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Phil Leader (619 KP) rated A Clockwork Orange in Books
Nov 11, 2019
Grab a moloko or hot chai and peet it with your rot while you viddy my malenky review with your glazzies, real horrorshow.
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Phil Leader (619 KP) rated The Long Utopia in Books
Nov 20, 2019
The Long Earth series of books presented an intriguing idea, that of being able to 'step' into parallel Earths, each an untouched wilderness and each one slightly different until they became very different planets. How would this affect people on a personal level and how would it affect the social and political stability of the original 'Datum Earth'?
The second book, The Long War explored the political theme further with the superpowers attempting to control the equivalent populations on the other Earths - and mostly meeting resistance to any governance at all. It also introduced the concept of the Next, a super intelligent sub-species of humanity.
The third book, The Long Mars had further incredible iterations of Earth on display and also did the same thing for Mars on a quest to discover a material to use to make a space elevator. The Next also started to organise and to separate themselves from the rest of humanity.
Each of these took the original concept and gave us more interesting worlds and lifeforms. Although the law of diminishing returns was starting to bite - Earth fatigue if you like - the main interest was in seeing what new ideas the authors could wrestle for each new Earth or Mars.
That is where this book fails. It is almost exclusively interested in only one copy of Earth, which comes under direct threat. All the usual suspects - Joshua, Sally, Lobsang and the Next must join forces to prevent a catastrophe threatening the whole Long Earth. There is also a sub-plot involving Joshua's antecedents which although interesting in itself is essentially a Long Earth short story of no relevance to the rest of the plot.
Whereas the previous books had a sense of wonder at each world, this loses that completely. It is in fact a completely standard science fiction story and probably would have been better told as a stand alone story rather than being shoe-horned into the Long Earth concept, which doesn't actually add anything interesting to it. It reads very much like Baxter wanted to write a story about a Dyson motor and as he was contracted to write a Long Earth novel, that's what was used. Unfortunately even this story is not well told with stilted and flaccid dialogue, zero character development and no dramatic tension at all. It was a real struggle to read in places, there is no zip or flow to the story or writing.
Various bits of the plot don't make a great deal of sense and the ending is very lame indeed with the chain of Long Earth worlds being essentially fixed by just thinking about it. The Next decide that Stan Berg, a newly discovered one of their kind, is the only one to 'fix' this despite basically no contact. They are supposed to be super intelligent and think many moves ahead but this just struck me as absurd.
Overall, I would only suggest that Long Earth completists read this. Those who enjoy the Long Earth for its diversity and novel concepts would be better off leaving this one on the shelf.
The second book, The Long War explored the political theme further with the superpowers attempting to control the equivalent populations on the other Earths - and mostly meeting resistance to any governance at all. It also introduced the concept of the Next, a super intelligent sub-species of humanity.
The third book, The Long Mars had further incredible iterations of Earth on display and also did the same thing for Mars on a quest to discover a material to use to make a space elevator. The Next also started to organise and to separate themselves from the rest of humanity.
Each of these took the original concept and gave us more interesting worlds and lifeforms. Although the law of diminishing returns was starting to bite - Earth fatigue if you like - the main interest was in seeing what new ideas the authors could wrestle for each new Earth or Mars.
That is where this book fails. It is almost exclusively interested in only one copy of Earth, which comes under direct threat. All the usual suspects - Joshua, Sally, Lobsang and the Next must join forces to prevent a catastrophe threatening the whole Long Earth. There is also a sub-plot involving Joshua's antecedents which although interesting in itself is essentially a Long Earth short story of no relevance to the rest of the plot.
Whereas the previous books had a sense of wonder at each world, this loses that completely. It is in fact a completely standard science fiction story and probably would have been better told as a stand alone story rather than being shoe-horned into the Long Earth concept, which doesn't actually add anything interesting to it. It reads very much like Baxter wanted to write a story about a Dyson motor and as he was contracted to write a Long Earth novel, that's what was used. Unfortunately even this story is not well told with stilted and flaccid dialogue, zero character development and no dramatic tension at all. It was a real struggle to read in places, there is no zip or flow to the story or writing.
Various bits of the plot don't make a great deal of sense and the ending is very lame indeed with the chain of Long Earth worlds being essentially fixed by just thinking about it. The Next decide that Stan Berg, a newly discovered one of their kind, is the only one to 'fix' this despite basically no contact. They are supposed to be super intelligent and think many moves ahead but this just struck me as absurd.
Overall, I would only suggest that Long Earth completists read this. Those who enjoy the Long Earth for its diversity and novel concepts would be better off leaving this one on the shelf.
Phil Leader (619 KP) rated Perfect Genesis: Adolescence in Books
Nov 21, 2019
This is a book of many levels and many emotions. Superficially it is a far-future science fiction book where societies have been engineered by some planet-spanning intelligence to create stable and sustainable places for humans to live. Under this runs a strong current of philosophy and meta physics about exactly what this means for the individuals involved - and the news isn't good.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
Sophia (Bookwyrming Thoughts) (530 KP) rated In The Shadow of Blackbirds in Books
Jan 23, 2020
I had this random tendency to not write a review, at all, for Cat Winters' <i>In the Shadow of Blackbirds</i>, to which the copy at the library had an extremely sucky synopsis (though the design IS pretty):
In a city filled with the dead and dying,
while a nightmarish war rages halfway across the world,
the grieving look for answers in photographs and séances.
It's 1918. San Diego.
And a girl who doesn't believe in spirits
steps off the train and into a new life...
Apparently the one sentence synopsis provided by the publisher (yes, I read those) is a lot more helpful than this inside jacket cover synopsis, which gives a the book a mysterious aura that separates it from the other 2015-2016 Gateway Award Nominees.
The book, albeit a fantastically creepy concept, apparently goes from one end of the spectrum to the other end of the spectrum by the end of the book.
The so-called beginning of the spectrum I'm speaking of is the absolute, complete paranoia of the time period. Literally all of the characters depicted throughout the book was highly addicted to onions, spirit photography, or shunning the Germans. Of course, the more historical fiction and actual historical texts I read of World War I, I sometimes find it highly hilarious mainly due to the simple fact that Americans actually came from Europe and the majority of them have German blood (okay, a lot of ya'll have European blood). Funny how that actually works.
The only characters that I actually liked was Mary Shelley Black (thankfully the main character) and Stephen Embers (or rather, Live Stephen and not Dead Stephen, who actually spent a good few times squishing Mary Shelley). Both Mary Shelley and Stephen were more "adventurous" (logic and science) and tended to stray from the rest of the pack. On the unfortunate side... dear old Stephen Embers is apparently dead, which eventually results in the book being one of your typical ghost stories/shows where the dead have unfinished business.
However, in Stephen's case, all Mary Shelley seems to get from him is something about blackbirds - blackbirds attacking him.
The other end of the spectrum, as the book continues and Mary Shelley gets closer to finding out Stephen's "unfinished" business, is apparently the book going from the main character being the most logical and unparanoid one to being one of the paranoid ones. She goes from being one of the logical ones who reasons and questions everything to someone who "freaked" out over a cough or "drowning" herself in onions. Onions are apparently the garlic of the book while the vampire is the influenza.
Simply put, <i>In the Shadow of Blackbirds</i> started to become a little bit too "insane" for my taste and for me to handle at certain points until the very end. Cat Winters' debut novel was a chilling read that left me walking away feeling mainly satisfied with how Stephen and Mary Shelley eventually come to terms with their relationship.
<a href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
In a city filled with the dead and dying,
while a nightmarish war rages halfway across the world,
the grieving look for answers in photographs and séances.
It's 1918. San Diego.
And a girl who doesn't believe in spirits
steps off the train and into a new life...
Apparently the one sentence synopsis provided by the publisher (yes, I read those) is a lot more helpful than this inside jacket cover synopsis, which gives a the book a mysterious aura that separates it from the other 2015-2016 Gateway Award Nominees.
The book, albeit a fantastically creepy concept, apparently goes from one end of the spectrum to the other end of the spectrum by the end of the book.
The so-called beginning of the spectrum I'm speaking of is the absolute, complete paranoia of the time period. Literally all of the characters depicted throughout the book was highly addicted to onions, spirit photography, or shunning the Germans. Of course, the more historical fiction and actual historical texts I read of World War I, I sometimes find it highly hilarious mainly due to the simple fact that Americans actually came from Europe and the majority of them have German blood (okay, a lot of ya'll have European blood). Funny how that actually works.
The only characters that I actually liked was Mary Shelley Black (thankfully the main character) and Stephen Embers (or rather, Live Stephen and not Dead Stephen, who actually spent a good few times squishing Mary Shelley). Both Mary Shelley and Stephen were more "adventurous" (logic and science) and tended to stray from the rest of the pack. On the unfortunate side... dear old Stephen Embers is apparently dead, which eventually results in the book being one of your typical ghost stories/shows where the dead have unfinished business.
However, in Stephen's case, all Mary Shelley seems to get from him is something about blackbirds - blackbirds attacking him.
The other end of the spectrum, as the book continues and Mary Shelley gets closer to finding out Stephen's "unfinished" business, is apparently the book going from the main character being the most logical and unparanoid one to being one of the paranoid ones. She goes from being one of the logical ones who reasons and questions everything to someone who "freaked" out over a cough or "drowning" herself in onions. Onions are apparently the garlic of the book while the vampire is the influenza.
Simply put, <i>In the Shadow of Blackbirds</i> started to become a little bit too "insane" for my taste and for me to handle at certain points until the very end. Cat Winters' debut novel was a chilling read that left me walking away feeling mainly satisfied with how Stephen and Mary Shelley eventually come to terms with their relationship.
<a href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated The Maze Runner (2014) in Movies
Aug 6, 2019
Kids have one heck of an imagination, and “The Maze Runner” gives off the impression that is exactly where its plot came from. The film is an adaption of the first book in the young adult sci-fi series written by James Dashner.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Snowpiercer (2013) in Movies
Aug 6, 2019
Korean director Joon-ho Bong takes us on a Science fiction ride with Snowpiercer. Based on the graphic novel Le Transperceneige, Snowpiercer is a story set on a train which acts as a human Noah’s Ark as it is the only place to survive after an attempt to stop global warming caused the planet to over freeze and become inhabitable. Not only is the train humanity’s last salvation, but it also mirrors human society as each portion of the train represents a different class structure. The poor and underprivileged are kept imprisoned in the back of the train, while the first class passengers are living in privilege in the front of the train. When the back of the train has finally had enough, they revolt and attempt to take control of the train and improve their place.
This is the film that Chris Evans chose to do in-between filming The Avengers and Captain America: Winter Soldier. In my opinion, he made a great choice. To me, Evans has always been just blah and one-dimensional. While he does not stray too far from how we have seen him act in the past, this film gives him a chance to show some depth and grit of character that we have not truly seen from him. Everyone looks at him as being the leader and you can see why. He embodies that character. I was impressed by his performance.
Along with Evans, Tilda Swinton helps carry this film from basic Sci-Fi ride to better than average film. She is fantastic in this film. She plays Mason, the governance of the train that helps keep things in order. She is the one that comes down from the front of the train and explains how and why the people in the back should keep their place. She steals the show with her presence every time she is on screen and gives a fantastic performance that causes us to both spite her, but also understand she is doing what is best for the train.
Without revealing too much about the story, the pacing of the film is great. It is not in a rush to get you from point A to point B, but rather takes the time to intertwine character development into story. The first half of the film is the revolt film where we see the dregs of life and the fight for freedom. The second half of the film is the reveal of wonderment where we see how the other side lives. In true Sci-Fi fashion, the story is a social commentary on our current place in society with regards to the richest 1% in the world. The revolt changes to a question of control which in turn changes to a question of true freedom, but at what cost?
I would recommend this film to any Sci-Fi fans or anyone looking for a thoughtful film and change of pace from the big summer blockbuster.
For a more in-depth discussion about the film, be sure to check out our podcast review.
This is the film that Chris Evans chose to do in-between filming The Avengers and Captain America: Winter Soldier. In my opinion, he made a great choice. To me, Evans has always been just blah and one-dimensional. While he does not stray too far from how we have seen him act in the past, this film gives him a chance to show some depth and grit of character that we have not truly seen from him. Everyone looks at him as being the leader and you can see why. He embodies that character. I was impressed by his performance.
Along with Evans, Tilda Swinton helps carry this film from basic Sci-Fi ride to better than average film. She is fantastic in this film. She plays Mason, the governance of the train that helps keep things in order. She is the one that comes down from the front of the train and explains how and why the people in the back should keep their place. She steals the show with her presence every time she is on screen and gives a fantastic performance that causes us to both spite her, but also understand she is doing what is best for the train.
Without revealing too much about the story, the pacing of the film is great. It is not in a rush to get you from point A to point B, but rather takes the time to intertwine character development into story. The first half of the film is the revolt film where we see the dregs of life and the fight for freedom. The second half of the film is the reveal of wonderment where we see how the other side lives. In true Sci-Fi fashion, the story is a social commentary on our current place in society with regards to the richest 1% in the world. The revolt changes to a question of control which in turn changes to a question of true freedom, but at what cost?
I would recommend this film to any Sci-Fi fans or anyone looking for a thoughtful film and change of pace from the big summer blockbuster.
For a more in-depth discussion about the film, be sure to check out our podcast review.
Cosmic Cabaret
Rosalie Redd, Jayne Fury, C.J. Cade, Kat Vancil, Blaire Edens, Diana Rivis, Tessa McFionn, Dena Garson, Selene Grace Silver, Cailin Briste, Athena Grayson , Jenna Lincoln and Kerry Adrienne
8.0
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Book
Where Hearts Collide in the Greatest Show in Space Join us aboard Blue Star Line’s crown jewel,...
Science_Fiction Romance Anthology
The Man Who Walked Through Walls
Marcel Ayme, Sophie Lewis and Yann Kebbi
Book
A collection of funny and fantastical short stories, Marcel Ayme's The Man Who Walked through Walls...
Star Wars: Rebellion
8.3
Rate It
Tabletop Game
Star Wars: Rebellion is a board game of epic conflict between the Galactic Empire and Rebel Alliance...
Boardgames StarwarsGames MiniaturesGames
