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Jordan Binkerd (567 KP) rated The Kid Who Would Be King (2019) in Movies
Aug 15, 2019 (Updated Aug 15, 2019)
The script is excellent and a clever take on the classic mythology, with some good allusions to previous incarnations. (2 more)
The cast is amazing all around
The effects are stellar, with the undead warriors hitting the right balance between too scary and not threatening enough
Merlin's hand magic pulled me right out of the story and made me think "That's the stupidest thing I've seen in quite a while...." (1 more)
Pacing was a bit off; the runtime was a bit long and there was a false climax with about half an hour to go in the film.
Surprisingly good family-friendly fantasy
I'm not sure why this bombed, aside from the fact that I barely remember seeing it advertised. It's a good film, well-executed on nearly every level. It was a bit long, perhaps, dragged a bit in the middle, but otherwise the only thing I have to complain about is the hand-waving tomfoolery they gave Merlin to execute his magic - that crap looked dumb as @#$&. I've seen lots of complaining about young Merlin, but for me it was just that his magic looked dumb - he was weird, but Merlin's supposed to be like that. The acting was top-notch across the board, though Patrick Stewart and Rebecca Ferguson were under-utilized. What set it apart for me, though, was that it refused to dumb itself down for its audience as so many kids' movies do. This film references obscure versions of the legend and makes them integral to the story without feeling they have to over-explain everything. For example, Merlin ages backwards. It's not that he looks like Patrick Stewart and is in disguise as a sixteen-year-old, but that he looks like a sixteen-year-old and occasionally puts on the guise of Patrick Stewart to prove a point or gain credibility. (I think in the original take it's less that he ages backwards and more that he lives backwards, but close enough.) I'd have loved this as a kid, and one day I'm sure my kids will love it as well.
Emma @ The Movies (1786 KP) rated A Dog's Way Home (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Being by the same author as A Dog's Purpose you basically know the sort of film you're going to be getting and it doesn't disappoint on that front.
All the real life floofs were amazing and Shelby as Bella obviously gets five stars. The CGI floofs however should probably get a minus amount of stars. You notice it right from the start but once you get to that cougar that's when you think "oh it really is that bad!" It kind of feels like they found a cartoon of a cougar instead of a photo of one to work from.
I don't know where Ashley Judd has been hiding but it was good to see her back in a film. It was a nice little role and she did well with what she was given.
Bryce Dallas Howard was the voice of Bella and she does manage to give her the right tone for all the different situations. It's exactly what you think a dog would sound like if it could talk.
Bella's script is quite fun. Snow is ice cream falling from the sky and cutting the grass is indeed taking the mower for a walk, she even dislikes playing "go to work"... so do we Bella, so do we.
This had potential to be a 3.5/4 star film if it hadn't been for the frankly awful CGI, but I don't think I could see my way clear to give it more than that. It's predictable, just from the synopsis above you can make guesses at what's going to happen... something/someone is the reason Bella is far from home, she'll run away the first chance she gets, danger and camaraderie will be the themes while she's on her journey, she will somehow make it back even though it looks like everything is lost and they'll all live happily ever after.
What you should do
There are probably a lot of classic family films to stream or you already own which do the same job so there's probably no rush to see this one at the cinema. If you do though... take tissues.
Movie thing you wish you could take home
Any amount of floofs will do me!
All the real life floofs were amazing and Shelby as Bella obviously gets five stars. The CGI floofs however should probably get a minus amount of stars. You notice it right from the start but once you get to that cougar that's when you think "oh it really is that bad!" It kind of feels like they found a cartoon of a cougar instead of a photo of one to work from.
I don't know where Ashley Judd has been hiding but it was good to see her back in a film. It was a nice little role and she did well with what she was given.
Bryce Dallas Howard was the voice of Bella and she does manage to give her the right tone for all the different situations. It's exactly what you think a dog would sound like if it could talk.
Bella's script is quite fun. Snow is ice cream falling from the sky and cutting the grass is indeed taking the mower for a walk, she even dislikes playing "go to work"... so do we Bella, so do we.
This had potential to be a 3.5/4 star film if it hadn't been for the frankly awful CGI, but I don't think I could see my way clear to give it more than that. It's predictable, just from the synopsis above you can make guesses at what's going to happen... something/someone is the reason Bella is far from home, she'll run away the first chance she gets, danger and camaraderie will be the themes while she's on her journey, she will somehow make it back even though it looks like everything is lost and they'll all live happily ever after.
What you should do
There are probably a lot of classic family films to stream or you already own which do the same job so there's probably no rush to see this one at the cinema. If you do though... take tissues.
Movie thing you wish you could take home
Any amount of floofs will do me!
Sarah (7800 KP) rated Hellboy (2019) in Movies
Dec 31, 2019
Why?!
I know the original Hellboy films didn’t do well critically, but they got a fairly decent fan following and I personally loved them, so I really didn’t see why they wanted to remake it. And after watching this disaster, I definitely cannot understand why they bothered to remake it!
I’ll start with the good bits, which won’t take long as David Harbour and Ian McShane are pretty much the only decent things about this film. Ian McShane seems to be playing his usual charismatic, crazy old man character (very reminiscent of Mr Wednesday) and I’m not complaining, as this is exactly what I love about him and he’s a rather good less nice version of Professor Broom. And David Harbour is a good Hellboy and gets the very few laughs there is in this, although I think he’s very let down and not able to shine properly because of the dodgy script and just general terribleness of this film. There’s also a decent rock soundtrack accompanying the fight scenes and a fairly fun amount of gore.
And now the bad. There’s far too much cgi in this and it isn’t always good, and they should’ve toned this down a lot. The plot and progression of the entire story is just bizarre, it was just downright ridiculous. They seem to have decided to try and fit in a strange assortment of folk tales and historic legends, like the Pendle Hill witches and King Arthur, and this is alongside the already crazy (but just about believable) origin of Hellboy himself and the Nazis. Even the bad guys in this are cheesy and not particularly threatening - Milla Jovovich with a horrendous English accent and a pig creature with a Scouse accent?! I know Stephen Graham is from Liverpool but that accent on that particular character was possible the most bizarre and frustrating thing I’ve ever seen. And also despite the main lead up being slightly different, the end result to Hellboy personally is exactly the same as the original. Why not try and come up with something completely different to avoid yet more negative comparisons to the original?
This is one film that should never have seen the light of day.
I’ll start with the good bits, which won’t take long as David Harbour and Ian McShane are pretty much the only decent things about this film. Ian McShane seems to be playing his usual charismatic, crazy old man character (very reminiscent of Mr Wednesday) and I’m not complaining, as this is exactly what I love about him and he’s a rather good less nice version of Professor Broom. And David Harbour is a good Hellboy and gets the very few laughs there is in this, although I think he’s very let down and not able to shine properly because of the dodgy script and just general terribleness of this film. There’s also a decent rock soundtrack accompanying the fight scenes and a fairly fun amount of gore.
And now the bad. There’s far too much cgi in this and it isn’t always good, and they should’ve toned this down a lot. The plot and progression of the entire story is just bizarre, it was just downright ridiculous. They seem to have decided to try and fit in a strange assortment of folk tales and historic legends, like the Pendle Hill witches and King Arthur, and this is alongside the already crazy (but just about believable) origin of Hellboy himself and the Nazis. Even the bad guys in this are cheesy and not particularly threatening - Milla Jovovich with a horrendous English accent and a pig creature with a Scouse accent?! I know Stephen Graham is from Liverpool but that accent on that particular character was possible the most bizarre and frustrating thing I’ve ever seen. And also despite the main lead up being slightly different, the end result to Hellboy personally is exactly the same as the original. Why not try and come up with something completely different to avoid yet more negative comparisons to the original?
This is one film that should never have seen the light of day.
Veronica Pena (690 KP) rated The Perks of Being a Wallflower (2012) in Movies
Feb 10, 2020
I firmly believe that this is one of the best movies on the face of the planet. Anyone who knows me and knows my reviews knows how much it bothers me when film adaptations are so bad or so off or they just lose everything the book had. The exact opposite happens here. I think what makes this movie so good and so well put together is that it's still Stephen's story. He wrote the book, then the screenplay, then he directed it so it was his entire vision coming to life on screen and it worked. I think if anyone else would've directed or wrote the script, it wouldn't have translated so well.
Additionally, this cast is phenomenal. Logan Lerman, Emma Watson, Ezra Miller, Nina Dobrev, Mae Whitman, Kate Walsh, Paul Rudd, it just works. There are some parts from the book that didn't make it to the screen and that definitely bummed me out - I wish we could've seen Bill and Charlie's relationship more because it was really important in the book and it provided a lot for Charlie in terms of safety and comfort. I also wish some of the lines were verbatim. When Sam gets mad at Charlie after truth or dare, in the book she says, "what the fuck is wrong with you?" while in the movie she says, "what the hell is wrong with you?" I know that it's not a huge difference but I think that would've landed so much better. Also when Charlie defends Patrick. In the book, he says, "If you ever do this again, I'll tell everyone and I'll tell everyone for real. If you come after him again, I'll blind you." or something along those lines and I think that would've been great, especially with how low and solid Logan gave the line in the film. Just small things like that, I wish would've made it to screen.
Regardless, this film and this story are incredible and worth watching at least once for everyone. The same goes for the book. A must-read.
Additionally, this cast is phenomenal. Logan Lerman, Emma Watson, Ezra Miller, Nina Dobrev, Mae Whitman, Kate Walsh, Paul Rudd, it just works. There are some parts from the book that didn't make it to the screen and that definitely bummed me out - I wish we could've seen Bill and Charlie's relationship more because it was really important in the book and it provided a lot for Charlie in terms of safety and comfort. I also wish some of the lines were verbatim. When Sam gets mad at Charlie after truth or dare, in the book she says, "what the fuck is wrong with you?" while in the movie she says, "what the hell is wrong with you?" I know that it's not a huge difference but I think that would've landed so much better. Also when Charlie defends Patrick. In the book, he says, "If you ever do this again, I'll tell everyone and I'll tell everyone for real. If you come after him again, I'll blind you." or something along those lines and I think that would've been great, especially with how low and solid Logan gave the line in the film. Just small things like that, I wish would've made it to screen.
Regardless, this film and this story are incredible and worth watching at least once for everyone. The same goes for the book. A must-read.
JT (287 KP) rated Dead Man's Shoes (2006) in Movies
Mar 10, 2020
British films don’t really come more powerful as this, Shane Meadows has delivered a film so intense it’ll feel like the quickest most terrifying ninety minutes of your life.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
LeftSideCut (3776 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Mar 13, 2020
Jumanji: Welcome to the Jungle is on of those films that has no business being as good as it is.
Released a whopping 22 years after the beloved original, it's existence feels like it should be firmly in the "money grab" territory of Hollywood, but that just simply isn't the case.
Firstly, it's not just a re hash of the original plot. This time around, four teenagers all in detention for one reason or another, come across an old, unrecognisable games console labelled 'Jumanji'. After booting up the game and selecting their desired characters, the group are sucked into the game world, and have to complete it from within if they want to escape with their lives.
When in the game, the teens take on the roles of the characters they selected, each with their own skill sets. It's a delight for any video game fans, with fun references and silly NPC jokes scattered around.
The four younger actors don't get a huge amount of screen time, but they're engaging enough when they are about, bit the stars are of course the four who are front and centre of all the advertising. The chemistry between Dwayne 'The Rock' Johnson, Karen Gillan, Kevin Hart and Jack Black is fantastic and genuine. The script is tight and joke heavy, and every humourous line lands without fail. They all do a great job of awkward teenagers trapped inside the bodies of video game characters. Jack Black is a particular highlight, essentially playing an Instagram obsessed 18 year old girl.
The whole movie is pretty hilarious. It also carries a passive story of friendship and family, as the four very different people form a strong bond as the story progresses.
The action sequences are pretty thrilling as well, even if it is hard to not notice the excessive CGI at times.
WTTJ is a really enjoyable popcorn blockbuster. It's funny, silly, and has enough substance to it to get nicely invested in the characters. It even includes a subtle and tasteful nod to Robin Williams' character from 1995, and is a classy touch.
Released a whopping 22 years after the beloved original, it's existence feels like it should be firmly in the "money grab" territory of Hollywood, but that just simply isn't the case.
Firstly, it's not just a re hash of the original plot. This time around, four teenagers all in detention for one reason or another, come across an old, unrecognisable games console labelled 'Jumanji'. After booting up the game and selecting their desired characters, the group are sucked into the game world, and have to complete it from within if they want to escape with their lives.
When in the game, the teens take on the roles of the characters they selected, each with their own skill sets. It's a delight for any video game fans, with fun references and silly NPC jokes scattered around.
The four younger actors don't get a huge amount of screen time, but they're engaging enough when they are about, bit the stars are of course the four who are front and centre of all the advertising. The chemistry between Dwayne 'The Rock' Johnson, Karen Gillan, Kevin Hart and Jack Black is fantastic and genuine. The script is tight and joke heavy, and every humourous line lands without fail. They all do a great job of awkward teenagers trapped inside the bodies of video game characters. Jack Black is a particular highlight, essentially playing an Instagram obsessed 18 year old girl.
The whole movie is pretty hilarious. It also carries a passive story of friendship and family, as the four very different people form a strong bond as the story progresses.
The action sequences are pretty thrilling as well, even if it is hard to not notice the excessive CGI at times.
WTTJ is a really enjoyable popcorn blockbuster. It's funny, silly, and has enough substance to it to get nicely invested in the characters. It even includes a subtle and tasteful nod to Robin Williams' character from 1995, and is a classy touch.
LeftSideCut (3776 KP) rated Detroit: Become Human in Video Games
Jul 30, 2019
Leaves Heavy Rain in the dust
The only other Quantic Dream game I have played is 2010s 'Heavy Rain' - a game that I kind of enjoyed, but to me always felt like it was in the cusp of being so much more.
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
Gareth von Kallenbach (980 KP) rated Spy (2015) in Movies
Aug 6, 2019
Ever since Bridesmaids Melissa McCarthy’s film career and popularity has been growing. The success of The Heat made McCarthy the “hot” new Hollywood comic. Though this success has McCarthy in danger of oversaturation with films that feel like mostly unfunny adlib session connected around loosely uninteresting plots like Identity Theft or Tammy. Luckily, Spy is not one of these films.
McCarthy once again teams up with Director/Writer Paul Feig (Bridesmaids/The Heat) and the chemistry of their previous success shows.
To be clear, this film is not the greatest comedy ever, but the fact that there is a clear script and the story knows where it is headed helps keep the experience enjoyable throughout at it progresses. McCarthy is on point as a support agent who becomes field agent to find a nuclear weapon and catch the person responsible for the death of her agent/partner. This film makes fun of all the typical spy film tropes through the fact that our best agent is a large unassuming woman who keeps finding herself in the typical spy situations. She solves each of these situations in her own way which is nice and often hilarious to see.
Additionally, the rest of the cast offer up hilarious delivery across the board, including but not limited to Jason Statham. There are several scenes where Statham steals the show. It is great to see him play a super spy, a character we always see him play, but in a ridiculous over the top hilarious way. It was fun to watch and his chemistry with McCarthy is great. Additionally, Rose Byrne (Neighbors) plays well across from McCarthy as a villain who is sexy, dangerous bitch, who we cannot help like none the less. Her comedy timing works well with McCarthy and the two are great together on screen.
If you are looking to escape the summer heat and you are looking for a laugh, don’t skip out on Spy. So far it is the best of the comedy of the year and it is worth checking out, if not in the theater, then when it is out for home distribution.
McCarthy once again teams up with Director/Writer Paul Feig (Bridesmaids/The Heat) and the chemistry of their previous success shows.
To be clear, this film is not the greatest comedy ever, but the fact that there is a clear script and the story knows where it is headed helps keep the experience enjoyable throughout at it progresses. McCarthy is on point as a support agent who becomes field agent to find a nuclear weapon and catch the person responsible for the death of her agent/partner. This film makes fun of all the typical spy film tropes through the fact that our best agent is a large unassuming woman who keeps finding herself in the typical spy situations. She solves each of these situations in her own way which is nice and often hilarious to see.
Additionally, the rest of the cast offer up hilarious delivery across the board, including but not limited to Jason Statham. There are several scenes where Statham steals the show. It is great to see him play a super spy, a character we always see him play, but in a ridiculous over the top hilarious way. It was fun to watch and his chemistry with McCarthy is great. Additionally, Rose Byrne (Neighbors) plays well across from McCarthy as a villain who is sexy, dangerous bitch, who we cannot help like none the less. Her comedy timing works well with McCarthy and the two are great together on screen.
If you are looking to escape the summer heat and you are looking for a laugh, don’t skip out on Spy. So far it is the best of the comedy of the year and it is worth checking out, if not in the theater, then when it is out for home distribution.
SF
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Red Dwarf - Season 1
8.2
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It was a script rejected by everyone at the BBC for three years. It starred a poet, an...