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Young Frankenstein (1974)
Young Frankenstein (1974)
1974 | Classics, Comedy, Horror

"After that would be Young Frankenstein. I think that, laugh for laugh… I mean, if you’re going to go for more laughs, I think Blazing Saddles. But Young Frankenstein‘s just a better movie. More solid. And it’s Gene Wilder. I was such a huge fan of Gene Wilder when I was growing up that I even used to try to do… He used to do something; he would say nonsensical… He would make noise in movies without words. He would say things like: [mumbles incoherently], like that, and it made me laugh so hard when he would do that, that I would try to put it in movies when I started acting. I did a movie called 28 Days, and I’m in rehab, and we’re in a circle talking about our feelings, and the script said, “She calls on Gerhardt, but he’s crying and he can’t respond,” and she says, “Okay, we’ll come back to you.” And so it came out. “Gerhardt, would you like to say something?” [bawls incoherently] And I just make noise. [laughs] And then I snuck it into A Knight’s Tale when I’m trying to threaten Chaucer for the first time. I’m like, [frustrated mumbling]. I would just rip [Gene Wilder] off, totally try to mimic him. So, Gene Wilder, huge fan. That’s number two."

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The Gentlemen (2020)
The Gentlemen (2020)
2020 | Action, Crime
𝘛𝘩𝘦 𝘎𝘦𝘯𝘵𝘭𝘦𝘮𝘪𝘥. I want to love Guy Ritchie returning to his gangster roots so badly, but I'm pretty sure I've seen this exact Ritchie movie before... multiple times... done less and less well with almost each subsequent attempt. I mean at least 𝘛𝘩𝘦 𝘔𝘢𝘯 𝘍𝘳𝘰𝘮 𝘜.𝘕.𝘊.𝘓.𝘌. had style, at least 𝘒𝘪𝘯𝘨 𝘈𝘳𝘵𝘩𝘶𝘳: 𝘓𝘦𝘨𝘦𝘯𝘥 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘸𝘰𝘳𝘥 had energy, at least 𝘙𝘦𝘷𝘰𝘭𝘷𝘦𝘳 had nuance, and at least 𝘙𝘰𝘤𝘬𝘯𝘙𝘰𝘭𝘭𝘢 had personality. I don't know whether the dire restraint he shows here is an attempt at showing maturity or a lack of caring towards this story (which even at best feels like a first draft) but it plays out like the latter. A bare-bones Ritchie premise mired with flatness and unoriginality which decides it wants to be 𝘓𝘶𝘤𝘬𝘺 𝘕𝘶𝘮𝘣𝘦𝘳 𝘚𝘭𝘦𝘷𝘪𝘯 in all its convoluted bullshit at the last second. Intermittently has its moments when it finally decides to put some much needed pep in its step, and overall it's at least watchable - sometimes even tricking you into thinking it might be alright - but by Lord if this just had some fun it'd be ten times better even in spite of the been-there-done-that script. Forgets it ever existed quicker than you will, even the characters are dull. Also holy shit this is easily the worst dialogue of his career.
  
Porno (2019)
Porno (2019)
2019 | Comedy, Horror
5
5.0 (1 Ratings)
Movie Rating
Porno is unfortunately a swing and a miss. It has a great cast, but they're trapped in a by the numbers horror comedy that never commits hard enough to either genre to be convincing as either.

Set in the early 90s, Porno revolves around a group of Christian movie theatre workers who unwittingly stumble into a seperate, sealed off abandoned movie theatre underneath they one they work in. They find a mysterious movie reel in the depths and watch it, unleashing a Succubus intent on doing a bunch of evil things. I think. The motive isn't made particularly clear.
It's horror element doesn't work as it's too shy to show the gore one would expect from a film like this, but it still takes things too seriously to fully bring the laughs.
It's still humourous though. The cast are all likable, and the script manages to be funny on occasion, in what is essentially a silly semi-horror. Much like it's flirtation with genres, it also touches on some more serious issues, such as homosexuality and it's acceptance by religion, but once again, never quite goes all the way if you will.

Porno isn't awful by any means, but it feels like a wasted opportunity, a fun idea that isn't quite executed well enough to be a film worth returning to.
  
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Sarah (7800 KP) rated Cube (1997) in Movies

Oct 14, 2019  
Cube (1997)
Cube (1997)
1997 | Horror, Sci-Fi
7
7.6 (31 Ratings)
Movie Rating
A cult classic
I first watched Cube when I was at college, it was a bit of a cult classic at the time and I absolutely loved it. Sadly watching it back now is maybe a tad disappointing.

Plot wise this is a brilliant idea, and a great early example of the type of torture style horror that we're used to from the likes of Saw and Hostel. Some of the CGI is a bit dodgy (not a surprise considering it was made in 1997) but the deaths and traps are still really inventive and well thought out. The story may get a little too deep into Maths later on but it's still a very good idea. The problem with this film is mainly the acting. Aside from David Hewlett (who I can't fault after his turn as McKay in Stargate), there is a lot of very hammy over acting going on in this, notably from the character of Quentin but the others are at fault too. And when paired with a very patchy script- I mean who the hell says "holy cats" - it brings this film down a couple of notches that the plot really doesn't deserve. I loved the ending though, and I do think this is a film worthy of a cult classic.
  
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Awix (3310 KP) rated Raiders of the Lost Ark (1981) in Movies

Aug 26, 2019 (Updated Aug 26, 2019)  
Raiders of the Lost Ark (1981)
Raiders of the Lost Ark (1981)
1981 | Action, Adventure
Spielberg and Lucas' wonderful adventure shows you can ignore most of the accepted rules of screenwriting (the script here has some iffy plot devices, peculiar character moments, and the most literal deus ex machina ending in cinema history) and still end up with a virtually perfect movie. You can see how it appeals to the same desire for good-vs-evil escapism as Lucas' most famous creation, but there is an obvious love for the glamour and romance of Golden Age Hollywood here too, and a mysticism that in many way makes it the culmination of all the movies about faith Lucas and Spielberg made in the late 1970s (outside of horror films and biblical epics, this is one of the few mainstream movies predicated on the existence of God).

On one level this is essentially a succession of one set-piece after another, but what set-pieces they are - most movies would be happy to have one sequence like the one in the snake pit, or the plane fight, or the truck chase, and Spielberg cheerfully rattles them off without really pausing for breath. The film is also careful to take its time to establish character and humour, too. This is one of those movies where you can't help feeling that any changes would only end up spoiling it.
  
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This Is Where I Leave You (2014)
This Is Where I Leave You (2014)
2014 | Comedy
Heartwarming
This is a film that has flown under my radar since it was released - I don’t recall ever having seen it advertised until it recently popped up on Netflix, and I really wish I’d discovered it sooner.

Starting with the obvious, this film has an absolutely stellar cast. The number of fantastic actors in this is truly impressive and they’re partly the reason why I enjoyed this so much, as every single person performs wonderfully in their role, whether main (I cannot fault any of the main family) or side (Timothy Olyphant is particularly memorable). They’re helped by a great script which flits between incredibly heartwarming and darkly humorous with such ease. The plot itself is nothing new and this is where this film falls down a little as it’s nothing we haven’t seen before. However this film just goes to show that it’s the journey and not the destination that matters as this is so well executed that the unoriginal plot is only a minor issue.

The only other problem with this film is that it’s pretty much made me an emotional wreck. I haven’t laughed and cried so much in the space of 2 hours before. This might not be the most original film you’ll ever see, but it’s so lovely and heartwarming that I dare you not to feel anything by the end.
  
Citizen Kane (1941)
Citizen Kane (1941)
1941 | Classics, Drama, Mystery
Orson Welles' Citizen Kane is the Citizen Kane of modern movie-making. That doesn't make a lot of sense, but it tells you everything about the place of this film in our culture. Amoral narcissist inherits a huge fortune, accrues even more wealth and power by peddling fake news, but finds his political ambitions thwarted by a sex scandal (which just goes to show you how different life is from the movies).

Trying to ascertain the extent of Citizen Kane's influence on the movies is a bit like trying to map the coastline of the USA without leaving Kansas: the film is packed with so many narrative and technical innovations it's impossible to conceive of the impact it had on the industry. Terrific performances and a clever, serious script about the dangers of choosing the love of power over the power of love, and many moments and images of throwaway genius. You might have expected Welles to make more of the possibilities for unreliable narration in the movie, plus some of his technical virtuosity seems more geared towards showing off than thought-through storytelling, but this is still a genuine classic. One wonders what else Welles might have achieved, had he been allowed to continue to make films with all the resources of Hollywood behind him - but it wasn't to be. Still, this film alone guarantees him immortality.
  
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Andy K (10823 KP) May 24, 2020

Well said

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Sarah (7800 KP) rated Crawl (2019) in Movies

May 30, 2020  
Crawl (2019)
Crawl (2019)
2019 | Horror, Thriller
Laughably bad
This isnt the type of film I'd usually be interested in, but when you're stuck at home & this is the latest Sky premiere, it seems rude not to watch it.

To be fair, this film made me laugh so it was fairly entertaining. However I'm pretty sure this wasn't intentional. It made me laugh at how cheesy and bad and cliched it was. The script is terrible, and the majority of scenes are predictable and cliched. Like the swimming and motivational speeches in a lull between gator attacks, and the characters seemingly strange and inexplicable actions and doing completely the wrong thing (like shouting for helping metres away in a category 5 hurricane). This really made me giggle, but also made me want to bang my head against the wall it was so cringeworthy.

The effects too are pretty terrible. They dont look too bad in the darker more cramped basement scenes, but everything else looks pretty second rate. There's a decent amount of gore but even this gets ridiculous when you start to consider the amount of injuries these characters are obtaining without dying.

To be quite honest, this isnt the worst creature horror I've ever seen but it is definitely not the best. I'd suggest Lake Placid might be a better option.