancholic man who appears disillusioned with not only his work but also his life. Many of the characters had issues outside of the main focus of the book and I felt these were seamlessly woven throughout which added further dimensions to this engrossing story. This is all written at great pace which kept me engaged throughout and, to cap it all, it kept me guessing who the killer was right until the end.
Where have I been? I must have had my head in the sand for many years not to have come across John Harvey and Charlie Resnick before! This is Resnick's last case and my first foray into the world of this very interesting character ... it won't be my last and I will go back to the start of the series in order to find out how it all began.
I am grateful to the publisher, Randomhouse UK Cornerstone and www.netgalley.com for sending me a copy in return for an honest review and for introducing me to another new author to add to my ever-growing list of great writers.
http://haziegaze.blogspot.co.uk/
tapestry100 (306 KP) rated The Princess Diarist in Books
Aug 2, 2017
This is Carrie Fisher's memoir of her time during the filming of Star Wars Episode IV, including entries from the diaries she kept during that time that she recently discovered. I think this was the first time that Fisher really talked about her relationship with Leia, and what Leia has offered to her over the years. She also talks about her fans, and how much they mean to her and everything about the ending of the book was so much more heartbreaking given the circumstances. I was genuinely surprised by how touching her closing chapters were, in regards to her relationship with Leia and the Star Wars community as a whole.
It was a little surreal reading this so soon after both her death and her mother's, as she talks frequently about her mother in the book, as well as mentioning a couple of times, in an offhand manner, how she would like to be remembered for certain events. Perhaps it was too soon for me after her death. Not that I was ever necessarily a huge Carrie Fisher fan, but I've certainly been a Star Wars fan my whole life (I saw the original Star Wars when it was released - I was 3), so while there was never necessarily a Carrie Fisher in a my life, there has always been a Princess Leia, and it seemed to hit home a little for me. It also made me unreasonably angry that Carrie Fisher died; in a year of so many celebrity deaths, it seemed like just another death to some, but it made me angry because she overcame so much, and still had so much to do and offer to the world. So, yeah - maybe I should have put a little time in between her death and reading this book, knowing it was her last, but it seemed like the thing to do at the time. It is typically funny in that Carrie Fisher way, but equally sad given the circumstances. I fairly certain, however, that again, in that typically funny Carrie Fisher way, she would have found some way to turn her death into an appropriate epilogue to this book.
It was a little surreal reading this so soon after both her death and her mother's, as she talks frequently about her mother in the book, as well as mentioning a couple of times, in an offhand manner, how she would like to be remembered for certain events. Perhaps it was too soon for me after her death. Not that I was ever necessarily a huge Carrie Fisher fan, but I've certainly been a Star Wars fan my whole life (I saw the original Star Wars when it was released - I was 3), so while there was never necessarily a Carrie Fisher in a my life, there has always been a Princess Leia, and it seemed to hit home a little for me. It also made me unreasonably angry that Carrie Fisher died; in a year of so many celebrity deaths, it seemed like just another death to some, but it made me angry because she overcame so much, and still had so much to do and offer to the world. So, yeah - maybe I should have put a little time in between her death and reading this book, knowing it was her last, but it seemed like the thing to do at the time. It is typically funny in that Carrie Fisher way, but equally sad given the circumstances. I fairly certain, however, that again, in that typically funny Carrie Fisher way, she would have found some way to turn her death into an appropriate epilogue to this book.
Steven Sklansky (231 KP) rated The Strain - Season 4 in TV
Sep 20, 2017
Fantastic finish (2 more)
Twists and turns, you never see what's coming
Bring the band back together
Heart stopping ending to an amazing show
Contains spoilers, click to show
I thought I should come back and write a review for the completion of the 4th and final season of The Strain. Overall this was a fantastic season and finale. After the 3rd season ended you just thought the vampires were just going to win the whole thing and take over the world. It left you wondering where everyone was going to end up and if they were even going to fight back.
Well fight back they did. The season did start out fairly slow, learning where everyone ended up and what they were doing to win the war. Eff was the one that just gave up until running into some resistance fighters. I guess having your son start a nuclear war will do that. The rest of the team broke off to find was to fight back and kill the master. By episode 4 you saw were everyone was and they were working their way back to New York to kill the Master.
One of the coolest thing I think I got to learn about this season was some back story on Quilan and why he was in the fight. The flashbacks was something I didn't think we were going to get this season.
There were a lot of sad parts to the final 2 episode. Losing the professor I think was the hardest part. Even though he was kranky, everyone still loved him and wanted to see him finally kill the Master, but his did the next best thing and kill his Nazi enemy.
I won't tell you who dies at the end, but if you followed the comics you already know. If you have never watched the show pick it up or stream it. This was a fantastic show and sorry to see it come to a close, but it was a great closing episode, that is so rare sometimes. Happy hunting and if you see a big old wooden coffin, don't open it.
Well fight back they did. The season did start out fairly slow, learning where everyone ended up and what they were doing to win the war. Eff was the one that just gave up until running into some resistance fighters. I guess having your son start a nuclear war will do that. The rest of the team broke off to find was to fight back and kill the master. By episode 4 you saw were everyone was and they were working their way back to New York to kill the Master.
One of the coolest thing I think I got to learn about this season was some back story on Quilan and why he was in the fight. The flashbacks was something I didn't think we were going to get this season.
There were a lot of sad parts to the final 2 episode. Losing the professor I think was the hardest part. Even though he was kranky, everyone still loved him and wanted to see him finally kill the Master, but his did the next best thing and kill his Nazi enemy.
I won't tell you who dies at the end, but if you followed the comics you already know. If you have never watched the show pick it up or stream it. This was a fantastic show and sorry to see it come to a close, but it was a great closing episode, that is so rare sometimes. Happy hunting and if you see a big old wooden coffin, don't open it.
Phillip McSween (751 KP) rated St. Vincent (2014) in Movies
May 13, 2018
Another Murray Classic
When a single mother moves into a new neighborhood and gets overwhelmed with her taxing job, she relies on her crude, foul-mouthed neighbor Vincent (Bill Murray) to watch over her kid while she's gone.
Acting: 10
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Conflict: 9
Vincent basically creates conflict everywhere he goes. Between his actions, decisions, and mouth, something is always getting him into trouble with those around him. It's hard to watch at times, funny during other times. His life is crumbling, but he brings most of it on himself. Throw in Maggie's (Melissa McCarthy) custody battle for her son and the film gives you more than enough conflict to drive the story.
Genre: 9
St. Vincent hails itself as a comedy. It's certainly going to make you laugh, but it succeeds in how dark and truthful it can be at times. I love that the film never cuts corners with Vincent's character. His life is cringeworthy and sad, yet the audience is still given avenues to laughter.
Memorability: 8
Once again, Murray manages to make a film memorable with his character alone. He doesn't care about the people he hurts or at least that's what he would have you believe. His destructive attitude oftentimes results in a finished product that will either make you shake your head or bust out laughing. I enjoyed watching the relationship develop between him and Oliver (Jaeden Lieberher). They were made for each other yet neither one of them realize it at first. The film as a whole makes you contemplate what constitutes being a good person versus a bad person.
Pace: 10
Plot: 10
Even as Vincent's life tailspins out of control, he manages to touch the lives of those around them in ways they never imagined. He is a ball of chaos, but in the heart of that chaos, the plot shows the semblance of a good man. Again, it's ugly but real at the same time. And that's what makes it beautiful.
Resolution: 10
Overall: 89
If nothing else, St. Vincent shows us that sometimes the funniest things are those mired in reality. Another Murray classic.
Acting: 10
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Conflict: 9
Vincent basically creates conflict everywhere he goes. Between his actions, decisions, and mouth, something is always getting him into trouble with those around him. It's hard to watch at times, funny during other times. His life is crumbling, but he brings most of it on himself. Throw in Maggie's (Melissa McCarthy) custody battle for her son and the film gives you more than enough conflict to drive the story.
Genre: 9
St. Vincent hails itself as a comedy. It's certainly going to make you laugh, but it succeeds in how dark and truthful it can be at times. I love that the film never cuts corners with Vincent's character. His life is cringeworthy and sad, yet the audience is still given avenues to laughter.
Memorability: 8
Once again, Murray manages to make a film memorable with his character alone. He doesn't care about the people he hurts or at least that's what he would have you believe. His destructive attitude oftentimes results in a finished product that will either make you shake your head or bust out laughing. I enjoyed watching the relationship develop between him and Oliver (Jaeden Lieberher). They were made for each other yet neither one of them realize it at first. The film as a whole makes you contemplate what constitutes being a good person versus a bad person.
Pace: 10
Plot: 10
Even as Vincent's life tailspins out of control, he manages to touch the lives of those around them in ways they never imagined. He is a ball of chaos, but in the heart of that chaos, the plot shows the semblance of a good man. Again, it's ugly but real at the same time. And that's what makes it beautiful.
Resolution: 10
Overall: 89
If nothing else, St. Vincent shows us that sometimes the funniest things are those mired in reality. Another Murray classic.