Search
Search results
MelanieTheresa (997 KP) rated Under Currents in Books
Sep 20, 2019 (Updated Sep 23, 2019)
AGAIN. Nora Roberts did it again. She got me.
Definition of undercurrent:
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant š).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. š¶ Although, hey, Nora: cats are pretty awesome too. š±
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant š).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. š¶ Although, hey, Nora: cats are pretty awesome too. š±
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
Cows & Cars | Extreme Funny Car Driving Game For Free
Games and Entertainment
App
What are this crazy cows doing? Oh, no! It looks like this cows have lost their mind and are going...
Nightmares from the Deepā¢: The Sirenās Call (Full)
Games and Entertainment
App
Ready for a spine-tingling sequel to your favorite adventure? Plunge into Nightmares from the Deep:...
Kirk Bage (1775 KP) rated Rusty Brown in Books
Aug 6, 2020
Just look at what a beautiful object this book is! It gets better on the inside, too. The detail and creativity is immense; the dust cover unfolds into a gorgeous mosaic, with puzzles, and even the copyright notes have a little Easter egg snuck in there. Every satisfyingly thick page of it is dense with ideas and art of admirable quality. Itās heavy and well made. Simply, one of the nicest books aesthetically Iāve ever owned.
I donāt have a big history of reading graphic novels. In fact I can count them on one hand: this one, Watchmen, V for Vendetta and Persepolis. But what I see I like. There is something extra on the storytelling that is the best of both a book and a film ā like a film unravelling at the pace of a book, with your imagination made into still images. I love the possibilities of them! There really isnāt anything you couldnāt do with it given enough imagination. I must try a few more as I go through life.
Rusty Brown, by Chris Ware is rich, melancholy, sometimes downright sad, but always truthful. Nothing is exaggerated, only presented, as we see snapshots of all the children and teachers that live in a small American town. They are dealing with regret, nostalgia, self-esteem, bullying and secret Joys, but in a mundane way as the routine of life plays out around them. Yet it manages never to seem bleak or hopeless, as enough moments of beauty keep everyone afloat.
There is a hint of subversive politics going on under the surface, but no more than issue flitting through Chris Wareās mind; thereās no agenda or propaganda going on. Heās basically showing us a place he knows and saying, huh, what do you think of this. It made me laugh out loud many times, and cry at least twice. Remarkable work.
Both this artist and graphic novels in general are now very much something on my radar to learn more about and enjoy. If you havenāt ever really tried, I recommend Rusty Brown Chris Ware whole-heartedly as a starting place.
I donāt have a big history of reading graphic novels. In fact I can count them on one hand: this one, Watchmen, V for Vendetta and Persepolis. But what I see I like. There is something extra on the storytelling that is the best of both a book and a film ā like a film unravelling at the pace of a book, with your imagination made into still images. I love the possibilities of them! There really isnāt anything you couldnāt do with it given enough imagination. I must try a few more as I go through life.
Rusty Brown, by Chris Ware is rich, melancholy, sometimes downright sad, but always truthful. Nothing is exaggerated, only presented, as we see snapshots of all the children and teachers that live in a small American town. They are dealing with regret, nostalgia, self-esteem, bullying and secret Joys, but in a mundane way as the routine of life plays out around them. Yet it manages never to seem bleak or hopeless, as enough moments of beauty keep everyone afloat.
There is a hint of subversive politics going on under the surface, but no more than issue flitting through Chris Wareās mind; thereās no agenda or propaganda going on. Heās basically showing us a place he knows and saying, huh, what do you think of this. It made me laugh out loud many times, and cry at least twice. Remarkable work.
Both this artist and graphic novels in general are now very much something on my radar to learn more about and enjoy. If you havenāt ever really tried, I recommend Rusty Brown Chris Ware whole-heartedly as a starting place.
Emma @ The Movies (1786 KP) rated Primal (2019) in Movies
Aug 22, 2020
When will I learn? Do not watch big star films you've never heard of before I see them on DVD.
A big game hunter ends up transporting his catch on a ship with a team of military personnel that are transporting an assassin back to the US under the radar. All it takes is one wrong step for the ship to be filled with danger as everyone is being stalked by killers, both animal and human.
I nearly lobbed this DVD out my window after the first scene with the CGI kitty cat, it was truly abysmal. Thankfully at some point I stopped noticing fairly quickly.
Kevin Durand plays our assassin-in-transit and he's always a pretty good bet for a bad guy. Even in this he has a great presence. Next we have Famke Janssen, I couldn't honestly tell you how long it's been since I saw her in something. This wasn't a great character though, and apart from one or two scenes I had forgotten she was even in this film when I scrolled through the cast list. It's not entirely to do with the acting, which did feel a little lacklustre, the character didn't have a lot of punch and wasn't what you know she's capable of.
There's no denying that this is below my usual Cage favourites. It's pretty low on the Cage Rage ranking, but it's still a Nicolas Cage film and as with shark films that means there's an automatic pass. It would have to do something horrendous for me to outright hate it.
There's logic of some description in Primal but it's still a distinctly average film. I can forgive the bad CGI, but a poor script and average production quality across the board mean I'm regretting paying actual money for it. The idea for the story feels like someone used a story generator to get different plot points, even so, there was potential in it but I was rather sad it wasn't a better experience.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/primal-movie-review.html
A big game hunter ends up transporting his catch on a ship with a team of military personnel that are transporting an assassin back to the US under the radar. All it takes is one wrong step for the ship to be filled with danger as everyone is being stalked by killers, both animal and human.
I nearly lobbed this DVD out my window after the first scene with the CGI kitty cat, it was truly abysmal. Thankfully at some point I stopped noticing fairly quickly.
Kevin Durand plays our assassin-in-transit and he's always a pretty good bet for a bad guy. Even in this he has a great presence. Next we have Famke Janssen, I couldn't honestly tell you how long it's been since I saw her in something. This wasn't a great character though, and apart from one or two scenes I had forgotten she was even in this film when I scrolled through the cast list. It's not entirely to do with the acting, which did feel a little lacklustre, the character didn't have a lot of punch and wasn't what you know she's capable of.
There's no denying that this is below my usual Cage favourites. It's pretty low on the Cage Rage ranking, but it's still a Nicolas Cage film and as with shark films that means there's an automatic pass. It would have to do something horrendous for me to outright hate it.
There's logic of some description in Primal but it's still a distinctly average film. I can forgive the bad CGI, but a poor script and average production quality across the board mean I'm regretting paying actual money for it. The idea for the story feels like someone used a story generator to get different plot points, even so, there was potential in it but I was rather sad it wasn't a better experience.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/primal-movie-review.html
The Endless Summer
Madame Nielsen and Gaye Kynoch
Book
"The Endless Summer by Madame Nielsen is my literary discovery of the year." āSjĆ³n "Once in a...
Fiction romance
Thunderstruck
8.0
Rate It
Book
The interwoven stories of two men whose lives intersect during one of the greatest criminal chases...
Emma @ The Movies (1786 KP) rated Mortal Kombat (2021) in Movies
Aug 21, 2021
Potentially, I'm one of the only people to have enjoyed Mortal Kombat Annihilation. Admittedly it was a long time ago that I saw it, but I remember good memories of it.
I'm going to skip over the extended synopsis, firstly because the short one sums it up, and secondly because if I put much more in it the whole plot will be ruined.
While I watched the film I was generally entertained, but when I came out there were some points that festered in my brain a bit. And those thoughts seem to have been reflected in podcasts and reviews I've come across.
This is probably exactly what you'd expect from A] a video game film and B] a Mortal Kombat film... it's both good and bad in varying degrees.
What is sad about this review is that I can't really tell you anything good about it... or just anything about it at all. Everything was instantly forgettable. I can tell you the woman from The Meg & Black Water Abyss is in it (because of course I can). I can tell you that there are bad guys fighting the good guys... or the less bad guys...
Effects, there are some of those too. Vague recollections of them being okay. I could certainly embrace the fantasy angle and forgive some things.
At this point I'd like to apologise for such a half arsed review, but it does perfectly illustrate the film... waffle with no real purpose. Although actually, the film does have a purpose. To set up for a sequel. Because some random comic violence and odd powers are generally entertaining.
As a sign off for this review, I would like to say sorry for this trash (the review and the film). I just think it perfectly sums up how I felt about this film: I've wasted your time, you'll never get it back, but I've (hopefully) given you some brief moments of entertainment. But on the plus side, if you've read this review before seeing the film then I might have saved you the 1 hour and 50 minutes (oh my god, I don't even know how I sat through that) of viewing time.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/mortal-kombat-movie-review.html
I'm going to skip over the extended synopsis, firstly because the short one sums it up, and secondly because if I put much more in it the whole plot will be ruined.
While I watched the film I was generally entertained, but when I came out there were some points that festered in my brain a bit. And those thoughts seem to have been reflected in podcasts and reviews I've come across.
This is probably exactly what you'd expect from A] a video game film and B] a Mortal Kombat film... it's both good and bad in varying degrees.
What is sad about this review is that I can't really tell you anything good about it... or just anything about it at all. Everything was instantly forgettable. I can tell you the woman from The Meg & Black Water Abyss is in it (because of course I can). I can tell you that there are bad guys fighting the good guys... or the less bad guys...
Effects, there are some of those too. Vague recollections of them being okay. I could certainly embrace the fantasy angle and forgive some things.
At this point I'd like to apologise for such a half arsed review, but it does perfectly illustrate the film... waffle with no real purpose. Although actually, the film does have a purpose. To set up for a sequel. Because some random comic violence and odd powers are generally entertaining.
As a sign off for this review, I would like to say sorry for this trash (the review and the film). I just think it perfectly sums up how I felt about this film: I've wasted your time, you'll never get it back, but I've (hopefully) given you some brief moments of entertainment. But on the plus side, if you've read this review before seeing the film then I might have saved you the 1 hour and 50 minutes (oh my god, I don't even know how I sat through that) of viewing time.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/mortal-kombat-movie-review.html
I like nothing better than being the unseen observer of a family (in a book, anyway!), and Free Love gives the reader plenty to be looking at.
Phyllis is a typical 1950ās/ 60ās housewife, but is she happy in her role as a housewife? She says yes, but Iād guess not, because when the son of a friend comes for dinner, Phyllis ends up making a pass at him, and then becomes obsessed - to the point that she finds out where he lives, goes to return a shirt that he had to change out of and ends up in bed with him. Then she just doesnāt go home.
Phyllis discovers the liberating 1960ās right at the end of the decade (1967), and shrugs off the responsibilities of motherhood and of being Rogerās wife. Instead she moves in with Nicky, has sex all the time and does whatever she wants to.
It felt like I was watching a car crash in slow motion. I could empathise with Phyllisā need for freedom: her previous life in the suburbs was stifled and grey. I felt sad for her 16 year old daughter Colette, who is essentially dumped by her mother and left with a father who isnāt coping. Itās almost as if Colette becomes the adult, and her mother the carefree teenager.
I enjoyed the 1960ās setting and the contrasts of old and new. The whole story is told from a non-judgemental point of view. Thatās left up to the reader to decide, and believe me, this really did prove how scarily judgemental I can be! Thereās something to be said about a middle-class woman who decides to live in a filthy bedsit, expecting others who live in it to enjoy their freedom as much as she does (with her cushion of inherited money).
The plot twist at the end was a jaw dropper!
I loved this though. It might not sound like it, but I do love to hate my characters (although thatās a harsh word for the characters in this book, I think). If you feel the same way about unlikeable characters, then this could be the book for you too!
Phyllis is a typical 1950ās/ 60ās housewife, but is she happy in her role as a housewife? She says yes, but Iād guess not, because when the son of a friend comes for dinner, Phyllis ends up making a pass at him, and then becomes obsessed - to the point that she finds out where he lives, goes to return a shirt that he had to change out of and ends up in bed with him. Then she just doesnāt go home.
Phyllis discovers the liberating 1960ās right at the end of the decade (1967), and shrugs off the responsibilities of motherhood and of being Rogerās wife. Instead she moves in with Nicky, has sex all the time and does whatever she wants to.
It felt like I was watching a car crash in slow motion. I could empathise with Phyllisā need for freedom: her previous life in the suburbs was stifled and grey. I felt sad for her 16 year old daughter Colette, who is essentially dumped by her mother and left with a father who isnāt coping. Itās almost as if Colette becomes the adult, and her mother the carefree teenager.
I enjoyed the 1960ās setting and the contrasts of old and new. The whole story is told from a non-judgemental point of view. Thatās left up to the reader to decide, and believe me, this really did prove how scarily judgemental I can be! Thereās something to be said about a middle-class woman who decides to live in a filthy bedsit, expecting others who live in it to enjoy their freedom as much as she does (with her cushion of inherited money).
The plot twist at the end was a jaw dropper!
I loved this though. It might not sound like it, but I do love to hate my characters (although thatās a harsh word for the characters in this book, I think). If you feel the same way about unlikeable characters, then this could be the book for you too!
Hazel (2934 KP) rated The Undiscovered Deaths of Grace McGill in Books
Jan 16, 2022
Well, this is like no book I have read before and most definitely in a good way and whilst, in my honest opinion, I don't think the cover does it justice, please don't let it put you off.
I'm sure we have all read or heard about those very sad situations where someone dies and lies undiscovered for days, weeks or even months and have wondered what their story is and why they died so alone in the world; this is a story that unlocks some of that mystery but from a very unique perspective - the cleaner who removes all evidence of that lonely death.
Grace McGill is that cleaner. She does a job that very few people would want to do and she is good at it but there is more to Grace than meets the eye; she is an extremely interesting and complex character that is, what some might call, slightly odd but I found her fascinating.
Things plod on at a fairly sedate pace where we get to know Grace, her background, her foibles and eccentricities. She goes into great detail how she sets about cleaning a scene, which some might find a little too descriptive, and how she tries to get to know the person and their story.
One such death has her intrigued and she sets on a path to find out more and this is where the story and action really begins and just about half way through, there is a totally unexpected and jaw-dropping moment which totally surprised and shocked me and completely shifted the book into something else and I was hooked until the end racing through the pages to find out what was going to happen next.
This is like no other book I have read before; it's a little bit strange with a quirky but endearing main character and a unique story that I would recommend to others who enjoy reading things that are a little bit different from the usual.
I have never read anything by this author before but will definitely be looking out for him in the future and I must thank Hodder & Stoughton via NetGalley for my copy in return for an honest, unbiased and unedited review.
I'm sure we have all read or heard about those very sad situations where someone dies and lies undiscovered for days, weeks or even months and have wondered what their story is and why they died so alone in the world; this is a story that unlocks some of that mystery but from a very unique perspective - the cleaner who removes all evidence of that lonely death.
Grace McGill is that cleaner. She does a job that very few people would want to do and she is good at it but there is more to Grace than meets the eye; she is an extremely interesting and complex character that is, what some might call, slightly odd but I found her fascinating.
Things plod on at a fairly sedate pace where we get to know Grace, her background, her foibles and eccentricities. She goes into great detail how she sets about cleaning a scene, which some might find a little too descriptive, and how she tries to get to know the person and their story.
One such death has her intrigued and she sets on a path to find out more and this is where the story and action really begins and just about half way through, there is a totally unexpected and jaw-dropping moment which totally surprised and shocked me and completely shifted the book into something else and I was hooked until the end racing through the pages to find out what was going to happen next.
This is like no other book I have read before; it's a little bit strange with a quirky but endearing main character and a unique story that I would recommend to others who enjoy reading things that are a little bit different from the usual.
I have never read anything by this author before but will definitely be looking out for him in the future and I must thank Hodder & Stoughton via NetGalley for my copy in return for an honest, unbiased and unedited review.