"I don’t think I’d be in this business if it wasn’t for Naughty Marietta, with Nelson Eddy and Jeanette MacDonald. I was 14 and I was SO in love with Nelson Eddy I thought it was the end of the world, and I didn’t just like Jeanette MacDonald, I was Jeanette MacDonald! You know, at 14. And at 14 I also thought, Nelson Eddy married somebody and I thought he needed a much younger woman. I think I saw Naughty Marietta 48 times. I wasn’t even interested in show business until then; I did school plays and that kind of thing, but I hadn’t thought of it as a career until I got hooked."

"See I’m a Pisces so I get down with love songs. I’m totally into slow jams and old-school R&B, all that. As far as R. Kelly and Usher, all that shit is really cool, but this Best of Keith Sweat is the most flawless album. You can throw it on and every song is legit. The beats are dope. People have sampled a lot of his shit. I just think it’s probably the best album to put on and freaking make love to your woman. ‘How Deep Is Your Love’ is the track for sure. That is such a heavy bass. Celly Cel from the Bay sampled it, ‘It’s Goin Down.’ That one is legit"

"A young John Hurt plays a bitter art school drop-out who forms his own fascist political movement, the Party of Dynamic Erection. It’s very proto-Withnail & I, and it’s not lost on me that George Harrison was involved in producing both Little Malcolm and Withnail. So it’s cool to think that my favorite Beatle helped make the best two movies about crazy assholes in trench coats screaming at each other in shitty apartments. Mike Leigh directed the original production of the play of Little Malcolm and I can also see how the Scrawdyke character may have informed him in creating Johnny from Naked, another misogynistic, visionary crackpot trying to assert his manhood."

"I have to put this one on, if only to celebrate the efforts of a few twenty-four-year-old friends just out of film school, ganging up to turn our college house into a summer camp and haul a Moviecam Super America around the dirt lots of North Carolina, making a movie none of us knew would have any impact on anyone anywhere. I remember how ecstatic we were to find out Criterion was releasing us on video. At such an early time in our careers, that Criterion liked our first film made us feel like we had a place at the table with our heroes. What a way to begin!"