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The Monkey and the Monk: An Abridgment of The Journey to the West
Book
Anthony C. Yu's celebrated translation of The Journey to the West reinvigorated one of Chinese...
Wearing the Trousers: Fashion, Freedom and the Rise of the Modern Woman
Book
In the 1850s a craze swept through the wardrobes of the women of British and American society. These...
LeftSideCut (3778 KP) rated Borat (2006) in Movies
Oct 22, 2020
It can not be understated how important Sacha Baron Cohen is in the modern comedy landscape. His particular brand of satire has always stirred up controversy, but has always been appealing to me. He arguably hit his peak during Ali G in the USAiii, where he posed as multiple characters, namely Ali G, Brüno, and Borat. It was only a matter of time before the latter got his own feature film.
Borat is offensive in so many ways, but I'll be damned if it isn't clever. The character is anti-semitic, sexist, and homophobic. Of course, Cohen himself isn't any of these things, but this role he plays truly brings out the worst in real life people that he interviews for his "documentary". As soon as he says something unorthodox, his subject will let their guard down, feel comfortable, and join in. It's quite something, and results in Cohen exposing the ugliness of somenof these people.
The over-arching narrative is thread bare (and honestly not intended to be the main focus) but climaxes in such a hilariously surreal fashion.
I'm not conviced that some of the stuff in this movie would fly now (at the time of writing, the second Borat movie is due to release tomorrow so we will see!), but Cohen's recent series, Who Is America?, showed clear as day that he is still as sharp, brutal, and out for blood as he ever has been.
Borat is another fine semi-exposé, that is frequently hilarious, and constantly disturbing, that is still as relevant and needed now as it was back in 2006.
Borat is offensive in so many ways, but I'll be damned if it isn't clever. The character is anti-semitic, sexist, and homophobic. Of course, Cohen himself isn't any of these things, but this role he plays truly brings out the worst in real life people that he interviews for his "documentary". As soon as he says something unorthodox, his subject will let their guard down, feel comfortable, and join in. It's quite something, and results in Cohen exposing the ugliness of somenof these people.
The over-arching narrative is thread bare (and honestly not intended to be the main focus) but climaxes in such a hilariously surreal fashion.
I'm not conviced that some of the stuff in this movie would fly now (at the time of writing, the second Borat movie is due to release tomorrow so we will see!), but Cohen's recent series, Who Is America?, showed clear as day that he is still as sharp, brutal, and out for blood as he ever has been.
Borat is another fine semi-exposé, that is frequently hilarious, and constantly disturbing, that is still as relevant and needed now as it was back in 2006.
Ambitious twisty thriller
With a satire type feel to the plot, we have a tale about a super famous thriller writer called J.T LeBeau who is only known by their pen name (and it’s not J.K Rowling for sure….) They are well known for their killer (pardon the pun) twists. So this book sets itself up to some high expectations with a title like Twisted about an author who writes awesome twists you better have some darn good twists!
It’s one of those books you are better off not having to much plot detail on and just going with, so I’ll save on the details. I found it to be a well written book, I liked the style and it moved along at a good pace. I think the plot would have benefited from a few more characters but on the whole I like the ones we had (even if I didn’t necessarily like the person.) In particular the cops were interesting, for a book that does not focus on them, rather than just the standard insert cardboard cutout type cops.
For all the hype of twists it did deliver to some extent but for me it just fell short of having a real stunner twist(s.) Maybe not helped with the whole premise putting you on high alert for them. I do read a lot in this genre so I think it takes quite a bit these days to really get my jaw to drop and this didn’t quite get me to that point but still some enjoyable curves.
This was the first book by Steve Cavanagh that I have read and I think the premise of the book was very interesting it just set its sights a little higher than it managed to reach. Still it was an enjoyable ride and I’m looking forward to reading more by him.
It’s one of those books you are better off not having to much plot detail on and just going with, so I’ll save on the details. I found it to be a well written book, I liked the style and it moved along at a good pace. I think the plot would have benefited from a few more characters but on the whole I like the ones we had (even if I didn’t necessarily like the person.) In particular the cops were interesting, for a book that does not focus on them, rather than just the standard insert cardboard cutout type cops.
For all the hype of twists it did deliver to some extent but for me it just fell short of having a real stunner twist(s.) Maybe not helped with the whole premise putting you on high alert for them. I do read a lot in this genre so I think it takes quite a bit these days to really get my jaw to drop and this didn’t quite get me to that point but still some enjoyable curves.
This was the first book by Steve Cavanagh that I have read and I think the premise of the book was very interesting it just set its sights a little higher than it managed to reach. Still it was an enjoyable ride and I’m looking forward to reading more by him.
Awix (3310 KP) rated Shin Godzilla (2016) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
He's New, He's True, He's Covered in Goo
Toho's first Godzilla movie since 2004 attempts to square the circle by sticking relatively closely to the feel of the original film while offering a radical new take on Godzilla himself ('Shin', lest you be wondering, is a conveniently ambiguous Japanese word that can mean 'New', 'True', and 'God').
Everyday life in Tokyo is disrupted by the appearance in the bay of a bizarre new form of life, a fast-evolving creature which slithers ashore, causing (but of course) massive property damage, before mutating into something a bit more recognisable as Godzilla. Clearly the government response team have a lot on their hands, but can they come up with a solution before the Americans take charge of the situation and plaster the city with nukes?
Some people may take exception to the movie's very different take on Godzilla (the design of the monster's initial form is unintentionally funny), and it's always a bit of a problem when Godzilla doesn't have anyone to fight in the final reel, but this is still an impressive attempt at a serious Godzilla film that honours the memory of the original. It's also obviously a post-Fukushima movie, fierce in its satire and criticism of useless government bureaucrats and the red tape that surrounds them.
When it all kicks off between Godzilla and the JSDF the special effects sequences are spectacular, and the human characters are quite well-played too. I must confess to missing the sense of fun and imagination that you find in the best Godzilla films - this is kind of like the Batman Begins of Godzilla films, in that it's hard to imagine many of the other classic characters existing in this universe - but this is a smart and serious movie that respects its source material.
Everyday life in Tokyo is disrupted by the appearance in the bay of a bizarre new form of life, a fast-evolving creature which slithers ashore, causing (but of course) massive property damage, before mutating into something a bit more recognisable as Godzilla. Clearly the government response team have a lot on their hands, but can they come up with a solution before the Americans take charge of the situation and plaster the city with nukes?
Some people may take exception to the movie's very different take on Godzilla (the design of the monster's initial form is unintentionally funny), and it's always a bit of a problem when Godzilla doesn't have anyone to fight in the final reel, but this is still an impressive attempt at a serious Godzilla film that honours the memory of the original. It's also obviously a post-Fukushima movie, fierce in its satire and criticism of useless government bureaucrats and the red tape that surrounds them.
When it all kicks off between Godzilla and the JSDF the special effects sequences are spectacular, and the human characters are quite well-played too. I must confess to missing the sense of fun and imagination that you find in the best Godzilla films - this is kind of like the Batman Begins of Godzilla films, in that it's hard to imagine many of the other classic characters existing in this universe - but this is a smart and serious movie that respects its source material.
Two Weeks in the Midday Sun: A Cannes Notebook
Book
A paragon of cinema criticism for decades, Roger Ebert--with his humor, sagacity, and no-nonsense...
LA
Lawyers at Play: Literature, Law, and Politics at the Early Modern Inns of Court, 1558-1581
Book
Many early modern poets and playwrights were also members of the legal societies the Inns of Court,...
RO
Reading Orientalism: Said and the Unsaid
Book
The late Edward Said remains one of the most influential critics and public intellectuals of our...
LoganCrews (2861 KP) rated Bridget Jones's Diary (2001) in Movies
Sep 20, 2020
Renée is of course perfect, as are Hugh and Colin and all three of their respective characters. In fact this is still just as tight, snappy, and cute as it was back in the day - but per no real fault of its own this (or at least a hefty amount of its elements) became the basis for pretty much *every* chintzy romcom clone that was to come for the foreseeable future to the point where a lot of this just feels rather rote now in light of that *and* today's version of the mainstream romcom. Not that there still isn't revolutionary stuff that stands out, particularly the representation of a demographic that wasn't usually seen as romantic lead status at the time given by this lead. Though while it starts out lovely enough there's a clear dip in quality at a point and it treads water by the end. I find the first half very interesting in that - at the time - it probably played as a very adorable yet scandalous romp but now plays more like a biting, ballsy foray into societal satire in light of the #MeToo movement. Plus that's when the witty dialogue, engrossment, and visual competence is at its best anyway. But those aforementioned cringey and overused romcom clichés (people falling off boats, making a mess while cooking, interrupting some sort of wedding announcement, cheeky but actually annoying best friends who serve no purpose, etc etc) bog it down more and more until it runs on full autopilot mode. The parent subplot is a nonentity too but that's whatever I guess. Though I do stand with the majority in that the Firth x Grant fight scene is - naturally - a masterpiece. Agreeable even though approximately no interesting threads get pulled.