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Sophia (Bookwyrming Thoughts) (530 KP) rated Sky Without Stars (System Divine, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><strong>I totally skipped over <em>Sky Without Stars</em> at first.</strong></h2>
Hello, I'm confessing that I scrolled straight past <em>Sky Without Stars</em> until someone said the words, "<em>Les Misérables</em> in space."
Then all the grabby hands came out because <em>I love that movie</em> AND I love space??? And I sure as hell am not going to read 1000+ pages of the classic. <s>Hahaha, required reading scarred me.</s>
<h2><em><strong>Sky Without Stars</strong></em><strong> has the feel of <em>Les Misérables.</em></strong></h2>
It's been like 5+ years since I <em>watched</em> the movie so I don't remember much from the movie aside from the French revolution. I also recall having a fascination with Éponine, who I don't recall having much screentime. Despite not remembering much from the musical, <em>Sky Without Stars</em> gave off the vibes and had many elements frequently nodding to the classic.
<h3><strong>The different perspectives worked in favor.</strong></h3>
This whopping novel is divided between three different characters who will all eventually play a role in the brewing revolution on Laterre. With such a long length, having one perspective could have easily bogged down the story and be boring. But having three characters who each brought their own perspective and struggles? I enjoyed learning about each of them while reading <em>Sky Without Stars</em>.
<strong>Chatine:</strong> Chatine, based on Éponine (I think?), is by far my favorite perspective out of the three. She dresses up as a boy to go about her life in the Frets because she feels being a girl would put her at a disadvantage (and it really would). With the goal of leaving Laterre one day, she goes about her life stealing on the streets to save up for the passage.
<strong>Alouette:</strong> Y'all, I hated Cosette for some reason but I adore Alouette??? Brody and Rendell give Cosette a very nice upgrade here in <em>Sky Without Stars</em> that fit into the timeframe here! Alouette, despite not knowing much of her past and living underground, is curious and crafty as she occasionally navigates aboveground.
<strong>Marcellus:</strong> Poor Marcellus is divided between believing his grandfather as he's always had growing up or his now-deemed-traitor former governess. Despite being the least interesting perspective I read, I enjoy seeing his internal conflict and want to know what he will do in later books.
<h3><strong>There's apparently a love triangle.</strong></h3>
Younger me found the revolution too fascinating to care about trivial things such as romance. Lo and behold, I didn't even notice the love triangle until near the end, whoops. However, romance is a minor aspect of <em>Sky Without Stars,</em> and I found myself more swept away by the world.
<h2><strong>A lot of worldbuilding on Laterre.</strong></h2>
Drop yourselves into a rocket ship and let's go soaring into space because the worldbuilding is A+! Sometimes I found myself overwhelmed because I am a character development and fast-paced action person in books. However, I think it's well worth going through nearly 600 pages of mostly setup. Brody and Rendell will sweep you away to another world while bringing in elements from the original.
<h2><strong>Solid beginning to a series.</strong></h2>
<em>Sky Without Stars</em> is a solid start as a first novel, and I enjoyed seeing Brody's and Rendell's take on <em>Les Misérables</em>! This book is perfect for those who are fans of the musical or enjoy a good sci-fi with a brewing rebellion on another planet.
<a href="https://bookwyrmingthoughts.com/sky-without-stars-by-jessica-brody-and-joanne-rendell/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>I totally skipped over <em>Sky Without Stars</em> at first.</strong></h2>
Hello, I'm confessing that I scrolled straight past <em>Sky Without Stars</em> until someone said the words, "<em>Les Misérables</em> in space."
Then all the grabby hands came out because <em>I love that movie</em> AND I love space??? And I sure as hell am not going to read 1000+ pages of the classic. <s>Hahaha, required reading scarred me.</s>
<h2><em><strong>Sky Without Stars</strong></em><strong> has the feel of <em>Les Misérables.</em></strong></h2>
It's been like 5+ years since I <em>watched</em> the movie so I don't remember much from the movie aside from the French revolution. I also recall having a fascination with Éponine, who I don't recall having much screentime. Despite not remembering much from the musical, <em>Sky Without Stars</em> gave off the vibes and had many elements frequently nodding to the classic.
<h3><strong>The different perspectives worked in favor.</strong></h3>
This whopping novel is divided between three different characters who will all eventually play a role in the brewing revolution on Laterre. With such a long length, having one perspective could have easily bogged down the story and be boring. But having three characters who each brought their own perspective and struggles? I enjoyed learning about each of them while reading <em>Sky Without Stars</em>.
<strong>Chatine:</strong> Chatine, based on Éponine (I think?), is by far my favorite perspective out of the three. She dresses up as a boy to go about her life in the Frets because she feels being a girl would put her at a disadvantage (and it really would). With the goal of leaving Laterre one day, she goes about her life stealing on the streets to save up for the passage.
<strong>Alouette:</strong> Y'all, I hated Cosette for some reason but I adore Alouette??? Brody and Rendell give Cosette a very nice upgrade here in <em>Sky Without Stars</em> that fit into the timeframe here! Alouette, despite not knowing much of her past and living underground, is curious and crafty as she occasionally navigates aboveground.
<strong>Marcellus:</strong> Poor Marcellus is divided between believing his grandfather as he's always had growing up or his now-deemed-traitor former governess. Despite being the least interesting perspective I read, I enjoy seeing his internal conflict and want to know what he will do in later books.
<h3><strong>There's apparently a love triangle.</strong></h3>
Younger me found the revolution too fascinating to care about trivial things such as romance. Lo and behold, I didn't even notice the love triangle until near the end, whoops. However, romance is a minor aspect of <em>Sky Without Stars,</em> and I found myself more swept away by the world.
<h2><strong>A lot of worldbuilding on Laterre.</strong></h2>
Drop yourselves into a rocket ship and let's go soaring into space because the worldbuilding is A+! Sometimes I found myself overwhelmed because I am a character development and fast-paced action person in books. However, I think it's well worth going through nearly 600 pages of mostly setup. Brody and Rendell will sweep you away to another world while bringing in elements from the original.
<h2><strong>Solid beginning to a series.</strong></h2>
<em>Sky Without Stars</em> is a solid start as a first novel, and I enjoyed seeing Brody's and Rendell's take on <em>Les Misérables</em>! This book is perfect for those who are fans of the musical or enjoy a good sci-fi with a brewing rebellion on another planet.
<a href="https://bookwyrmingthoughts.com/sky-without-stars-by-jessica-brody-and-joanne-rendell/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
TheDefunctDiva (304 KP) rated The Fly (1986) in Movies
Mar 13, 2021 (Updated Mar 15, 2021)
Come Fly With Me...
Contains spoilers, click to show
The Fly, Directed by David Cronenberg, 1986
To the victor go the spoils. To the reader, go the spoilers.
We watched The Fly the other night. I observed, with fond amusement, that the energetic and quirky Jeff Goldblum always seems to star as himself. In this film, he plays a scientist named Seth Brundle. His offbeat handsomeness pairs well with the pale beauty of Geena Davis, who stars alongside him as journalist Veronica Quaife. As the two characters hit it off, I tried to ignore the fact that Goldblum’s character came off as somewhat creepy.
Then we were introduced to Veronica’s ex-boyfriend, who is also her boss. Stathis, played by John Getz, is unhinged. His performance was exaggerated, almost a caricature. He presents himself as the pinnacle alpha-male. Talk about a stalker. His attempts to control Veronica, and his jealousy, were epic. I commented that the scariest thing about this movie was Veronica’s ex. Little did I know what the rest of the film had in store.
Seth, an undiscovered genius, has invented a transporter. Seth shows Veronica how his invention works by transporting her stocking from one pod to another. Veronica wants to publish a story about it, but Seth insists that his technology is not ready. Seth and Veronica become involved, and she helps document his experiments.
Later, things get hairy. Naturally, they want to see if the pods are capable of transporting living beings. Instead of experimenting on a bug, or a mouse, or a smaller creature, they attempt to transport a full-sized monkey.
Suffice to say, things do not go well. Kudos to the special effects team for creating that pile of retch.
More modifications are made, and another monkey survives the transportation trip.
The romance grows between Seth and Veronica. I had a hard time buying into the chemistry between Goldblum and Davis. They both seemed a little distant. Regardless, the love story pushes forward. There is even talk of the pair going away together “like an old married couple.” Then Veronica’s boss throws a wrench in the mix. Veronica is forced to deal with his antics. Seth, who is also a bit of a jealous type, gets drunk and sends himself through the transporter, since the monkey seemed fine.
Then there comes the stuff of nightmares. Seth isn’t himself. He is immediately charged with manic energy. He performs quite an impressive gymnastics routine (thank you, stunt Goldblum).Veronica is clearly distraught that her boyfriend is losing it.
The physical metamorphosis begins. Seth develops weird, wiry hairs protruding from a cut on his back. His sex drive goes wonky, and when he alienates Veronica, he finds a random lady from a bar to sleep with. His complexion worsens dramatically. He discovers that his machine has melded his genetic information with the DNA of a fly that was in the pod of the transporter with him. THE DNA FUSED AT A MOLECULAR LEVEL. This, my dear viewers, is not good. Not the sort of thing you can get addressed at your nearest urgent care clinic.
Things get worse, and incredibly gross, from there. Fingernails fall off and bug juice oozes. The makeup and special effects departments did an extremely convincing job. I felt incredibly bad for this seemingly highly intelligent man. My boyfriend kept calling for a flame thrower.
Veronica tries to help, and is empathetic. But watching your newfound love deteriorate so rapidly, and being powerless to help, is extremely traumatic. Davis brought her A-game to this portion of the performance. And, true to the sci-fi soap opera plot, she discovers that she is pregnant with Seth’s baby.
I don’t want to spoil the ending for you. But do you imagine this story ends well? I had hope. But it was squashed like a bug. If you have the stomach for good, old-fashioned movie gore, and you like Weird Science with a touch of Bad Romance, this film is for you.
To the victor go the spoils. To the reader, go the spoilers.
We watched The Fly the other night. I observed, with fond amusement, that the energetic and quirky Jeff Goldblum always seems to star as himself. In this film, he plays a scientist named Seth Brundle. His offbeat handsomeness pairs well with the pale beauty of Geena Davis, who stars alongside him as journalist Veronica Quaife. As the two characters hit it off, I tried to ignore the fact that Goldblum’s character came off as somewhat creepy.
Then we were introduced to Veronica’s ex-boyfriend, who is also her boss. Stathis, played by John Getz, is unhinged. His performance was exaggerated, almost a caricature. He presents himself as the pinnacle alpha-male. Talk about a stalker. His attempts to control Veronica, and his jealousy, were epic. I commented that the scariest thing about this movie was Veronica’s ex. Little did I know what the rest of the film had in store.
Seth, an undiscovered genius, has invented a transporter. Seth shows Veronica how his invention works by transporting her stocking from one pod to another. Veronica wants to publish a story about it, but Seth insists that his technology is not ready. Seth and Veronica become involved, and she helps document his experiments.
Later, things get hairy. Naturally, they want to see if the pods are capable of transporting living beings. Instead of experimenting on a bug, or a mouse, or a smaller creature, they attempt to transport a full-sized monkey.
Suffice to say, things do not go well. Kudos to the special effects team for creating that pile of retch.
More modifications are made, and another monkey survives the transportation trip.
The romance grows between Seth and Veronica. I had a hard time buying into the chemistry between Goldblum and Davis. They both seemed a little distant. Regardless, the love story pushes forward. There is even talk of the pair going away together “like an old married couple.” Then Veronica’s boss throws a wrench in the mix. Veronica is forced to deal with his antics. Seth, who is also a bit of a jealous type, gets drunk and sends himself through the transporter, since the monkey seemed fine.
Then there comes the stuff of nightmares. Seth isn’t himself. He is immediately charged with manic energy. He performs quite an impressive gymnastics routine (thank you, stunt Goldblum).Veronica is clearly distraught that her boyfriend is losing it.
The physical metamorphosis begins. Seth develops weird, wiry hairs protruding from a cut on his back. His sex drive goes wonky, and when he alienates Veronica, he finds a random lady from a bar to sleep with. His complexion worsens dramatically. He discovers that his machine has melded his genetic information with the DNA of a fly that was in the pod of the transporter with him. THE DNA FUSED AT A MOLECULAR LEVEL. This, my dear viewers, is not good. Not the sort of thing you can get addressed at your nearest urgent care clinic.
Things get worse, and incredibly gross, from there. Fingernails fall off and bug juice oozes. The makeup and special effects departments did an extremely convincing job. I felt incredibly bad for this seemingly highly intelligent man. My boyfriend kept calling for a flame thrower.
Veronica tries to help, and is empathetic. But watching your newfound love deteriorate so rapidly, and being powerless to help, is extremely traumatic. Davis brought her A-game to this portion of the performance. And, true to the sci-fi soap opera plot, she discovers that she is pregnant with Seth’s baby.
I don’t want to spoil the ending for you. But do you imagine this story ends well? I had hope. But it was squashed like a bug. If you have the stomach for good, old-fashioned movie gore, and you like Weird Science with a touch of Bad Romance, this film is for you.
Haley Mathiot (9 KP) rated Soul Catcher (The Outsider #1) in Books
Apr 27, 2018
Soul Catcher by Leigh Bridger
Genre: Sci-fi, Romance
ISBN: 9780982175682
Rating: 4
Livia hasn't had a perfect life—in fact she hasn't even had a good life. It all started when her father died when she was young, then got worse when her mother and baby brother died in a fire that she may or may not have started. She also starts painting pictures of evil horrible demons in her sleep, and is forced to burn the pictures and ban them… but one demon escapes, and comes for her.
She finds out that he had been pursuing her in every life—she's been reincarnated? what?—and has killed her every time for the past 200+ years. She also finds out that she has a soul mate, (who jumped into the body that the demon had used to hurt her, and now she can't look at him without getting sick) but has hidden herself from him in almost every life, subconsciously, because of something that happened in the past. She and Ian set off to find answers and to kill the pig-faced demon… for good this time. But this time ends up being the most dangerous life she's ever lived.
Soul Catcher was an addicting read. I would have read it in one sitting if I'd been allowed. It actually stuck with me all night and I'm pretty sure I dreamed about it.
I liked the philosophy of the world that Livia lived in. There were soul jumpers, like Ian and Dante, who could jump into any body he needed to be in at the time. There were soul catchers like her, who could banish dark spirits and talk to the light ones. The plot itself was very complex, and every chapter added something new to the story. One thing that made Soul Catcher stand out was how Livia and Ian's love grew. It wasn't immediate you're-my-soul-mate-you're-perfect-for-me kind of love. It was a lot more real than that. Livia starts by trying to avoid him at all costs, but ends up having to go on a trip with him to find out about their pasts. You could say they "bonded," or you could say that Ian finally got to her—even while he was in the body she hated passionately—either way, their love was real enough to be believable.
I really liked Livia, even though she had her downfalls and her insecurities. She was definitely the bad-ass heroine we know and love: slightly sarcastic, very obnoxious, stubborn as an ox, and head over heels in love but unwilling to admit it because she sees it as a weakness. Ian was a great character: he'd have to be to put up with Livia. He'd do anything for her, is dying for her to love him, thinks she is the most beautiful girl in the world—and even bends so low as to trick her into kissing him (she didn't appreciate that.). But he's all light-hearted, fun to be around, with a sexy Irish accent.
I really liked the ending. The whole story had good humor and good comic relief, but the ending was sweet, cute, and funny. It pulled everything together nicely, and left you with a smirk on your face. I say take it to the beach with an umbrella and lemonade. Or whatever other drink you like best.
Content/recommendation: some sex and sexual references, heavy language, ages 18+
~ Haleyknitz
Genre: Sci-fi, Romance
ISBN: 9780982175682
Rating: 4
Livia hasn't had a perfect life—in fact she hasn't even had a good life. It all started when her father died when she was young, then got worse when her mother and baby brother died in a fire that she may or may not have started. She also starts painting pictures of evil horrible demons in her sleep, and is forced to burn the pictures and ban them… but one demon escapes, and comes for her.
She finds out that he had been pursuing her in every life—she's been reincarnated? what?—and has killed her every time for the past 200+ years. She also finds out that she has a soul mate, (who jumped into the body that the demon had used to hurt her, and now she can't look at him without getting sick) but has hidden herself from him in almost every life, subconsciously, because of something that happened in the past. She and Ian set off to find answers and to kill the pig-faced demon… for good this time. But this time ends up being the most dangerous life she's ever lived.
Soul Catcher was an addicting read. I would have read it in one sitting if I'd been allowed. It actually stuck with me all night and I'm pretty sure I dreamed about it.
I liked the philosophy of the world that Livia lived in. There were soul jumpers, like Ian and Dante, who could jump into any body he needed to be in at the time. There were soul catchers like her, who could banish dark spirits and talk to the light ones. The plot itself was very complex, and every chapter added something new to the story. One thing that made Soul Catcher stand out was how Livia and Ian's love grew. It wasn't immediate you're-my-soul-mate-you're-perfect-for-me kind of love. It was a lot more real than that. Livia starts by trying to avoid him at all costs, but ends up having to go on a trip with him to find out about their pasts. You could say they "bonded," or you could say that Ian finally got to her—even while he was in the body she hated passionately—either way, their love was real enough to be believable.
I really liked Livia, even though she had her downfalls and her insecurities. She was definitely the bad-ass heroine we know and love: slightly sarcastic, very obnoxious, stubborn as an ox, and head over heels in love but unwilling to admit it because she sees it as a weakness. Ian was a great character: he'd have to be to put up with Livia. He'd do anything for her, is dying for her to love him, thinks she is the most beautiful girl in the world—and even bends so low as to trick her into kissing him (she didn't appreciate that.). But he's all light-hearted, fun to be around, with a sexy Irish accent.
I really liked the ending. The whole story had good humor and good comic relief, but the ending was sweet, cute, and funny. It pulled everything together nicely, and left you with a smirk on your face. I say take it to the beach with an umbrella and lemonade. Or whatever other drink you like best.
Content/recommendation: some sex and sexual references, heavy language, ages 18+
~ Haleyknitz
Re-Read Update:
I am in love with this series, all over again. I have been wanting to re-read this series for a while and my recent-ish read of Wires and Nerve reignited my love of this series. It had been a while since I was in the world and I had forgotten how much I loved these books.
I love fairytales and Marissa Meyer’s retellings of the classic tales we’ve all grown up with are fantastic. She turns the mousey girl from the original fairytale into a relatable character that we fall in love with. Cinderella is not one of my favourite fairytales because I prefer my heroines to have a little more spunk and backbone, but Cinder is just perfect.
Kai is one of those characters that is just so good. He is incredibly kind to Cinder, even when he believes that she is just a mechanic with a grease mark on her forehead, despite his station in life generally lending itself to an air of superiority. Prince Kai only wants what is best for his people and the Commonwealth, willing to sacrifice himself for their well-being if need be. He is definitely one of my favourite male characters, although if I’m being honest I probably have a lot of those.
Most importantly, we meet Iko the droid with the faulty personality chip that we couldn’t fall in love with more. Her loyalty and pure desire to just be a person are heartwarming. (And also sad, because she is a droid and not treated like a person by anyone but Cinder.)
We don’t see much of the world that Cinder lives in beyond New Beijing aside from small, throwaway comments. The world building that is done though is vivid and allows the reader to see the city grow in their mind. As this is a re-read, I am also aware that the world building is expanded extensively over the course of the novels and can understand the more rudimentary foundation being laid here.
I appreciated the effortless melding of elements from the classic fairytale into this unique science fiction world. It is wonderfully done and the story is well written. I would highly recommend this series to young adult/teen readers who enjoy fairytale retellings, science fiction, and intricate, interconnected stories.
_
This is one of the books that I saw on display at my local library and completely judged the book by its cover. I didn't know what it was about, but it looked interesting and I put it on my mental TBR list. Many years later, I have finally gotten a chance to read it (and the rest of the series.) This book was completely worth the wait. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this book. It gave the reader wonderful little homages to the classic fairytale while weaving the story through a world and characters all its own.
The world building in this novel, while not expansive was wonderfully done. As a reader, I could imagine Cinder meandering down the dingy, packed streets of New Beijing while Kai fretted over his father in the ornate, sprawling palace. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or good books.
I am in love with this series, all over again. I have been wanting to re-read this series for a while and my recent-ish read of Wires and Nerve reignited my love of this series. It had been a while since I was in the world and I had forgotten how much I loved these books.
I love fairytales and Marissa Meyer’s retellings of the classic tales we’ve all grown up with are fantastic. She turns the mousey girl from the original fairytale into a relatable character that we fall in love with. Cinderella is not one of my favourite fairytales because I prefer my heroines to have a little more spunk and backbone, but Cinder is just perfect.
Kai is one of those characters that is just so good. He is incredibly kind to Cinder, even when he believes that she is just a mechanic with a grease mark on her forehead, despite his station in life generally lending itself to an air of superiority. Prince Kai only wants what is best for his people and the Commonwealth, willing to sacrifice himself for their well-being if need be. He is definitely one of my favourite male characters, although if I’m being honest I probably have a lot of those.
Most importantly, we meet Iko the droid with the faulty personality chip that we couldn’t fall in love with more. Her loyalty and pure desire to just be a person are heartwarming. (And also sad, because she is a droid and not treated like a person by anyone but Cinder.)
We don’t see much of the world that Cinder lives in beyond New Beijing aside from small, throwaway comments. The world building that is done though is vivid and allows the reader to see the city grow in their mind. As this is a re-read, I am also aware that the world building is expanded extensively over the course of the novels and can understand the more rudimentary foundation being laid here.
I appreciated the effortless melding of elements from the classic fairytale into this unique science fiction world. It is wonderfully done and the story is well written. I would highly recommend this series to young adult/teen readers who enjoy fairytale retellings, science fiction, and intricate, interconnected stories.
_
This is one of the books that I saw on display at my local library and completely judged the book by its cover. I didn't know what it was about, but it looked interesting and I put it on my mental TBR list. Many years later, I have finally gotten a chance to read it (and the rest of the series.) This book was completely worth the wait. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this book. It gave the reader wonderful little homages to the classic fairytale while weaving the story through a world and characters all its own.
The world building in this novel, while not expansive was wonderfully done. As a reader, I could imagine Cinder meandering down the dingy, packed streets of New Beijing while Kai fretted over his father in the ornate, sprawling palace. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or good books.
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Update: Winter is the final book in the Lunar Chronicles series (although the story does continue in graphic novel form.) It is definitely one of my favourite conclusions, as the story wraps up well and is satisfying. The reader is not left with myriad plot holes and questions. As this is the fourth book in the series, you need to read the first three before delving into this one otherwise you will be confused and majorly spoiled.
The world building continued even in this book and most importantly we were shown Luna. Before that, they story took place predominantly on Earth in either the European Union, the African Republic or the Eastern Commonwealth. Once transported to Luna, readers were better able to get a sense of the disparity between the Lunar Aristocracy and the rest of Luna's citizens. The palace and surrounding area of Artemisia are ornately decorated whereas the outer sectors live in squalor. The stunning contrast is reminiscent of our own world and gives us a glimpse into the change that needs to happen.
Although this story was supposed to delve deeper into Winter and Jacin's relationship (which it did) I felt that it was overshadowed by the overarching plot. It was really nice to see the two interact and Jacin's character be developed more. He can seem cold and removed most of the time, but his demeanor completely changes when he is around Winter. He cares about her so much and will do anything to ensure her well-being. My one criticism about the book is that these two didn't receive the same relationship development and story time as the other three pairings.
You fall in love with these characters and follow them on their journey from mechanic to revolutionary, criminal to captain, or even unsure to (mildly) confident. They feel real and make their way into your heart. Iko was her usual precious self and I was so happy to see her woven more into the story. You don't want to see their stories end and thankfully they don't because the author is continuing the series in graphic novel form.
I would highly recommend this series to young adult/teen readers even if science fiction or fairytale retellings aren't usually your thing. They're so fantastically written that I think they appeal to broad range of readers and genres.
Original Review: I read the entire series over the course of four days, novellas included. That is how wonderful it is. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this series and it did not disappoint. It gave the reader wonderful little homages to the classic fairytales while weaving the story through a world and characters all its own.
The world building in this novel was wonderfully done. As a reader, I could imagine the Lunar Palace as a place of opulence while those in the lower districts lived in poverty. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth. Each character had a unique personality and strength in the group. from fiery Scarlet to shy Cress and from flirty Thorn to tortured Wolf.
Sometimes conclusions to series just don't stand up to their legacy, but this was not one of those books. The author gave the reader everything they desired, climactic action scenes, wrapping up story threads while opening the door to future adventures, and leaving the reader satisfied. There's nothing worse than reading an amazing series that you become wholly invested in and then being utterly disappointed by the conclusion.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or really good books/series that you won't regret reading.
The world building continued even in this book and most importantly we were shown Luna. Before that, they story took place predominantly on Earth in either the European Union, the African Republic or the Eastern Commonwealth. Once transported to Luna, readers were better able to get a sense of the disparity between the Lunar Aristocracy and the rest of Luna's citizens. The palace and surrounding area of Artemisia are ornately decorated whereas the outer sectors live in squalor. The stunning contrast is reminiscent of our own world and gives us a glimpse into the change that needs to happen.
Although this story was supposed to delve deeper into Winter and Jacin's relationship (which it did) I felt that it was overshadowed by the overarching plot. It was really nice to see the two interact and Jacin's character be developed more. He can seem cold and removed most of the time, but his demeanor completely changes when he is around Winter. He cares about her so much and will do anything to ensure her well-being. My one criticism about the book is that these two didn't receive the same relationship development and story time as the other three pairings.
You fall in love with these characters and follow them on their journey from mechanic to revolutionary, criminal to captain, or even unsure to (mildly) confident. They feel real and make their way into your heart. Iko was her usual precious self and I was so happy to see her woven more into the story. You don't want to see their stories end and thankfully they don't because the author is continuing the series in graphic novel form.
I would highly recommend this series to young adult/teen readers even if science fiction or fairytale retellings aren't usually your thing. They're so fantastically written that I think they appeal to broad range of readers and genres.
Original Review: I read the entire series over the course of four days, novellas included. That is how wonderful it is. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this series and it did not disappoint. It gave the reader wonderful little homages to the classic fairytales while weaving the story through a world and characters all its own.
The world building in this novel was wonderfully done. As a reader, I could imagine the Lunar Palace as a place of opulence while those in the lower districts lived in poverty. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth. Each character had a unique personality and strength in the group. from fiery Scarlet to shy Cress and from flirty Thorn to tortured Wolf.
Sometimes conclusions to series just don't stand up to their legacy, but this was not one of those books. The author gave the reader everything they desired, climactic action scenes, wrapping up story threads while opening the door to future adventures, and leaving the reader satisfied. There's nothing worse than reading an amazing series that you become wholly invested in and then being utterly disappointed by the conclusion.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or really good books/series that you won't regret reading.
A Bibliophagist (113 KP) rated The Toll (Arc of a Scythe, #3) in Books
Feb 5, 2020
Characters (3 more)
Worldbuilding
Plot
Pacing
A fantasic finale
After the amazing cliffhanger of Thunderhead, I rushed to pick up this because I just HAD TO KNOW. This cover is even prettier, they really nailed this series (sans the transformers font) and I hope it inspires more YA books to hire illustrators and not photo manip garbage. I'm an Illustrator though, so I'm biased. This review will have spoilers for Thunderhead, so don't read if you haven't read that!
The Toll picks up immediately after Thunderhead. Goddard has returned the MidMerica, no one knows that he was demoted to apprentice and with the death of Scythe Curie he stands uncontested for replacing Xenocrates. Anastasia and Rowan rest at the bottom of the ocean, and Goddard has made the site a site of remembrance to avoid any evidence being drudged up. The sinking of Endura is also squarely blamed on Rowan, and the world suffers as the Thunderhead punishes everyone, marking them unsavory. Cutting off communication with all but one, our former unsavory, Greyson.
With the rise of Goddard, the Schism amongst the Scythedom widens. He seizes more power, overturns rules and makes new ones and slowly starts taking control of other nations. Dubbing himself the Overblade. The story arches over 3 years post Thunderhead, and we jump around a little bit. During the three years Goddard continues to take a chokehold on the world, Greyson suddenly finds himself a living god amongst the tonists and humanity, as the only one able to speak to the thunderhead, he takes on the role of the Tonist's mythological figure, The Toll. Acting as a go-between, and manipulating those around him to fulfill the Thunderhead's goals.
Meanwhile, Faraday continues his search for the land of nod, making serious headway and discovering something that makes the Thunderhead uncertain. So the Thunderhead starts making plans. Faraday finds himself stranded with his helper, far away from the Scythedom, the Thunderhead and the horrible things that have been happening far away. He knows nothing of the fate of Marie, Goddard, Citra, Rowan, or the world. Finally, in the third year since the sinking of Endura, Rowan and Citra are raised from the depths, squirreled away by the Amazonian Scythes before Goddard knows they aren't dead. Being raised from the dead did wonders for Goddard's cause, so can Anastaisa's return do wonders for the plight of the old guard? But first Anastasia must plan and play her cards right, digging deep in the Thunderheads back brain to piece together mysteries long since written off and uncover the secrets of the Scythedom.
This book was really good, and a very satisfying finale to the series. The already rich worldbuilding is made richer by his choice to cut the world off from the Thunderhead, showing us what happens when people lose their connection to the world. He believably shows the influence one charismatic politician can have, and how easy it is for things to fall into disarray. You can tell he had a gameplan when he wrote these books, because everything comes together just right, not loose ends, everything had a purpose. Characters are tested, grow and develop. New parts of the world are further explored, completing the picture he begun in the other two books. I thoroughly enjoyed his take on the age-old sci-fi trope of "How does the benevolent computer protect humans from themselves". Well written, and elevated, especially in terms of other YA fiction. Shusterman really wrote a fantastic series. Once again, the romance is understated, but the emotions run deep enough at this point to pull at your heartstrings and make you believe in their love, even if it came from somewhat unbelievable beginnings.
This series is well worth the read, and a breath of fresh air in an otherwise stale and formulaic YA world.
The Toll picks up immediately after Thunderhead. Goddard has returned the MidMerica, no one knows that he was demoted to apprentice and with the death of Scythe Curie he stands uncontested for replacing Xenocrates. Anastasia and Rowan rest at the bottom of the ocean, and Goddard has made the site a site of remembrance to avoid any evidence being drudged up. The sinking of Endura is also squarely blamed on Rowan, and the world suffers as the Thunderhead punishes everyone, marking them unsavory. Cutting off communication with all but one, our former unsavory, Greyson.
With the rise of Goddard, the Schism amongst the Scythedom widens. He seizes more power, overturns rules and makes new ones and slowly starts taking control of other nations. Dubbing himself the Overblade. The story arches over 3 years post Thunderhead, and we jump around a little bit. During the three years Goddard continues to take a chokehold on the world, Greyson suddenly finds himself a living god amongst the tonists and humanity, as the only one able to speak to the thunderhead, he takes on the role of the Tonist's mythological figure, The Toll. Acting as a go-between, and manipulating those around him to fulfill the Thunderhead's goals.
Meanwhile, Faraday continues his search for the land of nod, making serious headway and discovering something that makes the Thunderhead uncertain. So the Thunderhead starts making plans. Faraday finds himself stranded with his helper, far away from the Scythedom, the Thunderhead and the horrible things that have been happening far away. He knows nothing of the fate of Marie, Goddard, Citra, Rowan, or the world. Finally, in the third year since the sinking of Endura, Rowan and Citra are raised from the depths, squirreled away by the Amazonian Scythes before Goddard knows they aren't dead. Being raised from the dead did wonders for Goddard's cause, so can Anastaisa's return do wonders for the plight of the old guard? But first Anastasia must plan and play her cards right, digging deep in the Thunderheads back brain to piece together mysteries long since written off and uncover the secrets of the Scythedom.
This book was really good, and a very satisfying finale to the series. The already rich worldbuilding is made richer by his choice to cut the world off from the Thunderhead, showing us what happens when people lose their connection to the world. He believably shows the influence one charismatic politician can have, and how easy it is for things to fall into disarray. You can tell he had a gameplan when he wrote these books, because everything comes together just right, not loose ends, everything had a purpose. Characters are tested, grow and develop. New parts of the world are further explored, completing the picture he begun in the other two books. I thoroughly enjoyed his take on the age-old sci-fi trope of "How does the benevolent computer protect humans from themselves". Well written, and elevated, especially in terms of other YA fiction. Shusterman really wrote a fantastic series. Once again, the romance is understated, but the emotions run deep enough at this point to pull at your heartstrings and make you believe in their love, even if it came from somewhat unbelievable beginnings.
This series is well worth the read, and a breath of fresh air in an otherwise stale and formulaic YA world.
Heather Cranmer (2721 KP) rated Broken Symmetry in Books
Jun 7, 2018
(This review can be found on my blog <a href=http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> at the end of October).
The blurb to this book sounded super intriguing, and I knew right away that I had to read it. Luckily, I was right about it being intriguing even if the blurb was a little off.
Blair Adams' dad disappeared 12 years ago without a trace. One day, he mysteriously shows up coughing up blood and making no sense in what he says. He tells Blair that she was the one that actually vanished for 12 years, not him. When Blair's father dies suddenly, Blair makes it her mission to find out what happened to him. She decides to start interning where her father worked to try to make sense of everything. There, she finds out she has two extra sets of chromosomes and that she can crossover into a reflection by using a mirror. However, nothing is as straightforward as it may seem, and Blair may just meet the same fate as her father.
The title is definitely interesting. After reading the blurb, the title stood out to me more. I think Broken Symmetry is a fantastic choice for a title as this is what the book's main focus is.
I think the cover is pretty but boring. It doesn't really give its readers a clue as to what the book is going to be about other then some girl is going to be in it. I wish this would've had a more sci-fi feel to it. I would've also have liked to see something about mirrors or reflections as this is what the book focuses on.
The world building is decent enough although I couldn't get a real picture of it with all that scientific jargon which just confused me more than anything. There's also one scene in the book that involves a severed appendage and to save you from some mini spoilers, let's just say that it didn't seem medically possible due to how much time had elapsed. However, I'm not a doctor so maybe I'm wrong. Also, when the characters would cross over into a mirror, shouldn't their reflection have been right there on the other side? Perhaps I'm just over thinking things.
I definitely enjoyed the pacing! I felt that it takes off right way and just gets faster and faster. I was totally hooked the whole time! I couldn't wait to finish this book to see what would happen next although I was disappointed when it did end because I was totally enjoying it.
The plot was definitely grabbed my attention. I like the whole idea of being able to enter a parallel universe just by going through a mirror. It's a little bit scary to think about though. I kept wondering if I was just a reflection, so the plot line is one that certainly makes you think. I also enjoyed the sub-plot going on between Blair and Damian. There's not a hardcore romance sub-plot between the two, but there's definitely some romance in this book. I must mention that there's a couple of plot twists in this book. One was fairly easy to figure out especially as Blair kept being told that she was the one thing that didn't belong. The other twist was a bit more difficult for me to figure out.
I loved, loved, loved the characters! I loved how Blair went from the pretty, popular girl to hardcore girl fairly quickly just to find out what happened to her father. I loved her sarcasm and wit. She was super funny, and I just all around enjoyed reading about her. I also liked Damian with his sarcasm and wit that was enough to match Blair's. I loved his devil may care attitude about crossing over, but I would've liked to learn more about his back story such as how and why he ended up where he did. Mr. Donovan was also an interesting character. He came across as a caring father figure and mentor. He seemed very intelligent as well. I would've liked to read more about Amy though. I actually found her a bit fascinating.
As for the dialogue, it was extremely confusing due to all the scientific jargon. Most of the time, I ended up not really understanding what was going on because of it. I know Mr. Donovan is a scientist and supposed to be very intelligent, but the majority of the readers aren't going to understand all that scientific lingo. I was really surprised Blair understood it because I didn't understand one word of it really. Other then all the scientific mumbo jumbo, the dialogue is very interesting. I loved the banter between Blair and Damian the most. There are a few swear words in this book as well.
Overall, Broken Symmetry by Dan Rix is a truly interesting albeit scary read. It does leave you thinking what if" long after you've finished read it. I think if there wasn't so much scientific wording used, this could've been a 5 star read, but unfortunately, the dialogue is what lets it down a bit.
I'd recommend this book to those aged 15+ who like to ponder over things as well as those that want to get immersed in an interesting read.
(I won this book in paperback form through the Goodreads First Reads Program).
The blurb to this book sounded super intriguing, and I knew right away that I had to read it. Luckily, I was right about it being intriguing even if the blurb was a little off.
Blair Adams' dad disappeared 12 years ago without a trace. One day, he mysteriously shows up coughing up blood and making no sense in what he says. He tells Blair that she was the one that actually vanished for 12 years, not him. When Blair's father dies suddenly, Blair makes it her mission to find out what happened to him. She decides to start interning where her father worked to try to make sense of everything. There, she finds out she has two extra sets of chromosomes and that she can crossover into a reflection by using a mirror. However, nothing is as straightforward as it may seem, and Blair may just meet the same fate as her father.
The title is definitely interesting. After reading the blurb, the title stood out to me more. I think Broken Symmetry is a fantastic choice for a title as this is what the book's main focus is.
I think the cover is pretty but boring. It doesn't really give its readers a clue as to what the book is going to be about other then some girl is going to be in it. I wish this would've had a more sci-fi feel to it. I would've also have liked to see something about mirrors or reflections as this is what the book focuses on.
The world building is decent enough although I couldn't get a real picture of it with all that scientific jargon which just confused me more than anything. There's also one scene in the book that involves a severed appendage and to save you from some mini spoilers, let's just say that it didn't seem medically possible due to how much time had elapsed. However, I'm not a doctor so maybe I'm wrong. Also, when the characters would cross over into a mirror, shouldn't their reflection have been right there on the other side? Perhaps I'm just over thinking things.
I definitely enjoyed the pacing! I felt that it takes off right way and just gets faster and faster. I was totally hooked the whole time! I couldn't wait to finish this book to see what would happen next although I was disappointed when it did end because I was totally enjoying it.
The plot was definitely grabbed my attention. I like the whole idea of being able to enter a parallel universe just by going through a mirror. It's a little bit scary to think about though. I kept wondering if I was just a reflection, so the plot line is one that certainly makes you think. I also enjoyed the sub-plot going on between Blair and Damian. There's not a hardcore romance sub-plot between the two, but there's definitely some romance in this book. I must mention that there's a couple of plot twists in this book. One was fairly easy to figure out especially as Blair kept being told that she was the one thing that didn't belong. The other twist was a bit more difficult for me to figure out.
I loved, loved, loved the characters! I loved how Blair went from the pretty, popular girl to hardcore girl fairly quickly just to find out what happened to her father. I loved her sarcasm and wit. She was super funny, and I just all around enjoyed reading about her. I also liked Damian with his sarcasm and wit that was enough to match Blair's. I loved his devil may care attitude about crossing over, but I would've liked to learn more about his back story such as how and why he ended up where he did. Mr. Donovan was also an interesting character. He came across as a caring father figure and mentor. He seemed very intelligent as well. I would've liked to read more about Amy though. I actually found her a bit fascinating.
As for the dialogue, it was extremely confusing due to all the scientific jargon. Most of the time, I ended up not really understanding what was going on because of it. I know Mr. Donovan is a scientist and supposed to be very intelligent, but the majority of the readers aren't going to understand all that scientific lingo. I was really surprised Blair understood it because I didn't understand one word of it really. Other then all the scientific mumbo jumbo, the dialogue is very interesting. I loved the banter between Blair and Damian the most. There are a few swear words in this book as well.
Overall, Broken Symmetry by Dan Rix is a truly interesting albeit scary read. It does leave you thinking what if" long after you've finished read it. I think if there wasn't so much scientific wording used, this could've been a 5 star read, but unfortunately, the dialogue is what lets it down a bit.
I'd recommend this book to those aged 15+ who like to ponder over things as well as those that want to get immersed in an interesting read.
(I won this book in paperback form through the Goodreads First Reads Program).
Gareth von Kallenbach (980 KP) rated Cloud Atlas (2012) in Movies
Aug 7, 2019
While I am not familiar with the novel, I was not excited to review the film adaptation of David Mitchell’s Cloud Atlas. Though the Screenplay was written and directed by the Wachowskis (The Matrix) and Tom Tykwer (Run Lola Run) I did not know exactly what I was getting into. The trailer shows it as an epic sci-fi film crossing the time and lives of several stories and how everything and everyone is connected. Needless to say my curiosity was piqued. But I was nervous because I knew it would take a grand effort to keep this epic and ambitious project from falling flat. And well, I can honestly say that I am not quite sure if the combined effort succeeded.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Ande Thomas (69 KP) rated The Time Traveler's Wife in Books
May 30, 2019
I've been thinking a lot about what I would write about <i>The Time Traveler's Wife,</i> partly because it seems one usually falls into one of two camps: Love it, hate it. It turns out, I belong to the latter. I won't bother with the sci-fi elements, the could he/couldn't he, the exploration of time travel as a plot device - I'm always willing to engage with a story as long as it follows it's own rules. My problems run deeper.
Spoilers abound.
<spoiler>
First, I'd be remiss not to at least acknowledge the creepy factor of a 40 year old naked man befriending a 6 year old girl. It's been discussed ad nauseum, but I've got to put my two cents in.
The whole experience reeks of grooming. Henry shows up, naked, in a young girl's life and (although true) casually explains that he's a <i>time traveler</i>. Her imagination is hooked. Her very own secret Magic Man. Over the following years, their friendship blossoms, and Henry refuses to tell her anything about the future. He is friendly, charming even, and always respectful. But he remains an enigma. Clare is pulled in by the mystery of the Magic Man. All she knows are the dates of his future arrivals. Until one day he begins to break his rule and tell her that they will be together. They'll get married and be in love and have a life. What changed? Why is he suddenly willing to tell her snippets of her future life? Puberty. She admits her desire to be with him and he basically says "keep waiting, it'll happen."
From that moment, her life has been decided - by Henry, and for Henry. Clare spends the entirety of her teenage existence (and beyond) waiting on Henry. The whole of her character arc is basically one big middle finger to the Bechdel test. Henry leads her by a leash with clues and vague promises of the future. We'll be together when you're older (we're destined). We'll have sex on your 18th birthday (wait for me). We'll meet in Chicago (move to Chicago). Even after his dying breath, he subtly slides direction her way. "I hope you move on, but by the way, I'll drop by when you're EIGHTY. But by all means...move on." Is it coincidence that Henry's time traveling mimics an emotionally abusive relationship? Clare tells us, "Henry is an artist of another sort, a disappearing artist. Our life together in this too-small apartment is punctuated by Henry’s small absences. Sometimes he disappears unobtrusively . . . Sometimes it’s frightening." Sure, you say, but he can't help it. He wants to be there for her. <i>It's just the way he is.</i> It's not even hinted at. Multiple people tell Clare <b>to her face</b> that Henry is bad news. But she won't hear it, because he spent her entire childhood molding her into his wife.
The author doesn't hide the allusion to Homer. Rather, she beats us over the head with it. And sure, it makes sense; Clare is the patiently waiting wife, Henry the distant traveler. Even Alba takes up her role as Telemachus, going on her own journeys in search of her father. But do we need both main characters referring to Henry by name, as Odysseus? We get it, girl. You want to write your own romantic Odyssey. Ease up.
Oh, and by the way - Clare's quote above? That's one of her first comments on married life. Her first thoughts after the wedding are "Why is my husband always gone? Why am I always afraid for him?" Henry's first thoughts? "How can Clare listen to Cheap Trick?" Let me remind you that this is the guy who's willing to rattle off a comprehensive list of early punk before jumping up to join in singing a Prince song, but he's upset that his wife listens to The Eagles instead of some obscure as hell French punk band. Also, this man who is thrilled to share musical tastes with a young teen with a mohawk then laments that the kid can't find his own music and has to take his? He preaches the meaning of punk before privately questioning why those kids want to be punk? Here's a guy who's entire life was shaped by music - both of his parents made livings playing music written before they were even born, yet he can't comprehend why two preteens could (or should) like The Clash, or why Clare would like The Beatles. <i>Stay in your own time,</i> he is essentially saying, <i>leave the time traveling to me.</i>
The guy doesn't even realize the pain he causes. Ingrid asks him "Why were you so mean to me?" "Was I," he says, "I didn't want to be." I know, I know. Everyone around her didn't want him to see her or speak to her. But need I remind you - dude time travels and frequently gives himself tips from the future. "Hey pal, take it easy on Ingrid," or "Bro, Ingrid is really shaken up, don't listen to her family or doctor, she needs some closure." But of course, nothing can really change, everything is the way it is.
This is all before I even begin to mention how much Niffenegger LOVES to name-drop. Of course there's the aforementioned punk band name-vomit, mentions of Henry's parents' work can't go by without naming a specific piece, despite adding nothing to the story or our understanding of the characters, there are two separate references to Claude Levi-Strauss (why?), and various other casual mentions of figures that seem to serve no purpose other than to prove that Henry is smart, and knows smart people things.
</spoiler>
I wanted to like this book more, I thought it had a fascinating premise and an interesting perspective. Obviously, I'm not a regular consumer of romance, and I realize that the problems I have with this book are problems shared by a large portion of the genre. But I am positive that we can have a love story that isn't mired by (at best) morally ambiguous relationships. I understand it was a different world when it was published, and that's not directly anyone's fault. Questions of consent and power and respect have been thrust into the spotlight in the short years since this book was published, but that's the lens with which I have to peer through. Stop glorifying these vapid, and frankly, abusive relationships as the paragon of romance. We're better than this. We need to be.
Spoilers abound.
<spoiler>
First, I'd be remiss not to at least acknowledge the creepy factor of a 40 year old naked man befriending a 6 year old girl. It's been discussed ad nauseum, but I've got to put my two cents in.
The whole experience reeks of grooming. Henry shows up, naked, in a young girl's life and (although true) casually explains that he's a <i>time traveler</i>. Her imagination is hooked. Her very own secret Magic Man. Over the following years, their friendship blossoms, and Henry refuses to tell her anything about the future. He is friendly, charming even, and always respectful. But he remains an enigma. Clare is pulled in by the mystery of the Magic Man. All she knows are the dates of his future arrivals. Until one day he begins to break his rule and tell her that they will be together. They'll get married and be in love and have a life. What changed? Why is he suddenly willing to tell her snippets of her future life? Puberty. She admits her desire to be with him and he basically says "keep waiting, it'll happen."
From that moment, her life has been decided - by Henry, and for Henry. Clare spends the entirety of her teenage existence (and beyond) waiting on Henry. The whole of her character arc is basically one big middle finger to the Bechdel test. Henry leads her by a leash with clues and vague promises of the future. We'll be together when you're older (we're destined). We'll have sex on your 18th birthday (wait for me). We'll meet in Chicago (move to Chicago). Even after his dying breath, he subtly slides direction her way. "I hope you move on, but by the way, I'll drop by when you're EIGHTY. But by all means...move on." Is it coincidence that Henry's time traveling mimics an emotionally abusive relationship? Clare tells us, "Henry is an artist of another sort, a disappearing artist. Our life together in this too-small apartment is punctuated by Henry’s small absences. Sometimes he disappears unobtrusively . . . Sometimes it’s frightening." Sure, you say, but he can't help it. He wants to be there for her. <i>It's just the way he is.</i> It's not even hinted at. Multiple people tell Clare <b>to her face</b> that Henry is bad news. But she won't hear it, because he spent her entire childhood molding her into his wife.
The author doesn't hide the allusion to Homer. Rather, she beats us over the head with it. And sure, it makes sense; Clare is the patiently waiting wife, Henry the distant traveler. Even Alba takes up her role as Telemachus, going on her own journeys in search of her father. But do we need both main characters referring to Henry by name, as Odysseus? We get it, girl. You want to write your own romantic Odyssey. Ease up.
Oh, and by the way - Clare's quote above? That's one of her first comments on married life. Her first thoughts after the wedding are "Why is my husband always gone? Why am I always afraid for him?" Henry's first thoughts? "How can Clare listen to Cheap Trick?" Let me remind you that this is the guy who's willing to rattle off a comprehensive list of early punk before jumping up to join in singing a Prince song, but he's upset that his wife listens to The Eagles instead of some obscure as hell French punk band. Also, this man who is thrilled to share musical tastes with a young teen with a mohawk then laments that the kid can't find his own music and has to take his? He preaches the meaning of punk before privately questioning why those kids want to be punk? Here's a guy who's entire life was shaped by music - both of his parents made livings playing music written before they were even born, yet he can't comprehend why two preteens could (or should) like The Clash, or why Clare would like The Beatles. <i>Stay in your own time,</i> he is essentially saying, <i>leave the time traveling to me.</i>
The guy doesn't even realize the pain he causes. Ingrid asks him "Why were you so mean to me?" "Was I," he says, "I didn't want to be." I know, I know. Everyone around her didn't want him to see her or speak to her. But need I remind you - dude time travels and frequently gives himself tips from the future. "Hey pal, take it easy on Ingrid," or "Bro, Ingrid is really shaken up, don't listen to her family or doctor, she needs some closure." But of course, nothing can really change, everything is the way it is.
This is all before I even begin to mention how much Niffenegger LOVES to name-drop. Of course there's the aforementioned punk band name-vomit, mentions of Henry's parents' work can't go by without naming a specific piece, despite adding nothing to the story or our understanding of the characters, there are two separate references to Claude Levi-Strauss (why?), and various other casual mentions of figures that seem to serve no purpose other than to prove that Henry is smart, and knows smart people things.
</spoiler>
I wanted to like this book more, I thought it had a fascinating premise and an interesting perspective. Obviously, I'm not a regular consumer of romance, and I realize that the problems I have with this book are problems shared by a large portion of the genre. But I am positive that we can have a love story that isn't mired by (at best) morally ambiguous relationships. I understand it was a different world when it was published, and that's not directly anyone's fault. Questions of consent and power and respect have been thrust into the spotlight in the short years since this book was published, but that's the lens with which I have to peer through. Stop glorifying these vapid, and frankly, abusive relationships as the paragon of romance. We're better than this. We need to be.