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Gareth von Kallenbach (980 KP) rated State of Play (2009) in Movies
Aug 14, 2019
In the corridors of the nation’s capital, Washington D.C. alliances and wheeling and dealing are the name of the game. With billions if not trillions of dollars hinging on new laws and policy, corporations clearly have an interest in which way the political winds are leaning and how it will affect their all important bottom line.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
Emma @ The Movies (1786 KP) rated Instant Family (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Going in to Instant Family I had some reservations. I'm a big fan of Rose Byrne, her performance in last year's Juliet, Naked was a delight to watch, but on the flipside Mark Wahlberg and comedy don't come high on my must see list. Thankfully those thoughts were quickly dismissed as the times I laughed out loud soared into the double digits.
This is a genuinely good film with just a couple of things that made me pause a little, I'll mention those later. The moments where I laughed it was out loud, like almost everyone else at the screening, and when I wasn't laughing I was probably crying, sometimes ugly crying.
Byrne and Wahlberg worked so well together and with Isabela Moner in the mix too we were treated to some great on screen chemistry. I'm hoping we'll see a lot more of Moner on our screens as she was able to pull her weight really well with all the fantastic actors in this.
A lot is obviously focused around Ellie, Pete and the kids, but outside of that dynamic I've got to give some love to Karen and Sharon. Octavia Spencer and Tig Notaro are such a fun double act, although for me Spencer will always steal the show. Their dynamic running the fostering program brought a smile to my face and while the reactionary humour may be predictable it lands so well that I couldn't care less that I knew it was coming.
My negatives about the films are so minute that they hardly seem worth mentioning. Pete (Wahlberg) has a tendency to be blunt and externalise what most of us would keep as inner dialogue. His script gives you those moments where you take a sharp breath and say "you shouldn't say that!" Ellie counteracts this by being the slight voice of reason so while you're taken aback by Pete's honesty you quickly come back to the normal flow of the film.
Out of my two quibbles this one caused me the most issues. Joan Cusack. She's great, I enjoy her work, but I really don't understand her inclusion in this. She pops up as a sort of cameo role near the end and it feels a little invasive on the dramatic moment we're witnessing, it just seems awkward and forced. It does at least lead to an amusing moment for Spencer so I think that probably gets it the pass.
Instant Family is definitely chock full of laughs and feels, despite my grumbles I still feel it deserves these five stars.
What you should do
It's a very entertaining film and perhaps surprisingly based on a true story, it's well worth a watch. I really think that everyone will get some entertainment out of this.
Movie thing you wish you could take home
If you could send Pete and Ellie round with their renovation skills it would be much appreciated.
This is a genuinely good film with just a couple of things that made me pause a little, I'll mention those later. The moments where I laughed it was out loud, like almost everyone else at the screening, and when I wasn't laughing I was probably crying, sometimes ugly crying.
Byrne and Wahlberg worked so well together and with Isabela Moner in the mix too we were treated to some great on screen chemistry. I'm hoping we'll see a lot more of Moner on our screens as she was able to pull her weight really well with all the fantastic actors in this.
A lot is obviously focused around Ellie, Pete and the kids, but outside of that dynamic I've got to give some love to Karen and Sharon. Octavia Spencer and Tig Notaro are such a fun double act, although for me Spencer will always steal the show. Their dynamic running the fostering program brought a smile to my face and while the reactionary humour may be predictable it lands so well that I couldn't care less that I knew it was coming.
My negatives about the films are so minute that they hardly seem worth mentioning. Pete (Wahlberg) has a tendency to be blunt and externalise what most of us would keep as inner dialogue. His script gives you those moments where you take a sharp breath and say "you shouldn't say that!" Ellie counteracts this by being the slight voice of reason so while you're taken aback by Pete's honesty you quickly come back to the normal flow of the film.
Out of my two quibbles this one caused me the most issues. Joan Cusack. She's great, I enjoy her work, but I really don't understand her inclusion in this. She pops up as a sort of cameo role near the end and it feels a little invasive on the dramatic moment we're witnessing, it just seems awkward and forced. It does at least lead to an amusing moment for Spencer so I think that probably gets it the pass.
Instant Family is definitely chock full of laughs and feels, despite my grumbles I still feel it deserves these five stars.
What you should do
It's a very entertaining film and perhaps surprisingly based on a true story, it's well worth a watch. I really think that everyone will get some entertainment out of this.
Movie thing you wish you could take home
If you could send Pete and Ellie round with their renovation skills it would be much appreciated.
Emma @ The Movies (1786 KP) rated The Mule (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Thinking Clint Eastwood is a great actor is sadly not enough to get you through this film.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
Emma @ The Movies (1786 KP) rated Late Night (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Show me Emma Thompson in a trailer and I'll show you a film that's going to the top of my must-see list. Comedy, drama, she can do it all, and as Katherine Newbury she got to do a bit of both.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
LeftSideCut (3776 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 29, 2019 (Updated Oct 29, 2019)
I'll start by saying that Terminator: Dark Fate isn't quite the glorious return to form that a lot of people were hoping it would be. It's not a scratch on the first two, but there's enough good here to provide a mostly enjoyable sequel.
The Terminator series has had a bit of an extended rough patch over the last 15-20 years to say the least. Many fans (including myself) are quite happy to pretend that any entries after T2 just don't exist.
Lucky for us then that Dark Fate feels the same way.
Picking up after the events of T2, with a bit of digital trickery, we're first subjected to a sweet shot of nostalgia that we seem to be getting used to these days.
One thing I found apparent throughout DF, is that it drip feeds nostalgia quite subtly, without ever going overboard.
From there we're introduced to characters old and new including a new Terminator target Dani (Natalia Reyes), her cybernetically augmented human protector-from-the-future, Grace (Mackenzie Davis) and the new improved Terminator model for this chapter, the 'Rev-9' (Gabriel Luna).
And then of course Sarah Connor (Linda Hamilton), back and more badass than ever.
I enjoyed the cast as a whole during DF, but I'll admit that whenever Hamilton was involved in a scene was when my attention was at a peak.
The pacing drags at times - the action scenes are pretty hectic, and mostly entertaining, and a decent script holds the slower moments together for the most part, but i found parts of the middle act a little dull at times.
Arnold Schwarzenegger appears fairly late on, and the film picked up a notch for me at this point. The position we find him in is initially quite jarring, but does (kind of) make sense once explained. It's also Schwarzenegger that provides the bulk of Dark Fate's sparse humour, and it's done very well. Just like the nostalgia aspect, it never quite goes overboard, allowing for some genuinely funny moments in an otherwise serious movie.
The climax of the film is stupidly entertaining, with thrilling action, and some genuinely emotional moments. Dark Fate felt like a 6/10 to me until the last 25 minutes, and it's a strong final sequence that closes the film nicely.
The CGI is mostly decent. Mostly. There are some moments early on that look dodgy AF, and an action set piece on a huge plane a bit later on that is glaringly awful, but it's not enough to tank what is overall, an entertaining action vehicle, with a great cast.
I honestly (and probably naively) hope that the Terminator franchise is left alone now. There's only so many ways one can shoehorn Arnie into a new Terminator narrative, and Dark Fate does just enough to make up for the last three films. And that's good enough for me.
The Terminator series has had a bit of an extended rough patch over the last 15-20 years to say the least. Many fans (including myself) are quite happy to pretend that any entries after T2 just don't exist.
Lucky for us then that Dark Fate feels the same way.
Picking up after the events of T2, with a bit of digital trickery, we're first subjected to a sweet shot of nostalgia that we seem to be getting used to these days.
One thing I found apparent throughout DF, is that it drip feeds nostalgia quite subtly, without ever going overboard.
From there we're introduced to characters old and new including a new Terminator target Dani (Natalia Reyes), her cybernetically augmented human protector-from-the-future, Grace (Mackenzie Davis) and the new improved Terminator model for this chapter, the 'Rev-9' (Gabriel Luna).
And then of course Sarah Connor (Linda Hamilton), back and more badass than ever.
I enjoyed the cast as a whole during DF, but I'll admit that whenever Hamilton was involved in a scene was when my attention was at a peak.
The pacing drags at times - the action scenes are pretty hectic, and mostly entertaining, and a decent script holds the slower moments together for the most part, but i found parts of the middle act a little dull at times.
Arnold Schwarzenegger appears fairly late on, and the film picked up a notch for me at this point. The position we find him in is initially quite jarring, but does (kind of) make sense once explained. It's also Schwarzenegger that provides the bulk of Dark Fate's sparse humour, and it's done very well. Just like the nostalgia aspect, it never quite goes overboard, allowing for some genuinely funny moments in an otherwise serious movie.
The climax of the film is stupidly entertaining, with thrilling action, and some genuinely emotional moments. Dark Fate felt like a 6/10 to me until the last 25 minutes, and it's a strong final sequence that closes the film nicely.
The CGI is mostly decent. Mostly. There are some moments early on that look dodgy AF, and an action set piece on a huge plane a bit later on that is glaringly awful, but it's not enough to tank what is overall, an entertaining action vehicle, with a great cast.
I honestly (and probably naively) hope that the Terminator franchise is left alone now. There's only so many ways one can shoehorn Arnie into a new Terminator narrative, and Dark Fate does just enough to make up for the last three films. And that's good enough for me.
Gareth von Kallenbach (980 KP) rated A Star Is Born (2018) in Movies
Jul 2, 2019
Bradley Cooper lays the triple threat by not only starring, but directing and co-writing the script for this 4th time retelling of a tragic story of love, music, and addiction. Jackson Maine (Bradley Cooper), a superstar struggling with addiction on a downward spiral falls in love with a rising star named Ally (Lady Gaga), who is trying to make her musical mark in the world all while saving the man she loves.
One night after a show, Jackson Maine drunkenly wanders into a drag bar and becomes completely enamored with Ally’s sultry voice after she belts out La Vie En Rose. It didn’t take long to realize the vulnerability that connected the two artists. The wounded soul of Jackson’s past and Ally’s heartbreak from constant rejection by the large music companies because she doesn’t look like a Barbie doll. The following day, Jackson flies Ally to one of his shows, and invites her to sing with him on stage together. Realizing the audience loves them and the chemistry they exude on stage, it’s only makes sense for Ally to join Jackson on tour and begin making beautiful music together. The chemistry carries off stage as the two quickly fall in love, get married, all while Ally’s career begins to take off.
Ally, however, is ill-equipped to deal with Jackson’s addiction and the demands that come with being a superstar, trying to juggle home life and her career. Proud of his wife’s success and still suffering from his own demons, Jackson in the end realizes his inability to come up for air is holding her back.
Bradley Cooper has proven that he is just as talented behind the camera as he is in front of one. All the agony, the pain, raw emotions Cooper demonstrated in this character, I would be very surprised if he didn’t receive any recognition come awards season. Even with such a stellar performance by Cooper, Lady Gaga was the absolute show stopper. She commanded the audience’s attention with her voice, her quick wit, her natural realism of codependency. She was born to play Ally.
We already knew that Lady Gaga and her singing chops where going to be a major focal point in this film, but who knew Bradley Cooper could sing? Cooper, who said he flew to Seattle to consult friend Eddie Vedder, frontman for Pearl Jam, on how to “aesthetically become a musician, and all the inner workings.” The breathtaking musical performances made you feel like you were live at the concert. I almost found myself clapping at the end of a couple of numbers.
When you see a movie and find yourself just sitting there in awe as the end credits roll by, unable to move, you realized you’ve just seen magic. From the music, to the supporting characters, the editing……..every element was sheer perfection!
One night after a show, Jackson Maine drunkenly wanders into a drag bar and becomes completely enamored with Ally’s sultry voice after she belts out La Vie En Rose. It didn’t take long to realize the vulnerability that connected the two artists. The wounded soul of Jackson’s past and Ally’s heartbreak from constant rejection by the large music companies because she doesn’t look like a Barbie doll. The following day, Jackson flies Ally to one of his shows, and invites her to sing with him on stage together. Realizing the audience loves them and the chemistry they exude on stage, it’s only makes sense for Ally to join Jackson on tour and begin making beautiful music together. The chemistry carries off stage as the two quickly fall in love, get married, all while Ally’s career begins to take off.
Ally, however, is ill-equipped to deal with Jackson’s addiction and the demands that come with being a superstar, trying to juggle home life and her career. Proud of his wife’s success and still suffering from his own demons, Jackson in the end realizes his inability to come up for air is holding her back.
Bradley Cooper has proven that he is just as talented behind the camera as he is in front of one. All the agony, the pain, raw emotions Cooper demonstrated in this character, I would be very surprised if he didn’t receive any recognition come awards season. Even with such a stellar performance by Cooper, Lady Gaga was the absolute show stopper. She commanded the audience’s attention with her voice, her quick wit, her natural realism of codependency. She was born to play Ally.
We already knew that Lady Gaga and her singing chops where going to be a major focal point in this film, but who knew Bradley Cooper could sing? Cooper, who said he flew to Seattle to consult friend Eddie Vedder, frontman for Pearl Jam, on how to “aesthetically become a musician, and all the inner workings.” The breathtaking musical performances made you feel like you were live at the concert. I almost found myself clapping at the end of a couple of numbers.
When you see a movie and find yourself just sitting there in awe as the end credits roll by, unable to move, you realized you’ve just seen magic. From the music, to the supporting characters, the editing……..every element was sheer perfection!
365Flicks (235 KP) rated Peelers (2016) in Movies
Nov 20, 2019
Last night I watched a movie that was so rotten that not only was I not able to write a review for it, but I felt like a needed a palette cleanser. When I received the trailer for Peelers I thought to myself ‘A Zombie Horror Comedy set in a Strip Club sooooo Boobies’ okay I am in lets have a look at Peelers. Holy crap was this the palette cleanser I needed.
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
BankofMarquis (1832 KP) rated Richard Jewell (2019) in Movies
Feb 2, 2020
Mellow paced - nothing special
89 year old Director/Actor Clint Eastwood has mellowed with age. He seems at peace with himself and prefers to work at a pace that he sets. His latest Directing effort - RICHARD JEWELL - has that sort of mellowness. It takes it time to tell it's story with no real urgency to it.
It could have used some life to be injected in it.
Based on the true events of the pipe bombing in Centennial Park in Atlanta during the 1996 Summer Olympics, RICHARD JEWELL tells the story of...well...Richard Jewell - the Security Guard who was hailed as a hero for warning people about the bomb, saving many lives, while also being listed as the #1 suspect in the bombing.
Director Eastwood and Writer Billy Ray do not spend much time making the audience guess at to whether or not they think that Jewell committed the crime (he did not - the real bomber was caught in 2006), rather they spend their time showing a person who's being railroaded by the FBI and who's life is caught up in the scramble by the press to "get the story." Again...this would be more interesting if Director Eastwood would show some sort of urgency to the proceedings, but this film is paced on an even keel from start to finish, and I never got caught up, emotionally, in the events that were transpiring in front of me.
Paul Walter Hauser (Shawn Eckhardt in I, TONYA) does a "fine enough" job as the titular character - but it isn't anything special and since the viewer is spending almost every scene with him "fine enough" isn't good enough. Adding to my disappointment are the portrayals by John Hamm (as an FBI Agent) and Olivia Wilde (as a Newspaper Reporter). Both of these performances border on caricature (especially Wilde's performance). I'm disappointed in Eastwood for letting this happen.
Injecting "some" life into this film is Kathy Bates - who was nominated for an Academy Award for Best Supporting Actress for her portrayal of Richard Jewell's mother - and she delivers better than the others...but not "Oscar Worthy". She does nail her "Oscar moment", but I don't think the script gives her much else to do.
The brightest spot in this film - by far - is the portrayal of Richard Jewell's lawyer, Watson Bryant, by Sam Rockwell and the performance of Nina Ariande as Bryant's Secretary/Girlfriend. If anyone should have been nominated for an Oscar for their performance in this film, it is Rockwell - his is the best one in the film and Ariande plays off him wonderfully well. I sat up a little taller in my seat whenever these two had a scene together.
But that's about it. It's a pretty "meh" movie - professionally made and paced deliberately and mellowly - like Clint Eastwood. But not like an Oscar contending film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
It could have used some life to be injected in it.
Based on the true events of the pipe bombing in Centennial Park in Atlanta during the 1996 Summer Olympics, RICHARD JEWELL tells the story of...well...Richard Jewell - the Security Guard who was hailed as a hero for warning people about the bomb, saving many lives, while also being listed as the #1 suspect in the bombing.
Director Eastwood and Writer Billy Ray do not spend much time making the audience guess at to whether or not they think that Jewell committed the crime (he did not - the real bomber was caught in 2006), rather they spend their time showing a person who's being railroaded by the FBI and who's life is caught up in the scramble by the press to "get the story." Again...this would be more interesting if Director Eastwood would show some sort of urgency to the proceedings, but this film is paced on an even keel from start to finish, and I never got caught up, emotionally, in the events that were transpiring in front of me.
Paul Walter Hauser (Shawn Eckhardt in I, TONYA) does a "fine enough" job as the titular character - but it isn't anything special and since the viewer is spending almost every scene with him "fine enough" isn't good enough. Adding to my disappointment are the portrayals by John Hamm (as an FBI Agent) and Olivia Wilde (as a Newspaper Reporter). Both of these performances border on caricature (especially Wilde's performance). I'm disappointed in Eastwood for letting this happen.
Injecting "some" life into this film is Kathy Bates - who was nominated for an Academy Award for Best Supporting Actress for her portrayal of Richard Jewell's mother - and she delivers better than the others...but not "Oscar Worthy". She does nail her "Oscar moment", but I don't think the script gives her much else to do.
The brightest spot in this film - by far - is the portrayal of Richard Jewell's lawyer, Watson Bryant, by Sam Rockwell and the performance of Nina Ariande as Bryant's Secretary/Girlfriend. If anyone should have been nominated for an Oscar for their performance in this film, it is Rockwell - his is the best one in the film and Ariande plays off him wonderfully well. I sat up a little taller in my seat whenever these two had a scene together.
But that's about it. It's a pretty "meh" movie - professionally made and paced deliberately and mellowly - like Clint Eastwood. But not like an Oscar contending film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
JT (287 KP) rated District 9 (2009) in Movies
Mar 10, 2020
When you’ve seen one alien film you’ve probably seen them all. That is until District 9 came along, and a chance to put a new spin on the arrival of extra extraterrestrial beings from another world.
Director Neill Blomkamp who also co-wrote the script lands the aliens in a scenario that they might not have ever expected to be in, as refugees living in poverty amongst the human race who just want to see them pack up ship and leave.
Its clever and well shot, keeping it away from America and setting it in the dusty backdrop of Johannesburg was a stroke of genius. The use of the faux-documentary style kept things interesting and original, and for that Blomkamp must be commended.
The depths of the story arises thus, an extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology. Agent Wikus Van De Merwe superbly played by new comer to the big league, Sharlto Copley, is a by the books, loving wife sort of guy.
Excited by the prospect of their arrival he thrives on and becomes overly excited in seeing how ‘the prawns’ live their life scavenging for food and seemingly resulting to crime in a bid to survive. But when he’s exposed to a chemical that has disastrous results he must befriend the alien race in an attempt to get his life back. His transformation from government bureaucrat to a lone freedom fighter with a selfish streak (you’ll find out what I mean without giving the plot away here) is perfect.
The overall outlook of the film is not what you would call beautiful, but there is something weirdly picturesque about it. The massive ship that has been hanging overhead for the last two decades is spectacular, not to mention some explosive action sequences which have a fantastic injection of shaky cam to give it a real sense of reality.
It’s certainly gory, so the more squeamish might find some scenes hard to watch. There is plenty of exploding bodies at the hands of an alien weaponry as well as a machine gun firing, missile toting exoskeleton that would make both Robo Cop and Iron Man green with envy! There is an aura of black comedy about it with a few surprising laugh out loud moments from time to time which adds a nice touch.
The aliens for the most part have it tough, while we don’t ever find out the reason for their invasion the realism of them being beaten, exploited and abused by a somewhat corrupt higher power certainly puts into perspective a more sinister and much closer to home reality.
When District 9 really gets going its plain to see that this is an exceptional piece of film making and a must see!
Director Neill Blomkamp who also co-wrote the script lands the aliens in a scenario that they might not have ever expected to be in, as refugees living in poverty amongst the human race who just want to see them pack up ship and leave.
Its clever and well shot, keeping it away from America and setting it in the dusty backdrop of Johannesburg was a stroke of genius. The use of the faux-documentary style kept things interesting and original, and for that Blomkamp must be commended.
The depths of the story arises thus, an extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology. Agent Wikus Van De Merwe superbly played by new comer to the big league, Sharlto Copley, is a by the books, loving wife sort of guy.
Excited by the prospect of their arrival he thrives on and becomes overly excited in seeing how ‘the prawns’ live their life scavenging for food and seemingly resulting to crime in a bid to survive. But when he’s exposed to a chemical that has disastrous results he must befriend the alien race in an attempt to get his life back. His transformation from government bureaucrat to a lone freedom fighter with a selfish streak (you’ll find out what I mean without giving the plot away here) is perfect.
The overall outlook of the film is not what you would call beautiful, but there is something weirdly picturesque about it. The massive ship that has been hanging overhead for the last two decades is spectacular, not to mention some explosive action sequences which have a fantastic injection of shaky cam to give it a real sense of reality.
It’s certainly gory, so the more squeamish might find some scenes hard to watch. There is plenty of exploding bodies at the hands of an alien weaponry as well as a machine gun firing, missile toting exoskeleton that would make both Robo Cop and Iron Man green with envy! There is an aura of black comedy about it with a few surprising laugh out loud moments from time to time which adds a nice touch.
The aliens for the most part have it tough, while we don’t ever find out the reason for their invasion the realism of them being beaten, exploited and abused by a somewhat corrupt higher power certainly puts into perspective a more sinister and much closer to home reality.
When District 9 really gets going its plain to see that this is an exceptional piece of film making and a must see!
Gareth von Kallenbach (980 KP) rated The Nice Guys (2016) in Movies
Aug 6, 2019
This is how it’s supposed to be done. Though it’s not the most original flick to grace the silver screen, Shane Black’s follow-up to his instant cult classic Kiss Kiss Bang Bang has everything you could want in an action/comedy romp. A solid dynamic between its two charming yet flawed leads, a strong plot that has enough twists and turns to keep you thrilled but not lost, and plenty of quotably razor-sharp dialogue. Imagine the Lethal Weapon type meets a less obtuse Inherent Vice. Besides the return of Jason Bourne in July, it will undoubtedly be the most entertaining thing you’ll see in another summer season of mediocrity. Is anybody really that interested in a ninth X-Men film?
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.