Search
Search results
Kristy H (1252 KP) rated Camino Island in Books
Feb 1, 2018
Princeton University houses five valuable manuscripts--all the originals of F. Scott Fitzgerald's novels. They are housed in the basement under a veil of security, but not enough to stop a band of clever thieves from breaking in and stealing them. This sets loose a chain of events and angers both the FBI, who is trying to track down the criminals, and the insurance company, as they are on the hook for $25 million unless the manuscripts are returned. Meanwhile, on touristy Camino Island, Bruce Cable runs a popular bookstore/coffee shop. Thanks to a lot of persistence and hard work, he's managed to keep it profitable even in the digital age. He's also a major backer of the many authors who come through his town on book tours. But few of those authors, or Bruce's patrons, know that Bruce keeps a vault in his shop housing a variety of rare books and manuscripts--some stolen. Finally, we turn to Mercer Mann--Mercer's just lost her teaching position, and she's three years overdue on delivering her next book to her publisher. She's also drowning in student loans. Mercer's approached by a beautiful and elegant woman who offers her a lot of money to get close to Bruce Cable and learn all about his web of secrets. Trouble, as you may guess, ensues.
I have a soft spot for Grisham, that's for sure. I fell in love with his first novels as a young teen, and I still love Darby Shaw, Gray Grantham, Mark Sway, Reverend Roy, and Reggie Love as if they were real people. Grisham and his family have a home in my town, and we claim him as one of our own. His books are often an easy escape, and CAMINO ISLAND falls into that category. Is it as memorable as [b:The Pelican Brief|32499|The Pelican Brief|John Grisham|https://images.gr-assets.com/books/1389486877s/32499.jpg|490324] or [b:The Client|5359|The Client|John Grisham|https://images.gr-assets.com/books/1388632222s/5359.jpg|137715]? No. Is it a fun diversion for a few days? Sure.
CAMINO ISLAND is a change from most of Grisham's legal thrillers--there are no lawyers or court room scenes here, just some tricky criminals, a heist, and the aftermath. You'll need to keep track of the various bad guys in the beginning, but once you get past that, it's an easy breezy read--much like the Florida setting where most of the novel is set. Mercer's a pleasant, albeit not very complicated protagonist, and Bruce Cable is a trip. It's also a detailed exploration into the world of rare books--something I knew little to nothing about.
Overall, this is fun, easy thriller. There are a few twists and turns along the way to keep you interested, and Grisham's characters are always enjoyable. The ending wraps up fairly quickly after all the build-up, so be prepared for that. Is it Grisham's best? No. But it will keep you entertained for a couple of days. 3.5 stars.
You can read my reviews of Grisham's novels GRAY MOUNTAIN <a href="https://www.goodreads.com/book/show/20707959-gray-mountain">here</a>; and ROGUE LAWYER <a href="https://www.goodreads.com/book/show/25387351-rogue-lawyer">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I have a soft spot for Grisham, that's for sure. I fell in love with his first novels as a young teen, and I still love Darby Shaw, Gray Grantham, Mark Sway, Reverend Roy, and Reggie Love as if they were real people. Grisham and his family have a home in my town, and we claim him as one of our own. His books are often an easy escape, and CAMINO ISLAND falls into that category. Is it as memorable as [b:The Pelican Brief|32499|The Pelican Brief|John Grisham|https://images.gr-assets.com/books/1389486877s/32499.jpg|490324] or [b:The Client|5359|The Client|John Grisham|https://images.gr-assets.com/books/1388632222s/5359.jpg|137715]? No. Is it a fun diversion for a few days? Sure.
CAMINO ISLAND is a change from most of Grisham's legal thrillers--there are no lawyers or court room scenes here, just some tricky criminals, a heist, and the aftermath. You'll need to keep track of the various bad guys in the beginning, but once you get past that, it's an easy breezy read--much like the Florida setting where most of the novel is set. Mercer's a pleasant, albeit not very complicated protagonist, and Bruce Cable is a trip. It's also a detailed exploration into the world of rare books--something I knew little to nothing about.
Overall, this is fun, easy thriller. There are a few twists and turns along the way to keep you interested, and Grisham's characters are always enjoyable. The ending wraps up fairly quickly after all the build-up, so be prepared for that. Is it Grisham's best? No. But it will keep you entertained for a couple of days. 3.5 stars.
You can read my reviews of Grisham's novels GRAY MOUNTAIN <a href="https://www.goodreads.com/book/show/20707959-gray-mountain">here</a>; and ROGUE LAWYER <a href="https://www.goodreads.com/book/show/25387351-rogue-lawyer">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
postapocalypticplayground (27 KP) rated The Cruel Prince in Books
Mar 12, 2018
Underwhelming sadly
I’m feeling a little underwhelmed if I’m honest, I have never read a Holly Black book before and with the hype surrounding this I fully felt I would be blown away, I was left with a gentle simmer. I have to say I really didn’t enjoy the characters and I’m finding it hard to think of one that was particularly likeable. Jude and her sister Tarryn are now living as wards of the man who brutally murdered their parents when they were very young, yet they seem to embrace him and throughout it doesn’t appear to be any thirst for revenge against him that fuels her, instead it seems to be focused on the torment and bullying she receives from the “cruel” prince Carden and getting back at him and his posse. I say “cruel” because it’s actually quite ambiguous, there are plenty of princes who are truly cruel in this story, more so than Carden who is just a by product of his experiences. I certainly wouldn’t agree with the blurb that he is the “wickedest of the Kings sons.” All the male characters are written without much in the way of redeeming features and most of the girls are scheming. Sadly, I didn’t really care about Jude and I found the situations she found herself in slowly more and more ludicrous almost as if it was ultimately forgotten that she was human playing fae.
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
Zuky the BookBum (15 KP) rated The Ridge in Books
Mar 15, 2018
When I saw John Rector had another novel coming out I was really excited. I read a previous book of his, <i>Ruthless</i>, which I really enjoyed, so I was sure I was going to like this one, but it didn't live up to my expectations.
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
This book sounds like it's going to be about a creepy neighbourhood, and while it is, it also isn't. Sure, our characters live in a Stepford Wives feeling place, but we actually only meet 2 or 3 extra characters who live in the neighbourhood, so when the synopsis says something about "exposing the community's pretty lies", there didn't feel like there was much of that. It was far more about a woman digging up secrets on an institute that happens to have all its employees living in one area. This isn't particularly a bad thing, it's just something to note. It's not quite as Stepford Wives as you might think!
This book is 90% conversation and 10% description, so if you're the kind of person who likes descriptive, poetic reads, this certainly won't be for you, but for me, all the speech wasn't an issue, it was sometimes what was being said that I had an issue with. Lots of the time I felt conversation was a little bland, stiff and unrealistic. In terms of descriptive writing, about the neighbourhood or a person, there was nothing special to note. There was also a rehashing of several particular phrases that began to grate on me quite soon into the book.
To begin with, I did really like this novel, I found myself rushing through it, intrigued to know what was going on. It was subtle but it was creepy. Towards the middle, my interest began to dip a bit. I had started to guess what was happening, as well as there being a not-so-exciting reveal. Some parts of the story also started to feel amiss, such as the roses bushes outside of Rachel's being described as "in full bloom" after the scene of her hacking away at them... continuity was sometimes a little shady.
What really let this novel down for me was the characters and the immaturity of them all. None of them felt real, so it was difficult picturing them in situations. Particularly our MC, Megan, who was really juvenile and melodramatic. And naive. Oh so very, stupidly, unrealistically naive. It was so easy to become annoyed by her rash decision making and all the different ways she handled situations. What really got me, was her revealing conversation with Mercer about midway through the book. I couldn't wrap my head around how she could turn around and call him "crazy" after everything she had been through. It felt totally off kilter!
I liked and I didn't like this book. I think it could have been so much creepier and mysterious than it was. I felt there was too much time being spent on Megan's thoughts of Chicago and her marriage to fully appreciate the weirdness of the community she lived in. Ultimately, this book was too simple. It all worked out too well and everything slot perfectly into place, which totally isn't my kind of thriller story.
<i>Thanks to Netgalley and Thomas & Mercer for giving me the opportunity to read this in exchange for an honest review.</i>
Zuky the BookBum (15 KP) rated Three Days and a Life in Books
Mar 15, 2018
I'm having a little bit of a struggle coming up with the words to describe how I feel about this one. Clearly, I enjoyed it, but I can't quite work out what it was about it that I liked so much, and then how I can get that across in my review. Let's go through this one step at a time...
This book is very much about neighbourly relationships. It's based in the small village of Beauval where everyone knows everyone, there are friends in the village and there are enemies. They live everyday surrounded by people who know everything about them. There are a load of books about the small-town-mentality at the moment, it's clearly a very "in" thing for authors at the moment. Some of them I like, others I find boring or distressing. This one was just perfect for me!
We begin the novel in 1999 and this is where we get most of the small-town vibes. We meet Antoine and his mother, whose only worry is to keep up with appearances. We meet the neighbours, the Desmedt's and Mouchottes. We meet the town butcher, Monsieur Kowalski. We meet the Weiser's - the mayor and his son Theo. We meet a lot of different people, but they all have a very important role to play within the story.
It's the 23rd December 1999 and little Remi Desmedt has gone missing. There are plenty of the theories as to his disappearance, but we know what's happened to him, and we know where he is. What follows is a slow paced novel about the effects of Remi's disappearance on the town and the theories and judgments each villager makes on anyone suspected of having taken the young boy.
The majority of this novel is set in the few days after Remi's disappearance in 1999. This was definitely my favourite part of the novel. It was enjoyable to follow the story through Antoine's mind-set, who is 12 at the time. But as we move through the story, we meet Antoine again in 2011 and then again in 2015, but these parts of the book aren't as enjoyable to read.
As we progress through the novel, Antoine keeps coming up against challenges he needs to overcome. Will he do the right thing, or will he do anything to keep his secrets close?
Like I said before, this novel is slow paced, but I quite like that in a books sometimes. This is advertised as a thriller but I wouldn't think of is like that, this feels more like a general fiction novel to be honest. This was also described as "suspenseful", but again, I'm going to disagree with that. See what I mean about not being able to describe my feelings on it? I'm at a loss for words on what I feel this books was like! What I can say is that I love Lemaitre's way of writing. It really sucked me into the story and for this reason, I'm definitely checking out his other stuff!
Something I also know is that I enjoyed this book, for the most part. If it hadn't been for the 2011 and 2015 chapters, and the direction they took, this could have been a 5 star read for me.
This book is very much about neighbourly relationships. It's based in the small village of Beauval where everyone knows everyone, there are friends in the village and there are enemies. They live everyday surrounded by people who know everything about them. There are a load of books about the small-town-mentality at the moment, it's clearly a very "in" thing for authors at the moment. Some of them I like, others I find boring or distressing. This one was just perfect for me!
We begin the novel in 1999 and this is where we get most of the small-town vibes. We meet Antoine and his mother, whose only worry is to keep up with appearances. We meet the neighbours, the Desmedt's and Mouchottes. We meet the town butcher, Monsieur Kowalski. We meet the Weiser's - the mayor and his son Theo. We meet a lot of different people, but they all have a very important role to play within the story.
It's the 23rd December 1999 and little Remi Desmedt has gone missing. There are plenty of the theories as to his disappearance, but we know what's happened to him, and we know where he is. What follows is a slow paced novel about the effects of Remi's disappearance on the town and the theories and judgments each villager makes on anyone suspected of having taken the young boy.
The majority of this novel is set in the few days after Remi's disappearance in 1999. This was definitely my favourite part of the novel. It was enjoyable to follow the story through Antoine's mind-set, who is 12 at the time. But as we move through the story, we meet Antoine again in 2011 and then again in 2015, but these parts of the book aren't as enjoyable to read.
As we progress through the novel, Antoine keeps coming up against challenges he needs to overcome. Will he do the right thing, or will he do anything to keep his secrets close?
Like I said before, this novel is slow paced, but I quite like that in a books sometimes. This is advertised as a thriller but I wouldn't think of is like that, this feels more like a general fiction novel to be honest. This was also described as "suspenseful", but again, I'm going to disagree with that. See what I mean about not being able to describe my feelings on it? I'm at a loss for words on what I feel this books was like! What I can say is that I love Lemaitre's way of writing. It really sucked me into the story and for this reason, I'm definitely checking out his other stuff!
Something I also know is that I enjoyed this book, for the most part. If it hadn't been for the 2011 and 2015 chapters, and the direction they took, this could have been a 5 star read for me.
ClareR (5603 KP) rated Eleanor Oliphant Is Completely Fine in Books
Mar 28, 2018
Not what you'll expect it to be...
Eleanor lives by her routines. Every weekday morning she gets up at the same time, starts work at the same time, buys a newspaper at the same place which she always reads all of and completes the crossword in. She leaves work at 5.30 every day, travels home the same way and listens to The Archers as she makes pasta and pesto with salad (which requires one pan and one plate). She goes to bed at the same time, 10pm, every evening. Wednesday, ‘Mummy’ always phones and talks to her for 10 minutes.
On Friday nights after work, she buys pizza and two bottles of vodka, that she will drink over the course of the weekend, on her own. She spends all week on her own. Eleanor has no friends, she believes that she doesn’t need any either.
Then Eleanor sees him: the man who she becomes obsessed with, the man who Mummy never believes she will be able to attract, and Eleanor decides to reinvent herself so that he will become interested in her.
Some of these reinvention ‘adventures’ are hilarious, and include things that all women do: self-grooming, in particular. The waxing incident had me in stitches!
At work, things change when she meets Ray from IT when he comes to mend her computer. He’s affable, gentle and intrigues by Eleanor. She however is not at all interested, and her sights are set elsewhere. After work one day, Ray and Eleanor are walking home when they come upon an elderly man, Sammy, who has collapsed in the street. They help him, call an ambulance, and so a friendship is begun. Eleanor’s life is opened up, whether she wants it to or not.
Eleanor tells her own story, and we go along for the ride as she shares her story and learns how to actually live. Secrets she has even kept from herself for years, are revealed.
There are many funny parts to this story, and they are painfully funny. Eleanor’s lack of social skills is evident. I didn’t feel that fun was being poked at Eleanor, but we are encouraged to laugh at the situation and therefore learn about how difficult Eleanor’s life is. There are parts of the story where laughter is very far from the mind. I found parts to be very emotional and so, so sad.
I honestly didn’t want to leave Eleanor Oliphant’s world. The story really doesn’t end at the end of the book, and we are left with the impression that Eleanor’s story will continue in her ‘book universe’. Ultimately, this book is an interesting commentary of modern life and our biggest problem - loneliness. We are the generation of social media, internet and gadgets, and we have left behind our human kindness. We are a social animal that no longer seems to be social. All so wrapped up in our own little worlds, that we don’t realise we’re missing that connection with real human beings, and don’t see when there are others around us who are lonely and need the contact of others.
This is such an enjoyable, funny, heartwarming and heart wrenching and above all, hopeful book. I would heartily recommend it, particularly to those who enjoyed “A Man Called Ove’, ‘The Rosie Project’ and more recently ‘The Cactus’. It’s never overly sentimental, but it IS full of heart.
On Friday nights after work, she buys pizza and two bottles of vodka, that she will drink over the course of the weekend, on her own. She spends all week on her own. Eleanor has no friends, she believes that she doesn’t need any either.
Then Eleanor sees him: the man who she becomes obsessed with, the man who Mummy never believes she will be able to attract, and Eleanor decides to reinvent herself so that he will become interested in her.
Some of these reinvention ‘adventures’ are hilarious, and include things that all women do: self-grooming, in particular. The waxing incident had me in stitches!
At work, things change when she meets Ray from IT when he comes to mend her computer. He’s affable, gentle and intrigues by Eleanor. She however is not at all interested, and her sights are set elsewhere. After work one day, Ray and Eleanor are walking home when they come upon an elderly man, Sammy, who has collapsed in the street. They help him, call an ambulance, and so a friendship is begun. Eleanor’s life is opened up, whether she wants it to or not.
Eleanor tells her own story, and we go along for the ride as she shares her story and learns how to actually live. Secrets she has even kept from herself for years, are revealed.
There are many funny parts to this story, and they are painfully funny. Eleanor’s lack of social skills is evident. I didn’t feel that fun was being poked at Eleanor, but we are encouraged to laugh at the situation and therefore learn about how difficult Eleanor’s life is. There are parts of the story where laughter is very far from the mind. I found parts to be very emotional and so, so sad.
I honestly didn’t want to leave Eleanor Oliphant’s world. The story really doesn’t end at the end of the book, and we are left with the impression that Eleanor’s story will continue in her ‘book universe’. Ultimately, this book is an interesting commentary of modern life and our biggest problem - loneliness. We are the generation of social media, internet and gadgets, and we have left behind our human kindness. We are a social animal that no longer seems to be social. All so wrapped up in our own little worlds, that we don’t realise we’re missing that connection with real human beings, and don’t see when there are others around us who are lonely and need the contact of others.
This is such an enjoyable, funny, heartwarming and heart wrenching and above all, hopeful book. I would heartily recommend it, particularly to those who enjoyed “A Man Called Ove’, ‘The Rosie Project’ and more recently ‘The Cactus’. It’s never overly sentimental, but it IS full of heart.
BankofMarquis (1832 KP) rated Hereditary (2018) in Movies
Jun 28, 2018
Laughable
For me, the hardest genre of film to get right is horror. In short order the filmmaker needs to set up the premise and "rules of engagement" of the world that is being presented and then execute incredulous situations and predicaments in such a way that are plausible and tense.
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Hazel (1853 KP) rated Picasso: The Colouring Book in Books
Dec 7, 2018
For a full review, including visual examples, please follow this link: https://hazelstainer.wordpress.com/2017/07/14/picasso-coloured-in/
...
<i>Pablo Picasso: To Colour In</i> was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
...
<i>Pablo Picasso: To Colour In</i> was published in April 2016 with the intention of using the popular fad to educate readers/colouring book enthusiasts about the techniques and secrets of the great master. Each work included in the book has a brief paragraph explaining what it is (in case you cannot tell) and a few details about Picasso’s intentions or the events happening in his life at the time.
...
Naturally, it would be impossible to produce a book of all Picasso’s recorded works, but the editors of this particular colouring book have carefully selected examples that span the majority of his life, thus encompassing the different styles he experimented with.
The author of the text – presumably Frédérique Cassegrain, who also wrote the biography and information for each included artwork – gives helpful advice about how to colour in the outlined versions of Picasso’s paintings. The paper is thick enough to be suitable for paints, particular Gouache, which is water soluble and easily blended. Alternatively, coloured pencils may be used, preferably of artistic quality, which may be more suitable for those less confident in art and design. Another option, although not mentioned by the author, are felt-tip pens. Usually, these should be avoided due to ink bleeding through the page, however, the paper is single sided, so there is no chance of damaging the following colouring page in the book.
Purchasing Pablo Picasso: To Colour In and completing the book, provides not only hours of fun and relaxation, but an opportunity to discover and understand the artist. Unlike at a gallery where the brain may switch off, being able to go away and return to the book gives us time to absorb the information and concentrate more clearly on the details of each painting.
Opposite each colouring page is a copy of the original in full colour, meaning that, if one desired, one could replicate Picasso’s work as closely as possible. By doing, rather than just looking, we begin to understand the colour choices, piece together the geometric shapes to form an image and begin to understand the thought processes of the artist.
Interestingly, there are two paintings that stand out amongst all the others. These were produced during and after the First World War, a time when Picasso returned to a more classical style of artwork. These are The Pipes of Pan (1923) and The Bathers (1918). Both show a completely different side to Picasso and would not immediately be recognised as his own work. Despite not being entirely life-like, there are no elements of Cubism or Surrealism and the colour palette is altogether natural. Picasso has focused on shading and tone to create a realistic appearance, a contrast to the flattened portraits he is known for.
...
Pablo Picasso: To Colour In will appeal to artists, art historians and other creatives with its contrast of light relief and in-depth knowledge. The book is available online at retailers such as Amazon and The Book Depository from approximately £6. If Picasso is not your thing, there are other artists available in the series of colouring books, including Klimt, Hokusai (Japanese Art), Monet, Van Gogh, Caillebotte and Manet (Impressionists), and Paul Klee. Whatever your preference, prepare to learn whilst you are relaxing and having fun.
It all starts on the first day of school in class when a gorgeous looking boy walks through the door and catches Scarlett's eye. Scarlett is Noah's Tour guide as they have almost every class together, they instantly become good friends. Noah is a very curious character and Scarlett likes it, he seems so much older than the other boys and really listens, over the weeks they grow closer, so close even that Scarlett confides in a secret that she hasn't told anyone before. She can't remember anything from the age of 4 and below due to a fire.
Noah tries to encourage Scarlett to think back and see if she can remember anything from the fire, but with it being 10 years ago she really is not that bothered until one day she is involved in a car accident and a knock to the head causes her to have flashbacks/dreams involving a little girl. With the feeling she knows this girl she attempts to resurface these repressed memories and discover what happened all those years ago.
This book didn't start off great, it felt juvenile, boring and very insta-lovey and I understand if people gave up on this, but I urge you to read past 20%, because it gets so much better, believe me! Weird shit goes down. My biggest complaint about this book is the repressed memories from 4 years old! Who remembers memories aged 4 and below? seriously? I probably have 1 or two memories and they are pretty lame. This to me didn't sound plausible as Scarlett was stating that she has missed 4 years of memories.....errrr not really, because no one remembers being a baby or 1 or even 2!. As I say the book gets much better and the last two-thirds is pretty good, I won't give too much away but there is a crazy cult involved and a twist.
I liked Noah, he was attentive, inquisitive and handsome young man. He instantly befriends Scarlett and then they develop a relationship with one another. He was not like other teenage boys and respected and fell utterly head over heels in love with Scarlett. As I said earlier he likes to ask a lot of questions about Scarlett and with all the questioning Scarlett's story is told.
Scarlett is a normal 15-year-old girl on the outside, but the inside is a different matter, she is tormented by flashbacks from the accident and believes her parents are lying to her. She has emotions and hormones flying everywhere. One minute she is really happy the next she is crying.
The book is told in dual perspective of Noah and Scarlett.The writing is very easy to read and the premise is good.
<spoiler>If both sets of parents were in the cult and this so said cult is pretty small, surely they would have recognised each other when they met! I am confused by this.*Scratches head*</spoiler>
This was a good read and quite gripping by the end of it. It does have insta-love , secrets and cults too, so if you are interested in any of these things then I recommend you pick it up!.......but remember you need to read past the 20% mark, don't give up.
Overall I gave this 3 out of 5 stars
Noah tries to encourage Scarlett to think back and see if she can remember anything from the fire, but with it being 10 years ago she really is not that bothered until one day she is involved in a car accident and a knock to the head causes her to have flashbacks/dreams involving a little girl. With the feeling she knows this girl she attempts to resurface these repressed memories and discover what happened all those years ago.
This book didn't start off great, it felt juvenile, boring and very insta-lovey and I understand if people gave up on this, but I urge you to read past 20%, because it gets so much better, believe me! Weird shit goes down. My biggest complaint about this book is the repressed memories from 4 years old! Who remembers memories aged 4 and below? seriously? I probably have 1 or two memories and they are pretty lame. This to me didn't sound plausible as Scarlett was stating that she has missed 4 years of memories.....errrr not really, because no one remembers being a baby or 1 or even 2!. As I say the book gets much better and the last two-thirds is pretty good, I won't give too much away but there is a crazy cult involved and a twist.
I liked Noah, he was attentive, inquisitive and handsome young man. He instantly befriends Scarlett and then they develop a relationship with one another. He was not like other teenage boys and respected and fell utterly head over heels in love with Scarlett. As I said earlier he likes to ask a lot of questions about Scarlett and with all the questioning Scarlett's story is told.
Scarlett is a normal 15-year-old girl on the outside, but the inside is a different matter, she is tormented by flashbacks from the accident and believes her parents are lying to her. She has emotions and hormones flying everywhere. One minute she is really happy the next she is crying.
The book is told in dual perspective of Noah and Scarlett.The writing is very easy to read and the premise is good.
<spoiler>If both sets of parents were in the cult and this so said cult is pretty small, surely they would have recognised each other when they met! I am confused by this.*Scratches head*</spoiler>
This was a good read and quite gripping by the end of it. It does have insta-love , secrets and cults too, so if you are interested in any of these things then I recommend you pick it up!.......but remember you need to read past the 20% mark, don't give up.
Overall I gave this 3 out of 5 stars
Gareth von Kallenbach (971 KP) rated Unfriended (2014) in Movies
Jun 19, 2019
In the modern age of electronic media, cyber stalking and cyber bullying have driven several young people to take drastic actions including suicide. Bullying has always been an issue in schools but with the ability for tormentors to cyber stalk individuals as well as encourage others to take part in the harassment, it can be hard to find any escape from the relentless attacks. In new film “Unfriended”, the audience learns through video clip that a young student named Laura committed suicide in an attempt to escape a never-ending wave of torment after an unflattering video of her was posted online. One year later the group of friends gather online as is their custom to discuss their lives as well as note the anniversary of Laura’s passing. As the group gathers on Skype may notice a mysterious and unknown person has joined their conference. Despite their attempts they’re unable to get rid of this unknown and so far silent intruder, but one of the girls named Claire starts to receive Facebook messages from Laura’s personal account. Unable to block, ignore, or remove this unwanted individual despite their best efforts, as the group soon find the tables have turned when they’re told that if they should leave the chat dire consequences will follow. At first dismissed as a very tasteless practical joke, when tragedy does strike it begins to give a new level of credence to the significant threat that their unknown chat partner provides.
When the unknown guest reveals that she is indeed Laura and begins to force the remaining students to play a series of games which in turn bring their darkest and deepest secrets to light as well as turning them against one another, the despair and eventually body count begins to rise. While there are moments you can ask questions such as where are the adults in the film which are never really addressed aside from a few police officers, the film does keep you interested even though it is presented entirely through a computer screen with each individual appearing as their own individual windows with other social media applications and computer screens coming and going as the plot dictates.
The film is neither as scary nor violent as one may indicate although it is definitely an R-rated film due to language and subject matter. Much of the graphic nature is shown through quick cutting and low-quality WebCam video that cuts out frequently or lags. The main strength of the film is that it takes an interesting concept to the approach of a killer looking for revenge. The fact that the characters remain in the same room in which they began and never once have any direct contact with each other is an interesting microcosm of how many young people today socialize more through electronics than they do in a face-to-face setting. However is anybody who grew up in the 70s and 80s will tell you, teens tying up phone lines for hours was a common occurrence in many homes throughout the world.
With the cast comprised mostly of unknowns, the film does the best with its premise but never fully develops the scares and suspense that one would expect from such an intriguing premise.
In the end the film can be a difficult watch but at least provides some entertainment for fans provided you can sit through the unusual visual presentation of the film and show patience with some of the leaps of faith that the audience is asked to undergo.
http://sknr.net/2015/04/17/unfriended/
When the unknown guest reveals that she is indeed Laura and begins to force the remaining students to play a series of games which in turn bring their darkest and deepest secrets to light as well as turning them against one another, the despair and eventually body count begins to rise. While there are moments you can ask questions such as where are the adults in the film which are never really addressed aside from a few police officers, the film does keep you interested even though it is presented entirely through a computer screen with each individual appearing as their own individual windows with other social media applications and computer screens coming and going as the plot dictates.
The film is neither as scary nor violent as one may indicate although it is definitely an R-rated film due to language and subject matter. Much of the graphic nature is shown through quick cutting and low-quality WebCam video that cuts out frequently or lags. The main strength of the film is that it takes an interesting concept to the approach of a killer looking for revenge. The fact that the characters remain in the same room in which they began and never once have any direct contact with each other is an interesting microcosm of how many young people today socialize more through electronics than they do in a face-to-face setting. However is anybody who grew up in the 70s and 80s will tell you, teens tying up phone lines for hours was a common occurrence in many homes throughout the world.
With the cast comprised mostly of unknowns, the film does the best with its premise but never fully develops the scares and suspense that one would expect from such an intriguing premise.
In the end the film can be a difficult watch but at least provides some entertainment for fans provided you can sit through the unusual visual presentation of the film and show patience with some of the leaps of faith that the audience is asked to undergo.
http://sknr.net/2015/04/17/unfriended/
Hazel (1853 KP) rated Silence Is Goldfish in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.
With an intriguing title, British author Annabel Pitcher continues to attract young adult readers with her third contemporary novel. <i>Silence is Goldfish</i> is set in the English city of Manchester where fifteen-year-old Tess lives with her mother and father – well, the man she believed to be her father. On accidentally discovering vital information that her parents have withheld from her, Tess is determined to run away to London. After a failed attempt, Tess opts for the next best way of coping: she vows to never speak again.
Naturally everyone is worried about Tess: her parents, schoolteachers, friend; but she does not let their feelings fool her into believing the lies they have forced upon her. As things spiral out of control at school with in increase in bullying and the loss of her only friendship, Tess looks elsewhere for a new father figure. What Tess learns is that DNA is the least important aspect of being a parent, it is the love, warmth and care they provide that matters most.
<i>Silence is Goldfish</i> is funny and realistic, whilst also tugging on heartstrings. Tess is an extremely honest character – although due to mutism her thoughts are only expressed in her mind to a small goldfish-shaped torch –readers will be able to relate to her feelings and circumstances. Obviously the scenarios would have been resolved quicker if Tess had only told someone what was on her mind to begin with, however her anger and subsequent refusal to talk reveals how dangerous secrets can be, especially potentially life changing ones.
As already mentioned, Annabel Pitcher has now published three novels for teenage readers; however she has not yet developed her personal style of writing. Pitcher’s first novel <i>My Sister Lives on the Mantelpiece</i> was narrated by a much younger character, therefore the language and depth of internal thoughts were markedly different from <i>Silence is Goldfish</i>. Pitcher’s other novel, <i>Ketchup Clouds</i>, is equally dissimilar. Although the main character is of similar age to Tess, the novel is told through letters, resulting in a completely different reading experience.
It has to be said, <i>Silence is Goldfish</i> is definitely the better of the three novels published to date. Not only is the story engaging and humorous, it contains profound thoughts about the world, which mature readers will absorb and wish to quote on their social media, in private diaries or recite directly to their friends.
<i>Silence is Goldfish</i> contains slightly less sensitive content than Pitcher’s other books, however certain scenes make it inappropriate for younger readers. Although Tess is fifteen, she has to deal with a few rather adult topics; on the other hand these only occur in short bursts and should not upset the reader.
It will be interesting to discover what Annabel Pitcher writes next, and whether she continues in the same writing style – one hopes; it was good – or try yet another approach. Whether you have read Pitcher before, and regardless of your opinion on the books, <i>Silence is Goldfish</i> is a highly recommended novel.