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Kirk Bage (1775 KP) rated Mute (2017) in Movies
Feb 17, 2021 (Updated Feb 25, 2021)
Oh no Duncan Jones! How are you managing that occasional trick of each subsequent film you make being inferior to your last? Moon was sublime, Source Code was pretty damn good, Warcraft: The Beginning (and end probably) was just about watchable, and Mute is… fucking dreadful! I don’t buy Alexander Skarsgård as a leading man at the best of times, but given this ridiculous premise, script and downright careless production value, he falls flat to a ridiculous, almost laughable degree. It looks pretty in parts, very shiny and HD, but is never believable as a reality. I mean the main character can’t talk, which could have been used interestingly with good direction, but is frankly annoying here. Paul Rudd has a blast as Cactus Bill, and is mostly forgiven. Look out also for Robert Sheenan (Klaus from the Umbrella Academy) in a blameless and interesting role as Luba. Very very minor cult status is possible for this a few years down the line, but not enough to save it from the gutter.
LeftSideCut (3776 KP) rated Love and Monsters (2021) in Movies
May 10, 2021
Man, I was expecting some good old fashioned silly nonsense out of this, but it turned out to be a whole buttload of fun, and stupidly wholesome.
Dylan O'Brien plays a perfect down-on-his-luck, sort of loser who everyone can relate to, and makes for a hugely likable lead. The story of Joel and his dog, Boy, wondering a post apocalyptic, monster-infested America is an engaging one, full of decent set pieces, great CG work, and colourful characters. It almost feels like a family friendly version of The Last of Us, which is absolutely fine with me whilst we wait for the HBO series to land. It's certainly the closest thing we have to a Fallout movie. The pacing is spot on, with plenty of funny moments (and a sharp script), a good dose of heartwarming inner turmoil, and well placed moments of peril, ensuring that proceedings never become boring.
Love and Monsters is a blast. I have everything crossed that it will get a sequel!
Dylan O'Brien plays a perfect down-on-his-luck, sort of loser who everyone can relate to, and makes for a hugely likable lead. The story of Joel and his dog, Boy, wondering a post apocalyptic, monster-infested America is an engaging one, full of decent set pieces, great CG work, and colourful characters. It almost feels like a family friendly version of The Last of Us, which is absolutely fine with me whilst we wait for the HBO series to land. It's certainly the closest thing we have to a Fallout movie. The pacing is spot on, with plenty of funny moments (and a sharp script), a good dose of heartwarming inner turmoil, and well placed moments of peril, ensuring that proceedings never become boring.
Love and Monsters is a blast. I have everything crossed that it will get a sequel!
Bostonian916 (449 KP) rated Good Time (2017) in Movies
Sep 17, 2020
I have an unfair tendency to sometimes judge actors based on what they are known for early in their careers. I fully understand that this is a corrupt practice. But it is often an accurate representation. Sometimes, though, it is a grossly inaccurate representation. That is indeed the case with Robert Pattinson. I grossly misjudged him based on his early work and the fact that he worked on what I considered hollow projects. I was wrong. And I'm so thankful that I was. Now we are all blessed with the performances that Pattinson is capable of and we are all better for it.
Good Times is a CRAZY story by the Safdies (you may recognize the name from Adam Sandler sleeper Uncut Gems). Criminal underrating of the script writing and storytelling somehow prevented this movie from becoming the smash that it deserved to become. A24 has and continues to churn out quality, lower budget movies that are SOOOOO much better than they have any right to be and Good Times is another wonderful example of this.
Good Times is a CRAZY story by the Safdies (you may recognize the name from Adam Sandler sleeper Uncut Gems). Criminal underrating of the script writing and storytelling somehow prevented this movie from becoming the smash that it deserved to become. A24 has and continues to churn out quality, lower budget movies that are SOOOOO much better than they have any right to be and Good Times is another wonderful example of this.
Awix (3310 KP) rated Tales That Witness Madness (1973) in Movies
Oct 27, 2020
Enjoyably (and appropriately) bonkers portmanteau horror movie based around the experiences of asylum patients. An imaginary friend turns out to be real, an antique bike turns out to be cursed, man falls in love with a tree stump, etc, etc. Kim Novak came out of retirement to play a slightly vacant literary agent who ends up eating her own daughter's flesh at a cannibal luau.
Not up to the standard of any of the Amicus portmanteaus, mainly because of a sub-par script - the twists to the various tales are either screamingly obvious, completely baffling or non-existent - but it's sort of campy fun anyway, with an interesting cast and reasonably good direction. Not remotely scary, though. The fact that much of it is totally ridiculous (the so-called Hawaiians look eastern European, and that's before we even get to the stuffed tiger or Michael Jayston going to bed wth a log) somehow doesn't detract from the entertainment value. Would have been nice to see more of Donald Pleasance, but you can't have everything.
Not up to the standard of any of the Amicus portmanteaus, mainly because of a sub-par script - the twists to the various tales are either screamingly obvious, completely baffling or non-existent - but it's sort of campy fun anyway, with an interesting cast and reasonably good direction. Not remotely scary, though. The fact that much of it is totally ridiculous (the so-called Hawaiians look eastern European, and that's before we even get to the stuffed tiger or Michael Jayston going to bed wth a log) somehow doesn't detract from the entertainment value. Would have been nice to see more of Donald Pleasance, but you can't have everything.
Kirk Bage (1775 KP) rated Ocean’s 8 (2018) in Movies
Jan 22, 2021
I am sure the pitch for this sounded pretty good. It is the Ocean’s franchise but with all women. What on earth could possibly go wrong? Well, the script for starters. And the sleepy direction. The normally fairly dependable Gary Ross guilty on both fronts. Although there are some nice scenes and moments in isolation (usually involving Helena Bonham- Carter, who comes out of it all best, because at least she’s funny), it is all far too pedestrian and lacks momentum. A very easy film to fall asleep during, which for a heist movie is a problem! The talent on display is largely wasted, even though in a way they all come out of it with dignity and reputation intact. One other light I took from it was thinking Rihanna as the kooky “Nine Ball” showed some potential for being a decent screen actress, which pleasantly surprised me. Again, it is just about worth watching once, but has to go down as a botched job on the whole.
Awix (3310 KP) rated Nosferatu (Eine Symphonie Des Grauens) (1922) in Movies
Jan 28, 2021
Hugely influential unauthorised adaptation of Dracula. Young estate agent's helper Hutter trots off to Transylvania to oversee the sale of a house to the reclusive (and rather repulsive) Count Orlok; Orlok takes a fancy to Hutter's wife; bad things ensue.
Basically just handles the first half of the book, and bolts a different ending on, but you can still see why the Stoker estate sued. Nevertheless, the presentation of Dracula/Orlok as a near-feral atavism is striking (and also much closer to the book than most films get); the film was designed by practising occultists which may explain the carefully composed visual sense of it (also the use of genuine magical script in some of the scenes). Very creepy and effective, though you have to take the age of the thing into account, not to mention the performance styles. Which soundtrack you listen to may also make a big difference (I recommend James Bernard's Hammer-style offering from the late 1990s). One of the great foundational horror films.
Basically just handles the first half of the book, and bolts a different ending on, but you can still see why the Stoker estate sued. Nevertheless, the presentation of Dracula/Orlok as a near-feral atavism is striking (and also much closer to the book than most films get); the film was designed by practising occultists which may explain the carefully composed visual sense of it (also the use of genuine magical script in some of the scenes). Very creepy and effective, though you have to take the age of the thing into account, not to mention the performance styles. Which soundtrack you listen to may also make a big difference (I recommend James Bernard's Hammer-style offering from the late 1990s). One of the great foundational horror films.
LeftSideCut (3776 KP) rated Ghost Rider (2007) in Movies
Jun 28, 2019 (Updated Jun 28, 2019)
Just...so bad
Ghost Rider was one of the many terrible Marvel adaptions that were unleashed upon us before Marvel Studios started the MCU, and for me, this is easily one of the worst.
There's just nothing to really get excited about here - the cast is pretty dodgy (I appreciate Nicholas Cages general existence, but he's such a bad fit for Johnny Blaze), Eva Mendes is pretty forgettable, and Wes Bentley plays a hugely generic villain - a far cry from the demonic Blackheart from the comics.
It's quite obvious that any meaningful script or basic plot were put second behind attempts at flashy shots.
The CGI has aged pretty badly as well, with Ghost Rider himself looking like something from a PS3 era cutscenes, rather than a big budget superhero film.
I can't wait for a proper Ghost Rider adaption to happen within the MCU in the future (Agents of Shield made a pretty good start) but unfortunately, Johnny Blaze was one of the many Marvel characters that got a piss poor movie around this time.
There's just nothing to really get excited about here - the cast is pretty dodgy (I appreciate Nicholas Cages general existence, but he's such a bad fit for Johnny Blaze), Eva Mendes is pretty forgettable, and Wes Bentley plays a hugely generic villain - a far cry from the demonic Blackheart from the comics.
It's quite obvious that any meaningful script or basic plot were put second behind attempts at flashy shots.
The CGI has aged pretty badly as well, with Ghost Rider himself looking like something from a PS3 era cutscenes, rather than a big budget superhero film.
I can't wait for a proper Ghost Rider adaption to happen within the MCU in the future (Agents of Shield made a pretty good start) but unfortunately, Johnny Blaze was one of the many Marvel characters that got a piss poor movie around this time.
Awix (3310 KP) rated Talk to Her (2002) in Movies
Sep 11, 2019 (Updated Sep 11, 2019)
Genre-busting Spanish drama almost feels like the film Hitchcock could have made if he'd spent thirty years in therapy. The story is told partly out of sequence but concerns two men devoted to women in comas: a bullfighter and a dance student. Slowly their stories unfold, and turn out to be quite different. Almodóvar's script is as subtle and playful as ever, cheerfully toying with audience assumptions and expectations - it's impossible to predict the way this story will go, and this is before we even get to the eye-popping silent movie interlude.
Brilliant performances from the two leads; for once, the female characters have a more secondary role but they are also well-played. All the vibrance and sensuousness of Almodóvar's other films, but this is a deeply serious, mature work. Perhaps his greatest achievement is to find pathos and sympathy in the most unlikely places imaginable, and conclude a film which goes to some very dark places on a definite note of implied hope. An excellent movie in every way.
Brilliant performances from the two leads; for once, the female characters have a more secondary role but they are also well-played. All the vibrance and sensuousness of Almodóvar's other films, but this is a deeply serious, mature work. Perhaps his greatest achievement is to find pathos and sympathy in the most unlikely places imaginable, and conclude a film which goes to some very dark places on a definite note of implied hope. An excellent movie in every way.
Awix (3310 KP) rated Ready or Not (2019) in Movies
Oct 3, 2019 (Updated Oct 3, 2019)
Knockabout horror comedy film probably deserves more credit for being reasonably successful at both genres. A young woman (Samara Weaving, who appears to be some kind of genetically-engineered hybrid of Emma Stone and Margot Robbie) marries into an extremely wealthy family and is told that, as part of a family tradition, she has to play hide and seek with them. Mildly amused by their funny little ways, she trips off to find a place to hide; unbeknownst to her, her new father-in-law starts handing out axes, crossbows and shotguns to the assembled brood.
It's a brilliant moment, and it's just a shame the publicity for the film spoils it; certainly most of the rest of the script is concerned with coming up with a back-story to justify it and a pay-off that isn't totally overshadowed by it. It just about manages it, though the film is more successful when it comes to delivering laughs than actual scares (it is pretty gory though). Good fun, anyway.
It's a brilliant moment, and it's just a shame the publicity for the film spoils it; certainly most of the rest of the script is concerned with coming up with a back-story to justify it and a pay-off that isn't totally overshadowed by it. It just about manages it, though the film is more successful when it comes to delivering laughs than actual scares (it is pretty gory though). Good fun, anyway.
Matthew Krueger (10051 KP) rated Stop! Or My Mom Will Shoot (1992) in Movies
Sep 16, 2019
Pranked By Arnold
This is one of the baddest movies that Stallone has been in. Its so bad that its good?
The plot: Smarting from a romantic breakup, macho police Sgt. Joe Bomowski (Sylvester Stallone) gets a cross-country visit from his mother, Tutti (Estelle Getty). Her misguided efforts to help only fray his nerves, but that doesn't stop her from nagging Joe to be more open about his feelings toward his ex-girlfriend and current boss, Lt. Gwen Harper (JoBeth Williams). When Tutti witnesses a brutal multiple murder, she takes her meddling to the extreme by tagging along to help her son solve the case.
Sylvester Stallone signed onto the film based on rumors that Arnold Schwarzenegger was interested in the lead. In October 2017, Schwarzenegger confirmed a rumor that, knowing the script was "really bad", he had publicly faked interest in starring for producers to lure Stallone.
So Arnold pranked Stallone to get him into this movie that is so funny.
Dont watch this film, its not good.
The plot: Smarting from a romantic breakup, macho police Sgt. Joe Bomowski (Sylvester Stallone) gets a cross-country visit from his mother, Tutti (Estelle Getty). Her misguided efforts to help only fray his nerves, but that doesn't stop her from nagging Joe to be more open about his feelings toward his ex-girlfriend and current boss, Lt. Gwen Harper (JoBeth Williams). When Tutti witnesses a brutal multiple murder, she takes her meddling to the extreme by tagging along to help her son solve the case.
Sylvester Stallone signed onto the film based on rumors that Arnold Schwarzenegger was interested in the lead. In October 2017, Schwarzenegger confirmed a rumor that, knowing the script was "really bad", he had publicly faked interest in starring for producers to lure Stallone.
So Arnold pranked Stallone to get him into this movie that is so funny.
Dont watch this film, its not good.