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Dean Gregory (18 KP) rated Scotland Yard in Tabletop Games
Jun 5, 2019
Clever asymmetrical gameplay (2 more)
Strategic
Beginner rules available for younger players
Catch Me If You Can
Scotland Yard is an asymmetrical game of deduction and deception, depending on which role you take. Mister X must move in secret to stay out of the reach of the law long enough to escape London (22 turns), while the detectives must work together to trap and capture him.
The board is a map of London divided into numbered stations and linked together by coloured lines, depicting routes and different modes of transport - yellow for taxis, blue for buses and red for the underground. There are also a handful of black routes for ferries, which are available only to Mister X under special rules.
The mechanic of a player moving in complete secret on a tabletop game is one I never would have thought was possible, but Scotland Yard manages to pull it off, and make it work well. Mister X plots their movements with the use of a special pad and paper by writing down the station number they occupy, covering it with the ticket they used to make their move. This is the only clue the detectives have as to where X might be. It works extremely well.
Mister X also has access to two special tickets - a X2 ticket allows them to make two moves in one, and a black ticket allows them to use any mode of transport, with the added bonus of showing them to take ferry routes. Smart use of these powers is necessary to get out of scrapes, as they also have to reveal their location every 5 moves, starting with move 3.
Detectives have a limited number of tickets for each mode of transport, so in order to win they need to coordinate their movements so they don't waste tickets unnecessarily. However, if there are less than 4 detective players, each detective not controlled by a player is replaced with a police officer who is universally controlled. The police can move freely without the need for tickets, making them far more versatile than detectives. This is presumably to balance the difficulty for smaller teams, but it ends up making a game with all 4 detectives considerably harder than a game with only 3. The level of care and consideration that must go into each move makes playing the detectives a completely different experience to playing as Mister X.
I came into the game thinking it would be heavily skewed in Mister X's favour. After all, most of the moves they make are in secret, they're completely unhindered by tickets, and they get a couple of special powers to boot. On top of that, the detectives first two moves are complete guesswork, so X gets a head start. In practice though, staying 3 steps ahead of the detectives is vital to survival, and when they work together well it can be ready for X to put themselves in an impossible situation. It takes careful planning to stay ahead of the game.
There is a beginner mode which is aimed at younger players. The differences are that the number of rounds Mister X needs to survive for is 13 instead of 22, red underground routes are unavailable to all players, and most of all, Mister X remains in the board all game, only disappearing on the turns where he would appear in the regular game. I can't really offer an opinion on this version, but I can see the appeal of it, even if it defeats the concept of the game a bit.
This is a bonafide classic, and a solid challenge no matter which role you take on. As long as the game doesn't devolve into a series of guesses and lucky breaks (which, due to the nature of Mister X's movements, can be a regular issue), it offers an evening of smart gameplay with a solid replay value.
The board is a map of London divided into numbered stations and linked together by coloured lines, depicting routes and different modes of transport - yellow for taxis, blue for buses and red for the underground. There are also a handful of black routes for ferries, which are available only to Mister X under special rules.
The mechanic of a player moving in complete secret on a tabletop game is one I never would have thought was possible, but Scotland Yard manages to pull it off, and make it work well. Mister X plots their movements with the use of a special pad and paper by writing down the station number they occupy, covering it with the ticket they used to make their move. This is the only clue the detectives have as to where X might be. It works extremely well.
Mister X also has access to two special tickets - a X2 ticket allows them to make two moves in one, and a black ticket allows them to use any mode of transport, with the added bonus of showing them to take ferry routes. Smart use of these powers is necessary to get out of scrapes, as they also have to reveal their location every 5 moves, starting with move 3.
Detectives have a limited number of tickets for each mode of transport, so in order to win they need to coordinate their movements so they don't waste tickets unnecessarily. However, if there are less than 4 detective players, each detective not controlled by a player is replaced with a police officer who is universally controlled. The police can move freely without the need for tickets, making them far more versatile than detectives. This is presumably to balance the difficulty for smaller teams, but it ends up making a game with all 4 detectives considerably harder than a game with only 3. The level of care and consideration that must go into each move makes playing the detectives a completely different experience to playing as Mister X.
I came into the game thinking it would be heavily skewed in Mister X's favour. After all, most of the moves they make are in secret, they're completely unhindered by tickets, and they get a couple of special powers to boot. On top of that, the detectives first two moves are complete guesswork, so X gets a head start. In practice though, staying 3 steps ahead of the detectives is vital to survival, and when they work together well it can be ready for X to put themselves in an impossible situation. It takes careful planning to stay ahead of the game.
There is a beginner mode which is aimed at younger players. The differences are that the number of rounds Mister X needs to survive for is 13 instead of 22, red underground routes are unavailable to all players, and most of all, Mister X remains in the board all game, only disappearing on the turns where he would appear in the regular game. I can't really offer an opinion on this version, but I can see the appeal of it, even if it defeats the concept of the game a bit.
This is a bonafide classic, and a solid challenge no matter which role you take on. As long as the game doesn't devolve into a series of guesses and lucky breaks (which, due to the nature of Mister X's movements, can be a regular issue), it offers an evening of smart gameplay with a solid replay value.
Emma @ The Movies (1786 KP) rated Beats (2019) in Movies
Sep 25, 2019
When this came up as an Unlimited Screening I shrugged my shoulders and booked my ticket. I didn't know anything about it and the very brief synopsis I read didn't really change that.
Johnno and Spanner are life long friends. Johnno is sensible and has a relatively stable family life while Spanner is suffering from living in his brother's criminal shadow.
When Spanner finds out that Johnno's mum is moving them up in the world to a new house with her policeman boyfriend he's devastated and steals money from his brother to fuel one last great night out for them both.
Firstly, I can't for the life of me work out why this was filmed in black and white, from personal recollections 1994 was pretty colourful, even in Scotland. The only reason I can conclude, as a viewer, is so that they could add a tie-dye electric nightmare at the rave to illustrate the drug-fuelled euphoria in a rather predictable visual way. Neither particularly added anything to the proceedings.
The highlight when it came to the acting in Beats was Lorn Macdonald as Spanner. The different sides of his character were shown so well. We get a peek at the person Johnno knows him to be and not the person he's perceived to be. Macdonald managed to bring a vulnerability to Spanner and reminded us that friends are the family you choose.
Johnno as a character confused me a bit, he was all over the place. Quiet and shy for the most part with the odd outburst that didn't feel like they fit the situation. Cristian Ortega wasn't bad in this part but the muddled character traits throughout left me cold to Johnno.
Beats obviously contains a lot of music and I was pleased that it wasn't always played a full volume. We open with the pair dancing to music and you expect it to be excessively loud. They kept it at a relatively low level but managed to give you the impression it was louder by the way everyone reacted to it. I can't work out whether that was a good or a bad way to start because I keep pondering on that point, being loud would have been accurate but I probably would have been grumbling about that fact right now.
The rave itself felt very accurate but it was tremendously difficult to watch. It really gave you the impression that you were in it, the only trouble with that is that when you are actually in it you're not trying to watch what's happening. Perhaps we could have cranked it up and had audience participation.
Beats is a story of friendship that happens to coincide with a time of change for the music scene in Scotland. There are touching moments in it, mainly around Spanner, but the rest of the film felt like it was trying to be too artistic. There's probably a very niche audience of music lovers out there for this but there were just too many moments that made me frown to give this a higher rating.
On the topic of ratings, as a final point... Beats was rated 18 and I would assume that this was for the drug use and domestic violence. This is me being numb to all things offensive I guess but it really didn't feel like it needed an 18.
What you should do
If you were/are partial to a rave then give this a go, but it's not something I'd generally recommend.
Movie thing you wish you could take home
I'd love the energy to party like that... what a distant memory.
Johnno and Spanner are life long friends. Johnno is sensible and has a relatively stable family life while Spanner is suffering from living in his brother's criminal shadow.
When Spanner finds out that Johnno's mum is moving them up in the world to a new house with her policeman boyfriend he's devastated and steals money from his brother to fuel one last great night out for them both.
Firstly, I can't for the life of me work out why this was filmed in black and white, from personal recollections 1994 was pretty colourful, even in Scotland. The only reason I can conclude, as a viewer, is so that they could add a tie-dye electric nightmare at the rave to illustrate the drug-fuelled euphoria in a rather predictable visual way. Neither particularly added anything to the proceedings.
The highlight when it came to the acting in Beats was Lorn Macdonald as Spanner. The different sides of his character were shown so well. We get a peek at the person Johnno knows him to be and not the person he's perceived to be. Macdonald managed to bring a vulnerability to Spanner and reminded us that friends are the family you choose.
Johnno as a character confused me a bit, he was all over the place. Quiet and shy for the most part with the odd outburst that didn't feel like they fit the situation. Cristian Ortega wasn't bad in this part but the muddled character traits throughout left me cold to Johnno.
Beats obviously contains a lot of music and I was pleased that it wasn't always played a full volume. We open with the pair dancing to music and you expect it to be excessively loud. They kept it at a relatively low level but managed to give you the impression it was louder by the way everyone reacted to it. I can't work out whether that was a good or a bad way to start because I keep pondering on that point, being loud would have been accurate but I probably would have been grumbling about that fact right now.
The rave itself felt very accurate but it was tremendously difficult to watch. It really gave you the impression that you were in it, the only trouble with that is that when you are actually in it you're not trying to watch what's happening. Perhaps we could have cranked it up and had audience participation.
Beats is a story of friendship that happens to coincide with a time of change for the music scene in Scotland. There are touching moments in it, mainly around Spanner, but the rest of the film felt like it was trying to be too artistic. There's probably a very niche audience of music lovers out there for this but there were just too many moments that made me frown to give this a higher rating.
On the topic of ratings, as a final point... Beats was rated 18 and I would assume that this was for the drug use and domestic violence. This is me being numb to all things offensive I guess but it really didn't feel like it needed an 18.
What you should do
If you were/are partial to a rave then give this a go, but it's not something I'd generally recommend.
Movie thing you wish you could take home
I'd love the energy to party like that... what a distant memory.
Kaz (232 KP) rated The Wasp Factory in Books
May 15, 2019
A Sinister, but Excellent Read
I've just finished 'The Wasp Factory' by Iain Banks and all I can say is wow!
This story is told by Frank, a 16 year old boy, who lives on a remote island in Scotland with his father. This is about Frank, his very dysfunctional family and trying to find his brother, who has escaped from a mental institution.
What I love about this book is the way in which Iain Banks writes characters. Frank is such a complex character that, although in essence he is an evil person, there are flashes of innocence and sensitivity about him, that you can't help but like him. One moment you feel like he is the only reasonable member of his family and then gradually, you realize his true character. Despite that, you feel sorry for Frank and the life that he has grown up in and the next, completely horrified by some of the things he does in the novel. He's not just a bad character, which in turn, makes him all the more believable.
I also liked some of the dark humour in this novel. Some of the more disturbing stories of Frank's family history were told in such a way, as to make them funny. I felt guilty for laughing at times, but I couldn't help it!
Away from the story itself, I liked how the novel comments on human nature's need for power and to overpower others. This idea is relevant in the areas of gender, politics and society.
This novel isn't plot driven, but character driven, so the story was a bit slow at times. However, I was not expecting the twist at the end.
This might not be for everyone, because it is so dark and at times, really intense. However, I thought this was a brilliant first read for 2019.
I would give this 5 starts, but I have to knock a point off, because this book dragged a couple of times.
This story is told by Frank, a 16 year old boy, who lives on a remote island in Scotland with his father. This is about Frank, his very dysfunctional family and trying to find his brother, who has escaped from a mental institution.
What I love about this book is the way in which Iain Banks writes characters. Frank is such a complex character that, although in essence he is an evil person, there are flashes of innocence and sensitivity about him, that you can't help but like him. One moment you feel like he is the only reasonable member of his family and then gradually, you realize his true character. Despite that, you feel sorry for Frank and the life that he has grown up in and the next, completely horrified by some of the things he does in the novel. He's not just a bad character, which in turn, makes him all the more believable.
I also liked some of the dark humour in this novel. Some of the more disturbing stories of Frank's family history were told in such a way, as to make them funny. I felt guilty for laughing at times, but I couldn't help it!
Away from the story itself, I liked how the novel comments on human nature's need for power and to overpower others. This idea is relevant in the areas of gender, politics and society.
This novel isn't plot driven, but character driven, so the story was a bit slow at times. However, I was not expecting the twist at the end.
This might not be for everyone, because it is so dark and at times, really intense. However, I thought this was a brilliant first read for 2019.
I would give this 5 starts, but I have to knock a point off, because this book dragged a couple of times.
Billie Wichkan (118 KP) rated The Haunting of Henderson Close in Books
May 22, 2019
The Haunting of Henderson Close
Hannah has relocated to Edinburgh and now works as a performing tour guide regaling tourists with the goings on in the spooky derelict Henderson Close. Together with colleagues they bring the past to life as they play the parts of real people who lived there and spin tales of the spooky and historical past, some really gruesome. But then she starts to see shadows, she has flashes where she feels weird and, well, has some really rather scary experiences. But she's not alone, one of the other guides has experienced similar and then some of the tourists also start to see things. What is happening? Are the legends and stories of what went before coming back? Who are the people that Hannah keeps seeing, and what do they really want?
I was intrigued by the classification of The Haunting of Henderson Close as a horror, mystery and thriller novel as these are my favourites.
I loved all the hints at ghosts and supernatural activity but sadly it all got a bit confusing for me as it progressed. The flashbacks and present just seemed to clash and not move seamlessly together. At times I felt possibly the author meant for the book to be more of a Victorian mystery rather than supernatural.
The use of location was one of the main strengths of the book, as the descriptions of 19th century Edinburgh were detailed and made it easy to imagine just what Victorian Scotland used to look like; really amazing and descriptive.
The ending I found a bit lacking as I had an idea built u in my of something climatic and it wasn’t.
The story itself intrigued me, the setting especially; all in all, a story that kept my attention nicely throughout and left me mostly satisfied at its conclusion.
My thanks go to the Publisher and Netgalley for the chance to read this book.
Hannah has relocated to Edinburgh and now works as a performing tour guide regaling tourists with the goings on in the spooky derelict Henderson Close. Together with colleagues they bring the past to life as they play the parts of real people who lived there and spin tales of the spooky and historical past, some really gruesome. But then she starts to see shadows, she has flashes where she feels weird and, well, has some really rather scary experiences. But she's not alone, one of the other guides has experienced similar and then some of the tourists also start to see things. What is happening? Are the legends and stories of what went before coming back? Who are the people that Hannah keeps seeing, and what do they really want?
I was intrigued by the classification of The Haunting of Henderson Close as a horror, mystery and thriller novel as these are my favourites.
I loved all the hints at ghosts and supernatural activity but sadly it all got a bit confusing for me as it progressed. The flashbacks and present just seemed to clash and not move seamlessly together. At times I felt possibly the author meant for the book to be more of a Victorian mystery rather than supernatural.
The use of location was one of the main strengths of the book, as the descriptions of 19th century Edinburgh were detailed and made it easy to imagine just what Victorian Scotland used to look like; really amazing and descriptive.
The ending I found a bit lacking as I had an idea built u in my of something climatic and it wasn’t.
The story itself intrigued me, the setting especially; all in all, a story that kept my attention nicely throughout and left me mostly satisfied at its conclusion.
My thanks go to the Publisher and Netgalley for the chance to read this book.
Phillip McSween (751 KP) rated Under the Skin (2014) in Movies
Feb 9, 2018
Hoped For More
Under the Skin was doing just fine...until it took a strange direction that I really couldn't get behind. I can't explain it without ruining the movie so I won't. I'm not saying it's not worth watching at least once. However, even if you end up liking it, your appreciation for the film may not be immediate.
I say that because it took me awhile to digest some of the messages sprinkled throughout the film because I was too busy trying to focus on what was actually happening plot-wise. The film preaches that we are victims of our own desires, the things we should probably stay away from but can't. When we don't get the things that we want, we would rather destroy those things than treat them as a loss and move on. How many times have you heard, "I didn't want that job anyway" or "I hate that team. They win too much"? If we can't have the good thing, then no one should have it.
With strong messages like these, It's a wonder the film wasn't better. Overall, it just felt like a puzzle with missing pieces. You're guessing continuously, expecting things to fall into place at some point, but they never do. Again, not a bad film...it just could have been so much more. I expected more excitement and intrigue from a film about an alien female roaming Scotland streets luring men into her van.
For what it's worth, the film does a great job of grabbing your attention and curiosity immediately, setting a tone that demands your attention. Scarlett Johansson was great in her role as Laura the alien life form. You can't help but relate to her struggle of trying to blend in while trying to complete her mission at the same time. Perhaps that was another message: We shouldn't try and change who we are to fit in with social norms. A few tweaks could have made this film a lot better. Overall I give Under the Skin a 75.
I say that because it took me awhile to digest some of the messages sprinkled throughout the film because I was too busy trying to focus on what was actually happening plot-wise. The film preaches that we are victims of our own desires, the things we should probably stay away from but can't. When we don't get the things that we want, we would rather destroy those things than treat them as a loss and move on. How many times have you heard, "I didn't want that job anyway" or "I hate that team. They win too much"? If we can't have the good thing, then no one should have it.
With strong messages like these, It's a wonder the film wasn't better. Overall, it just felt like a puzzle with missing pieces. You're guessing continuously, expecting things to fall into place at some point, but they never do. Again, not a bad film...it just could have been so much more. I expected more excitement and intrigue from a film about an alien female roaming Scotland streets luring men into her van.
For what it's worth, the film does a great job of grabbing your attention and curiosity immediately, setting a tone that demands your attention. Scarlett Johansson was great in her role as Laura the alien life form. You can't help but relate to her struggle of trying to blend in while trying to complete her mission at the same time. Perhaps that was another message: We shouldn't try and change who we are to fit in with social norms. A few tweaks could have made this film a lot better. Overall I give Under the Skin a 75.
Christina Haynes (148 KP) rated The Book Jumper in Books
Sep 18, 2018
The Book Jumper
Amy Lennox is a book jumper, only she doesn't know this until she arrives in Scotland with her mother Alexis. There she finds out she comes from a long line of Book Jumpers along with another family. Now a book jumper is exactly what it sounds like. You have the ability to jump into any book you like by sliding it over your face and bamn your inside. Name your favourite book and your there, in the pages of the book. Your not just in the book living the lives of the characters, your in the book able to talk to whoever you like and go wherever you like. Only you can't interfere with the story itself, but your able to go among the pages as you please. The purpose of a Book Jumper is to protect literature and keep things safe, so that the stories don't change.
Amy learns how to be one through lessons with the other students who to can Book Jump. She learns the history of the two families and how a manuscript 100's of years ago was destroyed. She is then given her first book to jump into and protect - The Jungle Book.
Whilst Amy is in the world of books she meets some great allies and experiences some great stories. But whilst she is in one book with a friend of hers, she hears that someone or something has been stealing ideas from the stories. They are stealing the thing that makes that story, the thing that starts that story off...
But who is stealing these ideas, on the island she lives there is only around 6 people. But is the thief from the island or is there more to who is stealing and why?
This book was so good and I loved every moment of it.
☕☕☕☕ 4 – I REALLY LIKED IT
Love,
Christina xx
Amy learns how to be one through lessons with the other students who to can Book Jump. She learns the history of the two families and how a manuscript 100's of years ago was destroyed. She is then given her first book to jump into and protect - The Jungle Book.
Whilst Amy is in the world of books she meets some great allies and experiences some great stories. But whilst she is in one book with a friend of hers, she hears that someone or something has been stealing ideas from the stories. They are stealing the thing that makes that story, the thing that starts that story off...
But who is stealing these ideas, on the island she lives there is only around 6 people. But is the thief from the island or is there more to who is stealing and why?
This book was so good and I loved every moment of it.
☕☕☕☕ 4 – I REALLY LIKED IT
Love,
Christina xx
Eleanor (1463 KP) rated The Mercies in Books
Jan 23, 2020 (Updated Jan 23, 2020)
A Chilling Tale of Witch Hunting
Throughout this book, I felt cold and kept having to pile on the blankets. The writing so effectively evoked the feelings of being in a remote Norway setting in the 17th Century - burrrrrr. The writing style took a little getting used to but it really added to the atmosphere in terms of the historical and geographical setting making for an engrossing historical fiction.
The book begins with a freak storm killing most (all the able-bodied) men who were fishing from the small village of Vardo. (This is based on a true story - the storm thing really did happen to a village of that time.) It’s a horrific tragedy and the women left behind have to work out how to survive without their husbands and sons. From the village, the tale is told from the perspective of Maren who loses her father, brother and betrothed.
With news of the circumstances of the village spreading a commissioner is appointed and travels from Scotland to oversee the village (because God only knows what could happen if you left women to sort stuff out themselves!!) It being the 17th Century, travel takes a long time and he stops off to get himself a wife on the way (must-have travel accessory) so the village gets by for many a year without oversight. With the arrival of the commissioner and his wife (Ursa) life again gets turned on its head as it turns out the new Commissioner has a knack for witch-hunting.
Although I found the pace a bit too slow for my liking it had a great feel and really evoked the frustration for the world women lived in at the time. With at times graphic descriptions of the way witch hunts were operated it’s at times a hard read. With the slow build, I did find the ending a bit rushed and unsatisfying but was left with plenty to reflect upon.
Many thanks to the author, publisher, and NetGalley for the ARC in exchange for an honest review.
The book begins with a freak storm killing most (all the able-bodied) men who were fishing from the small village of Vardo. (This is based on a true story - the storm thing really did happen to a village of that time.) It’s a horrific tragedy and the women left behind have to work out how to survive without their husbands and sons. From the village, the tale is told from the perspective of Maren who loses her father, brother and betrothed.
With news of the circumstances of the village spreading a commissioner is appointed and travels from Scotland to oversee the village (because God only knows what could happen if you left women to sort stuff out themselves!!) It being the 17th Century, travel takes a long time and he stops off to get himself a wife on the way (must-have travel accessory) so the village gets by for many a year without oversight. With the arrival of the commissioner and his wife (Ursa) life again gets turned on its head as it turns out the new Commissioner has a knack for witch-hunting.
Although I found the pace a bit too slow for my liking it had a great feel and really evoked the frustration for the world women lived in at the time. With at times graphic descriptions of the way witch hunts were operated it’s at times a hard read. With the slow build, I did find the ending a bit rushed and unsatisfying but was left with plenty to reflect upon.
Many thanks to the author, publisher, and NetGalley for the ARC in exchange for an honest review.
Alex Kapranos recommended Greek Music From The Underground by Various in Music (curated)
BookInspector (124 KP) rated Madam Tulip and the Bones of Chance (Madam Tulip #3) in Books
Sep 24, 2020
This novel is the third book in Madam Tulip Mystery series, and overall, it left me longing for the mystery and Madam Tulip herself. In this novel, Derry and Bruce have to travel to Scotland to shoot a movie, where they meet and befriend some rich people. The shooting doesn’t go as well as planned, and like always, Derry is left empty-handed and involved in some serious criminal activities.
Through the pages of this novel, we not only, once again meet Derry’s closest friends and her eccentric parents, but also some new, quite strong characters. From a wide variety to choose, in this book, my favourite was personal assistant Jessica. Ambitious, career-oriented and overall strong character. That is what I liked about this novel, that author portrayed females as independent and powerful creations, who are not afraid to fight for what they want. #GirlPower
I don’t know, was it the Scottish moors or the stone castles that left me quite gloomy with the plot of this book. Like in previous books, the narrative is told from a single perspective, sharing only Derry’s point of view. There were some action and interesting nuances, but I missed Madam Tulip’s mystery and persona in this novel.(She showed up only once) For me, half of the book really dragged, and another half, was more interesting, but it felt very rushed. There are some of the things mentioned from the previous book so, I would recommend reading other parts before digging into this one.
The writing style was pleasant to read, and the language used was easily understandable. The chapters of this book were a decent length and didn’t bore me. The ending felt pleasant, and for me, concluded the story nicely. So, to conclude, even though I missed more mystery and more spice, it was an interesting experience, where I had a great insight into behind the scenes of film shooting and sets, so if you into this kind of thing, give this book a try, and hopefully, you will enjoy it
Through the pages of this novel, we not only, once again meet Derry’s closest friends and her eccentric parents, but also some new, quite strong characters. From a wide variety to choose, in this book, my favourite was personal assistant Jessica. Ambitious, career-oriented and overall strong character. That is what I liked about this novel, that author portrayed females as independent and powerful creations, who are not afraid to fight for what they want. #GirlPower
I don’t know, was it the Scottish moors or the stone castles that left me quite gloomy with the plot of this book. Like in previous books, the narrative is told from a single perspective, sharing only Derry’s point of view. There were some action and interesting nuances, but I missed Madam Tulip’s mystery and persona in this novel.(She showed up only once) For me, half of the book really dragged, and another half, was more interesting, but it felt very rushed. There are some of the things mentioned from the previous book so, I would recommend reading other parts before digging into this one.
The writing style was pleasant to read, and the language used was easily understandable. The chapters of this book were a decent length and didn’t bore me. The ending felt pleasant, and for me, concluded the story nicely. So, to conclude, even though I missed more mystery and more spice, it was an interesting experience, where I had a great insight into behind the scenes of film shooting and sets, so if you into this kind of thing, give this book a try, and hopefully, you will enjoy it
ClareR (5589 KP) rated The Book of Trespass: Crossing the Lines That Divide Us in Books
Sep 6, 2020
The Book of Trespass is a non-fiction book that looks at how the land and waterways in England used to belong to everyone as Common Land, and afternoon various acts of Parliament, they were enclosed and sold to the highest bidder. People who were able to previously eke out a living on shared, common land, found themselves without income, food, a place to live, and forced to work for the family that now owned what had been everyone’s.
Fast forward a few centuries, the few rich people still own the majority of the land in the UK, and seem to guard it jealously. There’s no way that they can use all that land, but they won’t share it. In fact, the law backs them up - if you trespass, you could be prosecuted.
Nick Hayes has written a book where he charts the history of how land has changed ownership from the many to the few, the links to colonisation and the slave trade, those who have fought to keep us and our world safe and he stages his own rebellions throughout the book. He takes us over the fences and walls to look at the land we wouldn’t otherwise see (and the descriptions are beautiful, you can feel the love he has for the countryside). He shows us that this is not a communist ideal, as some would think. In countries such as Sweden, Norway and closer to home, Scotland, there is a culture of space for all. Maybe if we could all use this land, we would learn how to best look after it.
The added bonus were the pictures (woodcuts) - bold and beautiful.
I’m already trying to think of people who would appreciate this book as a gift. It’s definitely a book to share.
Many thanks to The Pigeonhole and Nick Hayes for making this book available for us to read!
Fast forward a few centuries, the few rich people still own the majority of the land in the UK, and seem to guard it jealously. There’s no way that they can use all that land, but they won’t share it. In fact, the law backs them up - if you trespass, you could be prosecuted.
Nick Hayes has written a book where he charts the history of how land has changed ownership from the many to the few, the links to colonisation and the slave trade, those who have fought to keep us and our world safe and he stages his own rebellions throughout the book. He takes us over the fences and walls to look at the land we wouldn’t otherwise see (and the descriptions are beautiful, you can feel the love he has for the countryside). He shows us that this is not a communist ideal, as some would think. In countries such as Sweden, Norway and closer to home, Scotland, there is a culture of space for all. Maybe if we could all use this land, we would learn how to best look after it.
The added bonus were the pictures (woodcuts) - bold and beautiful.
I’m already trying to think of people who would appreciate this book as a gift. It’s definitely a book to share.
Many thanks to The Pigeonhole and Nick Hayes for making this book available for us to read!