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365Flicks (235 KP) rated I Love My Mum (2018) in Movies
Oct 31, 2019 (Updated Oct 31, 2019)
I feel this could be an instant cult favourite.
Prepare yourself Film Fans, for what could be the best British road trip comedy you will have seen in a long time. A bold statement I know however this Low budget Brit comedy punches way above its weight in almost every aspect and lands an absolute knockout for its viewers.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
LeftSideCut (3776 KP) rated Die Hard (1988) in Movies
Nov 30, 2019
Peak action
I am absolutely incapable of understanding why anyone wouldn't like Die Hard. It's level of adoration is there for a reason.
The plot is simple and brilliant - When New York cop John McClane (Bruce Willis) travels to meet his wife at her company Christmas party in Los Angeles, he is unwittingly caught in a hostage situation when the building is seized by terrorists, lead by Hans Gruber (Alan Rickman). With the help of a police Sgt. on the outside (Reginald VelJohnson), McClane takes it upon himself to save his wife, and take down Gruber.
Die Hard takes a little while to set up, as we're intorduced to all the key characters, and it takes a while for everyone to catch on to what is happening. However, when the action starts, it's literally non stop. The practical effects, and fantastic stunt work make the action scenes a stand out of the genre, and they still stand up today.
The script is hugely corny at times, but is pulled off with aplomb by Bruce Willis and Alan Rickman. John McClane is one of the most likable protagonists in cinema history. He's calm, badass, and stands up for what is right. It's hard to imagine anyone else but Willis pulling off some of his one liners.
Equally, Hans Gruber is one of the most likable bad guys in cinema history. He's ruthless, yet charming, and gives John a proper hard time.
Most importantly, Die Hard is just stupidly entertaining. What was released initially as another action film of the decade, with a then relatively unknown Bruce Willis, quickly became a legitimate classic.
The plot is simple and brilliant - When New York cop John McClane (Bruce Willis) travels to meet his wife at her company Christmas party in Los Angeles, he is unwittingly caught in a hostage situation when the building is seized by terrorists, lead by Hans Gruber (Alan Rickman). With the help of a police Sgt. on the outside (Reginald VelJohnson), McClane takes it upon himself to save his wife, and take down Gruber.
Die Hard takes a little while to set up, as we're intorduced to all the key characters, and it takes a while for everyone to catch on to what is happening. However, when the action starts, it's literally non stop. The practical effects, and fantastic stunt work make the action scenes a stand out of the genre, and they still stand up today.
The script is hugely corny at times, but is pulled off with aplomb by Bruce Willis and Alan Rickman. John McClane is one of the most likable protagonists in cinema history. He's calm, badass, and stands up for what is right. It's hard to imagine anyone else but Willis pulling off some of his one liners.
Equally, Hans Gruber is one of the most likable bad guys in cinema history. He's ruthless, yet charming, and gives John a proper hard time.
Most importantly, Die Hard is just stupidly entertaining. What was released initially as another action film of the decade, with a then relatively unknown Bruce Willis, quickly became a legitimate classic.
JT (287 KP) rated Robot & Frank (2012) in Movies
Mar 10, 2020
Frank (Frank Langella) is slowing drifting into dementia, although his stiff upper lip and stubbornness refuse him to believe that there is anything wrong. His children fight to offer help despite an ongoing sense of resentment that they have to. When his son Hunter presents Frank with a robot butler designed to look after him he finds another more profitable use for it.
The portrayal of old age in any film can be depressing. We’re all going to end up that way at some point in our lives whether we like it or not. The only control we have is do we go quietly or kicking and screaming. The robot (voiced by Peter Sarsgaard) is not given a name but his calming presence and dry underlying humour make him a perfect compliment for Frank’s brash and rather direct old timer.
Frank’s hidden past was as a jewel thief, spending most of his early life inside made it clear that he was not a good father to either of his children, and he’s been divorced from his wife for some time. It’s a beautifully written script set near enough in the future that it still is in keeping with present day surroundings – uniquely different mobile phones and voice activated Skype chat seem to be the more futuristic of the technologies, robots aside.
As their relationship develops the bond between them becomes closer. It feels very much like a real life Wall-E, Frank relaxes to become dependant on the Robot. It’s a solid film with great central performances with controlled and light hearted direction. The plot is wayward at times but it holds well for the duration.
The portrayal of old age in any film can be depressing. We’re all going to end up that way at some point in our lives whether we like it or not. The only control we have is do we go quietly or kicking and screaming. The robot (voiced by Peter Sarsgaard) is not given a name but his calming presence and dry underlying humour make him a perfect compliment for Frank’s brash and rather direct old timer.
Frank’s hidden past was as a jewel thief, spending most of his early life inside made it clear that he was not a good father to either of his children, and he’s been divorced from his wife for some time. It’s a beautifully written script set near enough in the future that it still is in keeping with present day surroundings – uniquely different mobile phones and voice activated Skype chat seem to be the more futuristic of the technologies, robots aside.
As their relationship develops the bond between them becomes closer. It feels very much like a real life Wall-E, Frank relaxes to become dependant on the Robot. It’s a solid film with great central performances with controlled and light hearted direction. The plot is wayward at times but it holds well for the duration.
Tim McGuire (301 KP) rated Blood Father (2016) in Movies
Apr 20, 2020
Mel Unleashed
418. Blood Father. I had the feeling the whole time that this easily could have been the script for the last Rambo flick, Sly said no, Mel just got off house arrest so, it worked out. In this, I think Mel is playing a version of himself, and just went with it. Link is an ex-con recovering alcoholic that gets a call from his missing daughter, like legit missing, reward money type missing, anyways, she just called to let her know that she just killed her Mexican mobster boyfriend, and she's on the run and needs help. So Link goes and picks up Lydia and brings her back to his home/tattoo parlor. But wouldn't you know it, those mobsters find out where she went, and show up in a pretty amusing gunfight, each time Link pulls the trigger he announces out loud the criminal charge he is now going to face. Escape they do, on the run they must go. Once at a motel, obviously terrified that a criminal organization wants her and her father dead, she still has time to be a teenage girl and come flirt with the checkout guy, and that's when she sees the TV, the law is now looking for them as well. So go deeper into hiding they must, she dyes her hair blonde, Link shaves his pretty awesome beard to look like Mel's very real mugshot, and off they go again. Will the mobsters catch up? Of course they will or there'd be no point! It's definitely not great, but still fun to watch. Filmbufftim on FB!
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