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LeftSideCut (3776 KP) rated Jason X (2001) in Movies
Feb 1, 2021
Jason X might be trash, but by God its glorious trash.
At this point, we're in full blown "fuck whatever has happened in the previous films" territory, with liberal splashings of narrative bullshit just to get Jason into a space setting, as he's cryogenically frozen only to be unwittingly thawed 450 years later aboard a spaceship, where he is snapped out of his slumber by teenagers shagging in another room. It's damn good then, that Jason X knows just how silly it is. The first Friday the 13th movie to release in a post Scream landscape, its self awareness gives it a much needed pass, as Jason slashes his way through a suspiciously 2000s looking cast.
The set looks cheap as hell, the CGI is terrible, the script is overspilling with cheesy one liners and puns, most of the characters are generally forgettable or unlikable, but despite all of this, it's an incredibly enjoyable film. Kane Hodder is back (sadly, for the last time movie wise) as Jason and once again cuts an imposing figure (especially when Uber Jason infamously rocks up near the films climax) and just to top it off, there's an inexplicable David Cronenberg cameo near the beginning.
Jason X is obviously flawed, but it's a damn good time, isn't boring, and boasts some decent gore. A two star film that I would recommend to anyone. Final thought - it's weird that Jason has a full head of hair in this...
At this point, we're in full blown "fuck whatever has happened in the previous films" territory, with liberal splashings of narrative bullshit just to get Jason into a space setting, as he's cryogenically frozen only to be unwittingly thawed 450 years later aboard a spaceship, where he is snapped out of his slumber by teenagers shagging in another room. It's damn good then, that Jason X knows just how silly it is. The first Friday the 13th movie to release in a post Scream landscape, its self awareness gives it a much needed pass, as Jason slashes his way through a suspiciously 2000s looking cast.
The set looks cheap as hell, the CGI is terrible, the script is overspilling with cheesy one liners and puns, most of the characters are generally forgettable or unlikable, but despite all of this, it's an incredibly enjoyable film. Kane Hodder is back (sadly, for the last time movie wise) as Jason and once again cuts an imposing figure (especially when Uber Jason infamously rocks up near the films climax) and just to top it off, there's an inexplicable David Cronenberg cameo near the beginning.
Jason X is obviously flawed, but it's a damn good time, isn't boring, and boasts some decent gore. A two star film that I would recommend to anyone. Final thought - it's weird that Jason has a full head of hair in this...
LeftSideCut (3776 KP) rated Halloween H20: 20 Years Later (1998) in Movies
Apr 22, 2021
After the detritus that was Halloween 5 and 6, H20 is a somewhat refreshing sequel that brings the series back to basics. The return of Jamie Lee Curtis is of course a huge plus point. Revisiting her character 20 years later is a pleasure, and Curtis is brings her A-game, as she always does. The rest of the cast are perfectly likable as well.
Story wise, H20 is a direct sequel to the first two movies, ignoring everything that came in between, a good decision considering how convoluted the overarching story became before. Existing in a post Scream world means that H20 has its fair share of meta moments, as EVERY horror immediately following Wes Craven's classic did. It's all a little on the nose, but any horror fan surely can't help but crack a smile during the hugely unsubtle nod to Psycho.
Unfortunately, there are some downfalls. The script leaves a lot to be desired, flitting between quoting the original Halloween (a lot) and just being plain overdramatic. The pacing is also a little iffy - considering the runtime clocks in at under 90 minutes, H20 flirts with boredom more than once. When Michael Myers is finally in the midst of things, it's hard not to be distracted by his weird looking (and frequently changing) mask.
Overall though, H20 is a good time that doesn't take itself too seriously. A pretty middle of the road slasher, but far from the worst in the series.
Story wise, H20 is a direct sequel to the first two movies, ignoring everything that came in between, a good decision considering how convoluted the overarching story became before. Existing in a post Scream world means that H20 has its fair share of meta moments, as EVERY horror immediately following Wes Craven's classic did. It's all a little on the nose, but any horror fan surely can't help but crack a smile during the hugely unsubtle nod to Psycho.
Unfortunately, there are some downfalls. The script leaves a lot to be desired, flitting between quoting the original Halloween (a lot) and just being plain overdramatic. The pacing is also a little iffy - considering the runtime clocks in at under 90 minutes, H20 flirts with boredom more than once. When Michael Myers is finally in the midst of things, it's hard not to be distracted by his weird looking (and frequently changing) mask.
Overall though, H20 is a good time that doesn't take itself too seriously. A pretty middle of the road slasher, but far from the worst in the series.
LeftSideCut (3776 KP) rated Jolt (2021) in Movies
Aug 3, 2021
The main thing that Jolt has going for it is Kate Beckinsale. Her protagonist is likable enough to just about carry the finished product through the finish line, and into vaguely entertaining territory. The rest of the cast ain't to shabby either - Bobby Cannavale, Stanley Tucci, Laverne Cox, David Bradley - all do pretty well with a patchy script (patchy sure, but I will admit that it made me laugh a few times...)
Other than that though, Jolt feels so familiar. It doesn't do anything new, which wouldn't be such an issue if it was exciting, but it just isn't. The action scenes are underwhelming, and it leans too heavily into the humorous side of things to be a serious thriller, whilst simultaneously trying too hard at the serious thriller aspect to be overly funny. The twist during the films finale is dumb as well - the whole thing would have worked better as a straightforward revenge flick. I also found the obvious sound stage set completely distracting. The scenery looked like and episode of Friends pretty frequently!
Got to admire the ambition to include a blatant set up for a sequel thats probably never going to happen though (complete with a mid credits scene...)
Jolt is a movie that thinks is smarter than it actually is, but it's entertaining enough (thanks in no small part to Kate Beckinsale) to justify a one time watch.
Other than that though, Jolt feels so familiar. It doesn't do anything new, which wouldn't be such an issue if it was exciting, but it just isn't. The action scenes are underwhelming, and it leans too heavily into the humorous side of things to be a serious thriller, whilst simultaneously trying too hard at the serious thriller aspect to be overly funny. The twist during the films finale is dumb as well - the whole thing would have worked better as a straightforward revenge flick. I also found the obvious sound stage set completely distracting. The scenery looked like and episode of Friends pretty frequently!
Got to admire the ambition to include a blatant set up for a sequel thats probably never going to happen though (complete with a mid credits scene...)
Jolt is a movie that thinks is smarter than it actually is, but it's entertaining enough (thanks in no small part to Kate Beckinsale) to justify a one time watch.
LoganCrews (2861 KP) rated The Devil's Rejects (2005) in Movies
Oct 10, 2020
Still largely prefer the viscera of gross circus-esque horror movie eye candy of 𝘏𝘰𝘶𝘴𝘦 𝘰𝘧 1000 𝘊𝘰𝘳𝘱𝘴𝘦𝘴, but this one somehow might be more repulsive and disturbing. I'm astounded this movie even works at all, revisiting such ostentatious caricatures by way of Americana on-the-run crime movie should never have worked - but not only did it manage to be one of the best crime thrillers of the 21st century, but it also set the template for how more sequels oughta look into telling their story, by completely flipping the script and going with an entirely different genre while still maintaining the root of what makes the characters so great. Loaded with moody desolate (both physically and morally) cinematography, a deliciously over-the-top William Forsythe villain, pounds upon pounds of stomach-churning brutality, and a rich late-70s tone that takes over anything from the aesthetic to the soundtrack. Zombie has created some of the hall-of-fame best horror movie characters ever put to screen through Baby, Otis, and Captain Spaulding - not only gleefully cruel, unique, and uproariously riveting but also able to see the fault of their own detrimental wickedness yet still choosing not to change even if they could. Their own self-destructiveness isn't even allowed to take full hold because of the American system they're forced to act within, also the "Free Bird" ending is as amazing as everyone says.
Awix (3310 KP) rated Pixie (2020) in Movies
Oct 25, 2020
Knockabout comedy-thriller set in Northern Ireland. 'What do men see in irritating free spirits?' wondered Julia Roberts in a Tom Hanks movie a few years ago, and the question is still a live one: Olivia Cooke plays Pixie, who is not quite Holly Golightly recast as a feminist criminal mastermind, but getting there. Nearly everyone is entranced by her, including apparently the director, cameraman, and cinematographer, despite the fact she seems to be almost completely amoral: ripping off drug dealers, swindling her friends, and cold-blooded murder all seem to be part of her repertoire. Nevertheless she and her latest enamoured stooges zip about Ireland to a jangly western-style soundtrack while Alec Baldwin phones in a cameo as a gun-toting gangster-priest.
Surely people have got to get over this obsession with making Tarantino pastiches sooner or later? This one has the odd funny moment, but a lot of the jokes don't land and the plot constantly seems to be on the verge of unravelling. Olivia Cooke carries the film with predictable grace, but I felt almost commanded to like her without good enough reason: the film also suggests there's a thin line between idealising a character and objectifying them, as a rather lubricious tone occasionally threatens to manifest. Passably watchable in the end, but has no connection to reality: feels like a script somebody wrote in 1995 and then spent twenty-odd years finding the funding for. Cooke in particular deserves better.
Surely people have got to get over this obsession with making Tarantino pastiches sooner or later? This one has the odd funny moment, but a lot of the jokes don't land and the plot constantly seems to be on the verge of unravelling. Olivia Cooke carries the film with predictable grace, but I felt almost commanded to like her without good enough reason: the film also suggests there's a thin line between idealising a character and objectifying them, as a rather lubricious tone occasionally threatens to manifest. Passably watchable in the end, but has no connection to reality: feels like a script somebody wrote in 1995 and then spent twenty-odd years finding the funding for. Cooke in particular deserves better.
Matthew Krueger (10051 KP) rated Black Christmas (2006) in Movies
Aug 20, 2019
False Advertisement
The trailer lied to me and you the auidences. The trailer showed many sences that were not in the movie, nor in the bonus features. So why then even have those sences to beginning with? Well the production company and the distributed wanted to say "hey, you know what? Lets shoot some sences throw them into the trailer but not have them in movie. Lets hype the movie by having sences not even in the movie. So when you see the trailer and than watch the movie. We will be lying to the auidence, but in the end get alot of money for false advertisement".
Also According to Glen Morgan, he and Wong had numerous disputes with Dimension executives Bob and Harvey Weinstein regarding the tone of the script as well as the film's conclusion, which resulted in numerous re-writes and re-shoots. Re-shoots that one of the cast memebers didnt know about and got mad.
The plot: The holiday season turns deadly for a group of sorority sisters (Katie Cassidy, Mary Elizabeth Winstead, Lacey Chabert, Michelle Trachtenberg) who are stranded at their campus house during a snowstorm. These coeds better watch out, for a vicious killer is on the loose, and he will not care if they are naughty or nice.
Katie Cassidy and Mary Elizbeth Winstead wasted in this movie.
What im saying is this is a bad movie, not only a bad movie, but a bad reamke. A awful remake.
Also According to Glen Morgan, he and Wong had numerous disputes with Dimension executives Bob and Harvey Weinstein regarding the tone of the script as well as the film's conclusion, which resulted in numerous re-writes and re-shoots. Re-shoots that one of the cast memebers didnt know about and got mad.
The plot: The holiday season turns deadly for a group of sorority sisters (Katie Cassidy, Mary Elizabeth Winstead, Lacey Chabert, Michelle Trachtenberg) who are stranded at their campus house during a snowstorm. These coeds better watch out, for a vicious killer is on the loose, and he will not care if they are naughty or nice.
Katie Cassidy and Mary Elizbeth Winstead wasted in this movie.
What im saying is this is a bad movie, not only a bad movie, but a bad reamke. A awful remake.
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Jackjack (877 KP) Feb 1, 2021
LeftSideCut (3776 KP) Feb 1, 2021