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Bong Mines Entertainment (15 KP) rated Hopeless Romantics - Single by Lexi Scatena in Music
Jun 18, 2019
Lexi Scatena is a 20-year-old singer-songwriter based in Reno, Nevada. Not too long ago, she released a lovely debut single, entitled, “Hopeless Romantics”, produced by Toronto-based producer Vibeslow.
“‘Hopeless Romantics’ focuses on the naive, ‘honeymoon phase’ of love. Also, it brings back the sultry sound of old-school R&B while maintaining mainstream appeal. I wrote the song after traveling to New York for the first time with my boyfriend. Not only did I fall in love with the city, but I also fell in love with my boyfriend all over again. Literally, each word in the song was a part of the internal monologue I had while exploring the city.” – Lexi Scatena
‘Hopeless Romantics’ tells a passionate tale of a young woman who is head-over-heels in love with her significant other. Apparently, she wants to stay in her partner’s arms till death do them part.
Later, she admits that Cupid should get a raise for bringing them together, not only for this moment but for eternity.
‘Hopeless Romantics’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses soothing instrumentation flavored with contemporary R&B and neo-soul elements.
“‘Hopeless Romantics’ is a dive into a sound that I never knew I was capable of doing, but always loved. Working with Vibeslow really opened my eyes to a genre that embodied everything I admire musically. With modern music focusing heavily on hip-hop-infused R&B, I wanted to do something different and incorporate old school RnB into my music, but with my own personal touch. I think that the current music industry is lacking valuable elements of old-school R&B, and I’m hoping to help bring those back.” – Lexi Scatena
During the day, Lexi Scatena is an ordinary college student, pursuing a bachelor’s degree in Journalism and Spanish at the University of Nevada, Reno.
At night, she’s serenading fans at live shows, posting covers of her favorite artists, and preparing for upcoming, original releases.
https://www.bongminesentertainment.com/lexi-scatena-hopeless-romantics/
“‘Hopeless Romantics’ focuses on the naive, ‘honeymoon phase’ of love. Also, it brings back the sultry sound of old-school R&B while maintaining mainstream appeal. I wrote the song after traveling to New York for the first time with my boyfriend. Not only did I fall in love with the city, but I also fell in love with my boyfriend all over again. Literally, each word in the song was a part of the internal monologue I had while exploring the city.” – Lexi Scatena
‘Hopeless Romantics’ tells a passionate tale of a young woman who is head-over-heels in love with her significant other. Apparently, she wants to stay in her partner’s arms till death do them part.
Later, she admits that Cupid should get a raise for bringing them together, not only for this moment but for eternity.
‘Hopeless Romantics’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses soothing instrumentation flavored with contemporary R&B and neo-soul elements.
“‘Hopeless Romantics’ is a dive into a sound that I never knew I was capable of doing, but always loved. Working with Vibeslow really opened my eyes to a genre that embodied everything I admire musically. With modern music focusing heavily on hip-hop-infused R&B, I wanted to do something different and incorporate old school RnB into my music, but with my own personal touch. I think that the current music industry is lacking valuable elements of old-school R&B, and I’m hoping to help bring those back.” – Lexi Scatena
During the day, Lexi Scatena is an ordinary college student, pursuing a bachelor’s degree in Journalism and Spanish at the University of Nevada, Reno.
At night, she’s serenading fans at live shows, posting covers of her favorite artists, and preparing for upcoming, original releases.
https://www.bongminesentertainment.com/lexi-scatena-hopeless-romantics/
LeftSideCut (3776 KP) rated American Horror Story - Season 3 in TV
Nov 2, 2019 (Updated Nov 2, 2019)
Season 3 of AHS is a firm fan favourite - subtitled 'Coven', it centres around a school for young witches to discover and nurture their powers, all whilst preparing for trials to determine who will become the next Supreme witch.
Front and centre once again are Sarah Paulson and Jessica Lange. I enjoy Sarah Paulson in pretty much every season of AHS, and Coven is no different.
Her character, Cordelia Foxx, is her most likable character to date.
Jessica Lange plays her mother, Fiona Goode, and I struggled to get on board with her character. Unlike her character from Asylum, there's just nothing redeemable about her. Jessica Lange is still a powerhouse though...
It's nice to see Frances Conroy also.
The rest of the Coven are made up younger witches, and this is where the season trips up for me. I have nothing against any of the actors, but Coven very much feels like a high school drama for a good chunk of the runtime, and after the darker first two seasons, it's a bit jarring. I feel like a lighter touch can definitely the work (the currently running '1984' has been pretty fun for example), but first time round here, it didn't hit the right notes for me, and I grew quickly tired and bored of the constant high school bickering between characters.
Elsewhere, we're introduced to Voodoo magic, with characters such as the mysterious Papa Legba, Marie Laveau (Angela Bassett), and Madame Delphine LaLaurie, played by Kathy Bates.
Her first role for AHS is possibly her best and she is definitely the season highlight for me.
The Voodoo side of Coven was much more appealing and entertaining.
There's still a bucket load of very well done and gratuitous violence and gore on display, and the music score is pretty good.
Coven is certainly one of my least favorite seasons of AHS, but it's by no means bad, and it's still great to have a horror show this entertaining on prime time television.
Front and centre once again are Sarah Paulson and Jessica Lange. I enjoy Sarah Paulson in pretty much every season of AHS, and Coven is no different.
Her character, Cordelia Foxx, is her most likable character to date.
Jessica Lange plays her mother, Fiona Goode, and I struggled to get on board with her character. Unlike her character from Asylum, there's just nothing redeemable about her. Jessica Lange is still a powerhouse though...
It's nice to see Frances Conroy also.
The rest of the Coven are made up younger witches, and this is where the season trips up for me. I have nothing against any of the actors, but Coven very much feels like a high school drama for a good chunk of the runtime, and after the darker first two seasons, it's a bit jarring. I feel like a lighter touch can definitely the work (the currently running '1984' has been pretty fun for example), but first time round here, it didn't hit the right notes for me, and I grew quickly tired and bored of the constant high school bickering between characters.
Elsewhere, we're introduced to Voodoo magic, with characters such as the mysterious Papa Legba, Marie Laveau (Angela Bassett), and Madame Delphine LaLaurie, played by Kathy Bates.
Her first role for AHS is possibly her best and she is definitely the season highlight for me.
The Voodoo side of Coven was much more appealing and entertaining.
There's still a bucket load of very well done and gratuitous violence and gore on display, and the music score is pretty good.
Coven is certainly one of my least favorite seasons of AHS, but it's by no means bad, and it's still great to have a horror show this entertaining on prime time television.
Phil Leader (619 KP) rated Eric & the Black Axes (The Sanctum Series #4) in Books
Nov 12, 2019
This is the fourth installment of the Sanctum series of books, squarely aimed at a pre-teen and young adult audience but a good read for adults too.
For anyone unfamiliar with the series, the Sanctum is a special school created by and run by rich philanthropist Avando. He rescues children from a life on the streets and gives them a second chance at the school where they have the opportunity to have a first class education. But Avando also picks the best of the pupils to help in a covert war against terrorism, using surrogate robot bodies to investigate suspect sites, including rival school Ernest College.
Despite his capture at the end of the previous book, Professor Eric Showden is again the villain of the piece. A former teacher at The Sanctum and pupil at Ernest College, he is aided by a company called The Black Axes to escape. This time both schools are in direct danger of attack and must cooperate to survive. But just how far can they trust each other?
This series is rapidly turning into a must-read cyber thriller. Both schools are now in direct conflict with the terrorists, having to defend against direct attack as well as try to stop their plans, all the time keeping one eye on the other and try to give as little information away as possible. There are some excellent set pieces and the way these are set up - essentially robots battling with martial arts - they are very different from the usual gun-toting fare.
Again the characters come to the fore - Jayden and his friends are once again the core for the Sanctum. Liam takes a very central role at Ernest college and his uncertainty as events unfold make a reassuring counterpoint to the main story line.
Once again I cannot recommend these books enough. I'm very much looking forward to the fifth book in the series and have no doubt it will be another excellent read.
For anyone unfamiliar with the series, the Sanctum is a special school created by and run by rich philanthropist Avando. He rescues children from a life on the streets and gives them a second chance at the school where they have the opportunity to have a first class education. But Avando also picks the best of the pupils to help in a covert war against terrorism, using surrogate robot bodies to investigate suspect sites, including rival school Ernest College.
Despite his capture at the end of the previous book, Professor Eric Showden is again the villain of the piece. A former teacher at The Sanctum and pupil at Ernest College, he is aided by a company called The Black Axes to escape. This time both schools are in direct danger of attack and must cooperate to survive. But just how far can they trust each other?
This series is rapidly turning into a must-read cyber thriller. Both schools are now in direct conflict with the terrorists, having to defend against direct attack as well as try to stop their plans, all the time keeping one eye on the other and try to give as little information away as possible. There are some excellent set pieces and the way these are set up - essentially robots battling with martial arts - they are very different from the usual gun-toting fare.
Again the characters come to the fore - Jayden and his friends are once again the core for the Sanctum. Liam takes a very central role at Ernest college and his uncertainty as events unfold make a reassuring counterpoint to the main story line.
Once again I cannot recommend these books enough. I'm very much looking forward to the fifth book in the series and have no doubt it will be another excellent read.
ClareR (5906 KP) rated The Temple House Vanishing in Books
Feb 27, 2020
The Temple House Vanishing is set in an elite Convent School (Roman Catholic, all girls, lots of masses, praying and rampant oestrogen). The nuns run a tight ship - or so they think. Mr Lavelle is a young, bohemian-type character, and a fair few of the girls are in love with him. Particularly Victoria.
Louisa joins the school late as a scholarship student, and is generally looked down on by the fee-paying girls, but she and Victoria become good friends. Everything seems to be improving for Louisa. Until, that is, she disappears along with Mr Lavelle. Everyone assumes that they have run away together, and the staff and students are of no help. They close ranks. No-one wants to be involved.
Until, that is, a journalist becomes involved with retelling the story on its 25th anniversary. She manages to speak to the Head Girl at the time, and after many persistent emails, with Victoria. And this time, Victoria talks about what happened.
I liked this very much. I liked the atmosphere of the school - even though it wasn't particularly nice it was described well, especially the way the girls ganged up together to pick on whoever they assumed was the weakest link. I especially liked the journalists chapters, particularly when it became clear that she had something of a vested interest in finding out what happened to Louisa - Louisa had been her babysitter when she was a child.
This isn't a 'hold on to your hat' story. There's no-one to save - whatever happened, happened 25 years ago. It's all about WHAT happened and WHO was involved. And in the end, it's all rather sad.
I really enjoyed this, particularly the way the story unfolded. I think the teenagers emotions were described as well as the adults, and it was easy to empathise with them when necessary, and despair at their teenaged reactions and angst.
This book is well worth a read.
Many thanks to The Pigeonhole for serialising this book!
Louisa joins the school late as a scholarship student, and is generally looked down on by the fee-paying girls, but she and Victoria become good friends. Everything seems to be improving for Louisa. Until, that is, she disappears along with Mr Lavelle. Everyone assumes that they have run away together, and the staff and students are of no help. They close ranks. No-one wants to be involved.
Until, that is, a journalist becomes involved with retelling the story on its 25th anniversary. She manages to speak to the Head Girl at the time, and after many persistent emails, with Victoria. And this time, Victoria talks about what happened.
I liked this very much. I liked the atmosphere of the school - even though it wasn't particularly nice it was described well, especially the way the girls ganged up together to pick on whoever they assumed was the weakest link. I especially liked the journalists chapters, particularly when it became clear that she had something of a vested interest in finding out what happened to Louisa - Louisa had been her babysitter when she was a child.
This isn't a 'hold on to your hat' story. There's no-one to save - whatever happened, happened 25 years ago. It's all about WHAT happened and WHO was involved. And in the end, it's all rather sad.
I really enjoyed this, particularly the way the story unfolded. I think the teenagers emotions were described as well as the adults, and it was easy to empathise with them when necessary, and despair at their teenaged reactions and angst.
This book is well worth a read.
Many thanks to The Pigeonhole for serialising this book!
Kristy H (1252 KP) rated The Hand on the Wall (Truly Devious #3) in Books
Mar 19, 2020
The finale to the Truly Devious trilogy does not disappoint. Stevie Bell believes she has solved the famous Truly Devious case. But she hasn't really told anyone yet. After all, yet another person is dead, someone else (whom she has kissed) has disappeared, and then another accident strikes Ellingham Academy. All while a giant snowstorm is about to hit the school. Stevie is sure everything is tied together--the deaths in the past, the deaths in the present. But it's finally too much for Ellingham. The school is being evacuated. Stevie is being sent home. It's over. So she makes the only rational choice. Time to stay at the school in the face of an insane storm--and a potential murderer.
Oh I love this series so very much. I highly recommend it. Stevie is such a wonderful character, filled with real flaws and amazing skills. Johnson's treatment of Stevie's anxiety across the trilogy is spot-on, and she just captures Stevie so perfectly. Her love of crime, her intelligence, her wit. It's impossible not to adore this girl.
Book three starts off with a bang--the format alternates between the present and parts of the past, depicting scenes involving the Truly Devious case that Stevie has worked so hard to solve. Filling in the pieces of that famous case--the disappearance of Albert Ellingham's wife and daughter. It works perfectly and it's captivating, finally finding out exactly what happened to Iris and Alice--and all the other players in the 1930s.
I don't want to say much more and spoil anything, except to say it was all perfect. Stevie and the cast of characters is great--I've come to care for so many of them now. And Johnson excels at having a diverse group in her books, which I love. The conclusion of the mystery is excellent; I was frantically flipping pages and caught on every word. The ending is quite fitting for a beloved series. 4.5 stars.
Oh I love this series so very much. I highly recommend it. Stevie is such a wonderful character, filled with real flaws and amazing skills. Johnson's treatment of Stevie's anxiety across the trilogy is spot-on, and she just captures Stevie so perfectly. Her love of crime, her intelligence, her wit. It's impossible not to adore this girl.
Book three starts off with a bang--the format alternates between the present and parts of the past, depicting scenes involving the Truly Devious case that Stevie has worked so hard to solve. Filling in the pieces of that famous case--the disappearance of Albert Ellingham's wife and daughter. It works perfectly and it's captivating, finally finding out exactly what happened to Iris and Alice--and all the other players in the 1930s.
I don't want to say much more and spoil anything, except to say it was all perfect. Stevie and the cast of characters is great--I've come to care for so many of them now. And Johnson excels at having a diverse group in her books, which I love. The conclusion of the mystery is excellent; I was frantically flipping pages and caught on every word. The ending is quite fitting for a beloved series. 4.5 stars.
JT (287 KP) rated The Way Back (2020) in Movies
Mar 25, 2020
A film about more than basketball
Everyone loves an underdog story especially when it has a sporting theme – but this underdog story is a little different.
Ben Affleck plays Jack Cunningham a former high school basketball star who is battling alcoholism. In his younger days, he had the chance to go to the big time but instead turned his back on a promising career. He is still lauded in the town and is given the chance to coach at his alma mater by Father Devine (John Aylward), who runs the Catholic high school where Jack played.
He initially shows no interest but reluctantly accepts the position to coach a struggling team who haven’t been to the playoffs since he was at school. The team is not devoid of talent but lack discipline and team dynamics something which Jack can help them with.
There is more to Jack’s story and slowly we discover the reasons for his dependence on alcohol. He has separated from his wife and he opens up about the reason why he turned his back on the game. But there is another heartbreaking twist in the tale as to why Jack is bottling up his emotions and prone to bursts of anger, the majority of which spill over onto the basketball court.
Sporting films follow a tight blueprint which involves someone coming back from the brink to triumph. It’s the feel-good moment that makes us want to punch the air. But while there are a few inspirational sequences on the court I didn’t want to punch the air, not least when Affleck is on screen – I just felt sad.
His performance is brilliant as it is emotional and it might be one of his best yet. But the more we connect with Jack the less it becomes about winning basketball games and more about his road to recovery.
Ben Affleck plays Jack Cunningham a former high school basketball star who is battling alcoholism. In his younger days, he had the chance to go to the big time but instead turned his back on a promising career. He is still lauded in the town and is given the chance to coach at his alma mater by Father Devine (John Aylward), who runs the Catholic high school where Jack played.
He initially shows no interest but reluctantly accepts the position to coach a struggling team who haven’t been to the playoffs since he was at school. The team is not devoid of talent but lack discipline and team dynamics something which Jack can help them with.
There is more to Jack’s story and slowly we discover the reasons for his dependence on alcohol. He has separated from his wife and he opens up about the reason why he turned his back on the game. But there is another heartbreaking twist in the tale as to why Jack is bottling up his emotions and prone to bursts of anger, the majority of which spill over onto the basketball court.
Sporting films follow a tight blueprint which involves someone coming back from the brink to triumph. It’s the feel-good moment that makes us want to punch the air. But while there are a few inspirational sequences on the court I didn’t want to punch the air, not least when Affleck is on screen – I just felt sad.
His performance is brilliant as it is emotional and it might be one of his best yet. But the more we connect with Jack the less it becomes about winning basketball games and more about his road to recovery.
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