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Movie Metropolis (309 KP) rated Aquaman (2018) in Movies
Jun 10, 2019
Bad Wigs aside it's really rather good
You could be forgiven for being rather sceptical walking into the cinema to see Aquaman, and it’s easy to see why. An uninspiring set of trailers preceded by the DCEU’s shall we say reluctance to resonate with audiences.
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
Bong Mines Entertainment (15 KP) rated The Beginning - Single by The Crab Apples in Music
Jul 10, 2019
The Crab Apples is an indie pop-rock band based in Barcelona. Not too long ago, they released a wonderful indie-pop tune, entitled, “The Beginning”.
“You’ve already taken all your roots. Planted at least two seeds and you talk about them and I smile and nod my head. Though deep down I feel like dying. ‘Cause I know you have your life across the sea while I’m stuck in here, lost, wondering what I might potentially be.” – lyrics
‘The Beginning’ tells a bittersweet tale of a young woman who wants to travel overseas to visit a special guy in her life, someone who she desires to be with.
While in preparation to depart, she decides not to go and see him anymore. Subsequently, she rejects the idea of traveling on a plane to a far-away land.
Her sudden decision might be based on the fact that she considers herself an easy prey whose heart was effortlessly captured by the above-mentioned individual.
Later, she admits that if he would have opened his hand, she would’ve fallen into his trap like a big dumb fly.
What she wants now is to be free from his enchanting hook, which he uses to catch victims who are attracted to his charm.
But in order to achieve her desired goal, she can’t go to see him because she will fall under his spell once again.
‘The Beginning’ contains a relatable storyline, pleasing vocals, and buoyant instrumentation flavored with guitar products and alternative-pop elements. Also, the likable tune is featured on The Crab Apples’ “More Mistakes” EP.
“‘The End’ and ‘The Beginning’ are two parts of the same song. But in the versions we have made, we understand each part as different entities. Recording ‘The End’ was amazing because we experienced like never before. We went crazy with voice effects and synths. Laia came to the studio when she only needed to record the bass and recorded it in a shot as she listened and discovered how she had mutated the song throughout the process. All this took us away from our habitual ways of doing things and took us to lands we had never explored before.” – The Crab Apples
The Crab Apples consists of Carla Gimeno (vocals, guitar), Laia Alsina (electric guitar), Laia Martí (bass) and Mauro Cavallaro (drums).
What started as a project between four friends from the same town, quickly grew and they became the group we know now.
The release of their EP has led the dynamic foursome to comfortably play on stages all over Spain.
Not too long ago, Laia Alsina mentioned why their custom pedalboards for guitar and bass gives them freedom and peace of mind while on tour.
“I’ve been practically two years with the Evo Track S2 pedalboard and it has certainly been a great change. I find it very comfortable and easy to use to carry my pedals and especially when playing live. The elevation of the second row really helps me to activate and deactivate the effects easily. It prevents me to play accidentally the pedal on the side (common). I’m very happy because I’ve toured a lot and the pedalboard still lasts.” – Laia Alsina
Although they might not look like it at first sight, The Crab Apples considers their mistakes beautiful. Through their scars, what once seemed weak is now attractively strong.
“You’ve already taken all your roots. Planted at least two seeds and you talk about them and I smile and nod my head. Though deep down I feel like dying. ‘Cause I know you have your life across the sea while I’m stuck in here, lost, wondering what I might potentially be.” – lyrics
‘The Beginning’ tells a bittersweet tale of a young woman who wants to travel overseas to visit a special guy in her life, someone who she desires to be with.
While in preparation to depart, she decides not to go and see him anymore. Subsequently, she rejects the idea of traveling on a plane to a far-away land.
Her sudden decision might be based on the fact that she considers herself an easy prey whose heart was effortlessly captured by the above-mentioned individual.
Later, she admits that if he would have opened his hand, she would’ve fallen into his trap like a big dumb fly.
What she wants now is to be free from his enchanting hook, which he uses to catch victims who are attracted to his charm.
But in order to achieve her desired goal, she can’t go to see him because she will fall under his spell once again.
‘The Beginning’ contains a relatable storyline, pleasing vocals, and buoyant instrumentation flavored with guitar products and alternative-pop elements. Also, the likable tune is featured on The Crab Apples’ “More Mistakes” EP.
“‘The End’ and ‘The Beginning’ are two parts of the same song. But in the versions we have made, we understand each part as different entities. Recording ‘The End’ was amazing because we experienced like never before. We went crazy with voice effects and synths. Laia came to the studio when she only needed to record the bass and recorded it in a shot as she listened and discovered how she had mutated the song throughout the process. All this took us away from our habitual ways of doing things and took us to lands we had never explored before.” – The Crab Apples
The Crab Apples consists of Carla Gimeno (vocals, guitar), Laia Alsina (electric guitar), Laia Martí (bass) and Mauro Cavallaro (drums).
What started as a project between four friends from the same town, quickly grew and they became the group we know now.
The release of their EP has led the dynamic foursome to comfortably play on stages all over Spain.
Not too long ago, Laia Alsina mentioned why their custom pedalboards for guitar and bass gives them freedom and peace of mind while on tour.
“I’ve been practically two years with the Evo Track S2 pedalboard and it has certainly been a great change. I find it very comfortable and easy to use to carry my pedals and especially when playing live. The elevation of the second row really helps me to activate and deactivate the effects easily. It prevents me to play accidentally the pedal on the side (common). I’m very happy because I’ve toured a lot and the pedalboard still lasts.” – Laia Alsina
Although they might not look like it at first sight, The Crab Apples considers their mistakes beautiful. Through their scars, what once seemed weak is now attractively strong.
Emma @ The Movies (1786 KP) rated Dark Tide (2012) in Movies
Aug 5, 2020
I always wonder what makes me not watch shark films, Dark Tide has Halle Berry, I like Halle Berry... so why have I never seen it?
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html