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Daniel Boyd (1066 KP) rated Searching (2018) in Movies
Oct 24, 2018 (Updated Oct 24, 2018)
Stylish (2 more)
Well acted
Good script
The Surprise Hit Of 2018
I eventually got around to seeing Searching a couple of nights ago and I liked it way more than I thought I would. By all accounts, I should have hated this movie. I am not a fan of gimmicky webcam style movies, from the trailer this movie looked cheap and one-dimensional and possibly the most offensive aspect of the trailer was how unoriginal it came across. The marketing basically sold this movie as a Taken clone shot on a webcam.
There are a few times a year when I am absolutely delighted to be proven wrong and this is one of those rare times.
Searching is innovative, gripping and strikingly original. Unfortunately the movie doesn't really follow the formula that the academy looks for when handing out their nominations, but if John Cho doesn't get a nod come Oscar season for this performance, it will be a travesty. He carries this entire project on his shoulders and acts as the link that could make or break it throughout. Thankfully, he uses his impressive skills as an actor and pulls off a flawless performance while making it look effortless. The supporting cast do a decent job too.
The best thing about a movie that uses a gimmick well, is that you forget that the gimmick is even present after a while because it is so expertly woven into the narrative. That is the case here. The unfolding narrative is so engaging and the decision to tell it though PC and phone screens actually greatly helps the urgency and personalisation of the story, it really allows the audience to be right in the main character's shoes every step of the way.
The only slight negatives that I have is that I didn't love the ending and I seen some of the twists coming. However, this is very much down to my personal taste and I can't knock the movie too much for it. Also the marketing team for this movie should all be fired, like immediately. The only reason that I bothered to seek this film out was because of the positive response it was getting via word of mouth. If I was just going based on the movie's trailers I would have avoided this thing like the plague and missed out on an exciting, fun ride. Also when the movie dropped it was lucky if it was getting 3 showings per day in my local cinema and it was only showing in one cinema in my area, the distributors should really have done a better job of getting this film in front of an audience. It was as if they were putting this thing out to die to some extent.
Overall, Searching is the sleeper hit of the year. Sadly it will probably fly under a lot of people's radar due to the piss poor marketing, but I implore you to seek this one out, as it is an exciting, edge-of-your-seat thriller that is well worth your time.
There are a few times a year when I am absolutely delighted to be proven wrong and this is one of those rare times.
Searching is innovative, gripping and strikingly original. Unfortunately the movie doesn't really follow the formula that the academy looks for when handing out their nominations, but if John Cho doesn't get a nod come Oscar season for this performance, it will be a travesty. He carries this entire project on his shoulders and acts as the link that could make or break it throughout. Thankfully, he uses his impressive skills as an actor and pulls off a flawless performance while making it look effortless. The supporting cast do a decent job too.
The best thing about a movie that uses a gimmick well, is that you forget that the gimmick is even present after a while because it is so expertly woven into the narrative. That is the case here. The unfolding narrative is so engaging and the decision to tell it though PC and phone screens actually greatly helps the urgency and personalisation of the story, it really allows the audience to be right in the main character's shoes every step of the way.
The only slight negatives that I have is that I didn't love the ending and I seen some of the twists coming. However, this is very much down to my personal taste and I can't knock the movie too much for it. Also the marketing team for this movie should all be fired, like immediately. The only reason that I bothered to seek this film out was because of the positive response it was getting via word of mouth. If I was just going based on the movie's trailers I would have avoided this thing like the plague and missed out on an exciting, fun ride. Also when the movie dropped it was lucky if it was getting 3 showings per day in my local cinema and it was only showing in one cinema in my area, the distributors should really have done a better job of getting this film in front of an audience. It was as if they were putting this thing out to die to some extent.
Overall, Searching is the sleeper hit of the year. Sadly it will probably fly under a lot of people's radar due to the piss poor marketing, but I implore you to seek this one out, as it is an exciting, edge-of-your-seat thriller that is well worth your time.
Gareth von Kallenbach (980 KP) rated Justice League (2017) in Movies
Jun 19, 2019
The long anticipated “Justice League” has finally arrived finally combining the biggest stars of the DC universe into one film. The proposed film has faced many obstacles on the way to the big screen ranging from script issues, massive reshoots and a change of Director for said reshoots due to a family tragedy that Director Zack Snyder suffered.
The film follows Batman (Ben Affleck) and Wonder Woman (Gal Godot), as they look to assemble a team of other gifted individuals to help fight off a pending invasion.
The death of Superman has left a void on the Earth, and this has paved the way for an ancient evil to return as he attempts to conquer the planet after he collects the three needed artifacts that his plan requires.
In a race against time, Batman and Wonder Woman recruit Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher), to battle to save the planet. Naturally they battle amongst themselves as well as their massing enemies but ultimately decide on a dangerous plan that can tip the odds in their favor and save the day.
The action in the film is good but it often plays out like a video game. With so many blatantly obvious CGI backgrounds, the movie looked like a video game. There were numerous scenes that looked like they were lifted from Injustice and Injustice 2 that I mused to myself that someone must have used their Power Up for the shot.
Affleck and Gadot are good and work well with one another, but there are some serious casting issues with the film. The biggest for me was Ezra Miller as The Flash. I did not like his effeminate, nerdy, socially awkward, and neurotic and at times cowardly take on the character. This is not the Barry Allen I grew up reading in comics or the one that has been portrayed twice in a much better fashion on television. His comic relief status grew old fast and his character really offered little to the film.
It has been well-documented that Joss Whedon not only handled the rewrites for the film but took over directing duties to complete the film. You can see elements of his humor scattered throughout and the film does move along at a steady pace without dragging.
The biggest issue is that so many of the characters are just stiff and one-dimensional. They really are not overly interesting so it is hard to really connect with them and the tasks they are facing. Unlike Marvel who have excelled with dysfunctional groups who fight amongst themselves as well as the forces of evil, this group seems to be going through the paces rather than being fully engaged with the task at hand and each other.
In the end “Justice League” is better than I expected, and the two bonus scenes in the credits show some interesting potential down the road. As it is, it is flawed entertainment that requires audiences to overlook a lot of issues.
http://sknr.net/2017/11/15/justice-league/
The film follows Batman (Ben Affleck) and Wonder Woman (Gal Godot), as they look to assemble a team of other gifted individuals to help fight off a pending invasion.
The death of Superman has left a void on the Earth, and this has paved the way for an ancient evil to return as he attempts to conquer the planet after he collects the three needed artifacts that his plan requires.
In a race against time, Batman and Wonder Woman recruit Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher), to battle to save the planet. Naturally they battle amongst themselves as well as their massing enemies but ultimately decide on a dangerous plan that can tip the odds in their favor and save the day.
The action in the film is good but it often plays out like a video game. With so many blatantly obvious CGI backgrounds, the movie looked like a video game. There were numerous scenes that looked like they were lifted from Injustice and Injustice 2 that I mused to myself that someone must have used their Power Up for the shot.
Affleck and Gadot are good and work well with one another, but there are some serious casting issues with the film. The biggest for me was Ezra Miller as The Flash. I did not like his effeminate, nerdy, socially awkward, and neurotic and at times cowardly take on the character. This is not the Barry Allen I grew up reading in comics or the one that has been portrayed twice in a much better fashion on television. His comic relief status grew old fast and his character really offered little to the film.
It has been well-documented that Joss Whedon not only handled the rewrites for the film but took over directing duties to complete the film. You can see elements of his humor scattered throughout and the film does move along at a steady pace without dragging.
The biggest issue is that so many of the characters are just stiff and one-dimensional. They really are not overly interesting so it is hard to really connect with them and the tasks they are facing. Unlike Marvel who have excelled with dysfunctional groups who fight amongst themselves as well as the forces of evil, this group seems to be going through the paces rather than being fully engaged with the task at hand and each other.
In the end “Justice League” is better than I expected, and the two bonus scenes in the credits show some interesting potential down the road. As it is, it is flawed entertainment that requires audiences to overlook a lot of issues.
http://sknr.net/2017/11/15/justice-league/
Gareth von Kallenbach (980 KP) rated Entourage (2015) in Movies
Jun 19, 2019
When we last saw the crew from the smash HBO series Entourage, they were jetting their way to Europe to celebrate the pending marriage of movie star Vincent Chase (Adrian Grenier). Taking up soon after the events of the series finale, “Entourage” opens with a spectacular deck party hosted by Vinnie after his marriage lasted all of 9 days. He has his friends Turtle (Jerry Ferrara), Eric (Kevin Connolly), and his half-brother Johnny (Kevin Dillon), join him at his party set aboard a lavish yacht.
At the same time, former Agent to the Stars and now studio head, Ari Gold (Jeremy Piven) has called Vincent to offer him the lead for what he plans to be his first blockbuster under his watch. Vincent accepts the role but on the condition that he makes his directorial debut on the picture.
Despite his reservations, Ari uses his influence to get Vincent the job and attempts very hard to keep his end of deal he made with his wife that they could take the job and move back to Hollywood as long as Ari can keep his anger in check and make sure he has fun moments with his family often.
When the film runs over budget and Eric is forced to ask Ari for more money, Ari must travel to Texas to meet with the main financer of the film, Larsen McCredle (Billy Bob Thornton), Larsen is not willing to part with more money and he assigns his son Travis (Haley Joel Osment), to travel back to L.A. with Ari and oversee the completion of the film.
Naturally things do not go as planned and Ari’s slow burning fuse is ramping to overdrive with hysterical results and despite their best intentions, Vincent’s friends cannot seem to get out of their own way as they have numerous funny and embarrassing subplots around them and their romantic interests.
If you are a fan of the series you know what to expect, plenty of male bonding, women, jokes, and Ari pouring gasoline on every fire he attempts to put out.
The film is well-paced and very funny and it was great to see the gang back in action, especially when they had a script that enhances the show and does not treat it as a movie of the week reunion.
The supporting cast is solid and it is great fun seeing all the celebrity cameos and characters from the series that appear in the film.
The big draw is Piven, as he commands every scene that he is in. Running from full on rage to subtle submission in a blink of an eye, he reminds us of why he won three Emmy Awards for his portrayal of the character, and I will honestly say I think he should be given Oscar consideration for his performance in the film.
In the end if you are a fan of the series you will likely enjoy the film very much and if not, then what are you waiting for? See the show and you will fast become a fan.
http://sknr.net/2015/06/03/entourage/
At the same time, former Agent to the Stars and now studio head, Ari Gold (Jeremy Piven) has called Vincent to offer him the lead for what he plans to be his first blockbuster under his watch. Vincent accepts the role but on the condition that he makes his directorial debut on the picture.
Despite his reservations, Ari uses his influence to get Vincent the job and attempts very hard to keep his end of deal he made with his wife that they could take the job and move back to Hollywood as long as Ari can keep his anger in check and make sure he has fun moments with his family often.
When the film runs over budget and Eric is forced to ask Ari for more money, Ari must travel to Texas to meet with the main financer of the film, Larsen McCredle (Billy Bob Thornton), Larsen is not willing to part with more money and he assigns his son Travis (Haley Joel Osment), to travel back to L.A. with Ari and oversee the completion of the film.
Naturally things do not go as planned and Ari’s slow burning fuse is ramping to overdrive with hysterical results and despite their best intentions, Vincent’s friends cannot seem to get out of their own way as they have numerous funny and embarrassing subplots around them and their romantic interests.
If you are a fan of the series you know what to expect, plenty of male bonding, women, jokes, and Ari pouring gasoline on every fire he attempts to put out.
The film is well-paced and very funny and it was great to see the gang back in action, especially when they had a script that enhances the show and does not treat it as a movie of the week reunion.
The supporting cast is solid and it is great fun seeing all the celebrity cameos and characters from the series that appear in the film.
The big draw is Piven, as he commands every scene that he is in. Running from full on rage to subtle submission in a blink of an eye, he reminds us of why he won three Emmy Awards for his portrayal of the character, and I will honestly say I think he should be given Oscar consideration for his performance in the film.
In the end if you are a fan of the series you will likely enjoy the film very much and if not, then what are you waiting for? See the show and you will fast become a fan.
http://sknr.net/2015/06/03/entourage/
Chris Sawin (602 KP) rated Session 9 (2001) in Movies
Jun 22, 2019
Gordon Fleming specializes in removing asbestos, but is having a hard time finding work while him and his wife just had a baby. That is until he's contacted by Bill Griggs, the owner of an abandoned mental hospital. The hospital needs a lot of work and Gordon brings his second, Phil, along with him to check it out. What is originally a three week job gets negotiated down to one week that includes a $10,000 bonus for every man involved. Gordon leads a five man team that will have to work their hardest to get the job done on time, but what starts out as a great job slowly snowballs into the most horrific thing any of them could have imagined. The crew begins turning on each other as heated arguments seem to escalate as quickly as they began. Each man begins to act strangely and differently than when they first arrived. Something that used to be in the hospital still resides deep within its darkness infested corridors and is beginning to plague Gordon's team. Some would even say that fear isn't a feeling or an emotion. It's a place that preys on the weak and the wounded.
The atmosphere in this film is just brilliant. The setting puts you on edge to begin with since it takes place in an abandoned mental hospital, but even deserted there's just something about the building that doesn't seem right. It's like something has infected the structure down to its core. The setting seems to rely heavily on luminescence or the lack thereof. Even when a room in the hospital is illuminated, it still feels dark. Darkness still overwhelms it like it's hiding something. In addition to that, there's the Mary Hobbes subplot that makes the film that much more disturbing. But the less you know about that going into the film, the better.
While the film has a fantastic atmosphere, it seems to be lacking something to make it a superb film. Everything seems to be there as the script is good, the writing is top notch, can't complain about the acting, there's a bit of a twist in the ending that's really well done, and the film stays with you long after you watch it. The best explanation is that it had all the elements of a superb film, but it dropped the ball slightly in its execution. The pieces of the puzzle weren't put together in exactly the right way, but were put together in a way that still resulted in a good psychological horror film.
Session 9 is the perfect horror film for people who like films that mess with their head. It gets beneath your skin and stays there. While the film is practically a cult classic and contains all the elements of a great horror film, it seems to be lacking something. The best way to explain it is to say Session 9 is a superb psychological horror film that just wasn't as good to this reviewer as it is to others, but that could always change with repeat viewings of the film.
The atmosphere in this film is just brilliant. The setting puts you on edge to begin with since it takes place in an abandoned mental hospital, but even deserted there's just something about the building that doesn't seem right. It's like something has infected the structure down to its core. The setting seems to rely heavily on luminescence or the lack thereof. Even when a room in the hospital is illuminated, it still feels dark. Darkness still overwhelms it like it's hiding something. In addition to that, there's the Mary Hobbes subplot that makes the film that much more disturbing. But the less you know about that going into the film, the better.
While the film has a fantastic atmosphere, it seems to be lacking something to make it a superb film. Everything seems to be there as the script is good, the writing is top notch, can't complain about the acting, there's a bit of a twist in the ending that's really well done, and the film stays with you long after you watch it. The best explanation is that it had all the elements of a superb film, but it dropped the ball slightly in its execution. The pieces of the puzzle weren't put together in exactly the right way, but were put together in a way that still resulted in a good psychological horror film.
Session 9 is the perfect horror film for people who like films that mess with their head. It gets beneath your skin and stays there. While the film is practically a cult classic and contains all the elements of a great horror film, it seems to be lacking something. The best way to explain it is to say Session 9 is a superb psychological horror film that just wasn't as good to this reviewer as it is to others, but that could always change with repeat viewings of the film.
Phillip McSween (751 KP) rated The Dead Don't Die (2019) in Movies
Oct 29, 2019
The Acting Wasn't My Issue
On paper, you look at the cast of The Dead Don’t Die and you think, “This has gotta be a hit!” Adam Driver. The great Bill Murray. Tilda Swinton. Count me in. Sadly, I was extremely disappointed in the finished product. The film centers around what happens when a zombie outbreak hits a sleepy town.
Acting: 10
Just because I didn’t enjoy the film doesn’t mean it didn’t harbor strong performances from the cast. The aforementioned names above were all phenomenal in their respective roles. When the setting is “quiet town”, sometimes actors have a tendency to go overboard with their bumpkin pretenses, but this crew play to their parts perfectly. They made the movie somewhat bearable.
Beginning: 1
The movie really takes awhile to build up. I kept waiting for the engine to turn over, but I was left in a cold car for at least the first twenty minutes. Here’s the thing: I don’t hate slow starts if they serve a greater purpose. I’ll use a direct example from the same genre: Shaun of the Dead takes a bit to get going, but you can feel it actually building to something. Every few minutes you’re getting hints to the things happening around Shaun and his friend and you know it’s only a matter of time before they realize shit has hit the fan. With The Dead Don’t Die, the beginning feels more like a slow lull that doesn’t exactly get you excited to watch the rest of the movie.
Characters: 10
Not only were each of the characters hilarious, but I love how they surprised me by breaking the fourth wall. They made you feel like you were somehow in on the joke. Officer Mindy Morrison (Chloe Sevigny) was one of my favorites. It was hilarious watching how she handled certain situations, particularly when we finally know it’s zombies. Her and Ronnie Peterson (Adam Driver) onscreen definitely gave me a couple laughs.
Cinematography/Visuals: 10
Conflict: 9
You can always expect some semblance of a good time when zombies are involved. After a slow start, the action picks up enough to at least keep things interesting. There were a number of cool action sequences that I thoroughly enjoyed. I wish it was enough to save the movie as a whole.
Entertainment Value: 10
Memorability: 6
One of the areas where the movie fell short for me. I don’t know quite how to explain it except to say there wasn’t enough meat in it for me. It’s been a few weeks since I last saw the film and, even now, I’m struggling to remember anything substantial. For me, it doesn’t come off as a complete film.
Pace: 5
Plot: 1
Resolution: 1
Overall: 63
Much like a lot of movies that fall into this range, I really wanted to like The Dead Don’t Die more. Had it tweaked a few areas and punched up the script with more laughs, I think we would be looking at a hit. Oh well. Can’t win ‘em all.
Acting: 10
Just because I didn’t enjoy the film doesn’t mean it didn’t harbor strong performances from the cast. The aforementioned names above were all phenomenal in their respective roles. When the setting is “quiet town”, sometimes actors have a tendency to go overboard with their bumpkin pretenses, but this crew play to their parts perfectly. They made the movie somewhat bearable.
Beginning: 1
The movie really takes awhile to build up. I kept waiting for the engine to turn over, but I was left in a cold car for at least the first twenty minutes. Here’s the thing: I don’t hate slow starts if they serve a greater purpose. I’ll use a direct example from the same genre: Shaun of the Dead takes a bit to get going, but you can feel it actually building to something. Every few minutes you’re getting hints to the things happening around Shaun and his friend and you know it’s only a matter of time before they realize shit has hit the fan. With The Dead Don’t Die, the beginning feels more like a slow lull that doesn’t exactly get you excited to watch the rest of the movie.
Characters: 10
Not only were each of the characters hilarious, but I love how they surprised me by breaking the fourth wall. They made you feel like you were somehow in on the joke. Officer Mindy Morrison (Chloe Sevigny) was one of my favorites. It was hilarious watching how she handled certain situations, particularly when we finally know it’s zombies. Her and Ronnie Peterson (Adam Driver) onscreen definitely gave me a couple laughs.
Cinematography/Visuals: 10
Conflict: 9
You can always expect some semblance of a good time when zombies are involved. After a slow start, the action picks up enough to at least keep things interesting. There were a number of cool action sequences that I thoroughly enjoyed. I wish it was enough to save the movie as a whole.
Entertainment Value: 10
Memorability: 6
One of the areas where the movie fell short for me. I don’t know quite how to explain it except to say there wasn’t enough meat in it for me. It’s been a few weeks since I last saw the film and, even now, I’m struggling to remember anything substantial. For me, it doesn’t come off as a complete film.
Pace: 5
Plot: 1
Resolution: 1
Overall: 63
Much like a lot of movies that fall into this range, I really wanted to like The Dead Don’t Die more. Had it tweaked a few areas and punched up the script with more laughs, I think we would be looking at a hit. Oh well. Can’t win ‘em all.
Lucy Buglass (45 KP) rated Knives Out (2019) in Movies
Oct 24, 2019
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Darren (1599 KP) rated The Abominable Snowman (1957) in Movies
Jul 8, 2019 (Updated Oct 24, 2019)
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Emma @ The Movies (1786 KP) rated Tomorrow (2019) in Movies
Nov 7, 2019
The film had me at "brief strong sex" on the title card.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
365Flicks (235 KP) rated The Hollow (2016) in Movies
Nov 20, 2019
Often all it takes for me to put a flick on is to see a name of an Actor that I have loved in other movies, this can often make me more forgiving and open to watch the next flick that comes along. When I received The Hollow for the intentions of reviewing. I was smacked in the face by two such names, William Sadler (Shawshank, Die Hard 2) and William Forsythe (Things to Do in Denver When Your Dead, The Rock). Neither actor is setting the world on fire as of late but as a movie fan you know your about to get some solid performances. I was not wrong.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.
365Flicks (235 KP) rated Deadly Intent (2016) in Movies
Nov 20, 2019
Deadly Intent is a Powerful, Viseceral, Performance Driven, British Thriller Unlike Others… Reaney is Superb…
I am on a pretty big Indie kick right now. Trying to rekindle my love of the the Movie Gems you can find out there if you just look past the top 10 of the moment. In doing this we have created a Spin-Off of our podcast in which we will endeavor to promote Indie Cinema and Indie releases on such forms as VOD because not everything has to be capes and spandex or break a billion at the box office.
Director Rebekah Fortune’s unnerving British horror-thriller Deadly Intent is now available On Demand in the U.S.
Deadly Intent is a movie I would stick in the above category. A low budget Few thrills Intense Psychological Horror/Thriller that ticks all the boxes it promises to. Think Babadook, a tense movie that runs at its own pace and is driven by the performances of its leading Female (Rebecca Reaney) as a mother who’s thread is slowly being unwoven and James (Gus Barry) a child who is struggling to deal with the loss of his father… But wait something is afoot.
download-40
I will only dive into this movie a little because to be honest it is only a roughly 90 minute flick that takes half the time your normal thriller would take to actually get into things and keeps the momentum going till the credits. Rebecca Reaney plays Bryony, a mother who is really trying to keep it together for her son James after the death of his father. As with every child in a movie of this genre, James begins to have some paranormal interaction with his father. Not in a Field of Dreams “Do you wanna play catch” type of way, more of a “If im heading to the light your coming with me”. As things really begin to turn to shit for our mother and son we are also given a backstory of the lead up to the fathers supposed death in the form of flashbacks, we find him to be a former soldier suffering from PTSD and… Well not a very nice man.
This movie held my attention in a way I was not really expecting, you hear British, Horror, Thriller and it doesn’t immediately fill you with hope. However we have been able to make some corkers at times and like I say i’m on an Indie kick so this fell into my wheelhouse. The movie is very well executed by not only its reasonably small cast of characters but also script wise and directorial wise. It really doesn’t out stay its welcome, and you can really draw comparisons with movies like Babadook which is a cult darling so thats never a bad thing.
I recommend you give this flick a watch if only for the performances given by Rebecca Reaney and the rest of the cast. As for the movies director Rebekah Fortune, I fully expect to be seeing more from this woman in the future.
I am on a pretty big Indie kick right now. Trying to rekindle my love of the the Movie Gems you can find out there if you just look past the top 10 of the moment. In doing this we have created a Spin-Off of our podcast in which we will endeavor to promote Indie Cinema and Indie releases on such forms as VOD because not everything has to be capes and spandex or break a billion at the box office.
Director Rebekah Fortune’s unnerving British horror-thriller Deadly Intent is now available On Demand in the U.S.
Deadly Intent is a movie I would stick in the above category. A low budget Few thrills Intense Psychological Horror/Thriller that ticks all the boxes it promises to. Think Babadook, a tense movie that runs at its own pace and is driven by the performances of its leading Female (Rebecca Reaney) as a mother who’s thread is slowly being unwoven and James (Gus Barry) a child who is struggling to deal with the loss of his father… But wait something is afoot.
download-40
I will only dive into this movie a little because to be honest it is only a roughly 90 minute flick that takes half the time your normal thriller would take to actually get into things and keeps the momentum going till the credits. Rebecca Reaney plays Bryony, a mother who is really trying to keep it together for her son James after the death of his father. As with every child in a movie of this genre, James begins to have some paranormal interaction with his father. Not in a Field of Dreams “Do you wanna play catch” type of way, more of a “If im heading to the light your coming with me”. As things really begin to turn to shit for our mother and son we are also given a backstory of the lead up to the fathers supposed death in the form of flashbacks, we find him to be a former soldier suffering from PTSD and… Well not a very nice man.
This movie held my attention in a way I was not really expecting, you hear British, Horror, Thriller and it doesn’t immediately fill you with hope. However we have been able to make some corkers at times and like I say i’m on an Indie kick so this fell into my wheelhouse. The movie is very well executed by not only its reasonably small cast of characters but also script wise and directorial wise. It really doesn’t out stay its welcome, and you can really draw comparisons with movies like Babadook which is a cult darling so thats never a bad thing.
I recommend you give this flick a watch if only for the performances given by Rebecca Reaney and the rest of the cast. As for the movies director Rebekah Fortune, I fully expect to be seeing more from this woman in the future.