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The Good Soldier Svejk: And His Fortunes in the World War
Jaroslav Hasek, Cecil Parrott and Josef Lada
Book
The inspiration for such works as Joseph Heller's Catch-22, Jaroslav Hasek's black satire The Good...
LeftSideCut (3778 KP) rated The Hunt (2020) in Movies
Oct 13, 2020
In short, The Hunt is an action heavy, Battle Royale inspired semi-horror that attempts to satire political leanings, conspiracy theorists, keyboard warriors, and the rich elite.
The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!
It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.
The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!
It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.
The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
Awix (3310 KP) rated The Stepford Wives (1975) in Movies
Mar 30, 2018
Bryan Forbes' SF-horror-satire has left a cultural impression out of all proportion to its original box-office success. Nice modern couple leave grimy New York for idyllic small town of Stepford, where everyone seems happy and the women are thoroughly domesticated. What on Earth can the secret of the place be...?
Subtle storytelling and fine performances do a good job of masking the fact that the premise of the story is basically a paranoid fever-dream; oddly, some people interpreted the film as being anti-feminist and actually misogynistic, when it is actually about male objectification of women and fears of the same (maybe also has stuff to say about consumerism too). Perhaps a bit overlong, but the slow aggregation of details adds a lot to a convincingly unsettling atmosphere. An entertaining horror fable.
Subtle storytelling and fine performances do a good job of masking the fact that the premise of the story is basically a paranoid fever-dream; oddly, some people interpreted the film as being anti-feminist and actually misogynistic, when it is actually about male objectification of women and fears of the same (maybe also has stuff to say about consumerism too). Perhaps a bit overlong, but the slow aggregation of details adds a lot to a convincingly unsettling atmosphere. An entertaining horror fable.
Awix (3310 KP) rated Robocop (1987) in Movies
Feb 12, 2018
Murphy's Law
Heavy metal action satire from Dutch director Paul Verhoeven that established him as one of the world's leading SF directors. The story is functional, if hardly original - dedicated cop is shot to pieces by bad guys, rebuilt as an armoured cyborg by heartless corporation, struggles to reclaim his humanity - but what makes it special is Verhoeven's ability to turn the movie on a dime, switching the mood from black comedy to sincere drama in a moment.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.
Bücher auf Deutsch
Book and Education
App
In dieser fantastischen Anwendung finden Sie Hunderte von Büchern auf Deutsch. Jeden Sonntag...
Bad Science
Book
Ben Goldacre's wise and witty bestseller, shortlisted for the Samuel Johnson Prize, lifts the lid on...
Roman Literary Cultures: Domestic Politics, Revolutionary Poetics, Civic Spectacle
Alison Keith and Jonathan Edmondson
Book
Drawing on the historicizing turn in Latin literary scholarship, Roman Literary Cultures combines...