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BankofMarquis (1832 KP) rated Midway (2019) in Movies
Aug 10, 2020
So bad...it's bad
There are times when you watch a film and you can just hear the conference room discussion that happened back at the studio before getting it green-lit...
Studio Flunky: "Remember the 1970's WWII flick MIDWAY starring Henry Fonda, Charlton Heston, Charles Coborn, Richard Mitchum and an All Star cast"?
Studio Head: "Yeah...I loved that flick..."
Studio Flunky: "We have a fairly weak script here that pretty much rips that off, but we have the Director of Independence Day ready to Direct, so we'd just need some strong actors and top notch special effects to pull it off".
Studio Head: " I love it. Just one thing..."
Studio Flunky: "What's that?"
Studio Head: "Cut the budget to about 1/10th of what you're asking for."
And that's the issue with the Roland Emrich 2019 version of MIDWAY...what the film lacks in script quality, it makes up with by casting weak actors and crossing them with cheap special effects.
Yeah...it doesn't work very well. No wonder it came and went pretty quickly in the theaters.
Patrick Wilson is the most successful in this film in his role as Intelligence Officer Edwin Layton who figures out what the Japanese are up to in the early days of World War II. He has some fun scenes with Brennan Brown as one of this "codebreakers" and his interactions with Woody Harrelson as Admiral Nimitz are fun.
And...that's about it for the acting and interesting things in this film. Harrelson is wasted in his role (he clearly owed someone a favor to appear in what should be considered and extended cameo). Dennis Quaid overacts (as he is want to do) as "Bull" Halsey. Mandy Moore, Aaron Eckhart, Nick Jonas and Luke Evans bring no charisma to roles that were written with the hopes that an actor would bring charisma to them. They all bring "one dimension" and play the heck out of that singular character trait...but interesting characters that does not build.
And then there is the case of Ed Skrein (in the Charlton Heston role) as the "rogue fighter pilot, bucking the system, but learning through the course of this film that he would be more effective bringing his unique insights into the system than buck it". Skrein is my poster child for "warning...bad movie ahead." He has, in my opinion, "anti-charisma". He sucks a movie into his void and we, the audience, are stuck there with him. Of course, we spend most of the film with him...much to my chagrin.
At least, you say, today's special effects would rescue this film.
Nope...it looked like someone's kid slapped something together on his MAC. The depth of the EFX are slim, the color schemes don't seem to match and the actors didn't look at all like they were in the scene with the effects.
Nothing really works in this film. Avoid it at all costs. I can't even give you the "it's so bad it's good" line on this one.
It's so bad, it's bad.
Letter Grade "D"
2 Stars out of 10 and you can take that to the Bank(OfMarquis)
Studio Flunky: "Remember the 1970's WWII flick MIDWAY starring Henry Fonda, Charlton Heston, Charles Coborn, Richard Mitchum and an All Star cast"?
Studio Head: "Yeah...I loved that flick..."
Studio Flunky: "We have a fairly weak script here that pretty much rips that off, but we have the Director of Independence Day ready to Direct, so we'd just need some strong actors and top notch special effects to pull it off".
Studio Head: " I love it. Just one thing..."
Studio Flunky: "What's that?"
Studio Head: "Cut the budget to about 1/10th of what you're asking for."
And that's the issue with the Roland Emrich 2019 version of MIDWAY...what the film lacks in script quality, it makes up with by casting weak actors and crossing them with cheap special effects.
Yeah...it doesn't work very well. No wonder it came and went pretty quickly in the theaters.
Patrick Wilson is the most successful in this film in his role as Intelligence Officer Edwin Layton who figures out what the Japanese are up to in the early days of World War II. He has some fun scenes with Brennan Brown as one of this "codebreakers" and his interactions with Woody Harrelson as Admiral Nimitz are fun.
And...that's about it for the acting and interesting things in this film. Harrelson is wasted in his role (he clearly owed someone a favor to appear in what should be considered and extended cameo). Dennis Quaid overacts (as he is want to do) as "Bull" Halsey. Mandy Moore, Aaron Eckhart, Nick Jonas and Luke Evans bring no charisma to roles that were written with the hopes that an actor would bring charisma to them. They all bring "one dimension" and play the heck out of that singular character trait...but interesting characters that does not build.
And then there is the case of Ed Skrein (in the Charlton Heston role) as the "rogue fighter pilot, bucking the system, but learning through the course of this film that he would be more effective bringing his unique insights into the system than buck it". Skrein is my poster child for "warning...bad movie ahead." He has, in my opinion, "anti-charisma". He sucks a movie into his void and we, the audience, are stuck there with him. Of course, we spend most of the film with him...much to my chagrin.
At least, you say, today's special effects would rescue this film.
Nope...it looked like someone's kid slapped something together on his MAC. The depth of the EFX are slim, the color schemes don't seem to match and the actors didn't look at all like they were in the scene with the effects.
Nothing really works in this film. Avoid it at all costs. I can't even give you the "it's so bad it's good" line on this one.
It's so bad, it's bad.
Letter Grade "D"
2 Stars out of 10 and you can take that to the Bank(OfMarquis)
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Bob Mann (459 KP) rated Searching (2018) in Movies
Sep 28, 2021
A phenomenally intriguing social media-focused movie.
There have been many movies that have featured computing and, more specifically, social media at their heart. Some these have used the device of the view “from the screen”: 2016’s entertaining “Nerve” had elements of this, with the majority of the rest of the film being ‘augmented reality’ over the video. But it was 2014’s teen-horror “Unfriended” that set a new bar being seen entirely through a computer screen. No surprise then that the producer of that one – Timur Bekmambetov – is also behind “Searching”. For – although taking a few liberties with news vidoes, that may or may not be showing on Youtube – the whole film is shot through computer screens.
“Oh no!” you sigh “another gimmicky B-movie”. Far from it. Not only is this a really helpful training film for Windows tips and tricks! It’s also a totally absorbing crime mystery anchored by a superb script that keeps the audience guessing to the end.
John Cho – most famous as Sulu in the Star Trek reboots – plays David Kim who is trying to control his 16 year-old daughter Margot (Michelle Ya, in her movie debut). Kim, working in some form of product development, is no technology luddite, and when Margot disappears he uses his nous about social media to try to piece together the fragments of the puzzle to assist police Detective Vick (Debra Messing, “Grace” in “Will and Grace”).
To say any more would ruin what is a masterly roller-coaster ride of twists and turns. The script by first-time director Aneesh Chaganty and Sev Ohanian doesn’t let its audience relax for a moment, spawning more movie cul-de-sacs and red herrings than a classic Agatha Christie.
In the acting stakes John Cho – who really doesn’t get given much to do in the Star Trek background – is here impressively believable as the parent, struggling with both bringing up a teen – enough to stress any mortal out – and an emotional past. Ms La is also equally engaging, given most of her scenes are via close-up web cam.
Criticisms? The film, at 102 minutes, might have usefully trimmed 10 minutes to be an even tighter 90 minute classic. I also thought it pulled its punches in the finale, where a director of the calibre of Hitchcock might have gone for a much darker angle without a qualm.
But I’m nit-picking. This is an excellent thriller that also effectively drills into grief and bereavement (a warning for anyone struggling with this – especially via the “Big C”… you might want to give this one a miss… #Up). It also ironically highlights that whilst broadcasting by people has never been more prevelant, communication between family members is sometimes totally lacking.
Clearly people agree with me that it is excellent: the preview cinema audience I saw this with was buzzing afterwards, and this won the “Audience Award” at Sundance.
“Searching” will be on general release in the UK and US from August 31st 2018. Highly recommended!
“Oh no!” you sigh “another gimmicky B-movie”. Far from it. Not only is this a really helpful training film for Windows tips and tricks! It’s also a totally absorbing crime mystery anchored by a superb script that keeps the audience guessing to the end.
John Cho – most famous as Sulu in the Star Trek reboots – plays David Kim who is trying to control his 16 year-old daughter Margot (Michelle Ya, in her movie debut). Kim, working in some form of product development, is no technology luddite, and when Margot disappears he uses his nous about social media to try to piece together the fragments of the puzzle to assist police Detective Vick (Debra Messing, “Grace” in “Will and Grace”).
To say any more would ruin what is a masterly roller-coaster ride of twists and turns. The script by first-time director Aneesh Chaganty and Sev Ohanian doesn’t let its audience relax for a moment, spawning more movie cul-de-sacs and red herrings than a classic Agatha Christie.
In the acting stakes John Cho – who really doesn’t get given much to do in the Star Trek background – is here impressively believable as the parent, struggling with both bringing up a teen – enough to stress any mortal out – and an emotional past. Ms La is also equally engaging, given most of her scenes are via close-up web cam.
Criticisms? The film, at 102 minutes, might have usefully trimmed 10 minutes to be an even tighter 90 minute classic. I also thought it pulled its punches in the finale, where a director of the calibre of Hitchcock might have gone for a much darker angle without a qualm.
But I’m nit-picking. This is an excellent thriller that also effectively drills into grief and bereavement (a warning for anyone struggling with this – especially via the “Big C”… you might want to give this one a miss… #Up). It also ironically highlights that whilst broadcasting by people has never been more prevelant, communication between family members is sometimes totally lacking.
Clearly people agree with me that it is excellent: the preview cinema audience I saw this with was buzzing afterwards, and this won the “Audience Award” at Sundance.
“Searching” will be on general release in the UK and US from August 31st 2018. Highly recommended!
BankofMarquis (1832 KP) rated The Holdovers (2023) in Movies
Dec 31, 2023
Emotional Rich...and Real
The last time Paul Giamatti starred in an Alexander Payne film (2004’s SIDEWAYS), Payne won the Oscar for Best Adapted Screenplay.
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
jameswelsh (3 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 16, 2017
great script (3 more)
very good main villain
fits so well into the mcu
back on form for spidey
spidey back on form
spiderman homecoming, a return to form for the webslinger after a series of disapointing movies. Not since spiderman 2 has there been such a good version of the character. Is it as good as those films know but in terms of the 3rd rami film and the mark webb films this movies is head and shoulder above them. Tom holland is perfectly cast as the hero. He balances the awkwardness and geeky charm of peter parker mixed with the wisecracking and heroism of spidey perfectly. Michael Keaton plays a rare beast a good mcu villian. He plays it so well you hate what he is doing but you can feel for the guy because of what he has been through. all other characters fit there purpose even a small role from iron man brings more connection with the wider mcu and helps further the story. I like the fact they went with the more john hughs feel with this movie. Its good there keeping the character in high school because in my opinion they skipped over that two fast in previous films.
my only criticism is that i found the spiderman suit too gimmicky. he is spiderman not iron spiderman.
in all this is a great film. with a fantastic cast and a great entry into the mcu. I look forward to more spidey in the future.
my only criticism is that i found the spiderman suit too gimmicky. he is spiderman not iron spiderman.
in all this is a great film. with a fantastic cast and a great entry into the mcu. I look forward to more spidey in the future.
Sarah (7800 KP) rated The Meg (2018) in Movies
May 10, 2019
Isn’t even entertainingly bad
You know to have low expectations when watching a Jason Statham film, especially one about giant sharks. I had hoped for something similar to Sharknado, a proper cheesy laughingly bad B movie, but sadly The Meg can’t even live up to these very low standards.
For starters, I don’t think this film has any idea what it’s meant to be. Is it serious, is it silly? It ends up being a bizarre mixture of the two which just doesn’t work as both aspects just seem out of place. Whilst I absolutely love the Thai version of Mickey that plays over the end credits, again it kind of seems a bit confused. The script is awful, and the acting for the most part is horrendous. I wanted it to be entertainingly bad, but sadly it was just cringeworthy to the point I was almost embarrassed for them. The only person who comes out of this relatively unscathed is Cliff Curtis as Mac, who is at least pretty funny although sadly underused. Also, what on earth was going on with Jason Statham’s accent? Was it English or American?! And then there’s the plot. It’s very predictable, the first hour is ridiculously dull and then changes into completely farce and unbelievability at the end, with stupid characters doing silly things that just don’t make any sense. Even the CGI was average and nothing exceptional.
I really wanted to like this, at least in a “it’s so bad it’s good” way, but sadly this is just plain old bad.
For starters, I don’t think this film has any idea what it’s meant to be. Is it serious, is it silly? It ends up being a bizarre mixture of the two which just doesn’t work as both aspects just seem out of place. Whilst I absolutely love the Thai version of Mickey that plays over the end credits, again it kind of seems a bit confused. The script is awful, and the acting for the most part is horrendous. I wanted it to be entertainingly bad, but sadly it was just cringeworthy to the point I was almost embarrassed for them. The only person who comes out of this relatively unscathed is Cliff Curtis as Mac, who is at least pretty funny although sadly underused. Also, what on earth was going on with Jason Statham’s accent? Was it English or American?! And then there’s the plot. It’s very predictable, the first hour is ridiculously dull and then changes into completely farce and unbelievability at the end, with stupid characters doing silly things that just don’t make any sense. Even the CGI was average and nothing exceptional.
I really wanted to like this, at least in a “it’s so bad it’s good” way, but sadly this is just plain old bad.
Billie Wichkan (118 KP) rated The Stalker in Books
May 22, 2019
A murder on their doorstep
A case that's too close to home . . .
The body of a young woman has been discovered in Bellahouston park, the second in a matter of months. It's clear to Detective Superintendent William Lorimer of Police Scotland that they have a repeat killer on their hands, who is sure to strike again.
Lucky for DSI Lorimer that his wife, Maggie, is miles away from potential danger, touring Scotland to promote her first book. Faced with strangers at every event, Maggie doesn't notice the quiet, non-de script man sitting in the back row.
But he has noticed Maggie Lorimer. And soon his will be a face she never forgets.
Wow... what a great crime thriller this was. I didn't realize this was part of a series but it didn't impact on reading this one at all. It was very easy to follow the main characters and was easily read as a stand-alone.
I loved the complexity of the plot and it flowed very well.
There is plenty of tension and suspense throughout. The writing here is very atmospheric and draws you in.
The pace is just right as it helps the suspense level and atmosphere.
Very good characters and very relatable. I think the writing is superb and very well written.
The author has done a superb job of putting you in the shoes of the victim and how the range of emotions happens.
This is a wonderfully chilling crime read and I highly recommend!!
Thanks to Net Galley and Little, Brown for an ARC.
A case that's too close to home . . .
The body of a young woman has been discovered in Bellahouston park, the second in a matter of months. It's clear to Detective Superintendent William Lorimer of Police Scotland that they have a repeat killer on their hands, who is sure to strike again.
Lucky for DSI Lorimer that his wife, Maggie, is miles away from potential danger, touring Scotland to promote her first book. Faced with strangers at every event, Maggie doesn't notice the quiet, non-de script man sitting in the back row.
But he has noticed Maggie Lorimer. And soon his will be a face she never forgets.
Wow... what a great crime thriller this was. I didn't realize this was part of a series but it didn't impact on reading this one at all. It was very easy to follow the main characters and was easily read as a stand-alone.
I loved the complexity of the plot and it flowed very well.
There is plenty of tension and suspense throughout. The writing here is very atmospheric and draws you in.
The pace is just right as it helps the suspense level and atmosphere.
Very good characters and very relatable. I think the writing is superb and very well written.
The author has done a superb job of putting you in the shoes of the victim and how the range of emotions happens.
This is a wonderfully chilling crime read and I highly recommend!!
Thanks to Net Galley and Little, Brown for an ARC.
BackToTheMovies (56 KP) rated No Saints for Sinners (2011) in Movies
Jun 12, 2019 (Updated Jun 12, 2019)
Low Budget Flick That Really Hits Home
Before watching this film I was very skeptical. Many low budget films really do disappoint. Numerous bouts of bad acting, no real plot-lines of note, nothing to keep the viewer hooked. But I thought id give this film the benefit of the doubt.
After viewing it I sat back and thought wow, a low budget film that doesn't actually suck!
Rick Crawford is Irish born so naturally the accent comes easy enough to him, the other cast I know for a fact weren't all Irish so their accents seemed a bit forced and unnatural. Apart from that I thought the film was a highly engaging and entertaining spectacle.
Rick Crawford plays a great part supported by 2 industry Powerhouses in the form of Keith David ( There's Something About Mary) and James Cosmo (Troy, Braveheart). The action and fighting scenes are gritty, the storyline doesn't drop off, its simplistic and easy to watch and the film plays out at a much higher standard than the budget would suggest.
I really enjoyed this film personally and I've re-watched it since as I liked it that much. A must buy for action junkies or crime fans. The plot depth and script held the film back for the most part and I imagine budget did play a part when it comes to the rather cheap action sequences but I couldn't complain too much.
Whilst this film is far from perfect it's still well worth a watch. 10/10 for effort but a mediocre 5/10 for overall purposes.
After viewing it I sat back and thought wow, a low budget film that doesn't actually suck!
Rick Crawford is Irish born so naturally the accent comes easy enough to him, the other cast I know for a fact weren't all Irish so their accents seemed a bit forced and unnatural. Apart from that I thought the film was a highly engaging and entertaining spectacle.
Rick Crawford plays a great part supported by 2 industry Powerhouses in the form of Keith David ( There's Something About Mary) and James Cosmo (Troy, Braveheart). The action and fighting scenes are gritty, the storyline doesn't drop off, its simplistic and easy to watch and the film plays out at a much higher standard than the budget would suggest.
I really enjoyed this film personally and I've re-watched it since as I liked it that much. A must buy for action junkies or crime fans. The plot depth and script held the film back for the most part and I imagine budget did play a part when it comes to the rather cheap action sequences but I couldn't complain too much.
Whilst this film is far from perfect it's still well worth a watch. 10/10 for effort but a mediocre 5/10 for overall purposes.
