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Movie Metropolis (309 KP) rated Finding Dory (2016) in Movies
Jun 11, 2019
Is it a return to form for Pixar/
For years, Pixar was an unstoppable force. The studio combined stunning animation with thought-provoking stories that adults and children could enjoy. From Toy Story to Wall.E, everyone, at some point will have watched a Pixar film.
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Kyera (8 KP) rated The 5th Wave: Book 1 in Books
Jan 31, 2018
What do you do when the Others come? You can't trust your senses, you can't trust anyone. Your only goal is to survive and maybe keep some of your humanity intact. When you can't trust anything or anyone - do you shoot first or take the chance when that hesitation will probably mean your life?
When the first wave comes, all technology is gone in a moment. An EMP takes everything out. The second wave caused massive tsunamis and destroyed the coasts of the world. The third wave infected and killed 97% of the remaining population in brutal fashion. The fourth wave destroyed all trust in humanity and introduced the constant threat of drones. The wave that makes you question every action... and the fifth wave... is us.
Cassie must survive in this strange world with no mother, father or brother to care for anymore - fighting and living because if she is the last human on Earth she refuses to go out with a whimper. She will fight until she can fight no longer. But she is not the only body left, even if she may be the only one with her own mind left. It is possible that one in every three people left is an Other. A Silencer. An Imposter. Has your mind and body been hacked? Do they look like us or can they make themselves look like us? Or maybe they've been here all along. Waiting. That's when you can't trust your eyes. You may be looking at an Other and not even realize it.
We next meet Ben, who must rediscover his fighting spirit if he wants to survive and survive he must. After not succumbing to the virus that infected him, he cannot give up. Taught to fight and given a new name, he must battle for his place.
Part III shows us a new perspective, an Other awakened in a human body and given a mission. To kill. To finish the human race, one by one. He has been tracking Cassie for a while and takes aim. Shoots. Traps her, but for some reason cannot bring himself to finish her.
Hunted. Shot. Then saved? Cassie wakes up being tended to by Evan on the family farm. He is the only one left of his family. Evan helps to nurse her back to health, bakes bread, carves walking sticks and wants to help her rescue her brother Sammy. What can't this farm boy do? And why does this make us so suspicious? Even Cassie can't quite bring herself to trust him. There are just little things that seem off, like a life-long farm boy with smooth hands and perfect cuticles. No callouses to be found. There's a small nagging feeling in her mind that asks- what if he's an Other?
The characters are well written and believable. You feel for them. Root for their successes and hurt when they fail. You wish for their survival despite the current chaos and destruction of the world. The world is familiar and yet fundamentally altered by the Others.
The book draws you in from the start and you puzzle over people and motives. Who will survive and if the human race survives this destruction, how will this ordeal fundamentally change the survivors? I am constantly questioning my conclusions and re-evaluating what I believe i happening. A great book is able to reveal just enough that the entire plot is not given away by page ten. This post-apocalyptic, alien-invasion novel is highly recommenede, especially if you plan to watch the movie. I cannot wait to read the next book, Infinite Sea!
When the first wave comes, all technology is gone in a moment. An EMP takes everything out. The second wave caused massive tsunamis and destroyed the coasts of the world. The third wave infected and killed 97% of the remaining population in brutal fashion. The fourth wave destroyed all trust in humanity and introduced the constant threat of drones. The wave that makes you question every action... and the fifth wave... is us.
Cassie must survive in this strange world with no mother, father or brother to care for anymore - fighting and living because if she is the last human on Earth she refuses to go out with a whimper. She will fight until she can fight no longer. But she is not the only body left, even if she may be the only one with her own mind left. It is possible that one in every three people left is an Other. A Silencer. An Imposter. Has your mind and body been hacked? Do they look like us or can they make themselves look like us? Or maybe they've been here all along. Waiting. That's when you can't trust your eyes. You may be looking at an Other and not even realize it.
We next meet Ben, who must rediscover his fighting spirit if he wants to survive and survive he must. After not succumbing to the virus that infected him, he cannot give up. Taught to fight and given a new name, he must battle for his place.
Part III shows us a new perspective, an Other awakened in a human body and given a mission. To kill. To finish the human race, one by one. He has been tracking Cassie for a while and takes aim. Shoots. Traps her, but for some reason cannot bring himself to finish her.
Hunted. Shot. Then saved? Cassie wakes up being tended to by Evan on the family farm. He is the only one left of his family. Evan helps to nurse her back to health, bakes bread, carves walking sticks and wants to help her rescue her brother Sammy. What can't this farm boy do? And why does this make us so suspicious? Even Cassie can't quite bring herself to trust him. There are just little things that seem off, like a life-long farm boy with smooth hands and perfect cuticles. No callouses to be found. There's a small nagging feeling in her mind that asks- what if he's an Other?
The characters are well written and believable. You feel for them. Root for their successes and hurt when they fail. You wish for their survival despite the current chaos and destruction of the world. The world is familiar and yet fundamentally altered by the Others.
The book draws you in from the start and you puzzle over people and motives. Who will survive and if the human race survives this destruction, how will this ordeal fundamentally change the survivors? I am constantly questioning my conclusions and re-evaluating what I believe i happening. A great book is able to reveal just enough that the entire plot is not given away by page ten. This post-apocalyptic, alien-invasion novel is highly recommenede, especially if you plan to watch the movie. I cannot wait to read the next book, Infinite Sea!
Ivana A. | Diary of Difference (1171 KP) rated The Swords of Silence in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2886479579">The Swords of Silence</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-20.png"/>;
I was born and raised in a country where religion is sacred. I was surrounded with Christianity all my life. However, while I have learned lessons of love, respect and hope, I am not a believer. I do believe that we need to be kind to each other, respect each other and hope for a better tomorrow, but I don't believe there is a God out there who decides our faith. My review is based on how I felt while reading and I believe everyone is entitled to their own opinion and should be respected for that.
The Swords of Silence features father Joaquim, who moves to Japan in the 1620's, to share the religion of Christ. However, the brutal regime in Japan forbids any other religion than Buddhism. The Shogun is determined there is no more Christianity in his country. Throughout the book, we follow Joaquim's journey, where he manages to get captured and escapes several times, with the help of God.
<b><i>This book perfectly captures the regime in Japan during this time.</i></b>
The true terror and the brutal punishments if you ever dare make a mistake. The world of no mercy. But this book is also a product of divine inspiration and has great elements some of us consider fantasy.
<b>Many of the scenes in The Swords of Silence that featured escaping were unrealistic and resembled the Bible stories.</b> We had walking on water, moving of mountains and a big storm in the sea that only affects the enemy ship, even though they are only metres away from father Joaquim's ship.
There is one scene though, that I was absolutely in awe with, and that was the scene with the duels. As a person who trained karate all my life and is very familiar with the rules of a duel, honour, respect and combat in martial arts - this scene was perfectly set and accurate. It brought all the emotions and it was brutally realistic. And it is because of this scene that I will give this book three stars.
The Swords of Silence is a great book, and I love the fact that the author captured moments in history that were true and brutal, and not many people in the world know about. A story that will make people aware of what was happening in the past. Even though I am not a believer in God, I stand by that people shouldn't be mistreated, bullied, or in this case - brutally murdered for what they believe in. Everyone has the right to believe in anything they believe in.
If this book was more realistic with the events and scenes, I would have given it five stars for the message it shares with the world.
<b><i>True fact: Around 1% of the population in Japan claims Christian belief or affiliation. Most large Christian denominations are repressed in Japan today.</i></b>
Thank you to LoveReading UK, the publisher Harper Collins UK and the author, Shaun Curry, for sending me a copy of this book in exchange for an honest review.
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#1 <a href="https://www.goodreads.com/review/show/2886479579">The Swords of Silence</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-20.png"/>;
I was born and raised in a country where religion is sacred. I was surrounded with Christianity all my life. However, while I have learned lessons of love, respect and hope, I am not a believer. I do believe that we need to be kind to each other, respect each other and hope for a better tomorrow, but I don't believe there is a God out there who decides our faith. My review is based on how I felt while reading and I believe everyone is entitled to their own opinion and should be respected for that.
The Swords of Silence features father Joaquim, who moves to Japan in the 1620's, to share the religion of Christ. However, the brutal regime in Japan forbids any other religion than Buddhism. The Shogun is determined there is no more Christianity in his country. Throughout the book, we follow Joaquim's journey, where he manages to get captured and escapes several times, with the help of God.
<b><i>This book perfectly captures the regime in Japan during this time.</i></b>
The true terror and the brutal punishments if you ever dare make a mistake. The world of no mercy. But this book is also a product of divine inspiration and has great elements some of us consider fantasy.
<b>Many of the scenes in The Swords of Silence that featured escaping were unrealistic and resembled the Bible stories.</b> We had walking on water, moving of mountains and a big storm in the sea that only affects the enemy ship, even though they are only metres away from father Joaquim's ship.
There is one scene though, that I was absolutely in awe with, and that was the scene with the duels. As a person who trained karate all my life and is very familiar with the rules of a duel, honour, respect and combat in martial arts - this scene was perfectly set and accurate. It brought all the emotions and it was brutally realistic. And it is because of this scene that I will give this book three stars.
The Swords of Silence is a great book, and I love the fact that the author captured moments in history that were true and brutal, and not many people in the world know about. A story that will make people aware of what was happening in the past. Even though I am not a believer in God, I stand by that people shouldn't be mistreated, bullied, or in this case - brutally murdered for what they believe in. Everyone has the right to believe in anything they believe in.
If this book was more realistic with the events and scenes, I would have given it five stars for the message it shares with the world.
<b><i>True fact: Around 1% of the population in Japan claims Christian belief or affiliation. Most large Christian denominations are repressed in Japan today.</i></b>
Thank you to LoveReading UK, the publisher Harper Collins UK and the author, Shaun Curry, for sending me a copy of this book in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Rachel King (13 KP) rated A Short History of Myth in Books
Feb 11, 2019
For such a short book, I developed quite a strong opinion about the text while reading it. I have been curious about Armstrong's writings for a long time, but this is the first attempt I have made at actually reading anything by her. I have always been a fan of ancient mythology, such as Greek and Egyptian, so this seemed like an easy choice.
In seven chapters, Armstrong takes a simplified stroll through history, focusing on the concept of myth and its impact on civilization. All throughout the book, she attempts to support her claim that a person can believe in myths without believing that the myths are actually true, and that the failure of modern society is by not following her specific edict. While this notion strikes me as absurd, I keep reading because, hey, it's a short book.
While I know only bits and pieces about many of the world's religions, I do know both the history and the holy book of my religion, Christianity. It becomes apparent to me early in the text that she is masking her opinions and interpretations of this religion as actual fact, so I can only imagine how she misconstrues other religions.
Her citations were lacking to me, with many claims going unsupported, others only partially supported, such as citation #84 and #30, and some citations simply not even applying to the specified text, such as citation #87. In citation #55, she claims that the Bible contains a Creation myth in which God brings the world into being by killing a sea monster, but one of the four verses she cites make no reference to anything of the sort (Job 3:12), and the other three (Isaiah 27:1, Job 26:13, Psalm 74:14) that do mention a leviathan cannot be interpreted that way when read in context. Isaiah is describing the end of days, while Job merely says that God created the serpent, and the verse in Psalm is within the context of a song about God rescuing the Hebrews from Egyptian slavery -- no relevancy to Creation. She makes the claim that Paul "was not much interested in Jesus's teachings, which he rarely quotes, or in the events of his earthly life." This claim is easily disproved by examining how Paul's words line up with Jesus's in John 5:21 vs. 1 Corinthians 15:22, Matthew 6:25 vs. Philippians 4:6, and many other passages.
While going through the citations, I got the feeling that the author depended on secondary sources for her information without actually studying the original source of her information. The book struck me as highly opinionated, vague, and too general for the topic being addressed. I have no doubt that there are better and more thorough books available on the topic of myth. I do not believe that I will be reading any more of Armstrong's works in the future.
In seven chapters, Armstrong takes a simplified stroll through history, focusing on the concept of myth and its impact on civilization. All throughout the book, she attempts to support her claim that a person can believe in myths without believing that the myths are actually true, and that the failure of modern society is by not following her specific edict. While this notion strikes me as absurd, I keep reading because, hey, it's a short book.
While I know only bits and pieces about many of the world's religions, I do know both the history and the holy book of my religion, Christianity. It becomes apparent to me early in the text that she is masking her opinions and interpretations of this religion as actual fact, so I can only imagine how she misconstrues other religions.
Her citations were lacking to me, with many claims going unsupported, others only partially supported, such as citation #84 and #30, and some citations simply not even applying to the specified text, such as citation #87. In citation #55, she claims that the Bible contains a Creation myth in which God brings the world into being by killing a sea monster, but one of the four verses she cites make no reference to anything of the sort (Job 3:12), and the other three (Isaiah 27:1, Job 26:13, Psalm 74:14) that do mention a leviathan cannot be interpreted that way when read in context. Isaiah is describing the end of days, while Job merely says that God created the serpent, and the verse in Psalm is within the context of a song about God rescuing the Hebrews from Egyptian slavery -- no relevancy to Creation. She makes the claim that Paul "was not much interested in Jesus's teachings, which he rarely quotes, or in the events of his earthly life." This claim is easily disproved by examining how Paul's words line up with Jesus's in John 5:21 vs. 1 Corinthians 15:22, Matthew 6:25 vs. Philippians 4:6, and many other passages.
While going through the citations, I got the feeling that the author depended on secondary sources for her information without actually studying the original source of her information. The book struck me as highly opinionated, vague, and too general for the topic being addressed. I have no doubt that there are better and more thorough books available on the topic of myth. I do not believe that I will be reading any more of Armstrong's works in the future.
Emma @ The Movies (1786 KP) rated Fisherman's Friends (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I'm a sucker for this sort of film. There's a soothing consistency to them that makes for an entertaining and wholesome watch.
Daniel Mays as Danny us just adorable, he's always good for an amusing role. If you haven't caught Swimming With Men then you probably should. Danny isn't quite the same as his music exec counterparts, while he has the bullshitting down to a t he also cares much more for others than he does himself. I absolutely love the way he is with Alwyn and her daughter.
One thing that concerns me about this film is that it made me aware that James Purefoy is now old enough to be cast as someone's grandad. When did that happen? Purefoy along with all the other actors in the gang are a vision of camaraderie. There's a great scene where they head out to London, it's funny from start to finish and filled with toe-tapping enjoyment.
As much as I loved Noel Clarke when he was in Doctor Who it can't rescue him from the stereotypical American exec role. That accent was like a punch in the face every time I heard it. Has any American ever genuinely sounded like that or is it just reserved for British actors putting on American accents?
Obviously a lot of this film is dedicated to music, the sea shanties have me goosebumps as soon as they all started singing. It doesn't necessarily matter what they're singing about, the crescendos of it are just so beautiful. I will admit that generally I wouldn't be able to tell you if films had music in the background, unless it's bad or amazing it will largely pass me by, but Fisherman's Friends had one of those rare occasions where I noticed.
There are a lot of things happening in the film, several of the main characters have something going on around them but at no point did it feel like anything was surplus to requirements. In films with a larger cast it can often end up missing or skipping over a storyline but all of them seemed to be tied up neatly at the end of this.
The ending has a very emotional sequence in it, I spent a significant amount of it crying into my cuffs. James Purefoy and Daniel Mays manage to have an incredibly powerful moment together. There was so much emotion in it that just recalling it now is making me well up as I write.
While I might not buy this one I would certainly watch it again. It's a film that I'm certain almost anyone would enjoy, you'll certainly learn a few life lessons while you watch it.
What you should do
Definitely one to see, I know not everyone is a fan of musical numbers but there's plenty to go on to keep you amused.
Movie thing you wish you could take home
Where do I get myself a group to sing with? I miss a good old fashioned singalong.
Daniel Mays as Danny us just adorable, he's always good for an amusing role. If you haven't caught Swimming With Men then you probably should. Danny isn't quite the same as his music exec counterparts, while he has the bullshitting down to a t he also cares much more for others than he does himself. I absolutely love the way he is with Alwyn and her daughter.
One thing that concerns me about this film is that it made me aware that James Purefoy is now old enough to be cast as someone's grandad. When did that happen? Purefoy along with all the other actors in the gang are a vision of camaraderie. There's a great scene where they head out to London, it's funny from start to finish and filled with toe-tapping enjoyment.
As much as I loved Noel Clarke when he was in Doctor Who it can't rescue him from the stereotypical American exec role. That accent was like a punch in the face every time I heard it. Has any American ever genuinely sounded like that or is it just reserved for British actors putting on American accents?
Obviously a lot of this film is dedicated to music, the sea shanties have me goosebumps as soon as they all started singing. It doesn't necessarily matter what they're singing about, the crescendos of it are just so beautiful. I will admit that generally I wouldn't be able to tell you if films had music in the background, unless it's bad or amazing it will largely pass me by, but Fisherman's Friends had one of those rare occasions where I noticed.
There are a lot of things happening in the film, several of the main characters have something going on around them but at no point did it feel like anything was surplus to requirements. In films with a larger cast it can often end up missing or skipping over a storyline but all of them seemed to be tied up neatly at the end of this.
The ending has a very emotional sequence in it, I spent a significant amount of it crying into my cuffs. James Purefoy and Daniel Mays manage to have an incredibly powerful moment together. There was so much emotion in it that just recalling it now is making me well up as I write.
While I might not buy this one I would certainly watch it again. It's a film that I'm certain almost anyone would enjoy, you'll certainly learn a few life lessons while you watch it.
What you should do
Definitely one to see, I know not everyone is a fan of musical numbers but there's plenty to go on to keep you amused.
Movie thing you wish you could take home
Where do I get myself a group to sing with? I miss a good old fashioned singalong.
A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
Lee (2222 KP) rated Aquaman (2018) in Movies
Dec 14, 2018
A very enjoyable DCEU movie!
Before I begin, I just wanted to describe my feelings on the state of the DCEU up until now and hopefully this will be a good indication as to whether or not you're going to agree with me when it comes to Aquaman. So, as I'm sure most people will agree, so far the whole thing has been a bit of a disaster. A rush to try and bottle what Marvel have spent the last 10 years crafting and achieving, with just a handful of below average and inconsistently toned movies. I liked Man of Steel, and I didn't mind Batman V Superman, although I do understand why many people were disappointed. I really enjoyed Wonder Woman, and I found a lot to like within Justice League too. But as for Suicide Squad, well that one was just a ridiculous mess. And with all the uncertainty around the future of Henry Cavill and Ben Affleck in their roles as Superman and Batman, it seems DC still have a long way to go in terms of laying solid foundations for some decent universe building to rival Marvel.
So that brings us to Aquaman, probably the only other character of interest from Justice League who has yet to get his own origin/standalone movie. We got glimpses in Justice League, tastes of the underwater water world, and brief appearances from Amber Heards character Mera, so it's good to be able to expand on what has the potential to be a really strong, interesting character. And under the direction of James Wan, hopefully another welcome deviation from the dark, dull earlier DC movies that received so much criticism.
As far as origin stories go, things get off to a strong start. Lighthouse keeper Thomas Curry finds Atlantean queen Atlanna (Nicole Kidman) washed up on the rocks one day and takes her in to care for her. They fall in love, eventually giving birth to Arthur. A few years later and it's clear that Atlanna cannot stay. She returns to Atlantis, promising that she'll return to him one day, leaving Thomas to raise Arthur. When we join Arthur again, it's one year following the events of the Justice League and the defeat of Steppenwolf. Taking care of a bunch of hi-tech pirates who have boarded a submarine, but still finding time to return home to dad for a few beers and a laugh with the locals. He's left the world of Atlantis behind him, having been banished for being a half breed, and feeling anger at the treatment his mother received for giving birth to him. It's not long though before things all start kicking off and he had to return to life under the sea. Half brother Orm (Patrick Wilson) is looking to wage war on the surface world in retaliation for all the destruction and pollution within the seas, and begins trying to gain support from the seven kingdoms. Meanwhile, one of the pirates Aquaman encountered earlier has got his hands on some Atlantean technology, becoming Black Manta and vowing to get his revenge. During an undersea meeting with Vulko, aid to Atlanna and the man responsible for training Arthur as a child, Arthur is urged to find the lost Trident of Atlan, a magic artifact that once belonged to Atlantis’ first ruler. By wielding the trident, Arthur can reclaim his rightful place as king, hopefully uniting the worlds of land and sea.
There is a LOT going on here, and luckily for the most part, it all works relatively well. The quest for the trident is a bit like an Indiana Jones quest - Arthur and Mera have to undertake a trek across, and below, the Sahara desert, a trip to Sicily, a perilous boat trip and a journey to a hidden world deep within the ocean. The Black Manta storyline seems a bit unnecessary and annoying at times, although does provide some great action (and a setup for a sequel). The underwater scenes involving Atlantis and the other kingdoms are absolutely beautiful to look at, very detailed and imaginative, but these are the areas that unfortunately begin to let the movie down. Culminating in an epic underwater battle involving thousands of different creatures and weapons, the movie ends up as just another DCEU CGI overload.
Despite that, I actually had a lot of fun with this movie, and I particularly loved the action. Fluid, balletic fight scenes, with the viewpoint flowing above and around those involved, we follow a character as he powers through walls and roofs, pulling out to reveal and follow other characters in action, the direction of these scenes is extremely effective. Overall, this is definitely a strong step up for the DCEU and a worthy standalone movie. I just hope they can now keep this momentum going.
So that brings us to Aquaman, probably the only other character of interest from Justice League who has yet to get his own origin/standalone movie. We got glimpses in Justice League, tastes of the underwater water world, and brief appearances from Amber Heards character Mera, so it's good to be able to expand on what has the potential to be a really strong, interesting character. And under the direction of James Wan, hopefully another welcome deviation from the dark, dull earlier DC movies that received so much criticism.
As far as origin stories go, things get off to a strong start. Lighthouse keeper Thomas Curry finds Atlantean queen Atlanna (Nicole Kidman) washed up on the rocks one day and takes her in to care for her. They fall in love, eventually giving birth to Arthur. A few years later and it's clear that Atlanna cannot stay. She returns to Atlantis, promising that she'll return to him one day, leaving Thomas to raise Arthur. When we join Arthur again, it's one year following the events of the Justice League and the defeat of Steppenwolf. Taking care of a bunch of hi-tech pirates who have boarded a submarine, but still finding time to return home to dad for a few beers and a laugh with the locals. He's left the world of Atlantis behind him, having been banished for being a half breed, and feeling anger at the treatment his mother received for giving birth to him. It's not long though before things all start kicking off and he had to return to life under the sea. Half brother Orm (Patrick Wilson) is looking to wage war on the surface world in retaliation for all the destruction and pollution within the seas, and begins trying to gain support from the seven kingdoms. Meanwhile, one of the pirates Aquaman encountered earlier has got his hands on some Atlantean technology, becoming Black Manta and vowing to get his revenge. During an undersea meeting with Vulko, aid to Atlanna and the man responsible for training Arthur as a child, Arthur is urged to find the lost Trident of Atlan, a magic artifact that once belonged to Atlantis’ first ruler. By wielding the trident, Arthur can reclaim his rightful place as king, hopefully uniting the worlds of land and sea.
There is a LOT going on here, and luckily for the most part, it all works relatively well. The quest for the trident is a bit like an Indiana Jones quest - Arthur and Mera have to undertake a trek across, and below, the Sahara desert, a trip to Sicily, a perilous boat trip and a journey to a hidden world deep within the ocean. The Black Manta storyline seems a bit unnecessary and annoying at times, although does provide some great action (and a setup for a sequel). The underwater scenes involving Atlantis and the other kingdoms are absolutely beautiful to look at, very detailed and imaginative, but these are the areas that unfortunately begin to let the movie down. Culminating in an epic underwater battle involving thousands of different creatures and weapons, the movie ends up as just another DCEU CGI overload.
Despite that, I actually had a lot of fun with this movie, and I particularly loved the action. Fluid, balletic fight scenes, with the viewpoint flowing above and around those involved, we follow a character as he powers through walls and roofs, pulling out to reveal and follow other characters in action, the direction of these scenes is extremely effective. Overall, this is definitely a strong step up for the DCEU and a worthy standalone movie. I just hope they can now keep this momentum going.
Phil Leader (619 KP) rated Art of Hunting (The Gravedigger Chronicles #2) in Books
Nov 8, 2019
I read the first installment of the Gravedigger Chronicles, Sea Of Ghosts a little while ago and the sheer imagination really grabbed my attention. While waiting for the second book I read Campbell's first trilogy and this confirmed a grasp for creating very different, if very dark, fantasy worlds.
The first book follows the story of Thomas Granger, ex-Colonel with the elite 'Gravediggers' army unit now the owner and warden of a decrepit prison in a world that is literally drowning. Humans share the world with the intelligent and long-lived Unmer, for centuries their slaves until a band of telepaths overthrew them. In revenge the Unmer seeded the sees with thousands of small bottles - icusae - which are constantly producing poisonous 'brine', making the seas toxic and raising the sea level.
Granger sets off on a quest to find is estranged daughter Ianthe - herself an incredibly powerful but blind telepath - and so we see this strange and often brutal world, meeting Briana Marks the arrogant head of the telepaths and Ethan Maskeleyne, metaphysicist and hunter of Unmer treasure.
The book ends cataclysmically with Ianthe all but destroying the telepaths' power with her mind and setting the trapped Unmer prince Marquetta free at the same time as her father - now with magical armour and sword - arrives to rescue her himself.
The second book carried straight on from the first, detailing the aftermath of the battle and the Unmer's plans to once again rule, beginning with Marquetta's plan to marry Ianthe. Granger is naturally suspicious of his motives towards his only daughter. Marquetta also needs to eliminate another Unmer lord, Conquillas, who has been hired as an assassin by Briana Marks to kill Marquetta and his uncle. Conquillas is an Unmer rebel who has studied war and hunting until it is an art form to him. Marquetta plans to eliminate him by challenging him to a tournament which is rigged so that Conquillas cannot survive.
Learning of the plans, Granger decides to leave his daughter and travel to find Conquillas and warn him. But soon he has more to worry about as his Unmer sword literally has a mind of its own. Meanwhile Maskeleyne is on his own quest to discover why the unfortunate people who have 'drowned' in the brine seas (but still have a sort of life) are bringing him keys.
As can be seen from the brief description above this is a complex book. Although the story is told from four viewpoints - Granger, Ianthe, Maskeleyne and Briana Marks - the bulk of the story is carried by Granger (on his own quest) and Ianthe (following with the Unmer). Granger is a terrific character - he is gruff and insentimental and is not always a sympathetic character. But he is also very driven and always sees the solution to anything as a straight line, regardless of any obstacles on that path he will just bulldoze straight through them. Ianthe is more subtle as a character because she is essentially tagging along with Marquetta and apart from the marriage plot doesn't really contribute very much.
The world they inhabit is excellent. This is a different kind of fantasy world. Rather than being stuck in medieval worlds as tends to be the case, there is a lot of technology. There are guns and gas cutting torches for example. Everything seems to be very very old and anything enchanted by the Unmer is as dangerous to the innocent wielder as their target.
After the first book it is interesting to see more of the Unmer in action. Marquetta is a proud and determined prince, his uncle fills the role of scheming manipulator well and it is not clear if Marquetta follows his uncle or is merely another pawn in the play. Conquillas is also well drawn for the few scenes he is in, the consumate warrior and hunter while still being otherworldly and cold towards the humans that he deals with. Maskeleyne also comes to the fore in this book after being something of a villain in the first book in this book he is not at odds with the other main characters and so is a much more rounded person rather than a cipher to explain Unmer artifacts and move the plot along.
Yes this is a hard read; the chapters are long (there are only 8 chapters in the book) which means it is a long time between breaks in the narrative and the start does take a long long time to get going although a lot of the information is vital in setting up the rest of the book. Once it gets going however it flows well. In fact I would say the tournament at the end was a little rushed - some more insight into the early rounds would have been interesting I think - but as the main point is to get the final showdown this can be excused.
Overall, a fantastic second part and I eagerly look forward the the third installment.
Rating: Some slight swearing and crude references
The first book follows the story of Thomas Granger, ex-Colonel with the elite 'Gravediggers' army unit now the owner and warden of a decrepit prison in a world that is literally drowning. Humans share the world with the intelligent and long-lived Unmer, for centuries their slaves until a band of telepaths overthrew them. In revenge the Unmer seeded the sees with thousands of small bottles - icusae - which are constantly producing poisonous 'brine', making the seas toxic and raising the sea level.
Granger sets off on a quest to find is estranged daughter Ianthe - herself an incredibly powerful but blind telepath - and so we see this strange and often brutal world, meeting Briana Marks the arrogant head of the telepaths and Ethan Maskeleyne, metaphysicist and hunter of Unmer treasure.
The book ends cataclysmically with Ianthe all but destroying the telepaths' power with her mind and setting the trapped Unmer prince Marquetta free at the same time as her father - now with magical armour and sword - arrives to rescue her himself.
The second book carried straight on from the first, detailing the aftermath of the battle and the Unmer's plans to once again rule, beginning with Marquetta's plan to marry Ianthe. Granger is naturally suspicious of his motives towards his only daughter. Marquetta also needs to eliminate another Unmer lord, Conquillas, who has been hired as an assassin by Briana Marks to kill Marquetta and his uncle. Conquillas is an Unmer rebel who has studied war and hunting until it is an art form to him. Marquetta plans to eliminate him by challenging him to a tournament which is rigged so that Conquillas cannot survive.
Learning of the plans, Granger decides to leave his daughter and travel to find Conquillas and warn him. But soon he has more to worry about as his Unmer sword literally has a mind of its own. Meanwhile Maskeleyne is on his own quest to discover why the unfortunate people who have 'drowned' in the brine seas (but still have a sort of life) are bringing him keys.
As can be seen from the brief description above this is a complex book. Although the story is told from four viewpoints - Granger, Ianthe, Maskeleyne and Briana Marks - the bulk of the story is carried by Granger (on his own quest) and Ianthe (following with the Unmer). Granger is a terrific character - he is gruff and insentimental and is not always a sympathetic character. But he is also very driven and always sees the solution to anything as a straight line, regardless of any obstacles on that path he will just bulldoze straight through them. Ianthe is more subtle as a character because she is essentially tagging along with Marquetta and apart from the marriage plot doesn't really contribute very much.
The world they inhabit is excellent. This is a different kind of fantasy world. Rather than being stuck in medieval worlds as tends to be the case, there is a lot of technology. There are guns and gas cutting torches for example. Everything seems to be very very old and anything enchanted by the Unmer is as dangerous to the innocent wielder as their target.
After the first book it is interesting to see more of the Unmer in action. Marquetta is a proud and determined prince, his uncle fills the role of scheming manipulator well and it is not clear if Marquetta follows his uncle or is merely another pawn in the play. Conquillas is also well drawn for the few scenes he is in, the consumate warrior and hunter while still being otherworldly and cold towards the humans that he deals with. Maskeleyne also comes to the fore in this book after being something of a villain in the first book in this book he is not at odds with the other main characters and so is a much more rounded person rather than a cipher to explain Unmer artifacts and move the plot along.
Yes this is a hard read; the chapters are long (there are only 8 chapters in the book) which means it is a long time between breaks in the narrative and the start does take a long long time to get going although a lot of the information is vital in setting up the rest of the book. Once it gets going however it flows well. In fact I would say the tournament at the end was a little rushed - some more insight into the early rounds would have been interesting I think - but as the main point is to get the final showdown this can be excused.
Overall, a fantastic second part and I eagerly look forward the the third installment.
Rating: Some slight swearing and crude references
Christina Haynes (148 KP) rated Wonder Woman: Warbringer in Books
Feb 10, 2018
WONDER WOMAN - WARBRINGER by LEIGH BARDUGO
Contains spoilers, click to show
Wonder Woman also known as Diana Prince is an Amazon warrior destined to save to world and to later become a member of the Justice League.
But before that, like every story, she had a beginning and Leigh Bardugo gives her a just that.
The beginning of the book and the start of Diana’s story lies her home, Themyscira. Located in the Aegean Sea - Greece. Legend has it that the Amazons were given the island by the Gods after they freed themselves and fought Ares after being enslaved. But that’s just one version. Alike with most stories, there is more than one tale, as most myths and legends are like stories. Like the game we all played at school, Chinese whispers where we whispered something to the person next to us and they did the same till the last person said something like “I eat orange peel and make shoes out of it” when you actually said “I’m hungry and I want a cup of tea”
But back to the book, Princess Diana doesn’t feel she is an Amazon truly. Yes, she was born on the island (although she was actually made out of clay and blessed by the Gods to come to life) and is immortal like the other Amazons. She did not fight and die heroically in a battle like every other Amazon warrior did including her mother Queen Hippolyta.
Because of this Diana is teased daily by Amazon warrior Tek who is basically one of the strongest Amazon warriors and also the bravest. Diana believes that if she wins the race at the Nemeseian games that the Amazons compete in she will be able to show them she is both brave and strong. This would also impress her mother and obviously Tek and then she might just stop being so mean to Diana.
However whilst she is running in the race she sees a boat sinking and hears a stream, from a girl. Although the Amazons are used to seeing this sort of thing happen, along with plane crashes etc. Something stops Diana enough to turn around, run and jump into the sea below her and save the girl. Alia.
Themyscira, as we all know, is a secret island, a place where only the Gods and Amazons know about. Again we know about it from stories and legends, we don’t know exactly where it is. Say it’s like living in a snow globe, except you can’t see inside it. Basically when the ship started to sink the crew and passengers onboard had no idea what so ever that they were next to this mysterious paradise island.
Diana saves Alia and brings her to shore leaving her in a cave till she can come back and help take her back to land. Diana needs to head back to the race in case someone sees she is missing, and being the Princess she needs to be there by the Queen's side to congratulate the winner seeing as Diana clearly hasn’t won.
Back with her mother, they congratulate the winner and then enjoy the feast laid out in front of them. Not long after her best friend Mauve gets ill - which I might add, no-one ever does! The island also starts to move like there is an earthquake happening - which again does happen, ever!
The Amazons start to evacuate the island and head of to see the Oracle. Diana runs as fast as she can to get to see the Oracle before her mother and Tek get there first and find out that she has saved Alia.
Because the island is a mystery and they have no contact with the outside world, they aren’t allowed to save anyone and interfere with the mortal world. That means they can’t bring anyone to the island or the Amazon could be banished from Themyscira.
Once Diana reaches the Oracle and after she has got through the normal routine of giving something to the Oracle and listening to the riddle instead of answers, she soon learns that Aila is a Warbringer, a descendant of Helen of Troy. Being a Warbringer entails having war in your blood. All wars have been caused by a Warbringer and Alia is the next one.
“When a Warbringer is born, destruction is inevitable. One has been the catalyst for every great conflict in the World of Man. With the coming of the new moon, Alia’s powers will reach their apex, and war will come. Unless she dies before then.” - Oracle to Diana pg 43.
Diana then asks the Oracle three questions;
1. How do I save Themyscira?
2. How do I save Alia’s life?
3. How do I save everyone
To which the Oracle's answers;
1. Do nothing
2. You must not
3. “The Warbringer must reach the spring at Therapne before the sun sets on the first day of Hekatombaion. Where Helen rests, the Warbringer may be purified, purged of the taint of death that has stained her line from its beginning. There may her power be leashed and never passed to another.”
So from then Diana and Alia go in search for the spring, it takes a lot of convincing Alia but once convinced they begin their journey. Although it’s not that straightforward. They do encounter some enemies, friends and new places after all. This is where the wild journey that Leigh Bardugo creates.
You much like our hero Wonder Woman experience Diana Prince in a new world, still staying the same person only so much cooler than before. She soon learns that she has always had what it takes to be an Amazon and that man is not quite what her mother and the other Amazons taught her, not all are bad and wish for war. Some are exactly like Diana and soon become great friends and allies to her.
The first book in a series of four called DC Icons by Leigh Bardugo, Marie Lu, Sarah J Maas, and Matt de la Pena. This series is definitely going to be amazing.
⭐⭐⭐⭐⭐
Marie Lu: Batman - Nightwalker (Jan 18)
Sarah J Maas: Catwoman - Soulstealer (2018)
Matt de la Pena: Superman - ? (2019)
Love, Christina ?
But before that, like every story, she had a beginning and Leigh Bardugo gives her a just that.
The beginning of the book and the start of Diana’s story lies her home, Themyscira. Located in the Aegean Sea - Greece. Legend has it that the Amazons were given the island by the Gods after they freed themselves and fought Ares after being enslaved. But that’s just one version. Alike with most stories, there is more than one tale, as most myths and legends are like stories. Like the game we all played at school, Chinese whispers where we whispered something to the person next to us and they did the same till the last person said something like “I eat orange peel and make shoes out of it” when you actually said “I’m hungry and I want a cup of tea”
But back to the book, Princess Diana doesn’t feel she is an Amazon truly. Yes, she was born on the island (although she was actually made out of clay and blessed by the Gods to come to life) and is immortal like the other Amazons. She did not fight and die heroically in a battle like every other Amazon warrior did including her mother Queen Hippolyta.
Because of this Diana is teased daily by Amazon warrior Tek who is basically one of the strongest Amazon warriors and also the bravest. Diana believes that if she wins the race at the Nemeseian games that the Amazons compete in she will be able to show them she is both brave and strong. This would also impress her mother and obviously Tek and then she might just stop being so mean to Diana.
However whilst she is running in the race she sees a boat sinking and hears a stream, from a girl. Although the Amazons are used to seeing this sort of thing happen, along with plane crashes etc. Something stops Diana enough to turn around, run and jump into the sea below her and save the girl. Alia.
Themyscira, as we all know, is a secret island, a place where only the Gods and Amazons know about. Again we know about it from stories and legends, we don’t know exactly where it is. Say it’s like living in a snow globe, except you can’t see inside it. Basically when the ship started to sink the crew and passengers onboard had no idea what so ever that they were next to this mysterious paradise island.
Diana saves Alia and brings her to shore leaving her in a cave till she can come back and help take her back to land. Diana needs to head back to the race in case someone sees she is missing, and being the Princess she needs to be there by the Queen's side to congratulate the winner seeing as Diana clearly hasn’t won.
Back with her mother, they congratulate the winner and then enjoy the feast laid out in front of them. Not long after her best friend Mauve gets ill - which I might add, no-one ever does! The island also starts to move like there is an earthquake happening - which again does happen, ever!
The Amazons start to evacuate the island and head of to see the Oracle. Diana runs as fast as she can to get to see the Oracle before her mother and Tek get there first and find out that she has saved Alia.
Because the island is a mystery and they have no contact with the outside world, they aren’t allowed to save anyone and interfere with the mortal world. That means they can’t bring anyone to the island or the Amazon could be banished from Themyscira.
Once Diana reaches the Oracle and after she has got through the normal routine of giving something to the Oracle and listening to the riddle instead of answers, she soon learns that Aila is a Warbringer, a descendant of Helen of Troy. Being a Warbringer entails having war in your blood. All wars have been caused by a Warbringer and Alia is the next one.
“When a Warbringer is born, destruction is inevitable. One has been the catalyst for every great conflict in the World of Man. With the coming of the new moon, Alia’s powers will reach their apex, and war will come. Unless she dies before then.” - Oracle to Diana pg 43.
Diana then asks the Oracle three questions;
1. How do I save Themyscira?
2. How do I save Alia’s life?
3. How do I save everyone
To which the Oracle's answers;
1. Do nothing
2. You must not
3. “The Warbringer must reach the spring at Therapne before the sun sets on the first day of Hekatombaion. Where Helen rests, the Warbringer may be purified, purged of the taint of death that has stained her line from its beginning. There may her power be leashed and never passed to another.”
So from then Diana and Alia go in search for the spring, it takes a lot of convincing Alia but once convinced they begin their journey. Although it’s not that straightforward. They do encounter some enemies, friends and new places after all. This is where the wild journey that Leigh Bardugo creates.
You much like our hero Wonder Woman experience Diana Prince in a new world, still staying the same person only so much cooler than before. She soon learns that she has always had what it takes to be an Amazon and that man is not quite what her mother and the other Amazons taught her, not all are bad and wish for war. Some are exactly like Diana and soon become great friends and allies to her.
The first book in a series of four called DC Icons by Leigh Bardugo, Marie Lu, Sarah J Maas, and Matt de la Pena. This series is definitely going to be amazing.
⭐⭐⭐⭐⭐
Marie Lu: Batman - Nightwalker (Jan 18)
Sarah J Maas: Catwoman - Soulstealer (2018)
Matt de la Pena: Superman - ? (2019)
Love, Christina ?
Bob Mann (459 KP) rated Stan & Ollie (2018) in Movies
Sep 28, 2021
When the laughter has to end.
The problem with any comedy double act is that if illness or death get in the way (think Dustin Gee and Les Dennis; or Morecambe and Wise) the wheels can come off for the other partner. “Stan and Ollie” tells the story of the comic duo starting in 1937 when they reached their peak of global popularity, albeit when Laurel was hardly on speaking terms with their long-term producer Hal Roach (Danny Huston).
As you might guess from this, the emotional direction for the film is downwards, but not necessarily in a totally depressing way. The film depicts the duo’s tour of Laurel’s native country (he was born in Lancashire) and this has its ups as well as its downs.
Not knowing their life story, this is one where when the trailer came on I shut my eyes and plugged my ears so as to avoid spoilers: as such I will say nothing further on the details of the plot.
My wife and I were reminiscing after seeing this flick about how our parents used to crack up over the film antics of Laurel and Hardy. And they were, in their own slapstick way, very funny indeed. The film manages to recreate (impecably) some of their more famous routines and parodies others: their travel trunk gallops to the bottom of the station steps, mimicking the famous scenes with a piano from 1932’s “The Music Box”. “Do we really need that trunk” Hardy deadpans to Laurel.
The turns
There are four star turns at the heart of the film and they are John C. Reilly as Ollie; Steve Coogan as Stan; Shirley Henderson (forever to be referenced as “Moaning Myrtle”) as Ollie’s wife Lucille and Nina Arianda (so memorable as the ‘pointer outer’ in the ‘Emperor’s New Clothes’ segment of “Florence Foster Jenkins“) as Stan’s latest wife Ida.
Coogan and Reilly do an outstanding job of impersonating the comic duo. Both are simply brilliant, playing up to their public personas when visible but subtly delivering similar traits in private. Of the two, John C. Reilly’s performance is the most memorable: he IS Oliver Hardy. Not taking too much away from the other performance, but there are a few times when Coogan poked through the illusion (like a Partridge sticking its head out from a Pear Tree you might say).
Henderson and Arianda also add tremendous heart to the drama, and Arianda’s Ida in particular is hilarious. Also delivering a fabulous supporting role is Rufus Jones as the famous impressario Bernard Delfont: all smarm and Machiavellian chicanery that adds a different shape of comedy to the film.
Another Fine Mess?
Actually, no: it’s one of those pleasant and untaxing cinema experiences that older audiences in particular will really enjoy. However, the film’s far from perfect in my view: the flash-forwards/flash-backs I felt made the story bitty and disjointed; and ultimately the life story of the duo doesn’t have a huge depth of drama in it to amaze or excite, the way that 2004’s “Beyond the Sea” (the biopic of Bobby Darin) did for example. But the film never gets boring or disappoints.
I’d like to say that the script by Jeff Pope (“Philomena“) is historically accurate, but a look at the wikipedia entries for the pair show that it was far from that. Yes, the tours of the UK and Europe did happen, but over multiple years and the actual events in their lives are telescoped into a single trip for dramatic purposes. But I think the essence of the pair comes across nicely. Laurel’s wikipedia entry records a nice death-bed scene that sums up the guy:
“Minutes before his death, he told his nurse that he would not mind going skiing, and she replied that she was not aware that he was a skier. “I’m not,” said Laurel, “I’d rather be doing that than this!” A few minutes later, the nurse looked in on him again and found that he had died quietly in his armchair.”
“Stan and Ollie” has a few preview screenings before the New Year, but goes on UK general release on January 11th. Recommended.
As you might guess from this, the emotional direction for the film is downwards, but not necessarily in a totally depressing way. The film depicts the duo’s tour of Laurel’s native country (he was born in Lancashire) and this has its ups as well as its downs.
Not knowing their life story, this is one where when the trailer came on I shut my eyes and plugged my ears so as to avoid spoilers: as such I will say nothing further on the details of the plot.
My wife and I were reminiscing after seeing this flick about how our parents used to crack up over the film antics of Laurel and Hardy. And they were, in their own slapstick way, very funny indeed. The film manages to recreate (impecably) some of their more famous routines and parodies others: their travel trunk gallops to the bottom of the station steps, mimicking the famous scenes with a piano from 1932’s “The Music Box”. “Do we really need that trunk” Hardy deadpans to Laurel.
The turns
There are four star turns at the heart of the film and they are John C. Reilly as Ollie; Steve Coogan as Stan; Shirley Henderson (forever to be referenced as “Moaning Myrtle”) as Ollie’s wife Lucille and Nina Arianda (so memorable as the ‘pointer outer’ in the ‘Emperor’s New Clothes’ segment of “Florence Foster Jenkins“) as Stan’s latest wife Ida.
Coogan and Reilly do an outstanding job of impersonating the comic duo. Both are simply brilliant, playing up to their public personas when visible but subtly delivering similar traits in private. Of the two, John C. Reilly’s performance is the most memorable: he IS Oliver Hardy. Not taking too much away from the other performance, but there are a few times when Coogan poked through the illusion (like a Partridge sticking its head out from a Pear Tree you might say).
Henderson and Arianda also add tremendous heart to the drama, and Arianda’s Ida in particular is hilarious. Also delivering a fabulous supporting role is Rufus Jones as the famous impressario Bernard Delfont: all smarm and Machiavellian chicanery that adds a different shape of comedy to the film.
Another Fine Mess?
Actually, no: it’s one of those pleasant and untaxing cinema experiences that older audiences in particular will really enjoy. However, the film’s far from perfect in my view: the flash-forwards/flash-backs I felt made the story bitty and disjointed; and ultimately the life story of the duo doesn’t have a huge depth of drama in it to amaze or excite, the way that 2004’s “Beyond the Sea” (the biopic of Bobby Darin) did for example. But the film never gets boring or disappoints.
I’d like to say that the script by Jeff Pope (“Philomena“) is historically accurate, but a look at the wikipedia entries for the pair show that it was far from that. Yes, the tours of the UK and Europe did happen, but over multiple years and the actual events in their lives are telescoped into a single trip for dramatic purposes. But I think the essence of the pair comes across nicely. Laurel’s wikipedia entry records a nice death-bed scene that sums up the guy:
“Minutes before his death, he told his nurse that he would not mind going skiing, and she replied that she was not aware that he was a skier. “I’m not,” said Laurel, “I’d rather be doing that than this!” A few minutes later, the nurse looked in on him again and found that he had died quietly in his armchair.”
“Stan and Ollie” has a few preview screenings before the New Year, but goes on UK general release on January 11th. Recommended.