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Haley Mathiot (9 KP) rated Running on the Cracks in Books
Apr 27, 2018
Rating: 3-ish/5
<b> My Summary: </b> Leo is scared. She’s not quite sure what to think of her kooky uncle anymore, and she doesn’t want to take chances. What if he does something to her… Leo runs away. She goes in search of her grandparents, her only living relatives. She accidently gets her photo in the newspaper, and had to hide. She meets a boy named Finlay, who seems to be the one who’s going to put an end to her new freedom… at first anyway. But then Finlay becomes a friend to Leo, and he becomes her key to staying away from her uncle. Leo will do anything to keep from being found and being sent back there. She ends up staying with a crazy lady who is hospitable enough, but refuses to take her medication and whose friends aren’t much better. Then she realizes that her Uncle is on her tail. How will she stay away?
<b> What I thought: </b> Running on the Cracks was an enjoyable read. When I first saw the cover, I imagined an action filled YA novel with a lot of suspense. Although there was suspense, it wasn’t anything that got your blood racing. I thoroughly enjoyed this book when I sat down to read it, but I had to be in the right mood to do it.
<b> The Writing: </b> The format of writing was different than I’d read before, but it was very engaging. It switched viewpoints, had pieces of the story in written-story form (meaning a whole chapter was just a letter or a newspaper article or an e-mail), had whole sections where it was just dialogue (those were my favorite sections—mostly it was when characters were on the phone, and they were all very funny) and even had a few chapters from the “crazy” person’s perspective (it’s always interesting being inside the head of a madman…). Also, the writer has written the book in an accent, meaning that some of the words are spelled wrong so that you can hear it pronounced with an accent in your head—quite engaging and welcoming. The writing was good, but as it was foreign it was a little odd (i.e. “lead” instead of “leash” etc), but not in a bad way.
<b> The Characters: </b> The characters were pretty relatable. I felt scared for Leo when she was running from her Uncle, and sorry for Finlay when we was stressed about lying to his mom. The characters were really cool, well developed, and some of them were kooky. I really liked Leo and Finlay. They had such cool names! I loved the “President”, but the “Godfather” was my favorite. He was just so… weirdly cool… (I don’t know, maybe that’s because I’m a little insane myself). Not too much, I rather enjoyed it actually. It’s always fun to read something a little different.
<b> The Plot: </b> The plot was pretty believable, and I know that (sadly) there are true stories like this all the time. I don’t know how the police are over in Scotland but I doubt very seriously that Leo would have gotten away with hiding from the American police for as long as she did from the Scottish police (but that’s my opinion as a police and spy novel writer). Although there was suggestion of the Uncle trying to sexually abuse women in the book, it never actually happened, and it was very age appropriate.
<b> My Recommendation: </b> I would recommend it to a friend ages 11-15, maybe even a little younger, but not older than that. Again, I enjoyed it when I sat down to read it, but it wasn’t quite my personal attention level (I’m 18). All in all, I enjoyed this book a lot.
<i> Thank you to Henry Holt In Group for supplying my review copy of this book! </i>
For more reviews and giveaways,, please visit haleymathiot.blogspot.com
~Haleyknitz
<a href="http://haleymathiot.blogspot.com/2009/09/win-lockdown.html">PS- don’t forget—enter my giveaway for LOCKDOWN before October 20!
</a>
<b> My Summary: </b> Leo is scared. She’s not quite sure what to think of her kooky uncle anymore, and she doesn’t want to take chances. What if he does something to her… Leo runs away. She goes in search of her grandparents, her only living relatives. She accidently gets her photo in the newspaper, and had to hide. She meets a boy named Finlay, who seems to be the one who’s going to put an end to her new freedom… at first anyway. But then Finlay becomes a friend to Leo, and he becomes her key to staying away from her uncle. Leo will do anything to keep from being found and being sent back there. She ends up staying with a crazy lady who is hospitable enough, but refuses to take her medication and whose friends aren’t much better. Then she realizes that her Uncle is on her tail. How will she stay away?
<b> What I thought: </b> Running on the Cracks was an enjoyable read. When I first saw the cover, I imagined an action filled YA novel with a lot of suspense. Although there was suspense, it wasn’t anything that got your blood racing. I thoroughly enjoyed this book when I sat down to read it, but I had to be in the right mood to do it.
<b> The Writing: </b> The format of writing was different than I’d read before, but it was very engaging. It switched viewpoints, had pieces of the story in written-story form (meaning a whole chapter was just a letter or a newspaper article or an e-mail), had whole sections where it was just dialogue (those were my favorite sections—mostly it was when characters were on the phone, and they were all very funny) and even had a few chapters from the “crazy” person’s perspective (it’s always interesting being inside the head of a madman…). Also, the writer has written the book in an accent, meaning that some of the words are spelled wrong so that you can hear it pronounced with an accent in your head—quite engaging and welcoming. The writing was good, but as it was foreign it was a little odd (i.e. “lead” instead of “leash” etc), but not in a bad way.
<b> The Characters: </b> The characters were pretty relatable. I felt scared for Leo when she was running from her Uncle, and sorry for Finlay when we was stressed about lying to his mom. The characters were really cool, well developed, and some of them were kooky. I really liked Leo and Finlay. They had such cool names! I loved the “President”, but the “Godfather” was my favorite. He was just so… weirdly cool… (I don’t know, maybe that’s because I’m a little insane myself). Not too much, I rather enjoyed it actually. It’s always fun to read something a little different.
<b> The Plot: </b> The plot was pretty believable, and I know that (sadly) there are true stories like this all the time. I don’t know how the police are over in Scotland but I doubt very seriously that Leo would have gotten away with hiding from the American police for as long as she did from the Scottish police (but that’s my opinion as a police and spy novel writer). Although there was suggestion of the Uncle trying to sexually abuse women in the book, it never actually happened, and it was very age appropriate.
<b> My Recommendation: </b> I would recommend it to a friend ages 11-15, maybe even a little younger, but not older than that. Again, I enjoyed it when I sat down to read it, but it wasn’t quite my personal attention level (I’m 18). All in all, I enjoyed this book a lot.
<i> Thank you to Henry Holt In Group for supplying my review copy of this book! </i>
For more reviews and giveaways,, please visit haleymathiot.blogspot.com
~Haleyknitz
<a href="http://haleymathiot.blogspot.com/2009/09/win-lockdown.html">PS- don’t forget—enter my giveaway for LOCKDOWN before October 20!
</a>
Bob Mann (459 KP) rated The Mauritanian (2021) in Movies
Apr 14, 2021
Great acting from all four leads, especially Tahar Rahim (2 more)
Great use of screen ratios for flashbacks
Very thought provoking
War crimes don't just happen on the battlefield
It’s 2001. Bush and Rumsfeld seek vengeance on the perpetrators of 9/11. Quite right too. But rounding up hundreds of suspects and incarcerating them for years, without charge, in Guantánamo Bay in Cuba was an appalling act for a supposedly first-world country.
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
Heather Cranmer (2721 KP) rated Ugly by Kelly Vincent in Books
May 29, 2022
I was so happy when I read the synopsis for Ugly by Kelly Vincent. This sounded exactly like the kind of book I needed to get me out of my reading slump. I was correct in my assumption. I absolutely loved this book!
Ugly is the story of a teenager named Nicole, or Nic as she goes by since she hates being called Nicole, Nic is 16 years old and lives in Oklahoma. Nic is made fun of at school and everywhere she goes. She's constantly being mistaken for a male everywhere she goes. During her sophomore school year, she starts questioning her sexuality and her gender identity.
It's obvious that the author knew exactly what she was talking about before writing Ugly from being gender non-conforming to even the therapy sessions Nic goes to. Ugly is definitely a well written book for sure. I like how Ugly draws attention to the struggles of not conforming to every day gender and sexual standards. I also want to give a shout out to the author for mentioning asexuality in the book. (I wish more LGBTQ+ books would talk about asexuality.) However, one minor gripe I have is that it mentions a character might be asexual because they didn't want/hadn't been in a relationship. Asexuality is the lack of sexual attraction. Asexuals still can want a romantic relationship. Aromanticism is the lack of romantic attraction. (Even then, asexuality and aromanticism have many more identities under their umbrella.) If the character was an aromantic asexual, it would have made more sense why they didn't want a relationship. Other than that, I loved everything about Ugly. My favorite part of the book (although all of it was fantastic) was when Nic goes to Scotland and sees just how different the people over there are compared to the people in the United States. I felt the same way as Nic when I lived in the United Kingdom. It did feel like people in the UK were less judgmental and more accepting than people here in the US.
Reading Ugly was like being in the mind of a teenager throughout a school year in their life. While the book goes through even the mundane day to day life of Nic, I still thoroughly enjoyed reading about Nic's life. Her struggle of trying to fit in whilst being made fun of and bullied really resonated with me. I felt like I was reading a biography about my life almost. I've never identified more with a book before! I think many teens and adults that were bullied, even those that are secure in their sexuality, will be able to relate to Nic on some level. Nic was the most relatable character I have ever read about. I would have loved to be friends with someone like her back in school (and even today). I also loved Nic's best friend Sam. Sam was just about the opposite of Nic both personality wise and looks wise. I loved how much Sam really cared about Nic.
Trigger warnings for Ugly include profanity, underage drinking, some minor drug use, some talks of politics, child molestation (though the book doesn't go into detail), bullying (including characters telling another character "kill yourself"), and depression.
Overall, Ugly is a book that should be in every school library as well as every public library. I feel like it's such an important book for teens (and adults), especially for those struggling with their sexuality and/or gender identity in this day and age. The research the author has put into the book as well as the author's ability to write a solid novel help to make Ugly such a fantastic read. I would definitely recommend Ugly by Kelly Vincent to everyone aged 14+ whether they are part of the LGBTQ+ community or not. This is a book that everyone should read due to its important topic.
(A special thank you to Goddess Fish Promotions for providing me with an eBook of Ugly by Kelly Vincent in exchange for a fair and honest review.)
Ugly is the story of a teenager named Nicole, or Nic as she goes by since she hates being called Nicole, Nic is 16 years old and lives in Oklahoma. Nic is made fun of at school and everywhere she goes. She's constantly being mistaken for a male everywhere she goes. During her sophomore school year, she starts questioning her sexuality and her gender identity.
It's obvious that the author knew exactly what she was talking about before writing Ugly from being gender non-conforming to even the therapy sessions Nic goes to. Ugly is definitely a well written book for sure. I like how Ugly draws attention to the struggles of not conforming to every day gender and sexual standards. I also want to give a shout out to the author for mentioning asexuality in the book. (I wish more LGBTQ+ books would talk about asexuality.) However, one minor gripe I have is that it mentions a character might be asexual because they didn't want/hadn't been in a relationship. Asexuality is the lack of sexual attraction. Asexuals still can want a romantic relationship. Aromanticism is the lack of romantic attraction. (Even then, asexuality and aromanticism have many more identities under their umbrella.) If the character was an aromantic asexual, it would have made more sense why they didn't want a relationship. Other than that, I loved everything about Ugly. My favorite part of the book (although all of it was fantastic) was when Nic goes to Scotland and sees just how different the people over there are compared to the people in the United States. I felt the same way as Nic when I lived in the United Kingdom. It did feel like people in the UK were less judgmental and more accepting than people here in the US.
Reading Ugly was like being in the mind of a teenager throughout a school year in their life. While the book goes through even the mundane day to day life of Nic, I still thoroughly enjoyed reading about Nic's life. Her struggle of trying to fit in whilst being made fun of and bullied really resonated with me. I felt like I was reading a biography about my life almost. I've never identified more with a book before! I think many teens and adults that were bullied, even those that are secure in their sexuality, will be able to relate to Nic on some level. Nic was the most relatable character I have ever read about. I would have loved to be friends with someone like her back in school (and even today). I also loved Nic's best friend Sam. Sam was just about the opposite of Nic both personality wise and looks wise. I loved how much Sam really cared about Nic.
Trigger warnings for Ugly include profanity, underage drinking, some minor drug use, some talks of politics, child molestation (though the book doesn't go into detail), bullying (including characters telling another character "kill yourself"), and depression.
Overall, Ugly is a book that should be in every school library as well as every public library. I feel like it's such an important book for teens (and adults), especially for those struggling with their sexuality and/or gender identity in this day and age. The research the author has put into the book as well as the author's ability to write a solid novel help to make Ugly such a fantastic read. I would definitely recommend Ugly by Kelly Vincent to everyone aged 14+ whether they are part of the LGBTQ+ community or not. This is a book that everyone should read due to its important topic.
(A special thank you to Goddess Fish Promotions for providing me with an eBook of Ugly by Kelly Vincent in exchange for a fair and honest review.)
Eilidh G Clark (177 KP) rated The Sunlight Pilgrims in Books
May 13, 2017
Smashing novel
‘What are you meant to do when a humongous cloud is coming toward you on a sheer mountain drop? He lifts his phone and there are no bars, he can’t even google it. Two eagles spiral out of the cloud, calling to each other, and one has something small gripped in it’s claws. They coast on the wind – each wingspan must be about three feet – and they appear almost still.’
Jenni Fagan’s The Sunlight Pilgrims was published by Windmill Books in 2015 and for me, was a much-anticipated novel. After reading her debut novel, The Panopticon, my expectations were high and I was not disappointed. This is a pre-apocalyptic novel set in a fictional Scottish town of Clachan Fells in the not too distant future of 2020. The novel explores the lives of a community of eccentric individuals living in close the proximity of a caravan park. As the temperatures plunge into extreme minuses, the residents are faced with a bleak and uncertain future, not only of their own survival, but also the survival of the human race.
The most interesting thing about this novel is that on the surface, nothing really happens, yet it would be wise to look deeper. Amongst the daily challenges of individual lives, there lurks a thought provoking tale of identity, community, and environment.
The novel is written from the perspective of two of its main characters Stella – a transgender teenager and Dylan a Londoner who recently moves to Clachan Fells. The most interesting thing about these two characters is the perspectives that each individual has about place. For Stella, her world is a difficult place full of prejudice and rejection, even from her own father. Whilst her own personal identity is unquestionable, the community rejects her choices. This point of view provokes the reader to question the nature of identity, a topic often argued when discussing Scotland. From Stella’s point of view, her own identity is progressive, changing, developing while the society around her static. Alistair’s point of view however, allows the reader a modern and open approach. Described in the prologue as the Incomer (notice the capitalization) directs the reader towards Margaret Elphinstone’s novel The Incomer published in 1987. Elphinstone’s novel is a post-apocalyptic tale and, like Fagan’s, novel examines the question of identity. Thomas Christie suggests in Notional Identities, that Elphinstone is ‘depicting the country’s ability to adapt to extreme change¬ ̶ carving a form of localism from the bones of globalisation ̶ she recognises its progressive aptitude to embrace forces of social transformation while retaining recognisable core cultural imperatives.’ It is no coincidence that Fagan has subtly steered the reader to this novel; identity is clearly a topic that the author is keen to explore. Dylan is a progressive character in Fagan’s novel. Discovering Stella identity very early in the novel, the character never questions her choices or that of Mother who has two partners. Likewise, this progressive thinking expands to the other residents of the caravan park, which houses a prostitute, an alien worshipper, and a disabled man with a crooked back who worships the sky. Not only does Dylan accept people for who they are; his deep connection to the environment makes him instinctive as opposed to the more rational thinkers of the world.
Unlike many modern writers, Fagan raises more questions about society and identity than she answers. This is an interesting technique as it leaves the reader to question the novel as opposed to question to authors own political and societal views. That said there is no doubt that this is a Scottish novel. The story is steeped in Scottish mythical symbolism such as the blackbird that lands on a fence post with his eyes reflecting a vast mountain range, to the eagles and stag’s on the mountains. In addition, the characters take on mythical persona’s including a giant, a girl with second sight, and a moon polisher. With oral tales of Sunlight Pilgrims highlighting the Scottish oral storytelling tradition, and a poetic sentence structure done in true Fagan style this novel feels truly Scottish.
I would highly recommend this postmodern novel, which urges the reader to look beyond society and address the problems of ego and the rational mind in order to create a progressive unified world where outsiders are welcomed as incomers – a prevalent issue in today’s society.
Jenni Fagan’s The Sunlight Pilgrims was published by Windmill Books in 2015 and for me, was a much-anticipated novel. After reading her debut novel, The Panopticon, my expectations were high and I was not disappointed. This is a pre-apocalyptic novel set in a fictional Scottish town of Clachan Fells in the not too distant future of 2020. The novel explores the lives of a community of eccentric individuals living in close the proximity of a caravan park. As the temperatures plunge into extreme minuses, the residents are faced with a bleak and uncertain future, not only of their own survival, but also the survival of the human race.
The most interesting thing about this novel is that on the surface, nothing really happens, yet it would be wise to look deeper. Amongst the daily challenges of individual lives, there lurks a thought provoking tale of identity, community, and environment.
The novel is written from the perspective of two of its main characters Stella – a transgender teenager and Dylan a Londoner who recently moves to Clachan Fells. The most interesting thing about these two characters is the perspectives that each individual has about place. For Stella, her world is a difficult place full of prejudice and rejection, even from her own father. Whilst her own personal identity is unquestionable, the community rejects her choices. This point of view provokes the reader to question the nature of identity, a topic often argued when discussing Scotland. From Stella’s point of view, her own identity is progressive, changing, developing while the society around her static. Alistair’s point of view however, allows the reader a modern and open approach. Described in the prologue as the Incomer (notice the capitalization) directs the reader towards Margaret Elphinstone’s novel The Incomer published in 1987. Elphinstone’s novel is a post-apocalyptic tale and, like Fagan’s, novel examines the question of identity. Thomas Christie suggests in Notional Identities, that Elphinstone is ‘depicting the country’s ability to adapt to extreme change¬ ̶ carving a form of localism from the bones of globalisation ̶ she recognises its progressive aptitude to embrace forces of social transformation while retaining recognisable core cultural imperatives.’ It is no coincidence that Fagan has subtly steered the reader to this novel; identity is clearly a topic that the author is keen to explore. Dylan is a progressive character in Fagan’s novel. Discovering Stella identity very early in the novel, the character never questions her choices or that of Mother who has two partners. Likewise, this progressive thinking expands to the other residents of the caravan park, which houses a prostitute, an alien worshipper, and a disabled man with a crooked back who worships the sky. Not only does Dylan accept people for who they are; his deep connection to the environment makes him instinctive as opposed to the more rational thinkers of the world.
Unlike many modern writers, Fagan raises more questions about society and identity than she answers. This is an interesting technique as it leaves the reader to question the novel as opposed to question to authors own political and societal views. That said there is no doubt that this is a Scottish novel. The story is steeped in Scottish mythical symbolism such as the blackbird that lands on a fence post with his eyes reflecting a vast mountain range, to the eagles and stag’s on the mountains. In addition, the characters take on mythical persona’s including a giant, a girl with second sight, and a moon polisher. With oral tales of Sunlight Pilgrims highlighting the Scottish oral storytelling tradition, and a poetic sentence structure done in true Fagan style this novel feels truly Scottish.
I would highly recommend this postmodern novel, which urges the reader to look beyond society and address the problems of ego and the rational mind in order to create a progressive unified world where outsiders are welcomed as incomers – a prevalent issue in today’s society.
BookwormMama14 (18 KP) rated The Reluctant Duchess (Ladies of the Manor, #2) in Books
Jan 2, 2019
I have been looking forward to The Reluctant Duchess since the moment I finished book one, The Lost Heiress! As the mystery of the Fire Eyes continues, we will follow Lady Rowena on her journey of faith and love.
About the Book
By the year 1912, Lady Rowena has suffered much and is determined to flee the terrors of her life in the Highlands of Scotland. Yet she reluctant to submit to the schemes designed for her escape. In a rather unconventional way, Brice Myerston, the Duke of Nottingham, sweeps in and saves her from a daunting future. With the Duke, Lady Rowena has the chance of a new life, new love and a new hope that she never thought possible. (Please tell me I am not the only one who started humming the Star Wars theme song just now.) Yet she is plagued with nightmares of the past. Afraid that she will never be worthy, convinced that no one could care about her. Rowena also discovers that Brice is involved with a treasure that brings sorrow wherever it goes. Will Brice be able to help her see the true worth and the beauty that lies within her? Will she find her confidence, her voice and maybe fall in love along the way? Can they overcome the "curse" of the Fire Eyes, together?
"Be whoever you want to be, and be it with confidence."
- The Reluctant Duchess (page 156)
My Thoughts
While I have no personal understanding of the exact situation that Lady Rowena experiences, I know full well the horror of emotional trauma. I avoid talking about our experience in my reviews because, books are my escape. I didn't want the stress, the
trauma, to slip into my posts. But after reading this book, I felt that I needed to share just a little bit. We have been through a lot with our son (medically) since he was born two years ago. He underwent a lifesaving Bone Marrow Transplant (non cancerous diagnosis) at 9 weeks old and everything that goes along with that: being isolated because he is immune suppressed, constant doctor visits, being hospitalized with even the slightest hint of a fever and so much more. Thankfully we are now at the tail end of our journey. He made it through his first cold and was not hospitalized! (Although he had a quick visit to the E.R. per his protocol.) But the effects of the last two years remain. For me, the thought of having to spend the night in the hospital with my son has brought on severe anxiety. Going shopping alone is a real challenge for me as well. While this may seem trivial to some, it is very real for me. What Rowena undergoes, and what I have experienced ( although different triggers) can be explained as PTSD. Because of this, I feel it only fair to give a heads up that separate from Rowena's experience, there is a heart wrenching circumstance near the end of the book that involves a child. I was caught quite off guard with it and know that can be a sensitive subject. This book was a very hard read for me emotionally. It is not a comedy, however I did laugh out loud a couple of times. Love, faith, hope and joy can be found in The Reluctant Duchess as well. I love Brice's faith, that he is actively listening to God in every situation. He acts on the voice he hears, and even though he may misinterpret the words on occasion, he does not let the condensation of his peers sway his faith. Overall, I really enjoyed this second book in Ladies of the Manor. Because it helped me to see myself in a new light. Roseanna captured the essence of the story beautifully. I absolutely LOVE her use of accents throughout the dialogue. All through the story we are reminded of the truth: Where LIGHT is, darkness cannot abide. Do not let the fear of the past distort your view of the future. I understand first hand the effects that can linger after a traumatic experience. But please, do not suffer in silence. Reach out to those who love you. And find hope for the future.
Brice ducked his head a bit, caught her gaze.
"And if you really want to spite them, do you know what you should do?"
He leaned closer, pitched his voice low.
"Thrive. Be happy."
- The Reluctant Duchess (page 156)
I received a free print copy of The Reluctant Duchess from Bethany House Publishers, through Celebrate Lit, in exchange for my honest review. All opinions expressed are mine alone.
About the Book
By the year 1912, Lady Rowena has suffered much and is determined to flee the terrors of her life in the Highlands of Scotland. Yet she reluctant to submit to the schemes designed for her escape. In a rather unconventional way, Brice Myerston, the Duke of Nottingham, sweeps in and saves her from a daunting future. With the Duke, Lady Rowena has the chance of a new life, new love and a new hope that she never thought possible. (Please tell me I am not the only one who started humming the Star Wars theme song just now.) Yet she is plagued with nightmares of the past. Afraid that she will never be worthy, convinced that no one could care about her. Rowena also discovers that Brice is involved with a treasure that brings sorrow wherever it goes. Will Brice be able to help her see the true worth and the beauty that lies within her? Will she find her confidence, her voice and maybe fall in love along the way? Can they overcome the "curse" of the Fire Eyes, together?
"Be whoever you want to be, and be it with confidence."
- The Reluctant Duchess (page 156)
My Thoughts
While I have no personal understanding of the exact situation that Lady Rowena experiences, I know full well the horror of emotional trauma. I avoid talking about our experience in my reviews because, books are my escape. I didn't want the stress, the
trauma, to slip into my posts. But after reading this book, I felt that I needed to share just a little bit. We have been through a lot with our son (medically) since he was born two years ago. He underwent a lifesaving Bone Marrow Transplant (non cancerous diagnosis) at 9 weeks old and everything that goes along with that: being isolated because he is immune suppressed, constant doctor visits, being hospitalized with even the slightest hint of a fever and so much more. Thankfully we are now at the tail end of our journey. He made it through his first cold and was not hospitalized! (Although he had a quick visit to the E.R. per his protocol.) But the effects of the last two years remain. For me, the thought of having to spend the night in the hospital with my son has brought on severe anxiety. Going shopping alone is a real challenge for me as well. While this may seem trivial to some, it is very real for me. What Rowena undergoes, and what I have experienced ( although different triggers) can be explained as PTSD. Because of this, I feel it only fair to give a heads up that separate from Rowena's experience, there is a heart wrenching circumstance near the end of the book that involves a child. I was caught quite off guard with it and know that can be a sensitive subject. This book was a very hard read for me emotionally. It is not a comedy, however I did laugh out loud a couple of times. Love, faith, hope and joy can be found in The Reluctant Duchess as well. I love Brice's faith, that he is actively listening to God in every situation. He acts on the voice he hears, and even though he may misinterpret the words on occasion, he does not let the condensation of his peers sway his faith. Overall, I really enjoyed this second book in Ladies of the Manor. Because it helped me to see myself in a new light. Roseanna captured the essence of the story beautifully. I absolutely LOVE her use of accents throughout the dialogue. All through the story we are reminded of the truth: Where LIGHT is, darkness cannot abide. Do not let the fear of the past distort your view of the future. I understand first hand the effects that can linger after a traumatic experience. But please, do not suffer in silence. Reach out to those who love you. And find hope for the future.
Brice ducked his head a bit, caught her gaze.
"And if you really want to spite them, do you know what you should do?"
He leaned closer, pitched his voice low.
"Thrive. Be happy."
- The Reluctant Duchess (page 156)
I received a free print copy of The Reluctant Duchess from Bethany House Publishers, through Celebrate Lit, in exchange for my honest review. All opinions expressed are mine alone.
Gareth von Kallenbach (965 KP) rated Skyfall (2012) in Movies
Aug 7, 2019
It has been four years since Daniel Craig graced the screen as James Bond, in large part due to financial issues with MGM studio. Thankfully the matters were resolved and Academy award-winning director Sam Mendes kept his schedule free to avoid any conflicts that would have kept him from filming the latest chapter in the series. “Skyfall” has a very satisfying and enjoyable plot that twist and turns yet is not difficult to follow as it takes the audience on an emotional roller coaster.
After being wounded in the line of duty, Bond has gone missing and is assumed dead by everyone at MI6. While recuperating, Bond is in no hurry to let the world or his former comrades know that he still alive, becoming very dependent on alcohol and medication to help him cope.
A list of all the operatives in deep cover operations has fallen into the wrong hands which places not only the agents’ lives, but the effectiveness of the British Secret Service, in grave danger. As a result, the head of MI6, M (Dame Judy Dench), is fighting not only for the lives of her agents, but for her very career as she is strongly encourage to ease into retirement by the new government minister named Gareth Mallory (Ralph Fiennes).
As if M’s troubles could not get any worse without her primary operative, an explosion rocks the MI6 headquarters as M returns from her meeting with Mallory. It becomes very clear that the person in possession of list has a personal score to settle with M, and delights in taunting her and her agents online as he executes a deadly plan of revenge.
Following the explosion, Bond resurfaces and demands to return to active duty despite having physical and mental issues as a result of his last mission. Mallory and others urge Bond to get out of the game and leave it for younger men, but Bond’s sense of honor and duty drive him to face the challenge.
With exotic locales ranging from Shanghai, Macau, Turkey, as well as London and Scotland, “Skyfall” captures the best of Bond with a gripping story that will have you hooked for the film’s entire 2 1/2 hours run time.
The introduction of Javier Bardem to the series was a masterful stroke as he plays a Bond villain unlike others. He is not a mega-millionaire bent on conquering the world, but rather he is a sympathetic and somewhat tragic figure that is a very kindred spirit to Bond himself.
The hallmark of the series has always been great action pieces and stunt work and “Skyfall”, does not disappoint in this category. I am very impressed with how computer generated effects were kept to an absolute minimum in the movie and how Craig and cast really went all out for their demanding and physical roles.
Mendes is to be commended for his work. Not only is the film wonderful to look at capturing the darkness of the world Bond operates in as well as the lavish beauty of the locales in which he travels. The stark contrast between light and dark in the film aptly portrays the psyche of Bond as he’s truly a person haunted by demons and the film even allows us greater insight into his character and past than has previously been seen before.
Naomi Harris and Bérénice Marlohe are the latest of Bond girls and they prove that they are more than just eye candy for the film, as they both are complex and strong women who complement the story well instead of being gratuitous sidekicks and obligatory damsels in distress.
The action-filled finale is very satisfying and the film concludes very well setting up the next chapters in the series very well. I had not been as big offensive glass to Daniel Craig films as I have of certain past Bond films. My biggest issue was that the new version of bond comes across more as a common thug rather than the suave, sophisticated, gentleman killer that I had grown to associate with bond.
This time around the film has much more of a balance in this regard as there is a quiet strength to Craig’s performance as he seems more comfortable in the role than he had in previous outings. We know that he can carry the physical demands of the role, this time around Mendes encouraged him to open up his emotional range which allowed for a more diverse and complex Bond than we had seen previously. I truly think that his work in “The Girl with the Dragon Tattoo” really helped Craig as he did a masterful job playing a complex character with flaws, and seemed much more comfortable in bringing more bonds demons to light.
I’m extremely happy with the film and especially love the movie’s dénouement which, for me, promises a very good and eagerly anticipated direction for future films.
After being wounded in the line of duty, Bond has gone missing and is assumed dead by everyone at MI6. While recuperating, Bond is in no hurry to let the world or his former comrades know that he still alive, becoming very dependent on alcohol and medication to help him cope.
A list of all the operatives in deep cover operations has fallen into the wrong hands which places not only the agents’ lives, but the effectiveness of the British Secret Service, in grave danger. As a result, the head of MI6, M (Dame Judy Dench), is fighting not only for the lives of her agents, but for her very career as she is strongly encourage to ease into retirement by the new government minister named Gareth Mallory (Ralph Fiennes).
As if M’s troubles could not get any worse without her primary operative, an explosion rocks the MI6 headquarters as M returns from her meeting with Mallory. It becomes very clear that the person in possession of list has a personal score to settle with M, and delights in taunting her and her agents online as he executes a deadly plan of revenge.
Following the explosion, Bond resurfaces and demands to return to active duty despite having physical and mental issues as a result of his last mission. Mallory and others urge Bond to get out of the game and leave it for younger men, but Bond’s sense of honor and duty drive him to face the challenge.
With exotic locales ranging from Shanghai, Macau, Turkey, as well as London and Scotland, “Skyfall” captures the best of Bond with a gripping story that will have you hooked for the film’s entire 2 1/2 hours run time.
The introduction of Javier Bardem to the series was a masterful stroke as he plays a Bond villain unlike others. He is not a mega-millionaire bent on conquering the world, but rather he is a sympathetic and somewhat tragic figure that is a very kindred spirit to Bond himself.
The hallmark of the series has always been great action pieces and stunt work and “Skyfall”, does not disappoint in this category. I am very impressed with how computer generated effects were kept to an absolute minimum in the movie and how Craig and cast really went all out for their demanding and physical roles.
Mendes is to be commended for his work. Not only is the film wonderful to look at capturing the darkness of the world Bond operates in as well as the lavish beauty of the locales in which he travels. The stark contrast between light and dark in the film aptly portrays the psyche of Bond as he’s truly a person haunted by demons and the film even allows us greater insight into his character and past than has previously been seen before.
Naomi Harris and Bérénice Marlohe are the latest of Bond girls and they prove that they are more than just eye candy for the film, as they both are complex and strong women who complement the story well instead of being gratuitous sidekicks and obligatory damsels in distress.
The action-filled finale is very satisfying and the film concludes very well setting up the next chapters in the series very well. I had not been as big offensive glass to Daniel Craig films as I have of certain past Bond films. My biggest issue was that the new version of bond comes across more as a common thug rather than the suave, sophisticated, gentleman killer that I had grown to associate with bond.
This time around the film has much more of a balance in this regard as there is a quiet strength to Craig’s performance as he seems more comfortable in the role than he had in previous outings. We know that he can carry the physical demands of the role, this time around Mendes encouraged him to open up his emotional range which allowed for a more diverse and complex Bond than we had seen previously. I truly think that his work in “The Girl with the Dragon Tattoo” really helped Craig as he did a masterful job playing a complex character with flaws, and seemed much more comfortable in bringing more bonds demons to light.
I’m extremely happy with the film and especially love the movie’s dénouement which, for me, promises a very good and eagerly anticipated direction for future films.
Mark Jaye (65 KP) rated Avengers: Infinity War (2018) in Movies
May 12, 2019
To Infinity....and Beyond!
Contains spoilers, click to show
Perhaps it's the eternal child in me, the three year old boy who developed a passion for superheroes after first seeing the 1966 Batman movie in the cinema (re-run of course, this was the 70's!), but this is without doubt the best film I have ever seen! Running at around 2 hours and 20 minutes in length (that's prior to the end credits mind you!) this movie brings together plot strands and characters from the Marvel Cinematic Universe's 10 year tapestry in what I will only describe as an epic thrill-ride.
I'm sure if you're reading this you know the plot. Thanos - the granite jawed world killer from the planet Titan, is rounding up the 6 all powerful infinity stones with which he plans to restore the balance of the universe through essentially wiping out 50% of everything. All that stands in his way are The Avengers, the Guardians of the Galaxy, Doctor Strange, Spiderman, Black Panther, and probably a few I've forgotten to mention! And that's pretty much the story.
We pick things up directly from the mid credits scene of Thor: Ragnarok where the refugee Asgardians, Bruce Banner, and Loki encountered a spaceship of epic proportions. We all knew it at the time... Thanos! Within the first five minutes or so we already have our first casualties at the hands of the purple behemoth which sets the tone for what follows. In possession of two of the stones Thanos dispatches his 'children' - the Black Order, to Earth to retrieve the Mind and Time stones whilst he tracks down the remaining ones. At quite a quick pace our heroes are introduced into the chaos and by employing this structure the writers ably break down the ensemble into smaller manageable groups. Stark, Peter Parker, and Doctor Strange are hurled into the vastness of Space where they encounter Peter Quill and some of his merry misfits, Thor and some of the other Guardians go off in search off forging a weapon to defeat Thanos, and Rogers, Romanoff, Wilson, Rhodes and Maximoff take Vision to Wakanda in order to try and separate the Mind Stone from him with the aid of T'Challa, Shuri and Okaye. Gamora finds herself the prisoner of her adoptive father - a storyline that gives both Brolin and Saldana a chance to really show their worth. Those are effectively the four story strands at play and each is a joy in its own right.
Each character stays true to form with Hemsworth taking the character along he rediscovered in 'Ragnarok' - albeit with some added darkness from the movie's opening moments. Chris Pratt is sheer joy as Quill/Starlord and his interplay with Stark and Hemsworth is a joy to behold. Tom Holland gets one of the best lines when responding to a question from Quill regarding a certain Kevin Bacon movie! Top marks also go to the man who launched this universe a decade ago as Iron Man - yes, Robert Downey Jr knocks it out of the park as a Tony Stark far removed from that we encountered back in the first movie of the MCU. His performance at the climax is simply first rate.
With such a large cast there are characters who don't get as much to do as others although everyone get's a 'moment or two' amongst proceedings. Those that particularly stand out, however, are Robert Downey Jr's Iron Man (reiterating my earlier comments), Chris Hemsworth as Thor (likewise), Zoe Saldana as Gamora (ditto), Chris Pratt as Starlord/Peter Quill (and again), Paul Bettany as Vision and Elisabeth Olsen as Wanda/Scarlet Witch. Surprisingly, Chris Evans doesn't seem to get much to do other than play an active role in a number of excellent battle sequences, although his introduction into the movie along with Black Widow and Falcon as they turn up in Scotland to save the day for Vision and Wanda Maximoff from the Black Order was a personal fist thumping the air moment!
There's simply so much to talk about and I'll stop myself there. If, like myself, you just can't avoid spoilers then chances are you know what happens in this movie by now...including that ending!!
Thanos is the perfect villain, fantastically realised, and given real motivation for his actions - the guy thinks he's showing mercy to the universe! I wouldn't agree that this is his movie as the film-makers have repeatedly stated however he is the central cog that keeps things turning.~Josh Brolin does an exceptional job in bringing Thanos to life. Given the feedback and reaction to Steppenwolf in the DCEU there could have been obvious concerns around another CGI villain. Fear not, the technology is exceptional and Brolin's features are evident 100% making Thanos a living creation.
Alan Silvestri's score is the perfect fit and really compliments the action unfolding on the screen. During the aforementioned fist in the air moment as Steve Rogers, Black Widow, and Falcon make their first appearance to take on the Black Order, Silvestri's 'Avengers' theme kicks in creating pure movie magic.
Simply put, this movie is pure perfection.
I'm sure if you're reading this you know the plot. Thanos - the granite jawed world killer from the planet Titan, is rounding up the 6 all powerful infinity stones with which he plans to restore the balance of the universe through essentially wiping out 50% of everything. All that stands in his way are The Avengers, the Guardians of the Galaxy, Doctor Strange, Spiderman, Black Panther, and probably a few I've forgotten to mention! And that's pretty much the story.
We pick things up directly from the mid credits scene of Thor: Ragnarok where the refugee Asgardians, Bruce Banner, and Loki encountered a spaceship of epic proportions. We all knew it at the time... Thanos! Within the first five minutes or so we already have our first casualties at the hands of the purple behemoth which sets the tone for what follows. In possession of two of the stones Thanos dispatches his 'children' - the Black Order, to Earth to retrieve the Mind and Time stones whilst he tracks down the remaining ones. At quite a quick pace our heroes are introduced into the chaos and by employing this structure the writers ably break down the ensemble into smaller manageable groups. Stark, Peter Parker, and Doctor Strange are hurled into the vastness of Space where they encounter Peter Quill and some of his merry misfits, Thor and some of the other Guardians go off in search off forging a weapon to defeat Thanos, and Rogers, Romanoff, Wilson, Rhodes and Maximoff take Vision to Wakanda in order to try and separate the Mind Stone from him with the aid of T'Challa, Shuri and Okaye. Gamora finds herself the prisoner of her adoptive father - a storyline that gives both Brolin and Saldana a chance to really show their worth. Those are effectively the four story strands at play and each is a joy in its own right.
Each character stays true to form with Hemsworth taking the character along he rediscovered in 'Ragnarok' - albeit with some added darkness from the movie's opening moments. Chris Pratt is sheer joy as Quill/Starlord and his interplay with Stark and Hemsworth is a joy to behold. Tom Holland gets one of the best lines when responding to a question from Quill regarding a certain Kevin Bacon movie! Top marks also go to the man who launched this universe a decade ago as Iron Man - yes, Robert Downey Jr knocks it out of the park as a Tony Stark far removed from that we encountered back in the first movie of the MCU. His performance at the climax is simply first rate.
With such a large cast there are characters who don't get as much to do as others although everyone get's a 'moment or two' amongst proceedings. Those that particularly stand out, however, are Robert Downey Jr's Iron Man (reiterating my earlier comments), Chris Hemsworth as Thor (likewise), Zoe Saldana as Gamora (ditto), Chris Pratt as Starlord/Peter Quill (and again), Paul Bettany as Vision and Elisabeth Olsen as Wanda/Scarlet Witch. Surprisingly, Chris Evans doesn't seem to get much to do other than play an active role in a number of excellent battle sequences, although his introduction into the movie along with Black Widow and Falcon as they turn up in Scotland to save the day for Vision and Wanda Maximoff from the Black Order was a personal fist thumping the air moment!
There's simply so much to talk about and I'll stop myself there. If, like myself, you just can't avoid spoilers then chances are you know what happens in this movie by now...including that ending!!
Thanos is the perfect villain, fantastically realised, and given real motivation for his actions - the guy thinks he's showing mercy to the universe! I wouldn't agree that this is his movie as the film-makers have repeatedly stated however he is the central cog that keeps things turning.~Josh Brolin does an exceptional job in bringing Thanos to life. Given the feedback and reaction to Steppenwolf in the DCEU there could have been obvious concerns around another CGI villain. Fear not, the technology is exceptional and Brolin's features are evident 100% making Thanos a living creation.
Alan Silvestri's score is the perfect fit and really compliments the action unfolding on the screen. During the aforementioned fist in the air moment as Steve Rogers, Black Widow, and Falcon make their first appearance to take on the Black Order, Silvestri's 'Avengers' theme kicks in creating pure movie magic.
Simply put, this movie is pure perfection.
Gareth von Kallenbach (965 KP) rated T2 Trainspotting (2017) in Movies
Jul 12, 2019
The first time I saw Trainspotting was my senior year of high school. At the time, I knew that I wanted to get involved in film, and I really did for about ¾ of a year after I graduated. I looked at movies for their artistry and cinematography even at a young age. I was a band geek, so music was also things I would love about movies. I was deep for a 17-year-old, or so I thought any way. But I explain this to you so you don’t think that I loved this movie simply because of the drug use or humor it presented. I have always been of the mind to find something I like about a movie, watch it for what it is, and try to just find the enjoyment value (I know, weird coming from a film reviewer). I didn’t even have to try for Trainspotting. It was the complete package, and ground breaking. It also introduced me to Ewan McGregor, who is one of my favorite actors. I loved the movie so much, I bought Irvine Welsh’s book that the movie was based on of the same title, Trainspotting, which I highly recommend simply for the fact that it’s written in phonetic Scottish. I never picked up Porno, the literary sequel to Trainspotting, but I hear it is bizarre and will need to pick it up, but not because of this movie. I’ll explain in a moment.
Naturally, when the announcement was made for a second Trainspotting movie, I was both excited and terrified at the same time. The first was so good, why did Hollywood need to ruin it with a sequel that has a bigger budget. What was promising was that it was announced that the entire cast of characters (that survived from the first film) would be back, including Diane (Kelly MacDonald). But it’s been 20 years. Typically, when you see sequels come out even after only 10 years, the whole film seems a contrite, forced replication of the first. Hell, look at all the criticism for the Hangover films being exactly that, and they were only a few years apart. Whether the script feels forced just for the sake of a sequel, or the actors are trying too hard to be the character they played many years prior, it never quite works. So, as we neared the release date, I was getting more and more weary of seeing the film. Then, the trailer dropped.
Damn the trailer looked good. And I will tell you, the movie did not fall into the trap of forced sequels. The main cast came back and played the characters perfectly. Not as they were, but as the people they grew to be over the 20-year period. The plot was fun and pointless, with all of the same charm as its predecessor. I saw the movie with fellow SKNR staffer Joshua Aja, and we had a pretty good conversation following the film. We both came to the same conclusion, that neither of us could remember the last time we saw a film that just that good.
So now to the actual meat of the review itself. What was the movie about? Well, I won’t give away too much, but I will give you a quick recap of the events leading up to this film. Basically, do you remember the end of Trainspotting? Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle) had successfully pulled off a heist, and Renton was making off with the money while everyone slept, except Spud of course who saw Renton leaving but didn’t say anything. As a result, Renton left Spud’s share of the cash for him in a locker. Okay; all caught up.
T2 Trainspotting picks up 20 years later. Renton comes back to Scotland because his mother passed away, he ends up reuniting with Spud, and eventually Sick Boy, who we now know by his real name, Simon. Begbie is in prison because, well… he’s Begbie, but he doesn’t stay there long. Tempers fly, old feelings flare, and not every reunited moment is met with glee. But soon enough, Renton, Simon and Spud are drawn into old habits, though not old drugs, and start to build money up to open a ‘sauna’ (read: undercover brothel) for Simon’s girlfriend, Veronika (Angela Nedyalkova). It’s not long before Begbie shows up and starts mucking things up leading to a suspenseful conclusion between Renton, Simon and Begbie.
That’s all I can say. There was an excellent use of the history from the first film, and of course we get another fantastic ‘Choose Life’ speech from Renton. The soundtrack, while not quite as good as the first, still holds its own very well. And be sure to look for the Bowie tribute, since it was he who helped Danny Boyle obtain a lot of music rights on the cheap for the first film. And, you will find Spud’s writings throughout the movie to be lifted, verbatim, from the Trainspotting by Irvine Welsh. But what’s interesting, is that there is not a lot that relates this film to the literary sequel, Porno. Much of the plot of this film is taken from, or at least inspired by, parts of the book that were not used in the first film. That combined with some new writing and storytelling from Irvine Welsh and John Hodge.
Bottom line: if you liked the Trainspotting even in the slightest, you will absolutely enjoy T2 Trainspotting. A phenomenal job by cast, crew, and writers, and an excellent soundtrack will leave you wanting a trilogy. This is only the third film I have given a perfect score to in my 7 years of reviewing films, and it is well deserved. Go see this movie.
Naturally, when the announcement was made for a second Trainspotting movie, I was both excited and terrified at the same time. The first was so good, why did Hollywood need to ruin it with a sequel that has a bigger budget. What was promising was that it was announced that the entire cast of characters (that survived from the first film) would be back, including Diane (Kelly MacDonald). But it’s been 20 years. Typically, when you see sequels come out even after only 10 years, the whole film seems a contrite, forced replication of the first. Hell, look at all the criticism for the Hangover films being exactly that, and they were only a few years apart. Whether the script feels forced just for the sake of a sequel, or the actors are trying too hard to be the character they played many years prior, it never quite works. So, as we neared the release date, I was getting more and more weary of seeing the film. Then, the trailer dropped.
Damn the trailer looked good. And I will tell you, the movie did not fall into the trap of forced sequels. The main cast came back and played the characters perfectly. Not as they were, but as the people they grew to be over the 20-year period. The plot was fun and pointless, with all of the same charm as its predecessor. I saw the movie with fellow SKNR staffer Joshua Aja, and we had a pretty good conversation following the film. We both came to the same conclusion, that neither of us could remember the last time we saw a film that just that good.
So now to the actual meat of the review itself. What was the movie about? Well, I won’t give away too much, but I will give you a quick recap of the events leading up to this film. Basically, do you remember the end of Trainspotting? Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle) had successfully pulled off a heist, and Renton was making off with the money while everyone slept, except Spud of course who saw Renton leaving but didn’t say anything. As a result, Renton left Spud’s share of the cash for him in a locker. Okay; all caught up.
T2 Trainspotting picks up 20 years later. Renton comes back to Scotland because his mother passed away, he ends up reuniting with Spud, and eventually Sick Boy, who we now know by his real name, Simon. Begbie is in prison because, well… he’s Begbie, but he doesn’t stay there long. Tempers fly, old feelings flare, and not every reunited moment is met with glee. But soon enough, Renton, Simon and Spud are drawn into old habits, though not old drugs, and start to build money up to open a ‘sauna’ (read: undercover brothel) for Simon’s girlfriend, Veronika (Angela Nedyalkova). It’s not long before Begbie shows up and starts mucking things up leading to a suspenseful conclusion between Renton, Simon and Begbie.
That’s all I can say. There was an excellent use of the history from the first film, and of course we get another fantastic ‘Choose Life’ speech from Renton. The soundtrack, while not quite as good as the first, still holds its own very well. And be sure to look for the Bowie tribute, since it was he who helped Danny Boyle obtain a lot of music rights on the cheap for the first film. And, you will find Spud’s writings throughout the movie to be lifted, verbatim, from the Trainspotting by Irvine Welsh. But what’s interesting, is that there is not a lot that relates this film to the literary sequel, Porno. Much of the plot of this film is taken from, or at least inspired by, parts of the book that were not used in the first film. That combined with some new writing and storytelling from Irvine Welsh and John Hodge.
Bottom line: if you liked the Trainspotting even in the slightest, you will absolutely enjoy T2 Trainspotting. A phenomenal job by cast, crew, and writers, and an excellent soundtrack will leave you wanting a trilogy. This is only the third film I have given a perfect score to in my 7 years of reviewing films, and it is well deserved. Go see this movie.