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Ross (3282 KP) rated Downsizing (2017) in Movies
Oct 18, 2018
The idea behind this film (in order to save the world from mankind's expansion and overuse of resources, Norwegian scientists master the science of shrinking, and with humans being a fraction of their size the planet can start to recover) was excellent. However this did not translate into a good film. Matt Damon tries his best to portray the man looking for a new start post-downsizing, adding humour and charm, but is not enough to carry a script that just didn't know what it wanted to do.
While the film managed to show that some facets of humanity will still carry on post-shrinking (we need working class people to run the utopia so we have tiny shanty towns) and add an element of satire, it was not a cohesive film.
While the film managed to show that some facets of humanity will still carry on post-shrinking (we need working class people to run the utopia so we have tiny shanty towns) and add an element of satire, it was not a cohesive film.
Lenard (726 KP) rated The Dead Don't Die (2019) in Movies
Jul 4, 2019
There is a certain style to a Jim Jarmusch fictional film and it remains to this day. His newest film "The Dead Don't Die" with its own theme song by Sturgill Simpson is no exception. In and of itself, this seems a satire of recent films that exist to sell soundtracks and not movie tickets. The town of Centerville is experiencing an existential crisis. It seems that all the dead are becoming reanimated and slowly attacking the town. The three police officers are overmatched and all the living are running out of time. Imagine seeing your dead grandmother, would you be able to take her down if you were the only line of defense? In the end, The Dead Don't Die becomes an indictment of government inaction and human inefficiency.
Barry Newman (204 KP) rated Maps to the Stars (2015) in Movies
Feb 9, 2020
Another recent effort from David Cronenberg that isn’t a patch on his earlier work but is thankfully a slight improvement over the atrocious ‘Cosmopolis’. This one at least actually has some semblance of a plot but is still one hell of a struggle to get through. It attempts to be a satire of Hollywood and the horrible , shallow and disgusting people in the industry told through the means of a thoroughly twisted family dynamic . The characters are all completely unlikeable and I know that’s kind of the point but the film just irritated me and frequently bordered on pretentious . I didn’t care about anyone and frankly couldn’t wait for the film to end. I really hope Cronenberg goes back to horror and sci-fi and doesn’t make anymore films like this.
Dan Stevens recommended This Is Spinal Tap (1984) in Movies (curated)
RəX Regent (349 KP) rated Duck Soup (1933) in Movies
Feb 18, 2019
“You’re a brave man. Go and break through the lines. And remember, while you’re out there risking your life and limb through shot and shell, we’ll be in be in here thinking what a sucker you are” Rufus T. Firefly
And the one liners just keep on coming…
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
LeftSideCut (3778 KP) rated The Hunt (2020) in Movies
Oct 13, 2020
In short, The Hunt is an action heavy, Battle Royale inspired semi-horror that attempts to satire political leanings, conspiracy theorists, keyboard warriors, and the rich elite.
The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!
It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.
The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!
It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.
The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
Awix (3310 KP) rated The Stepford Wives (1975) in Movies
Mar 30, 2018
Bryan Forbes' SF-horror-satire has left a cultural impression out of all proportion to its original box-office success. Nice modern couple leave grimy New York for idyllic small town of Stepford, where everyone seems happy and the women are thoroughly domesticated. What on Earth can the secret of the place be...?
Subtle storytelling and fine performances do a good job of masking the fact that the premise of the story is basically a paranoid fever-dream; oddly, some people interpreted the film as being anti-feminist and actually misogynistic, when it is actually about male objectification of women and fears of the same (maybe also has stuff to say about consumerism too). Perhaps a bit overlong, but the slow aggregation of details adds a lot to a convincingly unsettling atmosphere. An entertaining horror fable.
Subtle storytelling and fine performances do a good job of masking the fact that the premise of the story is basically a paranoid fever-dream; oddly, some people interpreted the film as being anti-feminist and actually misogynistic, when it is actually about male objectification of women and fears of the same (maybe also has stuff to say about consumerism too). Perhaps a bit overlong, but the slow aggregation of details adds a lot to a convincingly unsettling atmosphere. An entertaining horror fable.
Awix (3310 KP) rated Robocop (1987) in Movies
Feb 12, 2018
Murphy's Law
Heavy metal action satire from Dutch director Paul Verhoeven that established him as one of the world's leading SF directors. The story is functional, if hardly original - dedicated cop is shot to pieces by bad guys, rebuilt as an armoured cyborg by heartless corporation, struggles to reclaim his humanity - but what makes it special is Verhoeven's ability to turn the movie on a dime, switching the mood from black comedy to sincere drama in a moment.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.
Brian Raferty recommended Being John Malkovich (1999) in Movies (curated)
