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Lee (2222 KP) rated The Invisible Man (2020) in Movies
Mar 2, 2020
Right off the bat, this latest remake of the classic H.G. Wells story shows us just how suspenseful it can be. It’s the middle of the night and a wide-awake Cecilia (Elizabeth Moss) quietly climbs out of bed so as not to disturb her sleeping partner Adrian (Oliver Jackson-Cohen). It quickly becomes apparent that she has been waiting and planning for this moment to leave him for some time now, and she is absolutely terrified of waking him up. She creeps through their spacious modern glass home, gathering some of her belongings and occasionally checking a mobile feed of the CCTV camera that she has re-positioned in order to see Adrian asleep in bed. Already the tension is unbearable, and we’re only a few minutes into the movie!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
Kristy H (1252 KP) rated Things You Save in a Fire in Books
Aug 5, 2019
Cassie Hanwell is a great firefighter. She loves her job in Austin, Texas and her friendly crew. Cassie's life is shaped by a series of events that occurred on her sixteenth birthday, including her mother leaving her and her father. Now she stays clearly in her comfort zone. That zone includes work, work, and more work. No relationships, no real attachments to anyone, a strong resistance to forgiving her mother, and definitely not love. But when her mom calls Cassie and asks her to move to Boston to help her--due to an illness--Cassie has to leave that comfort zone. Big time. She has to go live with her mother, whom she barely knows anymore. She has to leave behind her progressive Austin crew and work with a group of guys in Boston who are appalled at the thought of a "lady" on their crew. Except for one guy, the new rookie, who has no problem with Cassie. And Cassie doesn't mind being around him. At all. In fact she even likes it. But love isn't in Cassie's vocabulary, and even if it was, everyone knows firefighters don't date other firefighters. Right?
"I'd structured my life around routine, and safety, and order. Feelings were a lot of trouble. I avoided them as much as possible."
I really enjoyed Katherine Center's previous book, How to Walk Away, so I was excited to read this one. I didn't enjoy this one quite as much (though I enjoyed the little link between the two), but it is a cute read. I have to admit, there were times in this one when things seemed a little too saccharine for my cynical self. I know, I know, that's terrible, especially when things aren't always light and breezy for Cassie and friends in this book. I think it's something only sarcastic folks like myself will understand.
In fact, this book is a really interesting blend between dark and quite light and fluffy. Cassie has a dark past, as does the rookie, Owen, but a lot of the book is Cassie just repeating that she won't ever love anyone or date a firefighter. I think we all know where this is leading...
However, the book is really funny at times, and it's very easy to like Cassie. She's incredibly tough and brave, and she gives all the guys a run for their money. The book makes some great points on sexism, and I always enjoy a chance to watch a tough girl beat some boys at their own game. And I have to admit I enjoyed (okay, identified with) some of her anti-social tendencies.
"Human connection had its upsides, but it sure was a lot of work. The risk-reward ratio was low, at best."
There's also a good supporting cast from Cassie's mom and her mom's best friend. For me, this one picked up in the last fourth or so, when everything seemed to really come together. There's a moment when it all just clicks, and I found myself laughing and grinning a lot. That part made it all worth reading for me.
Overall, it took me some time to warm up to this book--much like it took Cassie a while to warm up to Massachusetts. But she's an engaging, tough character, and her story is one of resilience, even if there are a lot of really sweet, almost too-perfect moments too. You can pretty much tell how the story is going to play out, but it's a fun, cute read. 3.5 stars.
"I'd structured my life around routine, and safety, and order. Feelings were a lot of trouble. I avoided them as much as possible."
I really enjoyed Katherine Center's previous book, How to Walk Away, so I was excited to read this one. I didn't enjoy this one quite as much (though I enjoyed the little link between the two), but it is a cute read. I have to admit, there were times in this one when things seemed a little too saccharine for my cynical self. I know, I know, that's terrible, especially when things aren't always light and breezy for Cassie and friends in this book. I think it's something only sarcastic folks like myself will understand.
In fact, this book is a really interesting blend between dark and quite light and fluffy. Cassie has a dark past, as does the rookie, Owen, but a lot of the book is Cassie just repeating that she won't ever love anyone or date a firefighter. I think we all know where this is leading...
However, the book is really funny at times, and it's very easy to like Cassie. She's incredibly tough and brave, and she gives all the guys a run for their money. The book makes some great points on sexism, and I always enjoy a chance to watch a tough girl beat some boys at their own game. And I have to admit I enjoyed (okay, identified with) some of her anti-social tendencies.
"Human connection had its upsides, but it sure was a lot of work. The risk-reward ratio was low, at best."
There's also a good supporting cast from Cassie's mom and her mom's best friend. For me, this one picked up in the last fourth or so, when everything seemed to really come together. There's a moment when it all just clicks, and I found myself laughing and grinning a lot. That part made it all worth reading for me.
Overall, it took me some time to warm up to this book--much like it took Cassie a while to warm up to Massachusetts. But she's an engaging, tough character, and her story is one of resilience, even if there are a lot of really sweet, almost too-perfect moments too. You can pretty much tell how the story is going to play out, but it's a fun, cute read. 3.5 stars.
Gareth von Kallenbach (980 KP) rated Brave (2012) in Movies
Aug 7, 2019
The digital wizards at Pixar have an incredible dossier of Academy award-winning animated films. Their latest film “Brave“, is a prime example of the bold new direction for the company behind such classics as “Finding Nemo“, “Toy Story“, “The Incredible’s“, and “Monsters, Inc.” just to name a few. This time out Scotland provides the setting for the animation masters to weave their magic, and they do in a splendid 3-D feast of sight, sound, and color that captures the breathtaking beauty of the Scottish Highlands.
For Princess Merida (Kelly Madonald), life is filled with joy and frustration. As the daughter to King Fergus (Billy Connolly), and Queen Elinor (Emma Thompson), she has to walk a fine line between the duties and expectation of her mother and her freewheeling lifestyle of daring and adventure. The young Princess is content to ride through the countryside astride her horse Angus, and perfect her already admirable archery skills.
When Merida learns that her parents have summoned the other major clans so that a worthy suitor can be chosen, Merida rebels openly at their plan and causes great embarrassment to her family during a competition. In a fit of rebellious anger, Merida rides into the woods, and comes upon a witch who promises to create for the young princess a spell that will forever change her destiny. Although not done out of malice, the spell has some on expected consequences that threatens the future of the kingdom as well as the safety of Merida’s family.
The film has some outstanding performances, not the least of which is Connolly, who was an absolute delight whenever his character was on screen. Supporting work by Craig Ferguson and Robbie Coltrane complement the leads well. Since my mother is a Scot, I am all-too-familiar with not only the history but culture of Scotland. I had been concerned when I first heard the project that it would play up on certain stereotypes and miss the true complexity and splendor of Scotland and its people, as well as it’s extremely rich history which is filled with numerous technical and literary achievements over the centuries.
Thankfully my concerns were allayed very early in the film not simply because of the amazing visual detail of the movie but also because of the lovable but quirky characters. The writers and animators managed to capture the very nature of the people and the culture, which is no easy thing in an animated film. Kudos for the casting of the mostly Scottish cast who played their roles with relish. I can honestly say hearing King Fergus address the clans brought to mind my aunts, uncles and cousins thanks to the distinct Scottish brogue. I especially liked the fact that when conflict erupted (of course) amongst even the best of friends, there are some very clever ways that laughs were gained without turning the characters into buffoons or being overly cute.
While the film plays it fairly safe with the story, Pixar’s first female heroine gives us a very fun and enjoyable tale that offers something for the entire family without talking down to the audience or having to resort to crude humor. A few scenes may be a bit intense for youngsters and while it will not be cited for any technological breakthroughs Brave, nonetheless, is highly entertaining.
For Princess Merida (Kelly Madonald), life is filled with joy and frustration. As the daughter to King Fergus (Billy Connolly), and Queen Elinor (Emma Thompson), she has to walk a fine line between the duties and expectation of her mother and her freewheeling lifestyle of daring and adventure. The young Princess is content to ride through the countryside astride her horse Angus, and perfect her already admirable archery skills.
When Merida learns that her parents have summoned the other major clans so that a worthy suitor can be chosen, Merida rebels openly at their plan and causes great embarrassment to her family during a competition. In a fit of rebellious anger, Merida rides into the woods, and comes upon a witch who promises to create for the young princess a spell that will forever change her destiny. Although not done out of malice, the spell has some on expected consequences that threatens the future of the kingdom as well as the safety of Merida’s family.
The film has some outstanding performances, not the least of which is Connolly, who was an absolute delight whenever his character was on screen. Supporting work by Craig Ferguson and Robbie Coltrane complement the leads well. Since my mother is a Scot, I am all-too-familiar with not only the history but culture of Scotland. I had been concerned when I first heard the project that it would play up on certain stereotypes and miss the true complexity and splendor of Scotland and its people, as well as it’s extremely rich history which is filled with numerous technical and literary achievements over the centuries.
Thankfully my concerns were allayed very early in the film not simply because of the amazing visual detail of the movie but also because of the lovable but quirky characters. The writers and animators managed to capture the very nature of the people and the culture, which is no easy thing in an animated film. Kudos for the casting of the mostly Scottish cast who played their roles with relish. I can honestly say hearing King Fergus address the clans brought to mind my aunts, uncles and cousins thanks to the distinct Scottish brogue. I especially liked the fact that when conflict erupted (of course) amongst even the best of friends, there are some very clever ways that laughs were gained without turning the characters into buffoons or being overly cute.
While the film plays it fairly safe with the story, Pixar’s first female heroine gives us a very fun and enjoyable tale that offers something for the entire family without talking down to the audience or having to resort to crude humor. A few scenes may be a bit intense for youngsters and while it will not be cited for any technological breakthroughs Brave, nonetheless, is highly entertaining.
Gareth von Kallenbach (980 KP) rated Chronicle (2012) in Movies
Aug 7, 2019
Walking into the theatre to see Chronicle I was pretty excited. I had not heard much about this movie, in fact I’ll be honest here… I heard a small amount of info about two months ago and then it dropped off my radar before a trailer appeared last Sunday.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
Gareth von Kallenbach (980 KP) rated Final Destination 5 (2011) in Movies
Aug 7, 2019
Director Steven Quale brings us the latest bloody installment of the “Final Destination” series 5 in 3D.
In this installment Sam Lawton (Nicholas D’Agosto) and his girlfriend Molly Harper (Emma Bell), work in the same office with their friends and boss Dennis (David Koechner).
Sam has been offered an apprenticeship in Paris as a cook and though this has been Sam’s dream Molly feels that she is holding him back. This becomes awkward for the both of them as this happens right before they leave for a conference with their co-workers.
As with past films in the series, Sam has a vision of a very gruesome accident that kills him and his friends in a very grisly manner, this time through a bridge accident.
Sam awakens from his vision and manages to get several of his friends and his boss to safety before the accident happens. Despite being unable to explain how he saw the accident coming to his friends and the local authorities, Sam and his friends are thankful to be alive.
As fans of the series know, death does not like to be cheated, and one by one the survivors die in a series of freak accidents. In a race against time, they must follow the advice of a creepy medical examiner (Tony Todd), who advises them they must find someone to replace them in order to escape their fate.
What follows is a gory thrill ride that should delight fans of the series old and new.
Final Destination 5 is the perfect ending to a long and drawn out series of events. In Final Destination 4 is almost seemed as though the series would just keep going and we would see the same old story plot.
After the first two movies the sequels to those became dull and boring for me as how often can you play out the same formula? This time out, the deaths are over the top and cringe worthy and have breathed a new life into the franchise. Sure the acting is bad, but I would ask if anyone has ever gone to see any of the movies in the series for the acting?
For me it is all about the blood and guts with the outrageous death scenes and in this regard “Final Destination 5” delivers.
The studio made a very wise decision to film the entire movie in 3D rather than converting it after the fact as the opening title sequence alone is amazing with tons of glass and other objects floating in front of you in a menacing fashion.
The movie in a whole with its cheesy lines and absolutely horrible acting is made up for with the 3D effects. You will find yourself laughing often as the film plays up the humor and shock value instead of the frights. Be sure to pay close attention to references of past “Final Destination” movies as this chapter has a nice way to connect itself to the previous films. If you go to the theater with low expectations which most of you probably will you will sure to be blown away by this latest outing as this movie will provide you with great entertainment and is a must see in 3D!
In this installment Sam Lawton (Nicholas D’Agosto) and his girlfriend Molly Harper (Emma Bell), work in the same office with their friends and boss Dennis (David Koechner).
Sam has been offered an apprenticeship in Paris as a cook and though this has been Sam’s dream Molly feels that she is holding him back. This becomes awkward for the both of them as this happens right before they leave for a conference with their co-workers.
As with past films in the series, Sam has a vision of a very gruesome accident that kills him and his friends in a very grisly manner, this time through a bridge accident.
Sam awakens from his vision and manages to get several of his friends and his boss to safety before the accident happens. Despite being unable to explain how he saw the accident coming to his friends and the local authorities, Sam and his friends are thankful to be alive.
As fans of the series know, death does not like to be cheated, and one by one the survivors die in a series of freak accidents. In a race against time, they must follow the advice of a creepy medical examiner (Tony Todd), who advises them they must find someone to replace them in order to escape their fate.
What follows is a gory thrill ride that should delight fans of the series old and new.
Final Destination 5 is the perfect ending to a long and drawn out series of events. In Final Destination 4 is almost seemed as though the series would just keep going and we would see the same old story plot.
After the first two movies the sequels to those became dull and boring for me as how often can you play out the same formula? This time out, the deaths are over the top and cringe worthy and have breathed a new life into the franchise. Sure the acting is bad, but I would ask if anyone has ever gone to see any of the movies in the series for the acting?
For me it is all about the blood and guts with the outrageous death scenes and in this regard “Final Destination 5” delivers.
The studio made a very wise decision to film the entire movie in 3D rather than converting it after the fact as the opening title sequence alone is amazing with tons of glass and other objects floating in front of you in a menacing fashion.
The movie in a whole with its cheesy lines and absolutely horrible acting is made up for with the 3D effects. You will find yourself laughing often as the film plays up the humor and shock value instead of the frights. Be sure to pay close attention to references of past “Final Destination” movies as this chapter has a nice way to connect itself to the previous films. If you go to the theater with low expectations which most of you probably will you will sure to be blown away by this latest outing as this movie will provide you with great entertainment and is a must see in 3D!
Kristy H (1252 KP) rated Long Bright River in Books
Apr 23, 2020
This was the first book I ever checked out from Libby. I miss my library right now, but I'm glad for that app, even if I can only put six books on hold at one time. (What is that?! Six holds; that's for amateurs.)
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
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Barry Newman (204 KP) Mar 2, 2020