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The Square (2017)
The Square (2017)
2017 | Comedy, Drama, International
Another of those occasions where the Smashbomb rating scale falls a little short: 'shoddy' isn't how I'd describe this film as much as fundamentally somewhat misconceived. Anyway: award-winning satire of liberal pretensions and angst set in and around a Stockholm art gallery. Curator Christian gets mugged, leading him to make some very poor decisions; various installations and performances go horribly wrong; the gulf between the high-minded aspirations of the museum's patrons and their actual behaviour is repeatedly exposed.

The odd quite funny and on-point scene, but it doesn't half labour its points and at nearly two and half hours it feels much too long (I watched it in installments, which I never normally do). Bang is pretty good in the central role and the thesis of the film is certainly relevent to the modern world, but it could have been funnier, sharper, and less irritatingly weird in places. As it is, this is a film satirising pretentiousness which actually feels rather pretentious itself - so not a great look. Hard work, if you ask me,
  
The Discreet Charm of the Bourgeoisie (1972)
The Discreet Charm of the Bourgeoisie (1972)
1972 | Comedy
6.0 (2 Ratings)
Movie Favorite

"My parents took me to see this at a young age, probably at the 68th Street Playhouse. Let’s see how many defunct art houses I can name throughout this list (although back then, they were just called movie theaters). I was a little too young to fully grasp the extent of Buñuel’s satire and his vast imagination. I recall being vaguely disturbed by the lack of a concrete (happy) ending, not to mention the feeling of discomfort brought on by “not getting it.” Both my parents loved Buñuel, and I am grateful that they had the good sense to drag me to many of the movies they wanted to see. My guess is that they probably didn’t want to leave me sitting at home in front of the TV set with a package of Yodels, a scenario I put myself in often enough despite their efforts. Ah, the thrill of growing up with (and not being shielded from) the most unusual and unsettling of movies. Actually, the Yodels were pretty good too."

Source
  
The Producers (1967)
The Producers (1967)
1967 | Classics, Comedy
Relentless knockabout bad-taste farce from Mel Brooks. A corrupt theatrical producer and his accountant embark upon a scheme to fraudulently make a fortune by mounting the worst play in history. Promising idea, and the brilliantly-staged opening number from Springtime for Hitler (all dancing SS officers and goose-stepping showgirls) is inspired, but the rest of the film struggles to meet the same standards.

The movie feels like a frenetic mixture of old-fashioned vaudeville and scatter-gun satire; there was probably something curiously dated about it even fifty-odd years ago. While it does acknowledge the counter-culture of the 60s (there's a hippy beatnik character, amongst other things), it doesn't feel like it was made by or for a young audience. Viewers nowadays may not be troubled by deliberately provocative jokes about Hitler or over-sexed pensioners, but jokes about dumb blondes in bikinis and camp transvestites feel a bit uncomfortable. Passes the time amiably, and worth watching just to see Springtime for Hitler in context, but I'd struggle to call it an actual classic.
  
Anchorman 2: The Legend Continues (2013)
Anchorman 2: The Legend Continues (2013)
2013 | Comedy
On par with the first movie, with the added benefit of looking like an actual film production and not a basement eyesore. Maintains the loose schema but ups the joke consistency and jovial absurdity at least five, maybe ten-fold. So if you had to pull me on it, I'd say this one is better. My biggest quibble is that it needed to shave off around fifteen minutes, and truthfully I have less qualms about the actual length as opposed to the steam all but fizzling out in the last act. Also helps that this leans much more into its setting and subject matter, aiming for some admittedly broad satire but no less accurate. A way better comedy movie let alone sequel than it has any right to be, and you all scared McKay away to mostly dull-arrowed political farces because he had the heart to offer us this. For shame. Funny as fuck most of the time, and I just love how lived-in and learned these performances are by actors who know their characters inside and out.