"This inspired me to want to write parodies and do parodies. I read it on the bed as a kid — I was eight years old when [his brother] Keenen [Wayans] sent me that script, and I [had] never laughed so hard. It inspired me. I knew that was what I wanted to do. It’s really my number one — I mean, I think it’s crazy if I put my brother as number one. You’d think I was being biased, of which I probably am, but I’m not, because I really love that movie and my brother. I think he’s a brilliant genius."

"The Shawshank Redemption. The title threw me at first. Before I went to jail, I started watching [every jail movie]. That was one of them. I was trying to write a book, and I was having trouble. You know, I didn’t have the right publisher; they just wanted a book. I hooked up with this writer, a ghost writer, and he wrote a script for me, like, overnight. It was my story, but told from a bong’s point of view, and the bong gets put in federal prison. A week later the feds come in. There was some weird cosmic thing going on."

"Then each one becomes more difficult as I go along. On the Waterfront — you go straight to Marlon Brando. It was a good picture all around, a good script, and Kazan directed it brilliantly. And the shooting on location, I would assume they would have never shot in a studio — the look of the film gives a great sense of realism, that you are there on the waterfront, you’re there in cold weather, you can see the breath coming out of the actors mouths. I would say it’s probably — probably — Marlon’s best performance, although you would have to give a nod to Godfather."

"Charlie Kaufman wrote it. All of his movies I Love. I have not seen a Charlie Kaufman film I didn’t love. And in the hands of the right director, you know – Spike Jonze, Michel Gondry — when you let them [work on] a Charlie Kaufman script, it’s cinematic magic. Being John Malkovich was at a certain point in time in my life and it stood out against all the other noise that was happening in my life. It left an indelible impression on me and I still can revisit that movie anytime and watch it and enjoy it."

"I’m a huge Mike Leigh fan and would love to work with him. His approach to filming sounds fascinating and exciting. I understand that he doesn’t give his actors a script but instead hands them scenes and encourages improvisation. I’m not sure if this is indeed his process, but the result is nothing short of beautiful intimate moments. And this film is full of them! At times it feels so intimate it’s almost voyeuristic. To me, that’s what makes a performance really exciting…when you’re almost embarrassed to be peeking into peoples’ lives. And that happens a lot in this perfect emotional drama."