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A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
Bob Mann (459 KP) rated 47 Meters Down (2017) in Movies
Sep 29, 2021
Down Down, Deeper and Down.
It’s summer again; it’s a shark movie. Lisa and Kate are two sisters on holiday in Mexico with one grieving a lost relationship and the other looking for fun. Against their better judgement they go shark cage diving 5 metres below a vessel that looks like it should have been in the salvage yard 20 years ago. After a mechanical failure the cage plummets down to the sea bed….. (Go on, how deep? Have a guess. Go on, go on, go on …)
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
Debbiereadsbook (1166 KP) rated Markov (Tangled Tentacles #4) in Books
Oct 6, 2022
thoroughly enjoying this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book for in the Tangled Tentacles series, and you really do need to read the other three, Alexi, Victor and Todd, before you read this one. There is an on-going story arc that is not really fully recapped here.
The first three books were fab, great and I really loved and enjoyed them. While I did enjoy this one, though, I found it missing. . . .something!
When I sat down to write this, I knew something was off, and I couldn't quite put my finger on it, but now I'm here, I have had a bit of a light bulb moment and I will come back to it in a mo!
We knew Markov had issues with Cassius, and that they were mates and Cassius had rejected him, so poor Cassius was not seen in a good light up to this point. But when we find out just WHY Cassius did what he did, you fully understand. Markov does too, and that's the most important thing. Once Markov knows the full story, he lets Cassius in, and it really was wonderful to read, them getting to be open with their feelings for each other. How THAT all resolved itself was amazing though.
We find out more about the missing shifters and what's been happening to them. Markov got first-hand experience of that. It does something, though, to his kraken and the result is both amusing and powerful, and both Markov AND Cassius benefit from that.
The other brothers all take part, and we get a lead into what is the final book . . .maybe. . . in this series. Given what happens here, at the bottom of the Mariana Trench, makes me wonder! It's clear from previous books that Kelvin, the last brother, and the F-B-freaking-I-guy who has got him all a-fluster will get together, but I wonder why they didn't get that message before now!
Back to what I felt was missing, and it really did just hit me as I started to type! Markov is a kraken and Cassius is a Hammerhead shark. They do get their smexy times in the sea, but what I really missed, and I've no idea WHY I felt it should be here, but, book feelings, people, was there was no time in the pool at the bottom of the Thalassa building and I missed that! There were no beautiful descriptions of singing from the kraken either. Oh, don't get me, he gets himself HEARD loud and clear, in more ways than one, but in the other books, pool time involves kraken singing and I don't get that here.
Still a very good read, and I am thoroughly enjoying watching these brothers fall one by one. Can't wait for Kelvin and what's gonna happen there!
4 very good stars
*same worded review will appear elsewhere
This is book for in the Tangled Tentacles series, and you really do need to read the other three, Alexi, Victor and Todd, before you read this one. There is an on-going story arc that is not really fully recapped here.
The first three books were fab, great and I really loved and enjoyed them. While I did enjoy this one, though, I found it missing. . . .something!
When I sat down to write this, I knew something was off, and I couldn't quite put my finger on it, but now I'm here, I have had a bit of a light bulb moment and I will come back to it in a mo!
We knew Markov had issues with Cassius, and that they were mates and Cassius had rejected him, so poor Cassius was not seen in a good light up to this point. But when we find out just WHY Cassius did what he did, you fully understand. Markov does too, and that's the most important thing. Once Markov knows the full story, he lets Cassius in, and it really was wonderful to read, them getting to be open with their feelings for each other. How THAT all resolved itself was amazing though.
We find out more about the missing shifters and what's been happening to them. Markov got first-hand experience of that. It does something, though, to his kraken and the result is both amusing and powerful, and both Markov AND Cassius benefit from that.
The other brothers all take part, and we get a lead into what is the final book . . .maybe. . . in this series. Given what happens here, at the bottom of the Mariana Trench, makes me wonder! It's clear from previous books that Kelvin, the last brother, and the F-B-freaking-I-guy who has got him all a-fluster will get together, but I wonder why they didn't get that message before now!
Back to what I felt was missing, and it really did just hit me as I started to type! Markov is a kraken and Cassius is a Hammerhead shark. They do get their smexy times in the sea, but what I really missed, and I've no idea WHY I felt it should be here, but, book feelings, people, was there was no time in the pool at the bottom of the Thalassa building and I missed that! There were no beautiful descriptions of singing from the kraken either. Oh, don't get me, he gets himself HEARD loud and clear, in more ways than one, but in the other books, pool time involves kraken singing and I don't get that here.
Still a very good read, and I am thoroughly enjoying watching these brothers fall one by one. Can't wait for Kelvin and what's gonna happen there!
4 very good stars
*same worded review will appear elsewhere
Debbiereadsbook (1166 KP) rated The Deception (The Secret Tales #2) in Books
Jun 26, 2024
Patrick and Charlotte are perfect for each other!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in The Secret Tales series, but can totally be read as a stand alone. I would say, as a personal point, that you will get a better understanding of the ladies of this time, and what they have to do to stay safe. It's also a stunning 5 star read, so you know, get to it!
I loved The Bond, and I loved this one too, for very different reasons!
The Bond is a slow burn, low steam book. Very much a fade to black book. And this one? Not so much! It's a tad steamier, but not explicit, at all. Patrick and Charlotte are perfect for each other, even if they were never meant to be. And I loved that difference about the two books, I really did.
I loved how Patrick deals with his injury: by not letting it get the better of him. Being confined to a wheelchair after a life at sea would be hard for anyone to deal with, but Patrick and his family set out to make his life easier, but not limiting. I gather from reading this, that injuries of this sort at that time were far more devastating than they are in this time. But once Patrick got his head round what HE needed, he got to it, and devised his new wheelchair, adapted his house to accomodate his chair. I love that his sister devised a new saddle for him to continue to ride his horse.
Lottie's forging her father's work is their only real stumbling block, but once Patrick knows WHY she does it, he understands, but makes sure Lottie knows it cannot continue once they are married. But that takes a nasty turn, and I really did not see that coming at me!
I had to giggle though, out loud! It was so funny, reading about what Lottie thought was going to happen on her wedding night. She really had no clue and it was Rose who educated her. Proper made me laugh! I loved that Rose and Rhys (since Rhys is Patrick's brother) play a huge part here, it was so lovely to catch up with them.
I wrote at the end of my review for The Bond that I thought one of Rose's sisters was the second book, but I cannot remember which one! However, Lottie is not one of Rose's sisters and one of LOTTIE'S sisters has the next book.
I love this group of ladies, and the men who fall for them and I really look forward to catching up with the supporting cast in future books, cos there are some interesting side characters!
Loved it, so it can only get:
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in The Secret Tales series, but can totally be read as a stand alone. I would say, as a personal point, that you will get a better understanding of the ladies of this time, and what they have to do to stay safe. It's also a stunning 5 star read, so you know, get to it!
I loved The Bond, and I loved this one too, for very different reasons!
The Bond is a slow burn, low steam book. Very much a fade to black book. And this one? Not so much! It's a tad steamier, but not explicit, at all. Patrick and Charlotte are perfect for each other, even if they were never meant to be. And I loved that difference about the two books, I really did.
I loved how Patrick deals with his injury: by not letting it get the better of him. Being confined to a wheelchair after a life at sea would be hard for anyone to deal with, but Patrick and his family set out to make his life easier, but not limiting. I gather from reading this, that injuries of this sort at that time were far more devastating than they are in this time. But once Patrick got his head round what HE needed, he got to it, and devised his new wheelchair, adapted his house to accomodate his chair. I love that his sister devised a new saddle for him to continue to ride his horse.
Lottie's forging her father's work is their only real stumbling block, but once Patrick knows WHY she does it, he understands, but makes sure Lottie knows it cannot continue once they are married. But that takes a nasty turn, and I really did not see that coming at me!
I had to giggle though, out loud! It was so funny, reading about what Lottie thought was going to happen on her wedding night. She really had no clue and it was Rose who educated her. Proper made me laugh! I loved that Rose and Rhys (since Rhys is Patrick's brother) play a huge part here, it was so lovely to catch up with them.
I wrote at the end of my review for The Bond that I thought one of Rose's sisters was the second book, but I cannot remember which one! However, Lottie is not one of Rose's sisters and one of LOTTIE'S sisters has the next book.
I love this group of ladies, and the men who fall for them and I really look forward to catching up with the supporting cast in future books, cos there are some interesting side characters!
Loved it, so it can only get:
5 full and shiny stars
*same worded review will appear elsewhere
Christina Haynes (148 KP) rated Wonder Woman: Warbringer in Books
Feb 10, 2018
WONDER WOMAN - WARBRINGER by LEIGH BARDUGO
Contains spoilers, click to show
Wonder Woman also known as Diana Prince is an Amazon warrior destined to save to world and to later become a member of the Justice League.
But before that, like every story, she had a beginning and Leigh Bardugo gives her a just that.
The beginning of the book and the start of Diana’s story lies her home, Themyscira. Located in the Aegean Sea - Greece. Legend has it that the Amazons were given the island by the Gods after they freed themselves and fought Ares after being enslaved. But that’s just one version. Alike with most stories, there is more than one tale, as most myths and legends are like stories. Like the game we all played at school, Chinese whispers where we whispered something to the person next to us and they did the same till the last person said something like “I eat orange peel and make shoes out of it” when you actually said “I’m hungry and I want a cup of tea”
But back to the book, Princess Diana doesn’t feel she is an Amazon truly. Yes, she was born on the island (although she was actually made out of clay and blessed by the Gods to come to life) and is immortal like the other Amazons. She did not fight and die heroically in a battle like every other Amazon warrior did including her mother Queen Hippolyta.
Because of this Diana is teased daily by Amazon warrior Tek who is basically one of the strongest Amazon warriors and also the bravest. Diana believes that if she wins the race at the Nemeseian games that the Amazons compete in she will be able to show them she is both brave and strong. This would also impress her mother and obviously Tek and then she might just stop being so mean to Diana.
However whilst she is running in the race she sees a boat sinking and hears a stream, from a girl. Although the Amazons are used to seeing this sort of thing happen, along with plane crashes etc. Something stops Diana enough to turn around, run and jump into the sea below her and save the girl. Alia.
Themyscira, as we all know, is a secret island, a place where only the Gods and Amazons know about. Again we know about it from stories and legends, we don’t know exactly where it is. Say it’s like living in a snow globe, except you can’t see inside it. Basically when the ship started to sink the crew and passengers onboard had no idea what so ever that they were next to this mysterious paradise island.
Diana saves Alia and brings her to shore leaving her in a cave till she can come back and help take her back to land. Diana needs to head back to the race in case someone sees she is missing, and being the Princess she needs to be there by the Queen's side to congratulate the winner seeing as Diana clearly hasn’t won.
Back with her mother, they congratulate the winner and then enjoy the feast laid out in front of them. Not long after her best friend Mauve gets ill - which I might add, no-one ever does! The island also starts to move like there is an earthquake happening - which again does happen, ever!
The Amazons start to evacuate the island and head of to see the Oracle. Diana runs as fast as she can to get to see the Oracle before her mother and Tek get there first and find out that she has saved Alia.
Because the island is a mystery and they have no contact with the outside world, they aren’t allowed to save anyone and interfere with the mortal world. That means they can’t bring anyone to the island or the Amazon could be banished from Themyscira.
Once Diana reaches the Oracle and after she has got through the normal routine of giving something to the Oracle and listening to the riddle instead of answers, she soon learns that Aila is a Warbringer, a descendant of Helen of Troy. Being a Warbringer entails having war in your blood. All wars have been caused by a Warbringer and Alia is the next one.
“When a Warbringer is born, destruction is inevitable. One has been the catalyst for every great conflict in the World of Man. With the coming of the new moon, Alia’s powers will reach their apex, and war will come. Unless she dies before then.” - Oracle to Diana pg 43.
Diana then asks the Oracle three questions;
1. How do I save Themyscira?
2. How do I save Alia’s life?
3. How do I save everyone
To which the Oracle's answers;
1. Do nothing
2. You must not
3. “The Warbringer must reach the spring at Therapne before the sun sets on the first day of Hekatombaion. Where Helen rests, the Warbringer may be purified, purged of the taint of death that has stained her line from its beginning. There may her power be leashed and never passed to another.”
So from then Diana and Alia go in search for the spring, it takes a lot of convincing Alia but once convinced they begin their journey. Although it’s not that straightforward. They do encounter some enemies, friends and new places after all. This is where the wild journey that Leigh Bardugo creates.
You much like our hero Wonder Woman experience Diana Prince in a new world, still staying the same person only so much cooler than before. She soon learns that she has always had what it takes to be an Amazon and that man is not quite what her mother and the other Amazons taught her, not all are bad and wish for war. Some are exactly like Diana and soon become great friends and allies to her.
The first book in a series of four called DC Icons by Leigh Bardugo, Marie Lu, Sarah J Maas, and Matt de la Pena. This series is definitely going to be amazing.
⭐⭐⭐⭐⭐
Marie Lu: Batman - Nightwalker (Jan 18)
Sarah J Maas: Catwoman - Soulstealer (2018)
Matt de la Pena: Superman - ? (2019)
Love, Christina ?
But before that, like every story, she had a beginning and Leigh Bardugo gives her a just that.
The beginning of the book and the start of Diana’s story lies her home, Themyscira. Located in the Aegean Sea - Greece. Legend has it that the Amazons were given the island by the Gods after they freed themselves and fought Ares after being enslaved. But that’s just one version. Alike with most stories, there is more than one tale, as most myths and legends are like stories. Like the game we all played at school, Chinese whispers where we whispered something to the person next to us and they did the same till the last person said something like “I eat orange peel and make shoes out of it” when you actually said “I’m hungry and I want a cup of tea”
But back to the book, Princess Diana doesn’t feel she is an Amazon truly. Yes, she was born on the island (although she was actually made out of clay and blessed by the Gods to come to life) and is immortal like the other Amazons. She did not fight and die heroically in a battle like every other Amazon warrior did including her mother Queen Hippolyta.
Because of this Diana is teased daily by Amazon warrior Tek who is basically one of the strongest Amazon warriors and also the bravest. Diana believes that if she wins the race at the Nemeseian games that the Amazons compete in she will be able to show them she is both brave and strong. This would also impress her mother and obviously Tek and then she might just stop being so mean to Diana.
However whilst she is running in the race she sees a boat sinking and hears a stream, from a girl. Although the Amazons are used to seeing this sort of thing happen, along with plane crashes etc. Something stops Diana enough to turn around, run and jump into the sea below her and save the girl. Alia.
Themyscira, as we all know, is a secret island, a place where only the Gods and Amazons know about. Again we know about it from stories and legends, we don’t know exactly where it is. Say it’s like living in a snow globe, except you can’t see inside it. Basically when the ship started to sink the crew and passengers onboard had no idea what so ever that they were next to this mysterious paradise island.
Diana saves Alia and brings her to shore leaving her in a cave till she can come back and help take her back to land. Diana needs to head back to the race in case someone sees she is missing, and being the Princess she needs to be there by the Queen's side to congratulate the winner seeing as Diana clearly hasn’t won.
Back with her mother, they congratulate the winner and then enjoy the feast laid out in front of them. Not long after her best friend Mauve gets ill - which I might add, no-one ever does! The island also starts to move like there is an earthquake happening - which again does happen, ever!
The Amazons start to evacuate the island and head of to see the Oracle. Diana runs as fast as she can to get to see the Oracle before her mother and Tek get there first and find out that she has saved Alia.
Because the island is a mystery and they have no contact with the outside world, they aren’t allowed to save anyone and interfere with the mortal world. That means they can’t bring anyone to the island or the Amazon could be banished from Themyscira.
Once Diana reaches the Oracle and after she has got through the normal routine of giving something to the Oracle and listening to the riddle instead of answers, she soon learns that Aila is a Warbringer, a descendant of Helen of Troy. Being a Warbringer entails having war in your blood. All wars have been caused by a Warbringer and Alia is the next one.
“When a Warbringer is born, destruction is inevitable. One has been the catalyst for every great conflict in the World of Man. With the coming of the new moon, Alia’s powers will reach their apex, and war will come. Unless she dies before then.” - Oracle to Diana pg 43.
Diana then asks the Oracle three questions;
1. How do I save Themyscira?
2. How do I save Alia’s life?
3. How do I save everyone
To which the Oracle's answers;
1. Do nothing
2. You must not
3. “The Warbringer must reach the spring at Therapne before the sun sets on the first day of Hekatombaion. Where Helen rests, the Warbringer may be purified, purged of the taint of death that has stained her line from its beginning. There may her power be leashed and never passed to another.”
So from then Diana and Alia go in search for the spring, it takes a lot of convincing Alia but once convinced they begin their journey. Although it’s not that straightforward. They do encounter some enemies, friends and new places after all. This is where the wild journey that Leigh Bardugo creates.
You much like our hero Wonder Woman experience Diana Prince in a new world, still staying the same person only so much cooler than before. She soon learns that she has always had what it takes to be an Amazon and that man is not quite what her mother and the other Amazons taught her, not all are bad and wish for war. Some are exactly like Diana and soon become great friends and allies to her.
The first book in a series of four called DC Icons by Leigh Bardugo, Marie Lu, Sarah J Maas, and Matt de la Pena. This series is definitely going to be amazing.
⭐⭐⭐⭐⭐
Marie Lu: Batman - Nightwalker (Jan 18)
Sarah J Maas: Catwoman - Soulstealer (2018)
Matt de la Pena: Superman - ? (2019)
Love, Christina ?
Kirk Bage (1775 KP) rated The Lighthouse (2019) in Movies
Jan 22, 2021
Robert Eggers made a striking introduction for himself in 2015 with the moody and disconcerting The Witch, bringing a future star to the world’s attention in Anya Taylor-Joy in the process. You could argue after seeing his sophomore effort, The Lighthouse, that in terms of creating deliberately nauseating landscapes his work is the third cog in the arthouse revival of intellectual “horror”, after Ari Aster (Hereditary / Midsommar) and Jordan Peele (Get Out / Us). The group actually sits quite well together, as there is an obvious social commentary by metaphor crossover going on here, as well as just a little bit of “crazy”.
The point of difference up front with Eggars seems to be an earthiness. He likes dirt, and straw and rain and holes in the ground, and a sense of temperature in a scene (usually very cold). He also loves to frame an image and hold it there simply for the bizarre beauty of it, much as David Lynch has done unapologetically and without explanation his whole career.
As perfect as Tayor-Joy was in The Witch for her innocent otherworldly qualities, so Willem Dafoe is also as a craggy, sweaty-toothed old man of the sea in this. Whatever else you take, or don’t take from The Lighthouse, it is hard to deny the absolute cinematic purity of Dafoe’s face! It alone will guarantee this film’s cult status (and his) forever. And I do mean forever; the very best images of this film are worthy to be frozen, framed and wondered at alongside the most enduring black and white iconography in the entire history of the art form. And most often the best images involve Dafoe.
He is just so damn interesting to look at, all the time, no matter what. His range as an actor over the years just gets more and more impressive the more you think about it. He is capable of being heartbreakingly vulnerable and tender, but can also be terrifying on demand. His streak of dark humour can not be underestimated either – consider the genius of his introduction here, where the simple touch of his pipe being upside down tells you everything you need to know about this man and where this film is going.
Except, we don’t know where it is going. Ever. It is a very odd experience in terms of a satisfying narrative. It never seems to settle or fit into a genre comfortably, which is fine if all elements sublimate magically, but I don’t think they quite do. Is it a horror, a comedy, a psychological thriller, a study of loneliness and isolation, a metaphor for… something? The closest I can get is to say it is as if Lynch remade Young Frankenstein with just Igor and Dr Frankenstein, at a lighthouse, but forgot to make it funny or cohere into a real story. Of course, the things that I am reaching for as shortcomings may be exactly what others see as strengths. There is something to be said for being taken on a journey you can’t define or easily explain.
Quite often on this journey we are teased and fed details that seem to go nowhere, and avenues that may have proved interesting to explore are closed with a bang, in favour of another drinking scene and another fight – which are great the first few times, but become repetitive to a baffling degree later on. Mythology and dreams of the sea are played with, but also not fully approached; we are only given brief flashes of Mermaids and Krakens, nightmares and visions only, before returning to the mundanity and drudgery of the job of a lighthouse keeper. You are often left wondering who is going more mad, the men in the film or you watching it. I definitely recommend the best way to watch this is a little or a lot drunk, very late at night… it demands it, somehow.
It is difficult for all these reasons to say with any true certainty then, after just one viewing, if I think it is any good… I don’t know yet, I will have to watch it again some time to find out, is my best answer. For sure the photography is 100% first rate and instantly unforgettable – Jarin Blaschke was deservedly Oscar nominated for the extremely fine work – and the design and feel of the whole thing is quite masterful. I really want to like it more than I do, and perhaps if I was still in my wide-eyed twenties I would be enthusing about it endlessly, but now… I can see a touch of the Emperor’s new clothes about it, so am cautious of praising it too much.
One other element that is impressive, however, that I have yet to touch on, is the continued rise of Mr Robert Pattinson as an actor of serious note. As I have already touched on recently in other reviews, I did not see this coming, that it would be him that I was naming as one of the most promising talents of his age group working in film today! But you just can’t deny his versatility and understanding of genre and character. He puts in another very solid effort here, full of interesting choices and nuance; he is certainly an exciting prospect for the decade ahead.
In summary. See it. Unless you absolutely hate things that don’t tie the strings up nice and neatly, and decide for yourself. Some people will hate it, and I get that. It is a film-lovers film, for sure. Mesmerising and Meticulous, as one critic put it. Admire it for the craft involved, and experience it with an open mind. Just don’t go in expecting traditional horror, or traditional drama, or traditional comedy, or even traditional surrealism… The Lighthouse, for all it’s debatable flaws is unique! I suggest you let it be that way by not over-reaching to define it.
The point of difference up front with Eggars seems to be an earthiness. He likes dirt, and straw and rain and holes in the ground, and a sense of temperature in a scene (usually very cold). He also loves to frame an image and hold it there simply for the bizarre beauty of it, much as David Lynch has done unapologetically and without explanation his whole career.
As perfect as Tayor-Joy was in The Witch for her innocent otherworldly qualities, so Willem Dafoe is also as a craggy, sweaty-toothed old man of the sea in this. Whatever else you take, or don’t take from The Lighthouse, it is hard to deny the absolute cinematic purity of Dafoe’s face! It alone will guarantee this film’s cult status (and his) forever. And I do mean forever; the very best images of this film are worthy to be frozen, framed and wondered at alongside the most enduring black and white iconography in the entire history of the art form. And most often the best images involve Dafoe.
He is just so damn interesting to look at, all the time, no matter what. His range as an actor over the years just gets more and more impressive the more you think about it. He is capable of being heartbreakingly vulnerable and tender, but can also be terrifying on demand. His streak of dark humour can not be underestimated either – consider the genius of his introduction here, where the simple touch of his pipe being upside down tells you everything you need to know about this man and where this film is going.
Except, we don’t know where it is going. Ever. It is a very odd experience in terms of a satisfying narrative. It never seems to settle or fit into a genre comfortably, which is fine if all elements sublimate magically, but I don’t think they quite do. Is it a horror, a comedy, a psychological thriller, a study of loneliness and isolation, a metaphor for… something? The closest I can get is to say it is as if Lynch remade Young Frankenstein with just Igor and Dr Frankenstein, at a lighthouse, but forgot to make it funny or cohere into a real story. Of course, the things that I am reaching for as shortcomings may be exactly what others see as strengths. There is something to be said for being taken on a journey you can’t define or easily explain.
Quite often on this journey we are teased and fed details that seem to go nowhere, and avenues that may have proved interesting to explore are closed with a bang, in favour of another drinking scene and another fight – which are great the first few times, but become repetitive to a baffling degree later on. Mythology and dreams of the sea are played with, but also not fully approached; we are only given brief flashes of Mermaids and Krakens, nightmares and visions only, before returning to the mundanity and drudgery of the job of a lighthouse keeper. You are often left wondering who is going more mad, the men in the film or you watching it. I definitely recommend the best way to watch this is a little or a lot drunk, very late at night… it demands it, somehow.
It is difficult for all these reasons to say with any true certainty then, after just one viewing, if I think it is any good… I don’t know yet, I will have to watch it again some time to find out, is my best answer. For sure the photography is 100% first rate and instantly unforgettable – Jarin Blaschke was deservedly Oscar nominated for the extremely fine work – and the design and feel of the whole thing is quite masterful. I really want to like it more than I do, and perhaps if I was still in my wide-eyed twenties I would be enthusing about it endlessly, but now… I can see a touch of the Emperor’s new clothes about it, so am cautious of praising it too much.
One other element that is impressive, however, that I have yet to touch on, is the continued rise of Mr Robert Pattinson as an actor of serious note. As I have already touched on recently in other reviews, I did not see this coming, that it would be him that I was naming as one of the most promising talents of his age group working in film today! But you just can’t deny his versatility and understanding of genre and character. He puts in another very solid effort here, full of interesting choices and nuance; he is certainly an exciting prospect for the decade ahead.
In summary. See it. Unless you absolutely hate things that don’t tie the strings up nice and neatly, and decide for yourself. Some people will hate it, and I get that. It is a film-lovers film, for sure. Mesmerising and Meticulous, as one critic put it. Admire it for the craft involved, and experience it with an open mind. Just don’t go in expecting traditional horror, or traditional drama, or traditional comedy, or even traditional surrealism… The Lighthouse, for all it’s debatable flaws is unique! I suggest you let it be that way by not over-reaching to define it.
Lee (2222 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 4, 2019
Wonderful ending to the trilogy
The Hidden World picks up a year on from the events of the last movie. After gaining a parent, then losing another, Hiccup now finds himself Chief to the residents of the Isle of Berk. But it's starting to become a little bit overcrowded - as Hiccup and friends continue to carry out raids on dragon hunters, rescuing dragons and bringing them back to the safety of the island, there's not so much room for the human residents anymore. This safe haven for dragons, along with the antics of Hiccup and his dragon rescuers, draws the attentions of an infamous, and very dangerous hunter by the name of Grimmel. He comes armed with a deadly crossbow and a set of dragons the likes of which Hiccup hasn't seen before - spewing acid like liquid which burns and destroys everything it comes into contact with, and he's out to rid the world of night fury dragons. Attempts by Hiccup to outwit and capture Grimmel backfire and it quickly becomes clear that Berk, and all of it's inhabitants, are in imminent and deadly danger.
Hiccup remembers his father telling him stories when he was a young boy, recalling tales that sailors returning home from sea had told. Stories of a hidden world, beyond the horizon at the edge of the world. Legend has it that this world is the birth place of all dragons, a wonderous place where they all live in harmony, hidden away from the world of humans. Hiccup decides that before Grimmel returns to the island with an army, they must all pack up and leave in search of the hidden world, where they can rebuild their homes and all live together in safety. But Grimmel has a very special dragon in his possession, one that he plans to use in order to capture Toothless - a female night fury, white in colour and dubbed a 'Light Fury'. This Light Fury succeeds in drawing the attentions of Toothless, who up until now was thought to be the last of his kind. And while plans are also afoot for Hiccup to marry Astrid, are our heroes finally about to grow up and go their separate ways in the name of love?
One of the biggest strong points of this series of movies is just how beautiful they are to look at, and The Hidden World is no exception. As the mating ritual between the two dragons unfolds, we spend long periods of time with little or no dialogue. From an amusing but clumsy courting dance on the beach to a beautiful flight as they become more comfortable with each other, the whole thing is just wonderfully captivating. The movie benefits from some very good action scenes too and Hiccups friends continue to bring humour to it all. It's a good mix, and never manages to feel boring at all. But this is definitely a movie about old friends, growing up and growing apart. And as the closing part of the movie trilogy, it manages to tie everything together and end it all perfectly.
Hiccup remembers his father telling him stories when he was a young boy, recalling tales that sailors returning home from sea had told. Stories of a hidden world, beyond the horizon at the edge of the world. Legend has it that this world is the birth place of all dragons, a wonderous place where they all live in harmony, hidden away from the world of humans. Hiccup decides that before Grimmel returns to the island with an army, they must all pack up and leave in search of the hidden world, where they can rebuild their homes and all live together in safety. But Grimmel has a very special dragon in his possession, one that he plans to use in order to capture Toothless - a female night fury, white in colour and dubbed a 'Light Fury'. This Light Fury succeeds in drawing the attentions of Toothless, who up until now was thought to be the last of his kind. And while plans are also afoot for Hiccup to marry Astrid, are our heroes finally about to grow up and go their separate ways in the name of love?
One of the biggest strong points of this series of movies is just how beautiful they are to look at, and The Hidden World is no exception. As the mating ritual between the two dragons unfolds, we spend long periods of time with little or no dialogue. From an amusing but clumsy courting dance on the beach to a beautiful flight as they become more comfortable with each other, the whole thing is just wonderfully captivating. The movie benefits from some very good action scenes too and Hiccups friends continue to bring humour to it all. It's a good mix, and never manages to feel boring at all. But this is definitely a movie about old friends, growing up and growing apart. And as the closing part of the movie trilogy, it manages to tie everything together and end it all perfectly.
Movie Metropolis (309 KP) rated Dad's Army (2016) in Movies
Jun 11, 2019
Full of wasted British talent
I may be fairly young in years, but I grew up around comedies like Only Fools & Horses, One Foot in the Grave and of course Dad’s Army. I remember many evenings sitting at home with my dad as he cried with laughter at all three, though it was the latter’s influence that stuck with me the most.
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/
Now, Dad’s Army like so many classic TV shows is getting the silver screen treatment, but does this modern-day reimagining, with an all-star British cast live up to the series that delighted so many for so long?
The movie adaptation of Dad’s Army follows on from the TV series, taking place just before the Second World War comes to an end. In Walmington-On-Sea, the Home Guard, led by Captain Mainwaring must track down a German spy, who is intent on swaying the war in their favour.
A whole host of British talent, young and old, star and each and every one of them slots perfectly into the well-worn shoes of classic characters. From Michael Gambon’s effervescent performance as Godfrey and Toby Jones’ faithful portrayal of Mainwaring to Inbetweeners star Blake Harrison taking on the role of Pike, it feels as though the casting team really put a lot of thought into getting the characteristics right.
It doesn’t stop there, Welsh beauty Catherine Zeta Jones, TV favourite Sarah Lancashire and Victor Meldrew’s long-suffering wife Margaret (Annette Crosbie) all make appearances for the fairer sex, with each bringing something to the table.
The scenery is beautiful, filmed just a couple of hours up the road in Bridlington, East Yorkshire, the normally vibrant seaside town is transformed into 1940s Walmington with an enviable amount of detail. Elsewhere, the White Cliffs of Dover are replicated exceptionally at Flamborough on the east coast.
Unfortunately, the story is a little on the light side, barely managing to stretch to the film’s slightly overlong running time. This is an issue that blights many TV to film projects and it feels like this unbelievably talented cast is somewhat wasted with a fairly run-of-the-mill plot.
It also feels like the comedy is on rations. Yes, it’s nostalgic with constant references to its small-screen counterpart, but it comes across like the producers were too busy trying to shoehorn as many elements of the TV series into the film, without concentrating on what Dad’s Army was all about – laughs.
Nevertheless, there is plenty to enjoy despite a lack of giggles. The acting is, as said previously, remarkable with fans of the series and newcomers alike being able to enjoy the warm, typically British feeling these thespians bring to the film.
Overall, Dad’s Army is a decent, albeit slightly underwhelming, effort in bringing one of the most popular TV shows of all time to the big screen. Its talent and casting are undeniable and the filming style is very impressive, but a lack of attention to the plot and a comedy drought stop it short of achieving what it clearly set out to do.
https://moviemetropolis.net/2016/02/07/full-of-wasted-british-talent-dads-army-review/
Zuky the BookBum (15 KP) rated Beyond Belief: My Secret Life Inside Scientology and My Harrowing Escape in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/beyond-belief-my-secret-life-inside-scientology-and-my-harrowing-escape-by-jenna-miscavige
<i>3.5 stars</i>
<b><i>The problem is that Scientology is a system that makes it nearly impossible for you to think for yourself.</b></i>
What is Scientology? Is it a religion or is it just a way of life? I can’t quite get my head around it. I also can’t get my head around the fact that Scientology has become such a widely followed… thing. L. Ron Hubbard, was a sci-fi author, an adulterer (he eloped with his 2nd wife while still married to his first wife), an abuser, a hypocrite and a criminal. Did you know, when he <i>kidnapped</i> his 2nd wife, he told her she would never see her baby again if she didn’t go with him. He then, obviously, retracted this statement and told her that he’d “chopped the child into little pieces and watched them float down a river” and it was her fault he had done so, because she had left him. What kind of sick maniac was this man, and <i>why</i> do people follow his beliefs? No wonder he thinks psychiatry is evil, they obviously all told him he was medically insane and he refused to believe it because his ego was so big.
Scientology is just a big manipulation machine. Do as you’re told or you get humiliated - it’s disgusting.
<b><i>Anyway,</b></i> on to a review of the actual novel, not just the religion/following (which clearly I have some issues with).
Reading all about Jenna’s life in Scientology from such a young age is certainly eye opening and while a lot of people are saying she gives us too much information, I actually thinks it’s great that she’s included so much of what she did day in and day out throughout her progression in Scientology because it really gives us an insight into how messed up being in the Sea Org is and Scientology as a whole.
The humiliation and abuse she was put through, all because she did something as trivial as fancying a guy with a lower title than her or wanting to call her parents, is absolutely horrid and I’m amazed she’s come out of this life long experience rather normally. That being said, this isn’t as juicy as I was hoping it would be. I’m glad she wasn’t beaten and physically harmed in anyway, but I was lead to believe this was going a bit more terrifying by the “My Harrowing Escape” part of the title. Don’t get me wrong, Jenna went through some awful, awful stuff, I’m not discounting that at all, but… I don’t know, it just wasn’t macabre enough for me, as horrible as that sounds.
This is definitely a great book if you want to get a better look into life as a Scientologist, it gives you plenty of insider info, but I wouldn’t say it was the best of these kinds of book that I’ve read, though it’s probably the best about Scientology.
<i>3.5 stars</i>
<b><i>The problem is that Scientology is a system that makes it nearly impossible for you to think for yourself.</b></i>
What is Scientology? Is it a religion or is it just a way of life? I can’t quite get my head around it. I also can’t get my head around the fact that Scientology has become such a widely followed… thing. L. Ron Hubbard, was a sci-fi author, an adulterer (he eloped with his 2nd wife while still married to his first wife), an abuser, a hypocrite and a criminal. Did you know, when he <i>kidnapped</i> his 2nd wife, he told her she would never see her baby again if she didn’t go with him. He then, obviously, retracted this statement and told her that he’d “chopped the child into little pieces and watched them float down a river” and it was her fault he had done so, because she had left him. What kind of sick maniac was this man, and <i>why</i> do people follow his beliefs? No wonder he thinks psychiatry is evil, they obviously all told him he was medically insane and he refused to believe it because his ego was so big.
Scientology is just a big manipulation machine. Do as you’re told or you get humiliated - it’s disgusting.
<b><i>Anyway,</b></i> on to a review of the actual novel, not just the religion/following (which clearly I have some issues with).
Reading all about Jenna’s life in Scientology from such a young age is certainly eye opening and while a lot of people are saying she gives us too much information, I actually thinks it’s great that she’s included so much of what she did day in and day out throughout her progression in Scientology because it really gives us an insight into how messed up being in the Sea Org is and Scientology as a whole.
The humiliation and abuse she was put through, all because she did something as trivial as fancying a guy with a lower title than her or wanting to call her parents, is absolutely horrid and I’m amazed she’s come out of this life long experience rather normally. That being said, this isn’t as juicy as I was hoping it would be. I’m glad she wasn’t beaten and physically harmed in anyway, but I was lead to believe this was going a bit more terrifying by the “My Harrowing Escape” part of the title. Don’t get me wrong, Jenna went through some awful, awful stuff, I’m not discounting that at all, but… I don’t know, it just wasn’t macabre enough for me, as horrible as that sounds.
This is definitely a great book if you want to get a better look into life as a Scientologist, it gives you plenty of insider info, but I wouldn’t say it was the best of these kinds of book that I’ve read, though it’s probably the best about Scientology.
365Flicks (235 KP) rated The Hollow (2016) in Movies
Nov 20, 2019
Often all it takes for me to put a flick on is to see a name of an Actor that I have loved in other movies, this can often make me more forgiving and open to watch the next flick that comes along. When I received The Hollow for the intentions of reviewing. I was smacked in the face by two such names, William Sadler (Shawshank, Die Hard 2) and William Forsythe (Things to Do in Denver When Your Dead, The Rock). Neither actor is setting the world on fire as of late but as a movie fan you know your about to get some solid performances. I was not wrong.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.