Search
Search results
Sarah (7800 KP) rated The Untouchables (1987) in Movies
Dec 16, 2020 (Updated Dec 16, 2020)
A little melodramatic
(not) Film #7 on the 100 Movies Bucket List: The Untouchables
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
Sarah (7800 KP) rated Mulan (2020) in Movies
Dec 18, 2020
Completely uninteresting
Mulan (2020) is the live action adaptation of the 1998 Disney animation of the same name, the latest in the live action remakes of Disney classics based on a young woman who disguises herself as a male soldier to save her father.
I’ll start with an admission: I’ve never seen the original animated Mulan. Despite being an avid Disney fan, growing up living and breathing everything Disney, somehow as an eleven year old when it was first released Mulan just passed me by, and has carried in doing so in the 20+ years since. Unlike the other live action Disney remakes in which I had so many preconceptions and so much love for the originals, I went into Mulan entirely open and with no expectations. This I hoped would prove to be a benefit when watching this remake, however I’m afraid to say that it actually may have put me at even more of a disadvantage.
The biggest issue with this film is that is entirely lacking in everything you’d usually expect from an animated Disney film and what I don’t doubt is present in the 1998 original. Disney films are full of heart, laughter, cutesy creatures and catchy songs whilst with an underlying serious plot with more menace and threat than you’d expect. This remake appears to have removed everything you know and love about Disney and replaced it with a very serious, very drawn out and actually quite dull plot. Yes there is still the good message in here that hopefully will motivate young women, but it’s lost behind a film that is severely lacking in any really spirit or character.
Yifei Liu does well as Mulan, at least with what she’s given to work with as far as the script goes. However she really suffers with the romance side, as there is zero chemistry between Mulan and Honghui, even with Yoson An’s charismatic performance. Jet Li is barely recognisable as the Emperor and Donnie Yen really needed to channel more of his Rogue One character to lighten the mood. Even the villains, Bori Khan (Jason Scott Lee) and Xianniang (Li Gong) have little to work with, with Xianniang’s witch being let down by the most by the poor writing and character development.
The cast however aren’t really at fault here. The film looks good, the sets and costumes are impressive and everything feels lush and colourful. However I felt the action scenes had been so obviously ‘Disney-fied’ that they lost all sense of fun and, well, action. They felt over choreographed and with the large amount of fight scenes in this, the lack of proper violence and blood was far too obvious. And the over-used slow motion alongside some questionable CGI was unbearable. Considering they wanted to make this a more accurate and serious Disney adaptation, it’s a shame they didn’t go far enough to make the action a little more adult.
I really wanted to like this, but for me it was just severely deficient in anything that makes a Disney film likeable. Had I seen the original, it may have at least brought some form of love and nostalgia. However all this has succeeded in doing is making me want to watch the original, both as a comparison and for some much needed fun and laughter.
I’ll start with an admission: I’ve never seen the original animated Mulan. Despite being an avid Disney fan, growing up living and breathing everything Disney, somehow as an eleven year old when it was first released Mulan just passed me by, and has carried in doing so in the 20+ years since. Unlike the other live action Disney remakes in which I had so many preconceptions and so much love for the originals, I went into Mulan entirely open and with no expectations. This I hoped would prove to be a benefit when watching this remake, however I’m afraid to say that it actually may have put me at even more of a disadvantage.
The biggest issue with this film is that is entirely lacking in everything you’d usually expect from an animated Disney film and what I don’t doubt is present in the 1998 original. Disney films are full of heart, laughter, cutesy creatures and catchy songs whilst with an underlying serious plot with more menace and threat than you’d expect. This remake appears to have removed everything you know and love about Disney and replaced it with a very serious, very drawn out and actually quite dull plot. Yes there is still the good message in here that hopefully will motivate young women, but it’s lost behind a film that is severely lacking in any really spirit or character.
Yifei Liu does well as Mulan, at least with what she’s given to work with as far as the script goes. However she really suffers with the romance side, as there is zero chemistry between Mulan and Honghui, even with Yoson An’s charismatic performance. Jet Li is barely recognisable as the Emperor and Donnie Yen really needed to channel more of his Rogue One character to lighten the mood. Even the villains, Bori Khan (Jason Scott Lee) and Xianniang (Li Gong) have little to work with, with Xianniang’s witch being let down by the most by the poor writing and character development.
The cast however aren’t really at fault here. The film looks good, the sets and costumes are impressive and everything feels lush and colourful. However I felt the action scenes had been so obviously ‘Disney-fied’ that they lost all sense of fun and, well, action. They felt over choreographed and with the large amount of fight scenes in this, the lack of proper violence and blood was far too obvious. And the over-used slow motion alongside some questionable CGI was unbearable. Considering they wanted to make this a more accurate and serious Disney adaptation, it’s a shame they didn’t go far enough to make the action a little more adult.
I really wanted to like this, but for me it was just severely deficient in anything that makes a Disney film likeable. Had I seen the original, it may have at least brought some form of love and nostalgia. However all this has succeeded in doing is making me want to watch the original, both as a comparison and for some much needed fun and laughter.
Sarah (7800 KP) rated Snatch (2001) in Movies
Dec 20, 2020
Hilarious
Film #7 on the 100 Movies Bucket List: Snatch
Snatch (2000) is Guy Ritchie’s second film following on from his hugely successful debut, Lock, Stock and Two Smoking Barrels (1998). Critically Snatch wasn’t quite as well received as it’s predecessor but the general movie going public found it a lot more enjoyable, and personally I agree with the public. I’ve always loved Snatch and prefer it over Lock, Stock.
Snatch tells a rather convoluted and twisting tale about gangsters, diamonds and unlicensed boxing. In a number of intersecting storylines, we see unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get pulled into the world of match fixing with violent bookmaker Brick Top (Alan Ford), recruiting Brad Pitt’s gypsy Mickey along the way. And then you have inept criminals Sol (Lennie James), Vinny (Robbie Gee) and Tyrone (Ade) as they attempt to steal a valuable diamond from Franky Four Fingers (Benicio Del Toro) on behalf of Russian Boris the Blade (Rade Serbedzija), also involving Vinnie Jones’s Bullet-Tooth Tony, Mike Reid’s Doug the Head and Dennis Farina’s Cousin Avi along the way. As you can see, the plot isn’t exactly straight forward but despite it’s complexity, it’s a fun and entertaining watch to see all of these separate storylines come together.
What makes this complex and quite frankly bonkers story so good to watch is the script and absolutely superb dialogue. Considering this isn’t what you’d class as a typical comedy fun, it is downright hilarious. No matter how many times I’ve seen this film, it still makes me laugh every time with it’s smart, witty and funny dialogue. From Turkish’s narration to Cousin Avi’s scathing remarks about London and pretty much every interaction between Sol, Vinny and Tyrone, Snatch is extremely amusing. Admittedly there are some lines and exchanges that feel a little too forced and staged, and I think this may be due to some questionable acting and the sometimes unnatural sounding London accents.
Guy Ritchie has undoubtedly put together a stylish and slick film, and Snatch definitely encompasses the dark and gritty feel of London. Maybe a little too much as it can feel a bit gloomy at times. It has a great soundtrack and this really works with Ritchie’s directing style for the most part. There are some questionable camera angles and not all of these work – the most grating for me was in the opening scenes with Franky Four Finger’s heist where the camera jumped around far too much.
Despite this, his style works well in general and is aided by the fantastic cast that has been assembled. I’ve never been a fan of Jason Statham, but this is by far his best work, although the star of Snatch is certainly Brad Pitt, who is virtually unrecognisable as gypsy Mickey, both in looks and with his purposely indecipherable Irish accent. Snatch came out the year after Fight Club at a time that would likely be classed as the peak of Pitt’s career, so to see him play a character like Mickey was surprising to say the least. But the entire cast shine with the material they’ve got to work with.
Snatch isn’t a film for everyone and definitely not for the easily offended. For me, I could watch this repeatedly and still laugh every time, and it’s absolutely deserving of a place on this list.
Snatch (2000) is Guy Ritchie’s second film following on from his hugely successful debut, Lock, Stock and Two Smoking Barrels (1998). Critically Snatch wasn’t quite as well received as it’s predecessor but the general movie going public found it a lot more enjoyable, and personally I agree with the public. I’ve always loved Snatch and prefer it over Lock, Stock.
Snatch tells a rather convoluted and twisting tale about gangsters, diamonds and unlicensed boxing. In a number of intersecting storylines, we see unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get pulled into the world of match fixing with violent bookmaker Brick Top (Alan Ford), recruiting Brad Pitt’s gypsy Mickey along the way. And then you have inept criminals Sol (Lennie James), Vinny (Robbie Gee) and Tyrone (Ade) as they attempt to steal a valuable diamond from Franky Four Fingers (Benicio Del Toro) on behalf of Russian Boris the Blade (Rade Serbedzija), also involving Vinnie Jones’s Bullet-Tooth Tony, Mike Reid’s Doug the Head and Dennis Farina’s Cousin Avi along the way. As you can see, the plot isn’t exactly straight forward but despite it’s complexity, it’s a fun and entertaining watch to see all of these separate storylines come together.
What makes this complex and quite frankly bonkers story so good to watch is the script and absolutely superb dialogue. Considering this isn’t what you’d class as a typical comedy fun, it is downright hilarious. No matter how many times I’ve seen this film, it still makes me laugh every time with it’s smart, witty and funny dialogue. From Turkish’s narration to Cousin Avi’s scathing remarks about London and pretty much every interaction between Sol, Vinny and Tyrone, Snatch is extremely amusing. Admittedly there are some lines and exchanges that feel a little too forced and staged, and I think this may be due to some questionable acting and the sometimes unnatural sounding London accents.
Guy Ritchie has undoubtedly put together a stylish and slick film, and Snatch definitely encompasses the dark and gritty feel of London. Maybe a little too much as it can feel a bit gloomy at times. It has a great soundtrack and this really works with Ritchie’s directing style for the most part. There are some questionable camera angles and not all of these work – the most grating for me was in the opening scenes with Franky Four Finger’s heist where the camera jumped around far too much.
Despite this, his style works well in general and is aided by the fantastic cast that has been assembled. I’ve never been a fan of Jason Statham, but this is by far his best work, although the star of Snatch is certainly Brad Pitt, who is virtually unrecognisable as gypsy Mickey, both in looks and with his purposely indecipherable Irish accent. Snatch came out the year after Fight Club at a time that would likely be classed as the peak of Pitt’s career, so to see him play a character like Mickey was surprising to say the least. But the entire cast shine with the material they’ve got to work with.
Snatch isn’t a film for everyone and definitely not for the easily offended. For me, I could watch this repeatedly and still laugh every time, and it’s absolutely deserving of a place on this list.
Emma @ The Movies (1786 KP) rated King of Thieves (2018) in Movies
Sep 25, 2019
I'd been on the fence about this one. The trailer King Of Thieves looked both good and bad in equal measures. Some of the clips they used weren't even particularly good when you saw them in the context of the whole films so I have no idea how they made it into such an important cut. Since seeing the Unlimited Screening I've seen the second trailer that is actually much better than the first. It's probably a god send that I didn't see it before the film otherwise I think I'd have been even more disappointed.
The film runs at a surprisingly short 1 hour 48 minutes, but don't worry, it feels like a lot longer than that. At one point I checked my phone for the time and nearly audibly swore (which probably would have been drowned out by the swearing of the film) about there being 20 minutes to go.
The idea is a great one, and the true life story behind it gives some opportunities for hilariously comedic moments, and yet somehow nothing was really fulfilled. I laughed a little, but I really didn't find it as amusing as some of the other cinema goers. The were a couple of voices in the darkness who were laughing hard that then set of a tiny ripple of tittering. I'm glad they enjoyed it so much, but I didn't once feel the need to laugh so hard.
Looking back on it I was left wondering something... did any of the police characters actually speak? The only things I remember were screamed words while arrests were made and lots of knowing looks and satisfied grins. Honestly can't remember any lines at all. I'm thinking they hired the main line-up and went "well that blew the acting budget, better cut all the other speaking parts."
Something that bugged me slightly was the use of spliced footage from the actor's younger days. It's a nice idea, but ultimately, when it was used undermined the message at the end of the film. Brian doesn't want them to be seen as old boys who are past their prime, so the film should have let them walk off to their sunset retirement not jumble it up with their younger selves and losing that moment between them all. It would have made perfect sense having the footage mixed into the scenes where the police were uncovering their identities and piecing the case together.
That line up was indeed fantastic, and that's why this film was so disappointing to me. All of them have done much better work than this. The script, or real lack thereof is what contributed the most to this let down. I'm not really sure that it should have two stars at all. In fact, no... *I'm revoking one of them, I've just been reading my criteria and I can't let it have two. ★☆☆☆☆ The story behind it and the cast potential don't make up for this lacklustre film.
What should you do?
There are some good scenes and a truly star studded cast, but even those don't really make up for the potential that this film squandered. If you like heist movies then it might be worth a watch but I feel like there are better ones out there to see.
Movie thing you wish you could take home
All that loot, obviously!
The film runs at a surprisingly short 1 hour 48 minutes, but don't worry, it feels like a lot longer than that. At one point I checked my phone for the time and nearly audibly swore (which probably would have been drowned out by the swearing of the film) about there being 20 minutes to go.
The idea is a great one, and the true life story behind it gives some opportunities for hilariously comedic moments, and yet somehow nothing was really fulfilled. I laughed a little, but I really didn't find it as amusing as some of the other cinema goers. The were a couple of voices in the darkness who were laughing hard that then set of a tiny ripple of tittering. I'm glad they enjoyed it so much, but I didn't once feel the need to laugh so hard.
Looking back on it I was left wondering something... did any of the police characters actually speak? The only things I remember were screamed words while arrests were made and lots of knowing looks and satisfied grins. Honestly can't remember any lines at all. I'm thinking they hired the main line-up and went "well that blew the acting budget, better cut all the other speaking parts."
Something that bugged me slightly was the use of spliced footage from the actor's younger days. It's a nice idea, but ultimately, when it was used undermined the message at the end of the film. Brian doesn't want them to be seen as old boys who are past their prime, so the film should have let them walk off to their sunset retirement not jumble it up with their younger selves and losing that moment between them all. It would have made perfect sense having the footage mixed into the scenes where the police were uncovering their identities and piecing the case together.
That line up was indeed fantastic, and that's why this film was so disappointing to me. All of them have done much better work than this. The script, or real lack thereof is what contributed the most to this let down. I'm not really sure that it should have two stars at all. In fact, no... *I'm revoking one of them, I've just been reading my criteria and I can't let it have two. ★☆☆☆☆ The story behind it and the cast potential don't make up for this lacklustre film.
What should you do?
There are some good scenes and a truly star studded cast, but even those don't really make up for the potential that this film squandered. If you like heist movies then it might be worth a watch but I feel like there are better ones out there to see.
Movie thing you wish you could take home
All that loot, obviously!
Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
Emma @ The Movies (1786 KP) rated Green Book (2018) in Movies
Sep 25, 2019
It's always nice getting advanced screenings, but two months in advance has to be some sort of record. By the fact that the entire audience went "what?!" when the title card came up it was a very well kept secret screening.
I'm so pleased that this played to a packed screen. We lost maybe a dozen people within the first five minutes, which I think just goes to show how much of an unknown it was because normally people will leave immediately. I had seen it on the app, but not read the synopsis or seen a trailer so it was brilliant to be able to go into the film without any prejudgment.
Mahershala Ali and Viggo Mortensen make a wonderful duo. They bounce of each other really well throughout the whole film.
One of the things I was dying to know was who was playing the piano. I'm reliably informed by IMDb's trivia that Kris Bowers who is the film's composer is Ali's piano double. I have no idea how they do that considering that a fair amount of the shots show Ali playing. It was certainly well done.
The film shows yet another important story in a well thought out and sensitive way. Hidden Figures, Marshall and now Green Book. We're seeing sides of history that we hardly knew of before. The Green Book was a complete shock of a discovery to me and this certainly made me want to research more on the topic.
Ultimately this story is about friendship and acceptance in the face of adversity. It's good to see the circle of change in Tony, and the ending paints the hopeful picture of what would unfold in the future.
I feel a little bit harsh only giving this four and a half stars. While Mortensen and Cardellini were spot on, Ali left me a little disappointed. I have loved him ever since The 4400 and it's been great seeing him in so many shows and films since then. This role obviously has some very powerful moments, and while he delivered them with grace I couldn't help noticing that something was missing. There was one point where he delivers a poignant speech to Tony and I realised that is was lacking the emotional kicker. It felt detached. Whether it was script, acting or just the natural way of the character I'm not sure, it had the potential to bring me to tears and yet... dry eyes.
That is honestly the only glitch in this wonderful film. I got home and I couldn't sleep because I was still buzzing from the screening. (I'm paying for that now.) I read the comments on Twitter and I was really struck by how many people loved it. This deserves to win awards on a lot of counts, I just hope that it gets the recognition it deserves.
When I got my Unlimited card I wasn't convinced that I'd go and see a lot of films (yes I know, what a joke!), and certainly without the card I would never have seen this. At home I never used to pick films that I'd have to "think about". Unlimited has changed the way I watch movies and given me the opportunity to see incredible productions like this. That to me is well worth the money.
What you should do
You should absolutely see this. Not quite a child friendly as Hidden Figures was but it offers another great insight into the past.
Movie thing you wish you could take home
Just a fraction of that musical talent would be incredible.
I'm so pleased that this played to a packed screen. We lost maybe a dozen people within the first five minutes, which I think just goes to show how much of an unknown it was because normally people will leave immediately. I had seen it on the app, but not read the synopsis or seen a trailer so it was brilliant to be able to go into the film without any prejudgment.
Mahershala Ali and Viggo Mortensen make a wonderful duo. They bounce of each other really well throughout the whole film.
One of the things I was dying to know was who was playing the piano. I'm reliably informed by IMDb's trivia that Kris Bowers who is the film's composer is Ali's piano double. I have no idea how they do that considering that a fair amount of the shots show Ali playing. It was certainly well done.
The film shows yet another important story in a well thought out and sensitive way. Hidden Figures, Marshall and now Green Book. We're seeing sides of history that we hardly knew of before. The Green Book was a complete shock of a discovery to me and this certainly made me want to research more on the topic.
Ultimately this story is about friendship and acceptance in the face of adversity. It's good to see the circle of change in Tony, and the ending paints the hopeful picture of what would unfold in the future.
I feel a little bit harsh only giving this four and a half stars. While Mortensen and Cardellini were spot on, Ali left me a little disappointed. I have loved him ever since The 4400 and it's been great seeing him in so many shows and films since then. This role obviously has some very powerful moments, and while he delivered them with grace I couldn't help noticing that something was missing. There was one point where he delivers a poignant speech to Tony and I realised that is was lacking the emotional kicker. It felt detached. Whether it was script, acting or just the natural way of the character I'm not sure, it had the potential to bring me to tears and yet... dry eyes.
That is honestly the only glitch in this wonderful film. I got home and I couldn't sleep because I was still buzzing from the screening. (I'm paying for that now.) I read the comments on Twitter and I was really struck by how many people loved it. This deserves to win awards on a lot of counts, I just hope that it gets the recognition it deserves.
When I got my Unlimited card I wasn't convinced that I'd go and see a lot of films (yes I know, what a joke!), and certainly without the card I would never have seen this. At home I never used to pick films that I'd have to "think about". Unlimited has changed the way I watch movies and given me the opportunity to see incredible productions like this. That to me is well worth the money.
What you should do
You should absolutely see this. Not quite a child friendly as Hidden Figures was but it offers another great insight into the past.
Movie thing you wish you could take home
Just a fraction of that musical talent would be incredible.
Texpad : LaTeX editor
Productivity and Education
App
Edit and typeset LaTeX (including Beamer, Tikz, BibTeX, graphicx, AMS, RevTeX) on your iPad, iPhone...
Translate Voice - Language Translator & Dictionary
Travel and Reference
App
To watch a demo video on YouTube, search for "myLanguage Pro". myLanguage is the premier language...
Flipped Out – The Powerpuff Girls Match 3 Puzzle / Fighting Action Game
Games and Entertainment
App
Destroy monsters with match 3 puzzles or punch their lights out in action-packed melee. Play both...
Recorder & Editor ~ iSaidWhat?! ~ Share audio to Twitter, Facebook, WiFi, Email, etc.
Business and Utilities
App
Record, Import, Cut, Arrange, Share — With the ability to adjust the sensitivity of the mic, cut...