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Heather Cranmer (2721 KP) created a post
Jan 12, 2021
Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
Epic but too lengthy
A very ambitious debut novel, epic in scope, cast of characters and plot. However, I found myself struggling to pick it up too often.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
Gareth von Kallenbach (980 KP) rated The Great Wall (2016) in Movies
Jul 12, 2019
Universal Studios and Legendary’s latest monster film is from the brilliant mind of Zhang Yimou. I must say that though this was a Yimou film I was not really intrigued with the trailer and almost skipped it however I’m glad that I didn’t!
William (Matt Damon) and Toval (Pedro Pascal) are mercenaries trying to make it rich. They are on a mission in China on the lookout for legendary exploding black powder. Instead they find a huge Great Wall and are mystified as to why it was built and what it is trying to keep out. The Tao Tei, are prehistoric looking monsters who are a danger to all of humanity and the only thing stopping them is the wall. William is a skilled archer and Toval a witty fighter. With their help they might be able to save humanity from the onslaught of the Tao Tei.
I thoroughly enjoyed this film and found it extremely entertaining. The action and unexpected humor is what sold it for me. The casting of Matt Damon and Pedro Pascal was brilliantly thought out and kept the audience laughing with the duos chemistry and how well they played off of each other.
Despite all of the controversy about having Matt Damon as the lead in a Chinese film is crazy and I think Zhang has made the right choice in doing so. To be successful in the American film industry sometimes you have to use a big star to bring in big results. Though the story and script are basic and easy to follow the action, scenery, costumes and humor are fantastic and what makes the film great. This film should definitely be viewed with the 3D option as it fully immerses the audience into and becomes a part of the story. A lot of CGI was used and though normally I am not a fan of a lot of CGI, it works with the film rather than against it. I would definitely recommend this film but the monsters might be too much for kids to handle in 3D.
William (Matt Damon) and Toval (Pedro Pascal) are mercenaries trying to make it rich. They are on a mission in China on the lookout for legendary exploding black powder. Instead they find a huge Great Wall and are mystified as to why it was built and what it is trying to keep out. The Tao Tei, are prehistoric looking monsters who are a danger to all of humanity and the only thing stopping them is the wall. William is a skilled archer and Toval a witty fighter. With their help they might be able to save humanity from the onslaught of the Tao Tei.
I thoroughly enjoyed this film and found it extremely entertaining. The action and unexpected humor is what sold it for me. The casting of Matt Damon and Pedro Pascal was brilliantly thought out and kept the audience laughing with the duos chemistry and how well they played off of each other.
Despite all of the controversy about having Matt Damon as the lead in a Chinese film is crazy and I think Zhang has made the right choice in doing so. To be successful in the American film industry sometimes you have to use a big star to bring in big results. Though the story and script are basic and easy to follow the action, scenery, costumes and humor are fantastic and what makes the film great. This film should definitely be viewed with the 3D option as it fully immerses the audience into and becomes a part of the story. A lot of CGI was used and though normally I am not a fan of a lot of CGI, it works with the film rather than against it. I would definitely recommend this film but the monsters might be too much for kids to handle in 3D.
Johnny Messias (25 KP) rated The Irishman (2019) in Movies
Oct 14, 2019
Al Pacino as Hoffa (6 more)
Joe Pesci is wonderful
De Niro anchors the film
Scorsese on top form
Thelma Schoonmaker’s editing
Steve Zaillian’s script
De Niro and Pacino together
Marty’s marvellous Oldfellas
The Irishman – BFI London Film Festival Review Oct 13th 2019.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.
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Emma @ The Movies (1786 KP) rated Primal (2019) in Movies
Aug 22, 2020
When will I learn? Do not watch big star films you've never heard of before I see them on DVD.
A big game hunter ends up transporting his catch on a ship with a team of military personnel that are transporting an assassin back to the US under the radar. All it takes is one wrong step for the ship to be filled with danger as everyone is being stalked by killers, both animal and human.
I nearly lobbed this DVD out my window after the first scene with the CGI kitty cat, it was truly abysmal. Thankfully at some point I stopped noticing fairly quickly.
Kevin Durand plays our assassin-in-transit and he's always a pretty good bet for a bad guy. Even in this he has a great presence. Next we have Famke Janssen, I couldn't honestly tell you how long it's been since I saw her in something. This wasn't a great character though, and apart from one or two scenes I had forgotten she was even in this film when I scrolled through the cast list. It's not entirely to do with the acting, which did feel a little lacklustre, the character didn't have a lot of punch and wasn't what you know she's capable of.
There's no denying that this is below my usual Cage favourites. It's pretty low on the Cage Rage ranking, but it's still a Nicolas Cage film and as with shark films that means there's an automatic pass. It would have to do something horrendous for me to outright hate it.
There's logic of some description in Primal but it's still a distinctly average film. I can forgive the bad CGI, but a poor script and average production quality across the board mean I'm regretting paying actual money for it. The idea for the story feels like someone used a story generator to get different plot points, even so, there was potential in it but I was rather sad it wasn't a better experience.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/primal-movie-review.html
A big game hunter ends up transporting his catch on a ship with a team of military personnel that are transporting an assassin back to the US under the radar. All it takes is one wrong step for the ship to be filled with danger as everyone is being stalked by killers, both animal and human.
I nearly lobbed this DVD out my window after the first scene with the CGI kitty cat, it was truly abysmal. Thankfully at some point I stopped noticing fairly quickly.
Kevin Durand plays our assassin-in-transit and he's always a pretty good bet for a bad guy. Even in this he has a great presence. Next we have Famke Janssen, I couldn't honestly tell you how long it's been since I saw her in something. This wasn't a great character though, and apart from one or two scenes I had forgotten she was even in this film when I scrolled through the cast list. It's not entirely to do with the acting, which did feel a little lacklustre, the character didn't have a lot of punch and wasn't what you know she's capable of.
There's no denying that this is below my usual Cage favourites. It's pretty low on the Cage Rage ranking, but it's still a Nicolas Cage film and as with shark films that means there's an automatic pass. It would have to do something horrendous for me to outright hate it.
There's logic of some description in Primal but it's still a distinctly average film. I can forgive the bad CGI, but a poor script and average production quality across the board mean I'm regretting paying actual money for it. The idea for the story feels like someone used a story generator to get different plot points, even so, there was potential in it but I was rather sad it wasn't a better experience.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/primal-movie-review.html
The Ghost is Clear (A Series of Midlife Curses #1)
Arial Burnz and AJ Nuest
8.0
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A Midlife Crisis…or Curse…or BOTH? Life after forty is fun, they said. You can be whoever you...
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Bob Mann (459 KP) rated Oxygen (2021) in Movies
Sep 28, 2021
A taut mystery horror/thriller that goes off in surprising directions!
You can recognize a ‘lockdown-produced movie’ a mile off. Typically it focuses on a handful of players, who are mostly socially isolated. Here is a classic example. Yet by doing that, the director is forced to focus in on character and dialogue. As such, some of these ‘small’ movies that reign in the director’s excesses are far better as a result.
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!